

Two hours sketching
Started sunny, ended cloudy: battle with changing weather. The blue in the sky partly belongs to sunny…


Started sunny, ended cloudy: battle with changing weather. The blue in the sky partly belongs to sunny…
In landscapes, many people habitually start with the brightest part of the sky. But if that’s too bright, it forces you to add excess white to every other mixture, making the whole piece look chalky.
Recently,I’ve tried starting the first stroke with the most saturated color (usually a midtone), and then moving toward the highlights and shadows. This seems like a much safer approach. What do you think ?
I’ve realized that the biggest obstacle in watercolor isn’t always technique, but the overlooked details. Here are a few "traps" I’ve personally fallen into—hopefully, this helps you save time.
Mistake 1: Constantly switching paper and brushes.
Every paper and brush has a different water capacity. Frequent changes prevent your muscle memory from adapting to the synergy between them. Focus on compatibility over prestige.
Mistake 2: Using dried-up tube paints in the palette.
It’s impossible to pick up enough pigment, leading to weak values and muddy layers from over-scrubbing. It is best to use freshly squeezed paint for every session.
Mistake 3: Overusing opaque/cadmium pigments.
These kill the "transparency" and "glow" of watercolor. They sit on the surface and turn layers into mud.Opaque colors are unsuitable for large wet washes and they better used for final accents and highlights.
These are my hard-learned lessons. What are some traps that kept you stuck in your watercolor journey? Drop your comments below!