Jacob Tierney absolutely knew what he was doing with that end credits scene (and I love it)
I don’t know if this has been covered anywhere, but I have to believe that Jacob Tierney knew exactly what he was doing to a huge chunk of his queer audience with that long, drawn out, driving sequence behind the final end credits.
Raise your hand if you were yelling at your screen for Shane to keep his eyes on the damn road, or at least seriously considering doing so.
I’m willing to bet it wasn’t just me.
So many of the queer folks old enough to watch this show are of generations that have been conditioned to expect a queer story to end in tragedy (at least for productions as well done and widely distributed as HR was).
I Know how the romance genre works, I Knew they weren’t going to finish the credits with them in a fiery wreck. And YET. And yet, I was still waiting for it.
AND THE RELEASE OF TENSION WHEN THE SEQUENCE FINISHED. I hadn’t realized I’d been building that tension through watching the entire show. And then it was gone. And I knew I had to watch it again from the beginning. Have a chance to experience the story without that tension I hadn’t even realized I was feeling. And it was such a different experience. So much easier to sit in the feelings of the individual scenes as they were, instead of keeping one eye on the future, wondering when that shoe will drop. It was so nice. And so I did it again.
I’ve heard this show gets an unusual number of rewatches. And I think this is part of why. And I think the show’s creator absolutely knew what he was doing. He found a way to leverage our (and his) collective trauma (for lack of a better word) to serve the story he was trying to tell, and he did it in a way that wasn’t callous, it was healing.
At least it was for me.