




The Truth About Vaikuntha Dress
In the above images we see classical depictions of Vishnu, Krishna and Rama. All Indian gods are more or less depicted wearing the same kinds of clothing and jewelry. Kshatriyas from the Vedic Period, such as the Pandavas, are shown wearing the same dress.
This style is the standard in BBT art. It is also found in Indian paintings, devotional prints, and in Bollywood films.
It is what Vishnu eternally wears in Vaikuntha and what Krishna wears in Dwaraka and Mathura.
Vishnu's Dress
Vishnu wears a towering golden crown with a sun disc in the back. There are elaborate golden arm bands on his biceps and jewelry hanging across his neck and chest. An udarabandha, a thin golden bracelet, is stretched across the stomach. A yajnopavita thread is hung over his left shoulder and under his right arm. The rest of his body is naked except for the dhoti and chadar. A flower garland rests prominently atop the regalia. When visible, the ankles are draped in bracelets.
This is how devotees are advised to meditate on Vishnu in manasa seva. The bhakta will imagine Vishnu standing on a lotus flower within his heart, dressed the same way.
This clothing is considered to reflect the Vedic period (1500 BCE - 500 BCE), when the events of the Mahabharata and Puranas were said to take place, when the gods and avataras walked the earth. Beyond that, we are told, this is the style of the spiritual world, an expression of Aishvarya Bhava.
Gupta Period Fashion
In truth, none of this stuff comes from the Vedic Period. It began to develop in the Early Classical Period (200 BCE) and found full expression in the Gupta Period (200 CE - 600 CE).
Vedic kings did not wear crowns, they wore turbans, often with jewels intricately attached (see fourth image). The golden crowns one sees Krishna wearing in BBT art are from roughly 1400 years after Krishna would have lived.
Armbands (khadi) were worn in the Vedic period as amulets, but they were much simpler than depicted in later art. The elaborate arm bracelets we see in BBT art are also from the Gupta Period.
Vedic kings did not wear large necklaces and gold plates that dripped down their chests. There wore smaller necklaces made of threaded gold coins and only during festivals and rituals. Generally they wore bead necklaces, some hanging low and some tight around the neck like a kunthi mala.
Indian kings did not wear complex golden jewelry until the Gupta Period, when trade with Rome brought all sorts of gems, beads and precious metals previously unavailable.
The belly necklace (udarabandha) was also not worn until much later, and was not popularized until the Gupta Period. It was meant to correct posture and emphasize a strong abdomen for aesthetics.
There were no yajnopavita threads. These are the three intertwined strands of cotton that ISKCON wrongly calls "Brahman threads". This also evolved much later during the Early Classical Period.
Kings in the Vedic Period did not wear ankle bracelets. It was considered effeminate. Only much later did men start wearing a large solid clasps around their lower legs. A Vedic king would not be caught dead wearing soft dainty chains around his ankles.
The only thing Vedic kings did wear were the upper and lower cloth, and the flower garland.
Why Gupta Dress?
As we can see, Gupta Period dress became spiritualized, frozen in time, as the very image of transcendent culture. How did this happen?
Well the answer is simple. It was during the Gupta Empire that the Puranas were written and the gods were created as we understand them.
Their dress reflects the time period their iconography was designed. It is also the first time India became wealthy and royalty could dress in such finery.
The Guptas also made carvings of gods in their own dress, and this cemented the image into the Indian psyche. Simply put, they are the gods of the Guptas.