u/Sublegion

(keep in mind im mixing IRL German Politcs to Russian ones,making this Germany maybe close to an blanket Anocracy)

United Germany - All German Christian Democratic Libreal Front is one of the largest center/center-right parties in all of Germany and the leading figure of the Volksfront Coalition, formed from the Christian Democrats of the Defunct CPUSR between the new CDU and the United Fatherland Party,they are known to the the most moderate tent of liberal conservatives, hawkish neoconservatives, Catholic and Protestant members alike and large megacorporations that returned to Germany or very recent oligarcs such as DeutschPetrol after the fall,which makes the party controverisal and filled with allegations of Chauvinistic tendencies such ast the FUR SIEG! online war call.

The SPD - Just Germany is the spiritual successor of the old SPD, and also a splinter group of the old CPUSR along with Sahra Wagenknecht's KPD, it is a party known for supporting welfare for all German citizens and known to tighten regulation,favorite among known Syndikalistewerke(Cooperative work) oligarchs, some pensioners, and urban goverment workers. In which this party is known for being compared to the American's Democratic party and Mexico's MORENA party,yet with similar agenda akin to VD,with some socially conservative policies and the same foreign policies as VD, in which is hated even by many German Progressives

The Apple Party is the progressive party in all of the Volksfront, known for its support of many enviromentalist policies,LGBTQ+ rights, social welfare akin to the SPD,in which its founding is created by few young Green Parties and sevreal progressive figures of the former CPUSR,but dont let their beliefs fool you; they are the most hawkish and chauvinistic parties of them all, with a known anti-immigration agenda spoken, downplaying historical narratives despite their hate towards the KPD, and known members signing self-defeating "Online Safety" bills, massive diplomatic incidents, transphobic and xenophobic remarks, support of the death penalty and a glorified shell party of manufactured scandals and corruption that is hated even by the most woke progressives in the country.

Neuevolk,also know as New People are the most collaborative parties of the Volksfront,they are known for being the most neolibreal,and to an extent libertatian on goverment regulation across the country, which makes it favored among disllusioned libreal youth,neobourgeoisie, the petit bourgeoisie and foreign capital,the economic arm of the VD that is mostly a backup part that forms during coalition building,which controversies surrounding the party is so much to bear some memes were made about it,a puppetered party amongst many

And also the message is so inspiring,coming from a Boryinkelio (Portus Deivan) myself!
(Note: I heard someone theorizing Soy Cuba in the world of Greece in Spain so why not make a poster of it?)

Happyend (stylized in all caps) is a 2024 dystopian coming of age drama film written and directed by Neo Sorashr. Set in a near-future Sainoru (Tokyo), it stars Kurihara Hayato and Hidaka Yukito as two high school best friends whose friendship is tested before graduation. Ayumo Nakajima, Makiko Watanabe, and Shirō Sano appear in supporting roles.
(Names are pending to be renamed)

Set in near-future Sainoru, two best friends are about to graduate high school, while threats of an earthquake loom. One night, they pull a prank on their principal, leading to a surveillance system being installed. They respond in contrasting ways Happyend explores how political unrest and personal relationships intersect. The film centers on a friendship that fractures as one character becomes politically active while the other withdraws. Director Neo Sorashr contrasts small, personal moments with broader social shifts, touching on themes such as surveillance, youth disillusionment, and state control. The story also engages with questions of Hokunese identity, xenophobia, and historical amnesia, particularly regarding Hokun's colonial past. Underground music scenes and resistance to AI-generated culture reflect the characters’ pushback against commercialization and conformity. The film also addresses the limited political agency of marginalized groups, including Hokun's Arabito Arabs and Yama-Irmanbito Kurds.