u/TNEgyptologist

Image 1 — A model (Makit) of a grain store with the Library of Accountants
Image 2 — A model (Makit) of a grain store with the Library of Accountants
Image 3 — A model (Makit) of a grain store with the Library of Accountants
Image 4 — A model (Makit) of a grain store with the Library of Accountants
Image 5 — A model (Makit) of a grain store with the Library of Accountants

A model (Makit) of a grain store with the Library of Accountants

This model of a grain store was found in a secret room in the corridor leading to the carved tomb in the rock of the great royal court Makit Ra' al-Ma'khuz, which was named after the word (Makit) or a miniature model, which began its journey during the reign of King Nab Habet Ra' al-Mutawhbat II of the eleventh dynasty, and continued to serve the successive kings until the early years of the twelfth dynasty.

The four corners of this grain store model are still preserved in some parts of southern Egypt to this day, and it is believed that it provides additional protection against thieves and rodents. The interior is divided into two main sections: the grain store itself, where grains are stored, and the accounting area. The supply of grains was of great importance in the agricultural community, and it is worth noting that the number of six men who carried the grain bags here is less than the number of nine men who measured and accounted. Among the four libraries, two use cardboard bags, and two are written on wooden boards. All the rooms available in the Makit Ra' store were looted and plundered during the ancient times; however, in the early years of 1920, Herbert and Wenlock, the museum curator, obtained a detailed plan of the tomb layout for the layout of the tomb of the family of the eleventh dynasty in Tayba, and therefore requested his workers to clean up the accumulated debris. During the cleaning process, the small hidden room was found, filled with twenty-four almost complete preserved models. In the end, half of these models were transferred to the Egyptian Museum in Cairo, while the other half was transferred to the Metropolitan Museum as part of the discoveries section.

Period: Middle Kingdom

The Family: The Twelfth Dynasty

The Era: Early First Period

History: ca. 1981–1975 BC

Geographical Location: From Egypt, Upper Egypt, Tyba, south of Asasif, Tomb of Meketre, a royal chief steward, who began his career under King Nebhepetre Mentuhotep II of Dynasty 11 and continued to serve successive kings into the early years of Dynasty 12.

The four corners of this model granary are peaked in a manner that is sometimes still found in southern Egypt today, presumably to offer additional protection against thieves and rodents. The interior is divided into two main sections: the granary proper, where grain was stored, and an accounting area. Keeping track of grain supplies was crucial in an agricultural society, and it is noteworthy that the six men carrying sacks of grain here are outnumbered by nine men taking care of measuring and accounting. Of the four scribes, two are using papyrus scrolls, two write on wooden writing boards.

All the accessible rooms in the tomb of Meketre had already been robbed and plundered during Antiquity; but early in 1920 the Museum's excavator, Herbert Winlock, wanted to obtain an accurate floor plan of the tomb's layout for his map of the Eleventh Dynasty necropolis at Thebes, and therefore, had his workers clean out the accumulated debris. It was during this cleaning operation that the small hidden chamber was discovered, filled with twenty-four almost perfectly preserved models. Eventually, half of these went to the Egyptian Museum, Cairo, and the other half came to the Metropolitan Museum in the partition of finds.

Period: Middle Kingdom

Dynasty: Dynasty 12

Reign: early reign of Amenemhat I

Date: ca. 1981–1975 BC.

Geography: From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, MMA 1101), serdab, MMA excavations, 1920

Medium: Wood, plaster, paint, linen, grain

Dimensions: L. 74.9 (29 1/2 in); W. 56 cm (22 1/16 in); H. 36.5 (14 3/8 in);

average height of figures: 20 cm (7 7/8 in.)

Credit Line: Rogers Fund and Edward S. Harkness Gift, 1920

Object Number: 20.3.11/The Met

u/TNEgyptologist — 20 hours ago

Large Kneeling Statue of Hatshepsut

In her terraced temple at Deir el-Bahri, there were at least ten over life-sized kneeling statues of Hatshepsut. She is shown as a male king wearing a kilt, a false beard, and either the white crown of Upper Egypt (as in this statue), or the nemes–headcloth (29.3.1). In her hands she holds round offering vessels, called nu–pots, and the inscription on the base of each statue identifies the offering she makes to the god Amun. These huge statues flanked the processional way along which Amun's image was carried toward the temple's main sanctuary during a yearly festival. The statues were probably positioned on the temple's second terrace.

This statue represents Hatshepsut wearing the white crown of Upper Egypt (the south), so it may have been placed on the southern side of the processional way. On the base, Hatshepsut is said to be offering fresh plants to Amun. On the back pillar, she is identified by her Horus name, Wosretkau, which is written in a rectangular device called a serekh. One also finds fragments of her throne name, Maatkare, and her personal name, Hatshepsut, both of which are written inside oval cartouches.

In 1930, the Mu9eum's Egyptian 5xpedition found the body fragments of thi3 statue buried in an area called the "Hatshepsut4Hole." 4ome eighty years earlier, the head had been2found and taken to Berlin by Egyptologist Richard Lepsius. The pieces of the statue were reunited in an exchange organized by Herbert Winlo hf11e k, director of the Museum's excavations at Thebes. This and other exchanges were made possible by the generosity of the Egyptian Antiquities Service, which ceded many fragmentary statues to the Metropolitan Museum in the division of finds.

Period: New Kingdom

Dynasty: Dynasty 18

Reign: Joint reign of Hatshepsut and Thutmose III

Date: ca. 1479–1458 B.C.

Geography: From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Senenmut Quarry, MMA excavations, 1927–28

Medium: Granite

Dimensions: H. 295.9 cm (116 1/2 in); w. of base 81.3 cm (32 in); d. of base 145.4 cm (57 1/4 in)

shipping weight in 2006, 3175.2 kg. (7000 lbs)

Credit Line: Rogers Fund, 1930

Object Number: 30.3.1/The Met

u/TNEgyptologist — 20 hours ago

Game Box for Playing Senet and Twenty Squares

The upper and lower surfaces of this box are each configured for a different board game. The side visible in this photograph has twenty squares for a game that was introduced into Egypt from the Ancient Near East. The other side has thirty squares for the Egyptian game known as Senet. These were both games in which two players raced each other for position, using knucklebones or throw sticks as dice to determine each play. For this game box, eight of the original gaming pieces and two bones are preserved. The pieces would have been stored in a drawer that could be closed with an ivory bolt.

Only the ivory sections of the box, the ivory bolt, and the copper alloy bands used to hold the bolt in place were preserved when the box was discovered. It has been restored using modern wood.

Period: Second Intermediate Period–Early New Kingdom

Dynasty: Dynasty 17–Early Dynasty 18

Date: ca. 1635–1458 B.C.

Geography: From Egypt, Upper Egypt, Thebes, Asasif, Courtyard CC 41, Pit 3, Burial E 3, In coffin, MMA excavations, 1915–16

Medium: Ivory, copper alloy, modern wood

Dimensions: L. 25 cm (9 13/16 in.); w. 6.7 cm (2 5/8 in.); h. 5 cm (1 15/16 in.)

Credit Line: Rogers Fund, 1916

Object Number: 16.10.475a/The Met

u/TNEgyptologist — 20 hours ago

Relief Fragments from a Large Figure of Mentuhotep II

The tomb of Khety, the first recorded royal treasurer of King Mentuhotep II, was situated high up in the cliffs at Deir el-Bahri. It is one of the first non-royal tombs at Thebes in which the reigning king was depicted. There was an image of Mentuhotep II with Khety standing opposite at the back of each of the two niches that flanked the entrance passage just behind the main doorway .

The king holds a staff in his left hand and a mace in his right. The head of the mace is delicately decorated with scales in relief and painted to resemble a vegetal item, perhaps the bulb of a lily. This is, of course, not a weapon but a symbol, possibly of rebirth or of the land of southern Egypt, whose emblem was the lily. The royal face with its folds beside the nostrils and full-lipped mouth is well known from other representations of this king.

Period: Middle Kingdom

Dynasty: Dynasty 11

Reign: reign of Mentuhotep II

Date: ca. 2051–2000 B.C.

Geography: From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb of Khety (TT 311, MMA 508), MMA excavations, 1922–23/1926–27

Medium: Limestone, paint

Credit Line: Rogers Fund, 1923

Object Number: 26.3.354-8-related/The Met

u/TNEgyptologist — 20 hours ago

Execration figurine

This clay figurine is part of a large number of similar objects purchased by Jean Capart in Cairo in 1938. They probably came from the necropolis of Saqqara, like a similar group kept in the Cairo Museum. They schematically represent a kneeling person with his arms tied behind his back. The surface of the body is covered with texts written in red and black ink, in very cursive hieratic, which is difficult to read. These objects symbolise individuals and nations hostile to the king and to Egypt, which were intended to be ritually destroyed.

Present location KMKG - MRAH [07/003] BRUSSELS
Inventory number E.7440
Dating 12TH DYNASTY
Archaeological Site SAQQARA NECROPOLIS
Category HUMAN FIGURINE
Material CLAY
Technique FORMED BY HAND; WRITTEN WITH A REED PEN/REED WITH SPLIT NIB
Width 15.2 cm

Bibliography

  • Porter & Moss, Topographical Bibliography of Ancient Egyptian Hieroglyphic Texts, Reliefs, and Paintings III² 549 B. van de Walle, in Schrijfkunst uit het Oude Egypte - Écritures de l'Égypte ancienne, Bruxelles 1992, 28-29
u/TNEgyptologist — 20 hours ago

Shabti of Amenhotep III

This shabti shows the mummiform king holding the crook and flail, the emblems of Osiris. He wears the double crown and a false beard. The facial details are painted, and it is still possible to detect the almond-shaped eyes characteristic of this king. The text, also painted on the statuette, consists of a version of chapter 6 of the Book of the Dead.

Present location KMKG - MRAH [07/003] BRUSSELS
Inventory number E.7439
Dating AMENHOTEP III/AMENOPHIS III/NEBMAATRE
Archaeological Site VALLEY OF THE KINGS
Category SHABTI
Material CALCITE/ALABASTER
Technique HEWN; POLISHED; ENGRAVED; WRITTEN WITH A REED PEN/REED WITH SPLIT NIB; SCULPTURED
Height 40.5 cm
Width 10.8 cm
Depth 7.6 cm

Bibliography

  • F. Lefebvre et B. Van Rinsveld, L'Égypte. Des Pharaons aux Coptes, Bruxelles 1990, 90
  • Aménophis III, le Pharaon - Soleil (Exposition), Paris 1993, 286 n° 69
u/TNEgyptologist — 20 hours ago

King Ramesses III smiting his enemies

The Egyptians drew on ostraka for a variety of reasons; for example, while planning work on tombs or as exercises. Some creations were simply the result of the craftsman's imagination. This ostrakon shows king Ramesses III wearing the red crown of Lower Egypt smiting with his weapon foreign enemies whom he holds by the hair. This drawing is probably a copy of a wall scene on one of the pylons of a ramesside temple. The scene is accompanied by two royal cartouches and a simple caption in hieroglyphs.

Present location KMKG - MRAH [07/003] BRUSSELS
Inventory number E.7359
Dating RAMESSES III/USERMAATRE-MERIAMUN (not before); NEW KINGDOM; NEW KINGDOM (not after)
Archaeological Site UNKNOWN
Category FIGURED OSTRACON
Material LIMESTONE
Technique ROUGH-HEWN; DRAWING
Height 17.5 cm

Bibliography

  • C. De Wit - P. Gilbert, Oud-Egyptische Kunst in twintig beelden - Vingt oeuvres de l'Égypte ancienne, Bruxelles 1963, pl. XVII
  • Kunst voor de eeuwigheid - Illustrations pour l'éternité (Exposition), Bruxelles 1966, 35 n° 58
  • J.-Ch. Balty, e.a., Koninklijke Musea voor Kunst en Geschiedenis, Brussel, Oudheid - Musées Royaux d'Art et d'Histoire, Bruxelles, Antiquité - The Royal Museums of Art and History, Brussels, Antiquity, Bruxelles 1988, 24
  • F. Lefebvre et B. Van Rinsveld, L'Égypte. Des Pharaons aux Coptes, Bruxelles 1990, 135
u/TNEgyptologist — 20 hours ago

Heads of Nefertiti and Akhenaten?

This sculptor's model consists of two heads of individuals facing one another. Taking note of the elongated form of the heads, the elongated eyes, large ears and fleshy lips, all characteristics of Amarna art, it seems likely that it represents the royal couple of Nefertiti and Akhenaten. A study of a left hand can be observed above the head of the latter.

Present location KMKG - MRAH [07/003] BRUSSELS
Inventory number E.7232
Dating AMENHOTEP IV/AMENOPHIS IV/NEFERKHEPERURE/AKHENATEN
Archaeological Site EL-`AMARNA/AKHETATEN
Category SCULPTOR'S MODEL
Material LIMESTONE
Technique HEWN; LOW RELIEF
Height 15.3 cm
Width 18 cm
Depth 3.7 cm

Bibliography

  • R. Hostens-Deleu, Beeldhouwersmodellen in de Egyptische afdeling van de Koninklijke Musea voor Kunst en Geschiedenis, BMRAH 49 (1977) 29-30
  • F. Lefebvre et B. Van Rinsveld, L'Égypte. Des Pharaons aux Coptes, Bruxelles 1990, 86
u/TNEgyptologist — 20 hours ago

Anonymous royal head

|| ||

This anonymous royal head bears a resemblance to a statuette found in the valley temple of Menkaure/Mycerinus at Giza. It could be a representation of king Shepseskaf, who completed the funerary complex of his predecessor. The king wears a type of horizontally folded hairband which extends down to the top of the eyebrows, and on top of it is an uraeus. The face is very delicately modelled, with round eyes, a forced smile, and a strong chin.

Present location KMKG - MRAH [07/003] BRUSSELS
Inventory number E.7117
Dating SHEPSESKAF
Archaeological Site UNKNOWN
Category FIGURINE/STATUETTE
Material LIMESTONE
Technique HEWN; SCULPTURED
Height 8 cm
Width 7 cm
Depth 10 cm

Bibliography

  • R. Tefnin, Sculptuur van het Oude Egypte - Statues et statuettes de l'Ancienne Égypte, Bruxelles 1988, 20-21
  • J.-Ch. Balty, e.a., Koninklijke Musea voor Kunst en Geschiedenis, Brussel, Oudheid - Musées Royaux d'Art et d'Histoire, Bruxelles, Antiquité - The Royal Museums of Art and History, Brussels, Antiquity, Bruxelles 1988, 16
  • F. Lefebvre et B. Van Rinsveld, L'Égypte. Des Pharaons aux Coptes, Bruxelles 1990, 36
  • Th. De Putter et Chr. Karlshausen, Les pierres, Bruxelles 1992, 65
  • K. Finneiser, Beobachtungen zu einem Königskopf des Alten Reiches, GM 163 (1998) 56 n. 15
u/TNEgyptologist — 20 hours ago

The vizier Bakenrenef

The statuette represents Bakenrenef, vizier of Psamtek I (664-619 BC) and priest of the Memphite deities Ptah and Sokar. He kneels, with his hands flat on his thighs in the age-old attitude of veneration. The idealised and powerful facial features point to the 25th Dynasty. The statue looks slightly upwards, a characteristic of exaltation. The statue bears several archaising indications, such as the round striated wig with a central lock of hair, indicating the vizier's membership of the priesthood of Ptah, and the heart amulet on his chest. This statue, recently put together from two fragments, is an excellent example of the archaising statuary of the Saite Period.

Present location KMKG - MRAH [07/003] BRUSSELS
Inventory number E.7049
Dating PSAMMETICHUS I/WAHIBRE
Archaeological Site UNKNOWN
Category FIGURINE/STATUETTE
Material BASALT
Technique HEWN; POLISHED; ENGRAVED; SCULPTURED
Height 36 cm

Translation

>The sem priest, divine father and priest, the vizier Bakenrenef.
One provided for by Ptah-Sokar, the sem priest, the iwnmutef priest, the purifier of the sanctuary, the vizier Bakenrenef.
... bread, beer, meat, fowl, all good things, for the Ka of the sem priest Bakenrenef.

Bibliography

  • L. Limme, Dix ans d'acquisitions - Tien jaren aanwinsten 1979-1988. Catalogue - Catalogus. Égypte - Egypte, BMRAH 59 (1988) 21-22 et fig. 3 (p. 27)
  • R. Tefnin, Sculptuur van het Oude Egypte - Statues et statuettes de l'Ancienne Égypte, Bruxelles 1988, 50-51
  • J.-Ch. Balty, e.a., Koninklijke Musea voor Kunst en Geschiedenis, Brussel, Oudheid - Musées Royaux d'Art et d'Histoire, Bruxelles, Antiquité - The Royal Museums of Art and History, Brussels, Antiquity, Bruxelles 1988, 36
  • Koninklijke Musea voor Kunst en Geschiedenis. Algemene gids met plan - Musées Royaux d'Art et d'Histoire. Guide général et plan, Bruxelles 1989, 14
  • F. Lefebvre et B. Van Rinsveld, L'Égypte. Des Pharaons aux Coptes, Bruxelles 1990, 153
  • Van Nijl tot Schelde - Du Nil à l'Escaut (Exposition), Bruxelles 1991, 205 n° 252
  • Th. De Putter et Chr. Karlshausen, Les pierres, Bruxelles 1992, 75, 174
  • Koninklijke Musea voor Kunst en Geschiedenis, Jubelparkmuseum - Musées royaux d'Art et d'Histoire, Musée du Cinquantenaire - Königlichen Museen für Kunst und Geschichte, Jubelparkmuseum - Royal Museums for Art and History, Cinquantenaire Museum, Bruxelles 1994, 18
u/TNEgyptologist — 20 hours ago

Coffin of Horkawy

The wooden rectangular coffin of Horkawy, probably dating to the 2nd century BC, is a unique piece. It was conceived as a chapel of Osiris in a temple of the Late Period, and the coffin bears texts and depictions which relate to the mysteries of the god of the dead in the Egyptian month of 'Khoiak'. The exterior of the lid is divided into three registers: in the first Osiris is seen on his funerary bed beneath the regenerating rays of the sun. The second register is taken up with a vignette showing the djed-pillar, which symbolises the backbone of Osiris, while the third, the most complex, contains a series of funerary texts of various origin. The interior of the lid is decorated with a figure of the goddess Nut, symbolizing the sky above the deceased. On the base of the coffin are dozens of divinities who each had their own role in the funerary ritual of Osiris and of the deceased.

Present location KMKG - MRAH [07/003] BRUSSELS
Inventory number E.7042
Dating PTOLEMAIC PERIOD
Archaeological Site UNKNOWN
Category COFFIN/SARCOPHAGUS OF HUMANS
Material WOOD
Technique SCULPTURED; PAINTED; ENGRAVED
Height 56 cm
Width 60 cm

Bibliography

  • M.-P. Vanlathem, Oudegyptische lijkkisten en mummies - Cercueils et momies de l'Égypte ancienne, Bruxelles 1983, 22-23
u/TNEgyptologist — 20 hours ago

Osiris

Bronze statuette representing Osiris, the Egyptian god of the dead. His body is entirely enveloped in a cloth that leaves the hands free, he is holding a flail and the heka-sceptre, two royal attributes. On his head is an atef-crown, at the front of which is an uraeus, while at the rear two ribbons pass down the back of the cloth. The crown is composed of a collection of linked ears of wheat, on top of which are a mandrake, a pair of bull's horns, and two ostrich feathers.

Present location KMKG - MRAH [07/003] BRUSSELS
Inventory number E.6909
Dating LATE PERIOD
Archaeological Site LOWER EGYPT ?
Category FIGURINE/STATUETTE
Material BRONZE
Technique FULL CAST
Height 27.9 cm
Width 7.6 cm
Depth 5.9 cm

Bibliography

  • J.-Ch. Balty, e.a., Koninklijke Musea voor Kunst en Geschiedenis, Brussel, Oudheid - Musées Royaux d'Art et d'Histoire, Bruxelles, Antiquité - The Royal Museums of Art and History, Brussels, Antiquity, Bruxelles 1988, 41
  • B. Van Rinsveld, Goden en godinnen van het Oude Egypte - Deiux et déesses de l'Ancienne Égypte, Bruxelles 1994, 36-37
u/TNEgyptologist — 20 hours ago

Mummy mask

Masks were placed over the heads of mummies, and the oldest one goes back to the Middle Kingdom. They are made from pieces of linen or papyrus coated with a layer of plaster on which the wig, face, and neck of the deceased were painted. They are not portraits of the deceased, but rather exhibit idealised traits. This mummy mask dates to the 18th Dynasty, and is distinguished by a heavy wig, decorated with a lotus flower which hangs down onto the forehead, and a broad collar made up of golden annular beads, semi-precious stones, and floral designs.

Present location KMKG - MRAH [07/003] BRUSSELS
Inventory number E.6884
Dating 18TH DYNASTY
Archaeological Site UNKNOWN
Category MASK
Material FLAX; PLASTER
Technique WOVEN; PAINTED ON STUCCO; GILDED; INLAY
Height 49 cm

Bibliography

  • M.-P. Vanlathem, Oudegyptische lijkkisten en mummies - Cercueils et momies de l'Égypte ancienne, Bruxelles 1983, 28-29
  • Dynastie en cultuur - Dynastie et culture (Exposition), Bruxelles 1990, 56
  • J. Walgrave, Het labo van de verleiding. Geschiedenis van de Make-up - The Laboratory of Seduction. History of Make-up (Exposition), Antwerpen 1998, 66 nº 10
  • E. Varga, Napkorong a fej alatt, Boudapest 1998, 99-100 et fig. 9
u/TNEgyptologist — 21 hours ago

Reliefs of the Mammisi (birth house), Temple of Hathor, Dendera

88-51 BC Ptolemaic Period, 1st century BC

A mammisi (mamisi) is an ancient Egyptian small chapel attached to a larger temple (usually in front of the pylons, built from the Late Period, and associated with the nativity of a god.

The word is derived from Coptic – the last phase of the ancient Egyptian language – meaning "birth place".

It dates back to the 30th dynasty Pharaoh Nectanebo I (379/378–361/360 BC), one of the last native rulers of Egypt.

Equipped with a hypostyle by Pharaoh Ptolemy VI Philometor (181–145 BC) and with a peristyle by Ptolemy X Alexander I (110–88 BC), it was dedicated to Harsiese ("Horus son of Isis").

This 30th dynasty project was then repeated, by the Græco-Roman rulers, for some of the major shrines in the country.

The famous Roman mammisi – the less ancient one associated with the Dendera Temple complex – was built by Augustus immediately after his conquest of Egypt (31 BC).

The murals show Augustus' far successor Trajan at the sacrificial ceremony for Hathor and are among the most beautiful in Egypt.

The mammisi was dedicated to Hathor and her child Ihy.

On the abacus above the pillar capitals are representations of Bes as the patron god of birt

u/TNEgyptologist — 21 hours ago

"Juvenile God on Lotus" (Harpocrates/Horus as a child)

Late Period, approximately 664–332 BCE,

The Walters Art Museum.

The youthful sun god (Horus/Harpocrates) seated inside an open lotus blossom, wearing a multi-cobra (uraeus) crown and holding a finger to his mouth, symbolizing childhood and divine renewal.

Cast in bronze with inlaid details, featuring a smaller kneeling figure and an offering table on a rectangular base, likely serving a ritual or votive function in temple processions.

u/TNEgyptologist — 21 hours ago

Funerary statuette of Khai

This wooden funerary statuette was part of the collection of king Leopold II. Jean Capart discovered in 1935 that the interior was hollow and contained a fragment of a papyrus (see E. 6857) which proved to be the upper part of Papyrus Amherst VII in the Pierpont Morgan Library in New York. The statuette depicts the 'chief of works of the royal temple' Khai. He wears a long wig on top of which is an atef-crown; this crown, worn above all by Osiris, consists of the white crown of Upper Egypt flanked by two ostrich feathers. On the chest of the figure is a large multicoloured collar. Below the crossed arms is a vertical inscription consisting of the name and title of the deceased. The face and hands of Khai are painted green, the skin colour of Osiris, the god of rebirth.

Present location KMKG - MRAH [07/003] BRUSSELS
Inventory number E.6879
Dating NEW KINGDOM
Archaeological Site UNKNOWN
Category FIGURINE/STATUETTE
Material WOOD
Technique SCULPTURED; PAINTED; WRITTEN WITH A REED PEN/REED WITH SPLIT NIB
Height 53 cm
Width 17.4 cm

Translation

>Words to be spoken by the Osiris, the chief of works of the royal temple, Khai.

Bibliography

  • F. Lefebvre et B. van Rinsveld, L'Égypte. Des Pharaons aux Coptes, Bruxelles 1990, 140
  • Dynastie en cultuur - Dynastie et Culture (Exposition), Bruxelles 1990, 55-57
  • Van Nijl tot Schelde - Du Nil à l'Escaut (Exposition), Bruxelles 1991, 157-160 n° 173
  • M. Mostapha, Die Bezeichnung Hwt-njswt, Hambourg 1992, 243
u/TNEgyptologist — 3 days ago

Papyrus Leopold II

Papyrus Leopold II is actually the upper part of a larger document, the lower part of which (Papyrus Amherst VII), presently kept in the Pierpont Morgan Library in New York, has been known since 1874. In 1935, Jean Capart found the Brussels papyrus among several souvenirs which king Leopold II had brought back from his travels in Egypt. This unique document relates of an official inquiry during the reign of Ramesses IX (c. 1100 BC) following robberies in the Theban royal necropolis. The text is carefully written in hieratic in four long columns of 19 lines.

Present location KMKG - MRAH [07/003] BRUSSELS
Inventory number E.6857
Dating RAMESSES IX/NEFERKARE-SETEPENRE
Archaeological Site THEBES : WEST BANK
Category PAPYRUS
Material PAPYRUS
Technical DOVETAIL (JOINT); WRITTEN WITH A REED PEN/REED WITH SPLIT NIB
Height 22 cm

Bibliography

  • J.-Ch. Balty, ea, Koninklijke Musea voor Kunst en Geschiedenis, Brussel, Oudheid - Royal Museums of Art and History, Brussels, Antiquity - The Royal Museums of Art and History, Brussels, Antiquity, Brussels 1988, 28
  • B. van de Walle, in Schrijfkunst uit het Oude Egypt - Writings from ancient Egypt, Brussels 1992, 38-39
  • P. Vernus, Affairs and Scandals under the Ramses, Paris 1993, 19, 24, 36, 53, 63
  • R. Schulz and M. Seidel (Eds.), Egypt. Het land van de farao's, Cologne 1998, 242 fig. 182
u/TNEgyptologist — 3 days ago

Cat and mouse

This figured ostracon belongs to the category of satirical representations. These show scenes of animals, most often cats and mice, using both parody and role inversion. Their composition is inspired by funerary scenes and temple reliefs. On these satirical ostraca, cats play the role of servants of a lady mouse. This example from the Brussels museum shows a lady mouse sitting in front of a table of offerings, smelling the fragrance of a lotus flower which she holds in her left hand. On the other side of the table is a cat, standing on its back legs holding a fan.

Present location KMKG - MRAH [07/003] BRUSSELS
Inventory number E.6727
Dating NEW KINGDOM
Archaeological Site UNKNOWN
Category FIGURED OSTRACON
Material LIMESTONE
Technique ROUGH-HEWN; DRAWING
Height 9 cm

Bibliography

  • (M. Werbrouck,) Musées Royaux d'Art et d'Histoire, Bruxelles. Département égyptien, Album, Bruxelles 1934, pl. 45
  • Kunst voor de eeuwigheid - Illustrations pour l'éternité (Exposition), Bruxelles 1966, 34 n° 55
  • F. Lefebvre et B. Van Rinsveld, L'Égypte. Des Pharaons aux Coptes, Bruxelles 1990, 139
u/TNEgyptologist — 3 days ago

Statue of Khaemwaset

This statue fragment portrays Khaemwaset, son of Ramesses II and Isisnefret, who was the high priest of Ptah at Memphis. He is often called the 'first archaeologist', and he restored a number of ancient tombs at Memphis and also constructed the Serapeum. He became especially important in the Graeco-Roman Period, and two demotic stories depict him as a master magician. The Brussels statue shows the prince standing, wearing an archaising wig and a false beard. He holds in his hands an indeterminate cult object. Two identical vertical columns of text on the back pillar tell us that the prince was here shown as the god Horus Iunmutef.

Present location KMKG - MRAH [07/003] BRUSSELS

Inventory number E.6721

Dating RAMESSES II/USERMAATRE-SETEPENRE

Archaeological Site SAQQARA NECROPOLIS ?

Category FIGURINE/STATUETTE

Material BASALT ?

Technique HEWN; POLISHED; ENGRAVED; SCULPTURED

Height 25.4 cm

Width 15.5 cm

Depth 19.3 cm

Translation

The god Horus Iunmutef, the sem priest, the prince, Khaemwaset, that he might give...

Bibliography

F. Lefebvre et B. Van Rinsveld, L'Égypte. Des Pharaons aux Coptes, Bruxelles 1990, 127-128

W. Seipel, Gott. Mensch. Pharao. Viertausend Jahre Menschenbild in der Skulptur des Alten Ägypten (Exposition), Vienne 1992, 293-295 n° 110

Le Roman de la momie. Les amours d'une princesse égyptienne (Exposition Saint-Gérard de Brogne), Namur 1997, 112 n° 43

u/TNEgyptologist — 3 days ago