Selling GPUs Question
Is it better to sell your managers or keep them when selling GPUs to upgrade, and does this help obtain more SATs?
Is it better to sell your managers or keep them when selling GPUs to upgrade, and does this help obtain more SATs?
This one's fully AI-assisted, built from a mashup of samples and
Suno generations. It's also built on original musical themes and
ideas of mine — general material that isn't part of a specific
catalogued piece, just original ideas woven into the build. Wanted
to be upfront about both parts of that before anything else.
Hollow Hours is a 49-minute continuous piece for the work that
happens after everyone else has gone home. Dark, restrained, no
section breaks — meant to be left running through late-night coding,
trading, or deep focus sessions rather than actively listened to
track by track.
The idea was capturing that specific feeling of being the only one
still awake, screen glow as the only light in the room.
Curious how this lands with people who use ambient music for focus —
does a long unbroken piece like this work better for you than
something with more movement or section breaks?
This is Tribus Afterburner — a progressive rock
fusion track from my Excursions Vol. 1 series.
The source material is a drumline show composition
I wrote called Tribus Electronica. Tribal energy,
fast triplets, hocket structure, groove. About 75%
of the harmonic and rhythmic DNA in this track
comes from that original piece.
I used Suno as part of the production workflow
to realize the arrangement — AI-assisted, but
built from original compositional ideas.
What's in it:
- Virtuosic Korg Kronos-style synth performance
- Complex structured sections with dynamic arc
- Tight syncopated drums and fretless bass
- Extended synth solo with pitch bends and runs
- Atmospheric breakdown before the finale
- Full band climax
Compositional DNA: tribal polyrhythm, progressive
rock keyboard virtuosity, cinematic energy.
Premiering Thursday 8pm CT
Headphones strongly recommended.
🎷 Just released:
“LORELEI” — Jazz Excursions Vol. 1
Been exploring a cinematic neo-soul / nocturnal jazz fusion sound inspired by:
This track blends:
intimate female vocals,
warm horn sections,
flugelhorn textures,
melodic bass movement,
analog synth atmosphere,
and sophisticated nighttime jazz harmony.
“Lorelei” takes inspiration from the classic myth, but reframes it into something modern:
the feeling of being emotionally pulled beneath someone’s gravity in the middle of a quiet city night.
The harmonic progression, melodic ideas, emotional themes, structure, and arrangement direction were originally developed by me, then expanded through AI-assisted composition workflows using tools like Suno.
Trying to use AI less like a shortcut and more like a collaborative instrument inside a larger compositional process.
Would genuinely love feedback from people into:
neo-soul,
cinematic jazz,
night-drive music,
or sophisticated fusion textures.
Just released a new original smooth jazz fusion track called “AARHYTHMIA.”
This one was heavily inspired by:
The core melodic themes, chord direction, emotional concept, arrangement ideas, and lyrical structure were originally written/developed by me, then expanded and produced through AI-assisted composition workflows using tools like Suno as part of the creative process.
The concept behind the song:
your heart skipping a beat every time you see the love of your life walk into the room.
Lots of:
🎷 lush chord extensions
🌃 cinematic atmosphere
🎹 expressive jazz harmony
✨ romantic neon-night energy
🎤 smooth scat-inspired phrasing
I’ve been experimenting with blending traditional compositional thinking and modern AI-assisted production into something that still feels intentional and musical rather than generic AI output.
Curious what jazz fusion / smooth jazz listeners think of this direction and whether the emotional side still comes through clearly.
I’ve been building out a series called “Transmissions” — each track is meant to feel like a place or state you step into.
This one is called Breaking the Surface.
The idea was:
This is also the first track where I leaned more into original composition and direction, instead of letting it stay purely ambient/generative.
Trying to find that balance between:
Would love feedback on:
• Does the transition come through clearly?
• Does it feel more intentional than typical ambient?
• Too subtle, or just right?
Appreciate any thoughts — still refining the direction of this series.
I’ve been experimenting with a different workflow lately:
I start with rough melody and rhythm ideas (usually just humming or simple patterns), then use AI tools to expand those into full tracks. After that, I focus on arranging everything into a continuous mix so it feels more like a live set than separate songs.
The goal is something that can go from calm focus into higher energy — something you can actually sit with while working, coding, or even training.
Still figuring out the balance, so I’d really appreciate honest feedback on whether the transitions and progression feel natural or not.