r/SunoAI

🎶 NEW AI MUSIC PROMOTION POST 🎶

Hey everyone it's time for another promotion post.

Drop your AI songs in the comments and let's give every creator a chance to be heard.

When you share your song please take a few minutes to listen to someone else's song too. A like comment follow or subscribe can make someone's day.

I'll be posting one of my songs in the comments as well.

Let's keep supporting each other and growing together. 💙🎵

They are retiring all the old models and we will no longer have access to them. A lot of producers prefer the older models for one reason or another.
I usually worry when I see the word 'licensed' attached to a model because to me it makes it seem like it will be a lot more controlled and restrictive.
Does anyone know how many new models will be replacing the old ones and what restrictions might be placed on them beyond what we are used to on the older models?
Even v5.5 has massive issues compared to older models and v6 (or whatever they will call it) could potentially be worse in any number of ways, but then we don't have the old models to fall back on.

Do you guys here genuinely feel like you're 'musicians' by your reliance on Suno?

We're talking about a company here that's admitted to scraping works illegally. Stolen from musicians everywhere.

And you guys, in this cess pit, seem genuinely really heartbroken by UMG and the likes holding these guys (finally) accountable.

Pick up an instrument. Learn a real DAW. And stop stealing from musicians.

Regards, an actual signed producer.

Hi all , I hear people saying Suno 4.5+ is awesome , could be the best model.
What are the best ,that you think from experience , weirdness and style influence settings for 4.5+. I would like to try and see.

weirdness : 0 , style : 100 ?

weirdness : 50 , style : 100 ? or any other combo

what setting has given you awesome sound/songs.

Thank you all in advance.

This community seriously needs to rethink how it treats struggling artists.
I made a post because I’m frustrated with how difficult it is to get my music heard and because I genuinely wanted advice from other independent artists.
Instead, I got called “fame hungry,” people started tearing apart my music, and someone basically reduced what I do to paying $20 for Suno and hoping to make big money from it.
That honestly pissed me off.
Not because everyone has to like my music. They absolutely don’t.
But because people are making assumptions about how much work someone puts into their music without knowing anything about their process.
I spend a lot of time on my music. I put work into writing, vocals, production, editing, concepts, artwork, releases, promotion and everything surrounding it. And yes, I also spend money on it.
I’m not pressing one button, uploading whatever comes out and waiting for a paycheck.
And I’m perfectly capable of being critical of my own work.
My first three albums? Honestly, they’re shit. Like, genuinely shit. I was starting out, experimenting, learning, and I basically made things and uploaded them without really knowing what I was doing.
I can admit that.
But everything I’ve made since then represents a huge amount of learning, time and actual work. Whether somebody personally likes the result is a completely different question.
What bothers me is the attitude.
When someone posts that they reached 10,000 monthly listeners, everybody gathers around asking:
“How did you do it?”
“What worked for you?”
“How can I get there?”
And that’s completely fine.
But when someone at the bottom says:
“I can’t seem to grow. I don’t know what I’m doing wrong. Can somebody help?”
Suddenly they’re obsessed with fame and numbers.
Why?
Wanting listeners doesn’t mean I expect to become famous.
I make music because I love making music, but obviously I also want people to actually hear the things I spend so much time creating. I don’t understand why artists are expected to pretend that audience, reach and growth mean absolutely nothing to them.
And there is a massive difference between criticism and just kicking someone while they’re already struggling.
Tell me my mix sucks.
Tell me a vocal doesn’t work.
Tell me my songwriting needs improvement.
Tell me my promotion strategy makes no sense.
That’s feedback. I can work with that.
But reducing somebody’s entire creative process to “you paid for Suno and want easy money,” calling them fame hungry, or mocking them because they barely have listeners isn’t constructive criticism.
It’s just being an asshole.
Independent artists should be able to talk openly about failing, struggling and trying to grow without being treated like wanting an audience somehow makes them less of an artist.
Support shouldn’t only start once somebody has numbers worth bragging about.

I am a musician of 30+ years, and I still think it's weird... Many musicians, who claim that they're mad about AI because it was trained on artists work without permission, are fine with using a loop played by a real human being on a real record. Which they are using without permission/attribution in most cases. That's worse, if you ask me. AI is trained on the 'thingness' of many artists, it's not 'stealing' from specific musicians, as sampling would be considered.

I'm guessing it's because of how long sampling has been around, that now musicians see it as a 'tradition,' when in fact, when sampling first started a lot of musicians were seriously anti-sampling (I remember it well).

Honestly, I feel like people should pick a lane. Be mad about all forms of sampling... or just relax.

I wonder if part of the reason many musicians are mad now is that they are trying to make very commercial trendy mainstream music, because they want to be popular/famous. Unfortunately, this is exactly what AI does well. If these musicians spent their time finding their own unique sound, AI would be much less of a threat to them. (At least until they became famous enough that AI trains on their style, and at that point, they're already going to be doing well professionally.)

Might sound silly, but recently I’ve really enjoyed just exploring Suno and listening to all the stuff you guys have created. I’ve found so many fun songs to add to my drive time playlist!

I know most of us are just making music to entertain ourselves, but there are actually weirdos like me who are bopping down the highway to your jams! You brought me a little joy with your creations! ❤️❤️❤️

Here's mines: Come With Me by MIIKO PARDÖN

I honestly don’t know how to grow anymore.
I’m getting to a point where I’m genuinely frustrated and I don’t really know what else to try.
I make music, release it on streaming platforms, post on social media, try different kinds of content, promote my releases, interact with people — but nothing really seems to move.
My monthly listeners stay incredibly low.
My follower numbers barely change.
Sometimes I’ll put a lot of work into something and it feels like almost nobody even sees it.
And I know growth takes time. I’m not expecting thousands of listeners overnight. But after constantly trying different things and still seeing almost no progress, it starts to mess with your head a little.
The hardest part is that I genuinely love making music. I don’t want to stop. I just have no idea how to actually get the music in front of people anymore.
For those of you who started with basically no audience and eventually managed to build one: what actually changed things for you?
Was there something specific you started doing differently? A certain type of content? More releases? Less promotion? Collaborations? Just patience?
Because right now I feel like I’m throwing everything at the wall and nothing sticks.

[ダークアンビエント , ハードコア] 魂の断片

https://too.fm/y06ampn

I see so many people with posts like "The 20 limit is fine, I made 5 songs so everyone is whining" or "5.5 does my generic pop music fine so I think 5.5 is good" etc etc.

The problem is you are not all of us. You need to open your eyes and realize we're not all doing what you're doing. And it doesn't mean we're spamming.

For example, instrumentals are much easier to produce a number of once you have your base stuff correct, and if you need to fill an hour of video time without constant loops, producing 90 songs and downloading the best 30 is absolutely viable. Not everyone is working on a lyrical masterpiece.

Some of us download music for laughs, some of us download alternate versions for our records or remixing, some of us make strange genres that 5.5 chokes on and some of us want to do fun goofy thing with Suno while we also release higher tier stuff, except now, you have to pick and choose.

So this is just a wake up call for all "this does not impact me personally so this is fine, youa re all haters" posters that cannot see outside of their limited perspective and assume anyone doing more than 5 songs a month is a monetized slopper; it's ridiculous.

Suno's screwing a lot of people over, myself included, and it's not to combat slop and it's crazy people are buying that excuse. There wouldn't be other tiers if that were true.

I’ve been using Suno for a while now, but recently, trying to cover or remix an existing track has been an absolute exercise in frustration.

Here are the biggest issues I’m running into:

1. Complete disregard for prompt changes: Whether I adjust the genre tags, specify tempo modifications, or try to switch vocal styles, the model either completely ignores the new prompt or throws out the original melody entirely.
2. No middle ground between "Identical Clone" and "Complete Hallucination": It either generates the exact same arrangement with minor audio artifacts, or goes completely off the rails into a random track that shares zero DNA with the source audio.
3. Audio quality degradation: Remixes often introduce heavy robotic artifacts, phase issues, and muddy stems much worse than generating from scratch.
4. Lack of granular control: Without basic parameters (like a reliable influence slider, stem separation control, or in-painting that actually works), every generation feels like throwing credits into a black hole.

Is anyone else experiencing this drop in quality, or found a reliable workaround/prompting structure that actually respects the source track while allowing customization?

🎶 NEW AI MUSIC PROMOTION POST 🎶

Hey everyone it's time for another promotion post.

Drop your AI songs in the comments and let's give every creator a chance to be heard.

When you share your song please take a few minutes to listen to someone else's song too. A like comment follow or subscribe can make someone's day.

I'll be posting one of my songs in the comments as well.

Let's keep supporting each other and growing together. 💙🎵

Songs sound rough but I really like them, and I'm willing to sub if remastering them would improve on the quality. Thank you.

I am planning to make videos of my MP3 downloads consisting literally of emerald-green text scrolling on a pitch black background.

Given its simplicity, I could do it myself but to save time when producing many such videos one after another, do you have any recommendation for an AI video-maker capable of handling such a simple format? In other words, I do not want one that can only create more complex videos.