Looking for Chord tones that Don't Resolve in the same part
Hello, all. I'm looking for examples from the classical repertoire in which chord tones don't resolve as expected. I'm especially thinking of places where the seventh of a V7 chord (^4) doesn't resolve to ^3 in the same part when moving to a I chord (for example: if ^4 is in the viola, the viola might move to ^1 while the first violin moves from ^5 to ^3).
I'm not interested in irregular harmonic resolutions (for example, V-vi or I-III#). I'm looking for parts that don't go where traditional voice-leading theory says they should go, all during typical chord resolutions.
Thanks in advance for your suggestions!