[CD DISC1]

紅蓮華 [Gurenge]

一斉ノ喝采 [Issei no Kassai]

ADAMAS

QUEEN

crossing field

明け星 [Akeboshi]

赤い罠(who loves it?) [akai wana (who loves it?)]

愛錠 [Aijou]

ブラックボックス [Black Box]

ソフィリア [Sophilia]

REALiZE

Rising Hope

Shouted Serenade

YES

Another Great Day!!

Mr.Launcher

play the world! feat.PABLO

[CD DISC2]

ROCK-mode

エスケープゲーム [Escape Game]

say my nameの片想い [say my name no kataomoi]

オレンジサイダー [Orange Cider]

アコガレ望遠鏡 [Akogare Bouenkyou]

アシアトコンパス [Ashiato Compass]

いつかの手紙 [Itsuka no Tegami]

EGOiSTiC SHOOTER

罪人 [Tsumibito]

GL

DOCTOR

Psychedelic Drive

RED ZONE

I'm a Rock star

マコトシヤカ [Makoto Shiyaka]

TODAY

ハウル [Howl]

OPINIÕES PESSOAIS:

A estética é incrível—o figurino, o cabelo, o tema verde. Adoro que eles estão incluindo uma apresentação da última turnê no Japão.

Na minha opinião, como eles estão incluindo algumas músicas mais antigas com grande potencial—como "ROCK-mode" e "Psychedelic Drive"—eles realmente precisariam fazer um clipe para elas.

Para "Psychedelic Drive," imagina a LiSA em cima de um carro com uma estética psicodélica, igual na capa do álbum? Isso seria incrível.

O que eu não gostei:

Eu realmente gostei que eles lembraram de certas músicas, mas não entendi a escolha de outras.

Eu não entendi a escolha de: Another Great Day!!
Mr.Launcher
play the world! feat.PABLO
Itsuka no Tegami (いつかの手紙)
Makoto Shiyaka (マコトシヤカ)
Akogare Bouenkyou (アコガレ望遠鏡)
Ashiato Compass (アシアトコンパス)

Eu sinto falta de:

She
ANTIHERO
cancellation
the end of my world
confidence driver
LOSER
Thrill, Risk, Heartless
ID
RUNAWAY

fazem 4 anos que corto meu próprio cabelo justamente pq nenhum lugar parecia me atender, e eu tmb economizei muuuito nesse tempo.

só que assim, ja to cansado de ter que fazer a manutenção por conta própria, é bem cansativo. preciso de alguém que corte um cabelo um pouco maior, mais alternativo que o convencional e saiba fazer um BOM repicado. vou colocar uma foto aqui pra entenderem mais ou que eu to dizendo.

me falem aí se souberem de algum lugar, valeu

I'm dying to watch Azuki Arai, this looks so fun 🍓🤗🍓🍓🍓🍓🍓

What I'm writing here isn't about her competence or her voice, which is incredible. But rather about some changes and consequences in live shows that occurred after she joined LiSA's band. (photos 2, 3 and 4 are from the last tour LiVE is Smile Always -15-)

For those who don't know, Nona is a backing vocalist for LiSA who joined the band at the beginning of the pandemic. After LiVE is Smile Always -364+JOKER- and the LiVE is Smile Always -Gurenge- tour in 2019, the pandemic arrived and brought with it several restrictions on live shows in Japan, one of which was that NO ONE in the audience could shout or sing during the performance. It was complete silence and a lifeless audience for 3 years.

LiSA's performances were always driven by this, and in this great loss of the audience's voice, they had the brilliant idea of adding a backing vocalist, named Nona.

Maybe it's an unpopular opinion, but adding a backing vocalist ended up taking away a large part of the magic of LiSA's shows.

For about three years, Nona's voice was at the SAME pitch as LiSA's, and she sang not only the additional vocal parts that LiSA couldn't actually do, but almost the ENTIRE song.

That incredible Gurenge we saw in 364+JOKER? Forget it, you'd never hear it again because LiSA's piercing voice was being shared with someone who seemed almost the opposite, making the music and vocals sound quite regular, lower, and often emotionless.

With Nona singing, unfortunately, LiSA felt more comfortable letting go of certain things that, when she did them, were incredible and magical. With Nona, I felt like the stage was divided between two people, even when filming for the DVD/Blu-ray. Even after the pandemic, she sang during moments when the AUDIENCE was supposed to sing, shout, and do backing vocals, and I noticed that people didn't even want to sing some of those parts anymore. People seemed more discouraged.

In the last 2 years things have improved a little, Nona maybe realized she wasn't the main artist and there were songs where she reserved the role of only singing those 20 seconds of additional vocals, it was AMAZING (like QUEEN at RiP SERViCE, you can watch on YouTube), but when she appeared wanting to sing the entire song, she also ruined a large part of the experience. And she still wanted to sing for the audience in many moments that shouldn't have been hers.

An example I can give is in LiVE is Smile Always - LANDER-, notice how LiSA alone singing "Akujo no Okite" manages to recapture all the magic and energy it had until 2020.

I don't know if it's definitive, but I sincerely hope it is. I wish Nona all the best and much success in her career; she deserves it all.