Julie’s Story Walking: She’s Entering Chapters, Not Rewriting Them
I think the easiest way to understand Julie’s story walking is to stop looking at it like physical time travel and start looking at each cycle like another version of the same story. The story itself is already written, but every cycle plays it out again in a different time with different people filling different roles.
Think about reading a book. You’re not physically inside it, but consciously you’re entering that story and experiencing the chapter as you read it. You can also go back and read an earlier chapter without that chapter happening all over again. You’re just returning to a part of the story that’s already there. That’s basically how I think Julie’s ability works. Her body stays in the present while her consciousness enters different chapters and older versions of the same story.
The dungeon is the best example. That place existed before Boyd, Martin or Julie were ever there. The well and rope were already part of that setting. Julie didn’t create the rope or add it to Boyd’s past. She entered the chapter and interacted with something that was already there. We already saw the rope get thrown down to Boyd. Julie’s story walk just showed us the part of that scene we were missing.
Then she goes through the doorway and ends up in the tunnels, and I think that threshold is basically like turning the page. She isn’t physically walking from the dungeon to the tunnels. She’s being pulled further into the story.
And I think the faraway trees help explain why. We already know that crossing certain thresholds in this place doesn’t follow normal geography. You go through one opening and end up somewhere completely different. But those places also seem connected to older parts of the story. So I don’t think the trees are just randomly moving people around. They may be anchoring people into different parts of the story.
Julie going through that doorway could be working the same way, except through story walking. She enters the dungeon chapter, crosses another threshold and gets pulled into the next part connected to it. That’s why I think she ends up in the tunnels. She isn’t randomly being moved somewhere else. She’s being pulled deeper into the children’s story.
And I think this is where the stories start overlapping. Julie is entering parts of the current story, but she keeps getting pulled toward the older story underneath it. She may not be one of the reincarnations herself, but her mother is. Tabitha is directly tied to the children and to what originally happened there, so Julie could basically be following her mother’s thread through the story. The deeper she follows that thread, the closer she gets to the original story.
The bookmark works the same way. Julie leaves the paper because she thinks she’s testing whether she can go back and change something. But if Victor eventually finds it and draws on it, she still hasn’t changed his story. Victor was already in that chapter drawing. Julie just gave him another prop to interact with while he was already doing what he always did.
That’s the difference. Julie can interact with the story without rewriting it. She can enter chapters, see things we didn’t see before and even become part of moments that were already there, but she can’t change where those events lead.
And I think that may be the actual purpose of her ability. Maybe Julie isn’t supposed to change the story at all. Maybe she’s supposed to help Tabitha and Jade see the true version of it, not the version this place keeps making them see.