Simple thing.

Say, you have a roster of 16 people, and so far there is no Mastermind.

All students are currently unconscious.

The Mastermind enters the killing game camp while all students are unconscious and captures any random unconscious student, kills them, and replaces them as the 16th student.

Note: The Killing Game announcement hasn't taken place yet.

When the Students gain consciousness, all of them see the 16th student as a genuine trapped participant, while they really are the mastermind and the genuine student is dead.

Note: However, are Killing Game Announcements the exact beginning? No. They are just a formality to inform the trapped students that they are in a killing game. The killing game had started the moments the students arrived at the campus. THEREFORE, the Mastermind has to abide by the killing game rules and cannot hide the corpse outside of the campus.

The Mastermind takes advantage of his position and hides the corpse in a floor that was locked for the students. The floors would not be locked until the students had gained consciousness. They open only when the students win a class trial, of course, but the Mastermind wasn't expecting the students to actually win anyway. At least, lose and die before the floor where the corpse was hidden.

HOWEVER, the students win, reach the floor where the corpse is hidden, AND NOW THEY HAVE TO INVESTIGATE A MURDER THAT TOOK PLACE WHEN THEY WEREN'T CONSCIOUS TO WIN A CLASS TRIAL AND DEFEAT THE MASTERMIND.

Note: Why will the BDA ring if the dead student isn't of the roster? Because HE IS ON THE ROSTER. It's just the students oblivious to the fact that the 16th student they are seeing is a sabotager. But then why would the Mastermind be labelled a Blackened of not a part of the roster? Come on. Think about it. We know a general rule is that only the students who are the part of the roster are in the campus. Therefore, either by legit means or illegal murdering means, if you enter and exist in the campus, you are a part of the roster. To save yourself some trouble, imagine the corpse as a 17th student.

Positive sides to this finale Concept:

• idk its cool and very clever and smart and I wanna glaze myself

Negative Sides to this finale concept:

• HOW WILL YOU ALL MAKE EVIDENCE FOR SUCH A CASE idk I am dumb. My brain cells have stopped working because I invested all of them in writing this concept.

AHEM...

There are three cast members I want you to know.

Ayaka Megumi — The Ultimate Philanthropist (or a Donator). You may think she is a very kind girl donating for good deeds. Nah. She is a mean, badmouthed, bratty, superiority complex girl who only does the donations to maintain a good social image.

Ryūji Takeshi — The Ultimate Freestyle Fighter. He lives in the delusion that he has been sent to the world by the Divine Justice to ensure righteousness is brought upon earth. This delulu clouds his judgement and he uses this same delulu argument to justify every fight he makes.

Kaito Ren — The Ultimate Cyborg. Due to his cybernetic enhancements, he is more healthy and durable than our regular human beings. Because of this advantage, Kaito has started to see every human with a lack of cybernetics as a lowly being.

...Do you see the dang problem here?

KAITO REN is technically JUST A METALLIC VERSION of both AYAKA and RYŪJI combined into one. I AM SCARED THAT DOESN'T MAKE MY ROSTER DIVERSE ENOUGH!!!

WAAAAAAAAAAAH HELP ME MAHORAGA CECIL I NEED YOU CECIL

Here is a basic structure of my Fanganronpa Prologue so far

• Memory Of A Person Accepting The Way Of Despair

• Monokani (my mascot) Talking To A Forces Of Despair Member Via Television

^^ These two are flashbacks that are the first thing in my prologue.

↓↓ Now starts the exploration and introductory parts of prologue

• Susumu (Ultimate Online Influencer) gains consciousness with Minori (Farmer), Kageyama (Street Dancer) and Reina (Chess Grandmaster) around him

• Minori leaves

• Kageyama and Reina (who also leaves later) lead and guide Susumu around the area

So what's the problem? The thing is here.

Kageyama guides Susumu around and the rest of the crew is introduced during their travel.

This thing in my Fanganronpa feels too repetitive, at least to my eyes. To reduce this repetitiveness to the highest level I could, the only thing I could do was spice up the entrance, interaction and exit of the characters in their introductions.

For example, Sōta (Janitor) is being bullied by (not literally) Kakeru (Urban Explorer) and Ryūji (Freestyle Fighter) — and it is in this scene where all 3 are introduced, and I even spiced the already spiced scene further by making their introductions and exits special.

But other than that, dear Fangan Writers, how else can I develop the introductory part of my prologue to be less repetitive?

As the despair bringer that I am, I recently thought about one thing. Guilt is a very good feeling. It is even better when that guilt also haunts you.

That's why I propose the concept...

Victim's Talent in Blackened's Execution!

During the Execution, the Blackened will be executed in the image of their Ultimate Talent but also with elements from the Ultimate Talent of the Victim, so that the Blackened in their last moments will feel utter guilt and emotional paaaaaaaiiinnn!!!

For Example:

Consider our Blackened is the Ultimate Sprinter and our Victim is the Ultimate Gambler.

Unlike the old format of 'lets kill the Blackened using elements of their talent'... We will use the format of 'lets kill the Blackened by using elements of their AND the Victim's Talent'.

An illustration of such a format could be a Roulette Machine where the Blackened has to run on the rotating wheel, while that ball kinda thing you see in roulette wheels, hops and chases the Blackened before ULTIMATELY SQUASHING THE BLACKENED!

MUAHAHAHAHHAHAHA!!!

Ahem, so anyways, how is the concept?