In the conversations about the most disturbing movies in the collection, I feel like Benny's Video (1992) doesn't get enough credit.

People often cite Salo and Come and See as the most disturbing, and for the most part I agree, but for both of these I think there's a slight disconnect between the audience and the horror on screen. Both of these films depict scenarios that average person could never possibly experience, and I think there's a level of emotional detachment that comes with that. Ordinary people don't know what it's like to be on the wrong end of a genocide or to be trafficked into some rich people's depraved sex dungeon.

Benny's video, by contrast, depicts a situation that feels much more close to home. The majority of the film takes place in a teenage boy's bedroom and shows a situation that could very easily happen to your average middle class family. We've all either been or have known an edgy teenage boy at some point in our lives, and it's easy to see how a situation like this could've happened to you or someone you know. The horror is so much worse because we can picture it. There's that scene where he's eating dinner with his parents, and they haven't found out yet, and there's just this unbearable tension that hangs in the air. We've all had moments where we tried to hide things from our parents (granted, nothing quite THAT bad), and scenes like this draw on very real anxieties that the average person can understand and it just makes you want to throw up.

But I don't know. what do you guys think?

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u/goblin_humppa27 — 5 hours ago

What are some of your favorite supplements?

On rare occasions, the scope of a film can get to be so enormous that the film itself can't capture everything. Sometimes you'll have supplements that provide the other half of the story, and it completely recontextualizes the film. Specifically, I'm thinking of Close Up Long-Shot. To see the incredibly sad aftermath of Close Up, where Sabzian completely failed to live his dreams just fascinates me to no end, and none of this was in the original film itself.

And of course, not all supplements need to be so grandiose. It's also fun to see a directors early works that weren't quite big enough for a standalone release.

What are some of your favorites?

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u/goblin_humppa27 — 25 days ago
▲ 251 r/criterion

Why do you think there aren't any Jan Svankmeyer films in the collection? His work is the exact type of thing that Criterion specializes in.

The whole business model of Janus Films is to release arthouse European films in North America, and I just find it odd that after decades and decades, they've never released anything from such an influential artist. Svankmeyer's films are generally hard to find in North America, and it feels like criterion is just leaving money sitting on the table by not doing something about it.

u/goblin_humppa27 — 1 month ago
▲ 470 r/criterion

Do you think Criterion's going to do anything for the 50th anniversary of House next year?

Sometimes there's a 4k to coincide with major milestones, like with Mishima last year. Not to mention House is one of their best sellers. Thoughts?

u/goblin_humppa27 — 2 months ago