Personas que crecieron con esta franquicia, ¿qué piensan del remake que viene?
Para mí todo lo que se podía jugar en el primer Xbox sabe a infancia 100%. No jugué más allá del segundo título de Halo, pero a esos primeros dos les invertí 24/7 por varios años jajajaja.
Jugué el remaster en su momento y la verdad se veía bastante bien, pero ¿qué piensan ustedes del remake que se lanza este 28 de julio?
I dusted off an old PreSonus Audiobox USB (bought in 2014) and I remember that back then I could get a good signal level without any kind of noise.
Now, even using the condenser microphone included in the kit (PreSonus M7), I have to crank the gain all the way up to get decent levels, but with so much of the noise floor masking everything.
My question is whether the preamps could be damaged, if I now need to use an external preamp, or if I'm just forgetting something about this interface.
I've worked on gigs for typical rock/pop groups, but a symphonic rock ensemble is coming up to the venue and I wanted some help to clear up some ideas.
The ensemble consists of:
We have plenty of:
A pair of SM81 and two Beta 52.
I've mic'd string quartets with the Beta 98s with good results.
I usually use the SM81s as drum overheads, but the venue doesn't really need them. I feel they could be better suited for something else.
My biggest concern is the brass section, which I haven't worked with much. The venue is medium-sized, and I'm not sure they need microphones. Although I could use the Beta 98s as well.
How would you use the equipment we have to offer an enjoyable gig?
A hobbyist engineer using Google Translate here.
A few years ago, while analyzing some reference mixes, I noticed that by isolating the high frequencies (high-pass filter around 5 kHz), I could still perfectly hear all the elements of the song. The song practically still sounded like what it was.
At that time, comparing it to my own mixes, I could hear the high-frequency elements that are normally present there, but any clue to what the song was like was gone.
On this never-ending learning journey, I started using different processes that have greatly helped me improve the sound of my work, and although that high-end has sounded better over time, I still haven't achieved that feeling of perfectly understanding everything just in the high frequencies.
Does anyone have any ideas on this?
