
ALC review: Bodies of Magic by Freya Marske. Release date: Sept 15, 2026
Thanks to NetGalley, the author and Macmillan Audio for the opportunity to listen and review this Advanced Listening Copy (ALC) {bodies of Magic by Freya Marske}
Before I get into the actual review of the novel I have to mention that the narrator, Saskia Maarleveld, is fantastic. At times I forgot that this was one voice actor as the character’s voices were so distinct and her male voices did not sound like a woman talking deep. And for a book like this, that has five characters and we jump from character to character, this was so well done.
But the audiobook comes with a caveat – there are many characters that are sometimes referred to by their first names or their last names, plus there are descriptions of anatomy and medical procedures. This book is a standalone, so there isn’t a lot of time to introduce each character and the reader is expected to pick it up as the story goes. Some readers may find it easier to keep track of characters in text.
This is my first Freya Marske novel although she has been recommended to me many times and has been sitting on my TBR list for a while. Because of the people who recommended her work, I expected an elevated level of story telling and writing for this genre and I have to say that this book met those expectations. I am almost disappointed that I experienced this as an audiobook because some of the writing was so good I wanted to spend more time with the prose on the page. And it would be so easy for this book to be caught up in medical terminology, or lengthy explanations of how the magic works which is quite unique.
At its core, this is a mystery novel. The story opens on the first morning of the final exams in the only medical academy in this world. These are practical exams, where 6 students are randomly selected to work as a team to diagnose and heal a real case, a different case each day for 5 days. If one student fails, they all fail. This is the culmination of five years of intense studies, lack of sleep, hours of study of both magic and practical anatomy and medicine, where graduation is merely another step in a long, arduous career path, where some mages are obligated to take foreign posts as part of their scholarship requirements, or to step up to positions dictated by parents and expectations, or merely to continue working long hours and grueling schedules for more experience. It seems like modern medical school and that’s no surprise as it turns out that Marske is a doctor. Her experience allows for a more intimate view into the lives and psychology of her characters.
Within this stressful environment we have our five students discover who they are working with, as they know each other over the last five years and have various bias and expectations of each others abilities. When they walk into the exam room, they find their 6th member, the most promising student of the academy, dead on the exam floor. Suicide? Burn out? The team has very little time to ponder this as the exam must continue. Despite the dead body on the floor they manage to pass their first exam.
It’s after the exam that some strange events occur that don’t seem to line up. The five students may not have been selected randomly and it appears that our dead student may have had something to do with it. And even though they are dealing with a myriad of intense emotions that normally come with the exams (and love, and grief, and anger and fear), they know they can do one thing – they are well trained in examinations and diagnoses. So, they get to work on figuring things out.
Along the way, they uncover secrets about each other and learn to work as a team, pull from a well of magic and knowledge that they didn’t know they were capable of and perhaps change the inevitable course of the next years of their lives, if not their entire lives.
On the surface this seems like a very YA novel. A group of young people about to move into the adult stage of their life and realizing what that sort of adulting entails – pushing against the expectations of one’s parents or the greater society, being rebellious in small ways, trying to get out of their crushing debt to society, idealistically wanting to bring change to the world, realizing that they will be held responsible for the mistakes of their youth and finding love. I hate these coming of age novels. Call me a cynical,grumpy, gen x old lady or whatever, the exuberance of youth does not appeal to me.
And yet, I did not have one instance of eye rolling throughout the entire book. Marske has written a coming of age novel for adults. The kids do not change the world or shove off the older generation. They don’t start a rebellion or even a following. They find a way to exist within their world, using the tools at hand to make a better life for everyone but most importantly they gain individual freedom by coming to terms with what life has to offer them. Maybe they will finish their bonded service to give back what they owe, but it’s only temporary. Even the relationships are dealt with in a mature fashion. No virgins or first loves, but the ability to look at someone and realize what you already have, or what you need is right there. I found the growth of our characters, over a five day period mind you, to be realistic and still carry a lot of weight emotionally. No tears were shed over romantic entanglements, which is my go to measure for romances, but this is not really a romance book – it’s a fantasy with a strong romantic sub plot. The author does not shy away from sex either. While we don’t spend a lot of time dwelling on our characters sexual lives, the scenes we do get are explicit. Our cast of characters are diverse in sexuality and gender norms, but this is not about discovery, the characters know who they are already, again a deviation from YA, which focuses on discovery and self acceptance.
A quick note on worldbuilding: Magic is something one is born with but not genetic. It is tied to the geographical region one is born in. So, healing mages are born to one region and so one realm is flush with healing mages, where other, more far flung realms are not. And, of course, healing costs money, the rich would like private mages to heal their wrinkles and reverse aging and the poor may get the basics, so may have to live with pain all their lives. Cities and regions that are far from the healing centre will sponsor mages for medical school in return for several years of work in remote locations, where the young talented mages feel isolated and return to the main healing city where they are revered and payed well. Families immigrate to the healing cities to have children with the wish that they inherit healing magic and can return to the lands of their parents to continue healing work there. And those born with healing magic by accident of birth are not given the choice as to what they would like to do with their magic – they are also forced into medical school because it’s expected and needed at a time when there is so much need. Added to that is the arrogance of the healers because they are so needed, and the unrest among the non healers, because they are untouchable in the eyes of the law. If you are not a healer, you are treated as a second class citizen, worse if you are a mage in another aspect of magic, that is required to support the healers, but treated as servants or worse.
Obviously this is a commentary on the current health care situation but it’s in the subtext, simmering under the surface of the actual story throughout. Marske never lectures or has characters make long commentaries about the injustice, which I’ve read in other books. The story is about our five students and the mystery of their murdered classmate.
I could not put this audiobook away, and while I tend to save audiobook listening for chores, or driving or other activities, I found myself chilling out on the coach listening to while my Kindle sat idly by, unused.
5/5 stars.