u/stoutshako2

Lyrics don't matter anymore

Lyrics don't matter anymore

My comment responding to this post:

Lyrics dont matter anymore.

These kids have grown up with only ever knowing the streaming world and instant access to music. Music is just disposable vibes now, like soma from the book Brave New World. There's no point pondering a song if you have millions of other options to play to get your quick dopamine hit.

Take Care, To Pimp a Butterfly or My Beautiful Dark Twisted Fantasy can only exist in a CD world where there is normalised culture around physical friction and paywalls to listening to and experiencing music physically. Hence why artists needed their albums to be whole listening experience.

Post-WLR / Post-Covid music is about what artist can abstractly paint the best vibe and scene for the listener instantaneously. It's about expression, status, tonality, aesthetics, stimulation and persona. Everything except logic and intelligence, as these sectors of the human experience are outsourced to AI and technology, the human senses are the only thing left to entertain.

Meaning, storytelling and substance like older iterations of hip hop and pop music can't be comprehended by their soma coma nihlism. Gen A can't comprehend chronological information / storytelling without getting cognitive dissonance from a lack of stimulation. Which is fine I guess, just the world we are moving towards.

So Gen A and late Gen Z's "quotables" aren't words or "bars," but rather expressions. When Nine Vicious says "I'm in LA now, I feel like a Laker," it's just a basic throwaway bar to any traditional hip hop artist, but because of the way he expresses it in a old Young Thug way, he characertises the bar like a slithery passionate melodic snake. That expression is the "quotable." Or Yeat's 2021 adlibs "TONKAAAA" "HeeYYEyy" etc. It's the characters these bars inhabit which becomes memorable, not the lyrics themselves.

So I think a better solution for artists who want to re-create that same feeling they had from their fav 2010s< hip hop artists is to translate everything you liked about those artist's albums and distill it into the taste buds of Gen A, cus thats all music is at the end of the day, a spiritual and political language. So if you're not connecting with the new language of the youth what r u doin

u/stoutshako2 — 1 day ago
▲ 85 r/yeat

Yall forgettin this the dude under the Yeat character

How yall suprised

u/stoutshako2 — 9 days ago

MATT PROXY ALBUM REVIEW - All horse wit no trojans

Matt Proxy doesn’t really know how to world-build at all. Instead of creating his own world with its own logic, philosophy, or perspective, he relies on the aesthetics of being “different” and “experimental.” The irony of calling the project Trojan Horse is that there isn’t actually anything inside the horse. The horse is the horse for horse sake. The performance of being experimental becomes the entire point.

A lot of the album feels like Proxy trying on different masks rather than showing us who he actually is. One minute you hear Kanye, then Tyler, then JPEGMAFIA, then BROCKHAMPTON, then abstract rap, then rage / jerk mixing. None of these influences are necessarily bad, but they never really get transformed into something that feels uniquely his. It feels more like a playlist of random internet music influences than a fully realised artistic vision.

The project ends up coming across as pretty try-hard because it’s constantly signalling how experimental and different it is. It feels less like someone naturally pushing boundaries and sounds more like someone forcing together every single experimental hip-hop, rock and electronic idea from the last fifteen years. It’s the musical equivalent of chasing approval from people who rate albums more than they actually live with them.

More than anything, Trojan Horse feels like a materialised identity crisis. The whole album sounds like Proxy trying to decide which artist he wants to larp as instead of figuring out what only he can do.

2/10

reddit.com
u/stoutshako2 — 16 days ago