Instagram handles of each clip's author, in order of appearance:
mixedasianmedia
thereflectionsmusic
cinthiakang
mike.or.mikey
Archive link: https://archive.is/fM6l5
Archive link: https://archive.is/599Yq
Archive link: https://archive.is/lkDUK
Archive link: https://archive.is/rKW85
Choice quotes:
>Wasia’s popularity is insidious because the identity will always be defined in relation to whiteness. You can’t be Wasian without the hard 'W.' And that distinction matters more than it might seem.
>You cannot include whiteness in your label and then claim to represent everyone.
Compare that term to any of the other Asian identity markers that actually did political work. The term Hapa was a political tool used by Hawiians to build solidarity across ‘mixed’ Asian communities under colonial rule. Identity markers like Asian-American or AAPI emerged in the 1960s from the pan-Asian solidarity movement against white supremacy. These were identities built in opposition to something. Wasian is built in proximity to something. Specifically, whiteness.
>So, then, what cultural and political weight does ‘Wasian’ hold?
>When Icelandic-Chinese singer Laufey exclusively featured fellow Wasians in her “Madwoman” music video, she framed it as representation: "Growing up, I felt a general lack of representation for people who looked like me in music and media." But representation of what, exactly? A phenotype? Because if Wasian identity begins and ends with aesthetics, that’s eugenics.