Steven Wilson Calls Tool "Samey" and "Monotonous" in 2003, Wants to Produce Them Like Opeth

This was recorded at a Q&A session in Tel Aviv, Israel on January 24, 2003. Steven Wilson was answering questions from dozens of fans at the Jah-Pan Club.

Now, I'm a big Steven Wilson and Porcupine Tree fan. But I really don't think he comes off well here.

It's one thing to say Tool isn't your thing, or even that you find their albums monotonous. That's obviously subjective. But Wilson goes quite a bit further than that. He says Tool are an “amazing band,” then immediately says:

>“I think their music is kind of lacking in some depth. It’s kind of samey.”

And then comes the part that really struck me as egotistical:

>“The one thing I think I brought to Opeth was a depth in the production…”

So, essentially: Tool lack depth, but Steven Wilson is the producer who could give it to them.

He even says of the kind of production he brought to Opeth:

>“It has things you can listen to and you don’t get bored.”

Which, in the context of what he's saying about Tool, is a pretty incredible statement. Tool fans can debate whether their sonic palette is deliberately narrow or whether certain songs/albums share a recognizable sound, but suggesting that Tool's records lack the detail or depth necessary to keep a listener interested is something else entirely.

And remember, he's specifically talking about a band that had already released Ænima and Lateralus at this point.

He then broadens the criticism to metal in general:

>“I have a problem with a lot of heavy metal records: you basically heard everything you need to hear within the first three minutes.”

And absolutely unloads on Korn:

>“They’ve only got one idea: and it’s ‘I hate you mom! I hate you dad!’ That’s it! Okay. Every song is the same.”

Then he circles back to Tool:

>“I love the idea of Tool, but I find their albums a bit monotonous.”

And finally:

>“I just think they’re a band that I can really—from a production perspective—work with.”

That's the part I can't get past. He isn't merely saying, “I'd love to produce Tool because I think I could bring something different to their sound.” He's basically establishing that their records are samey, monotonous, lacking in depth, and potentially boring, then pointing to himself and his work with Opeth as evidence that he could provide the depth they're missing.

Again, I'm saying this as someone who genuinely likes Steven Wilson's music and thinks he's made some phenomenal records. And obviously he repeatedly says in the clip that he loves Tool and thinks Lateralus is great.

But the combination of “Tool lack depth” + “I brought depth to Opeth” + “you don't get bored” + “I could work with them” comes across to me as remarkably arrogant.

There's another part of this that I find interesting, too. After criticizing Tool as “samey,” “lacking in some depth,” and “a bit monotonous,” Wilson suddenly makes a point of telling the audience that the guys from Tool came to his band's show in Los Angeles, really loved it, and that he “got on really well with them.”

>“And I met some of the guys from Tool. We did an American tour in October-November. And the guys from Tool came down to our L.A. show and really loved it and I got on really well with them.”

That part almost makes the whole thing sound more ego-driven to me. There's something a little strange about essentially saying: Tool's records lack depth, I could improve them as a producer—and, by the way, Tool came to see me play, loved my show, and we got along great.

It almost has a “they admire me too” quality to it.

I'm not saying Wilson was literally jealous of Tool; none of us can know what was going through his head. But taken together, the comments can come across as surprisingly competitive: he clearly admires Tool, clearly wants to work with them, but also seems very eager to establish that he has something artistically that Tool doesn't—and that Tool themselves already respected what he was doing.

u/time-float — 2 days ago

Alternatives to West Coast Pedal Boards?

Hi, I'm hoping to get a pedal board soon. I really like how the West Coast Pedal Board website allows you to customize your own pedal board, as well as some of the designs and colors. But the owner seems kind of rude and I have read some poor reviews.

Does anyone have any suggestions on companies like West Coast Pedal Boards that allow you to customize on the website similarly?

I really would like to give my business to someone else but can't really find any good alternatives or companies where you're allowed to customize via webpage.

Suggestions?

reddit.com
u/time-float — 23 days ago
▲ 148 r/ToolBand

My January 19, 1979 Silverburst 🤘

I had one of these before when I was 16. It was a 1981 and I was so sad when I sold it but I was more interested in crafting my own tone in my early days. I have missed my silverburst for almost two decades now and finally decided I didn't want to live the rest of my life without one. So, I finally saved up enough to get a 1979 earlier this year and I am so happy with it. It is 100% original and absolutely roars! The sustain is unbelievable on the original line and it sounds so ghostly—a true relic of music history! I am so happy to finally have my Silverburst back and I will never sell it ever again!

For those who may not know, Tool's guitarist is known for using the Silverburst line of Gibson Les Pauls made from 1978-1983, particularly his 1979. I believe a lot of Tool's tone comes from these rare silverburst gems which Adam has said is due to the paint that was used and the reason they were discontinued. It is the proverbial "Tool guitar."

An Adam Jones signature version was released by Gibson recently.

u/time-float — 2 months ago
▲ 7 r/police

A Suspect, a Sheriff, and Hours of Tape: What Can Modern Detectives Learn From Diane Downs’ 1983 Interview?

Back when detectives had to change tapes every half hour to record an interrogation, Diane Downs was convicted for the shooting of her three children in Oregon — a case that became one of the most closely followed homicide investigations of the 1980s.

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This is the original police tape recording between Downs and Lane County Sheriff investigators during the early stages of the investigation, taken directly from the case file. This tape would be played for the jury at Diane Downs trial.

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From a law enforcement perspective, what stands out is the interview approach. This is a long-form, conversational interview where investigators allow the suspect to give her account, establish a timeline, revisit details, and gradually challenge inconsistencies — including with the sheriff himself involved.

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For those in law enforcement, investigations, or criminal justice, I’d be interested in hearing your thoughts on the tactics used, the interview style, and how this compares to current practices.

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This is not a documentary recreation — this is the actual police recording preserved from the investigation.

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It got me wondering for those currently in LE or with experience in investigations:

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How common is it today for a primary suspect to agree to this kind of extended, detailed interview without counsel present?

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How much has interview strategy changed since the early 1980s (PEACE model, Reid technique criticisms, recording standards, etc.)?

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Would a case like this today be handled more through formal interrogation with counsel involvement earlier on?

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Are there still situations where investigators prefer long-form conversational interviewing over structured interrogation, and why?

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Listening with a modern perspective raises some interesting questions:

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Would this style of interview still happen today with a major felony suspect?

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How much has suspect interviewing changed since the 1980s?

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Is there still value in letting a suspect talk at length and build their own narrative, or are modern structured approaches more effective?

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Did older investigative methods sometimes get more information because suspects were given more room to talk?

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What would detectives today do differently in this situation?

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Listening to it with a modern lens, you can really hear the investigative approach of the era — less structured than what we’re used to seeing today, more conversational at times, but also clearly adversarial as contradictions begin to emerge.

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The sheriff involved was David Burks, a longtime Lane County criminal investigator. Burks worked his way through the ranks as a deputy under Harry Marlow and later served as Lane County Sheriff for nearly 20 years. During his career, he received several awards as Sheriff of the Year and helped lead the department through significant challenges, including budget issues affecting the Lane County Sheriff’s Office during the 1980s.

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Curious how people here would compare this style of interviewing to current best practices, and whether anything like this would still be done in a major felony investigation today.

youtu.be
u/time-float — 2 months ago
▲ 2 r/gibson

Who can I trust for Les Paul restoration in Wisconsin?

Apart from mailing it to Gibson's official repair shop, I'm looking for recommendations on expert luthiers and guitar experts in or around Wisconsin to whom I can travel.

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I have a Gibson Les Paul Custom made in 1979 and I have trust issues with letting someone else work on it and being without it for days to weeks. But I need the action reset and intonation redone as well as other restoration work and I am not an expert. I'm willing to travel in Wisconsin, Illinois, Iowa, or Minnesota.

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Also, what happens if it's damaged while in their care? Would they pay for a new guitar?

reddit.com
u/time-float — 2 months ago

What would be the ideal pedal board with correct power supply/voltage?

Hi, I'm new to pedal boards and deciding correct voltage. My one concern is that I get the right pedal board that has the correct voltage (and millamperes?) to power these two staple vintage pedals—a BF-2 from 1980 and a DD-3 from 1986. I know a lot of pedal boards come with 9v isolated power plug-ins but are 250mA outputs going to be correct and are they negative center or does that not matter? For instance, would the Dingbat Medium Pedalboard Power Package with Pedal Power 2 Plus work okay? How do I know if it's negative center? I was always warned that the wrong negative center power supply or milliamperes could fry effect pedals. The old pedal board I once had was one with actually outlets that one could just hook AC adapters straight into. But a lot of them aren't made with those anymore and just have the power supply with those isolated hookups like in the third image above. Would that isolated power supply work?

Feedback appreciated so I don't fry my pedals.

u/time-float — 3 months ago

Is this sebhoreic dermatitis?

I can't for the life of me figure out how this looks like sebhorreic dermatitis but apparently both an urgent care doctor a couple months ago and derm I saw this week thinks it is. I haven't been itching it. I had a recent staph infection and I've had folliculitis on my face and other infected follicles in my armpit. Also, I don't see any flakes. I've had flakey dandruff before and this is not it. So could it be folliculitis instead? The urgent care doctor said I had folliculitis on my face during that visit and sebderm on my scalp.

Ketoconazole didn't work and the derm wants me to use Neutrogena Salicilic Acid now.

Feedback please. 🙏

u/time-float — 3 months ago