r/Filmmakers

Is Full Sail University a good option for a flim school?

So I been looking into film schools and I had a conversation with Full sail and they have a certificate program for 7 months that is in my price range but I wanna know if this is a good flim school. I need general opinions before I sign my life away lol

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u/thexsat — 5 hours ago
▲ 3 r/Filmmakers+1 crossposts

My Grandma said this is the weirdest thing she's ever seen

Very curious of the group's thoughts on this, I made this short film, which I think is hilarious but after showing it to my Grandma and some family members I am second-guessing my sense of comedy. Is this funny? Or is this just weird? Looking for feedback by people who like comedic films.

The short film is about a group of hackers who send one last message to the government before being arrested.

See the short film here : https://www.youtube.com/watch?v=sBRBHeeufgU&t=592s

u/SurfingUSA-16 — 3 hours ago
▲ 94 r/Filmmakers+1 crossposts

I am working on a found footage short film and these are the test shots I made before production. These are fully CG shots. I'd love to hear your thoughts!

u/MikosFilms — 10 hours ago
▲ 591 r/Filmmakers+16 crossposts

[Crosspost] Hi reddit! I'm Jay McCarrol - composer of TONY (out in theaters nationwide this weekend from A24), BLACKBERRY, and HELL OF A SUMMER. I also co-created and co-starred in NIRVANNA THE BAND THE SHOW THE MOVIE alongside Matt Johnson. AMA!

I organized an AMA/Q&A with actor/comedian/composer/screenwriter Jay McCarol. He has composed the scores for films such as BlackBerry, Tony, Nirvanna the Band the Show the Movie, Hell of a Summer, The Kid Detective, The Dirties, and Operation Avalanche. He is also the co-creator (with Matt Johnson) of Nirvana the Band the Show and its TV show and film.

It's live here now in r/movies for anyone interested in asking a question:

https://www.reddit.com/r/movies/comments/1vskgy8/hi_reddit_im_jay_mccarrol_composer_of_tony_out_in/

He will be back at 3 PM ET today to answer questions. I recommend asking in advance. Please ask there, not here. All questions are much appreciated!

His newest film, Tony, is out in theaters via A24 this weekend. It stars Dominic Sessa as Anthony Bourdain and co-stars Antonio Banderas, Stavros Halkias, Emilia Jones, and Leo Woodall. It premiered to critical and audience acclaim a few weeks ago.

Trailer: https://www.youtube.com/watch?v=k1MVnzd2aVc

Synopsis: Nineteen-year-old Anthony Bourdain stumbles into the chaotic world of a restaurant kitchen, setting off a summer that shapes the course of his life.

Thank you :)

u/BunyipPouch — 14 hours ago
▲ 220 r/Filmmakers+2 crossposts

Gothic Remake - The Miniature Trailer

Hi Gothic friends, very happy to announce that I got the chance to make the official ‚Gothic Remake‘ miniature trailer :) I played the original video game as a teenager and now, many many years later, I got the opportunity to be a small part of this project - sometimes dreams can come true! Thanks for watching :)

youtu.be
u/koalsn — 13 hours ago

Visiting LA for the winter - advice ?

I’m visiting LA for the winter from Europe, and
curious where to go/what to do to meet film industry people as well and creatives - last time I was there, I just didn’t feel like it had the effortless/organic social groove the way many other cosmopolitan cities do, and I’d like to actually meet people and a sink into the city a bit more this time rather than drifting like an outsider ghost 😅 I guess I am looking for more specifics rather than “west hollywood vs arts district”.

Really appreciate any advice. Thank you 🙏

reddit.com
u/Cool_Director_2530 — 5 hours ago
▲ 16 r/Filmmakers+2 crossposts

Help me decide (21 m)

Hi I'm a 21 yrs old male, i study in a filmmaking school, finished my first year and still got two more.
My dream is to become a director, right now i'm doing a work placement (stage) in a well known radio station here in Morocco.
I already did 1 month but i have to wait 1 more month till i start getting payed 1500dh (150$) wich is only considered trasnportation fees and 3 more months to start getting 4500dh (450$) (cdi contrat).
But my dad who was working in the industry of filmmaking told me that he would find me a (stage) in a good production company and i can start in this september, but them hiring me after my stage is not guarantee.
What i'm asking is your advice guys about this, should i stay in the radio and guarntee payment after 6 months or start with the production company and start chasing my dream this early ?

u/Yado_2005 — 9 hours ago

Looking for tips and advice, I’ll be a cameraman at an orchestra and choir concert.

So I’ve volunteered to be apart of a very small crew (3 people myself included). I’ve only had experiences working on college projects and this is the first time it’s not a student project.

The organisation does know that the crew are all students, so they aren’t expecting top level talent.
It’s also voluntary so none of us are being paid.

There will be 3 cameras 2 of which will be manned and will be used to capture different shots throughout the performance.

The third camera is a set camera and will be unmanned for the most part.

We have no director, so changing and picking shots will be up to me and the other cameraman. We also can’t speak or do any hand signals to let each other know when we are changing shots.

So I’m wondering has anyone any advice for me to go into this with. I’m really nervous about messing this up and making it look like shite and having that reflect back on myself and my crew and my college.

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u/CaptainCT-7567 — 6 hours ago

What are the best film universities in Europe?

Hello! I’m a 16 yr old in Greece, and my dream is to become a film director. I’ve got many ideas and so I want to know more stuff about film making. I’ve heard some good things about NFTS in England and USC in America that I really want to go, but I don’t trust America right now enough to go for college. I also only know a few languages them of course being Greek and English but I am at a starter level in Italian and have my A2 in French and also know a bit of Dutch aswell.

The problem is that I’ve been getting mixed messages from people that have gone to a film university and said that I wasn’t as worth it or helpful so I don’t exactly know if it’s worth it. If I don’t go to film school I might go to an Art school but I really dont see the meaning behind it since I already am an artist and I see as a waste of time

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u/Ancient-Local-2590 — 6 hours ago
▲ 94 r/Filmmakers+8 crossposts

[Crosspost] Hi r/movies! I'm Joshua Bailey, director of Stolen Kingdom - a Disney heist documentary about urban exploring, scandal, and theft at the Disney parks, ultimately leading to the heist of an animatronic. AMA!

I organized an AMA/Q&A with filmmaker and screenwriter Joshua Bailey. His new documentary Stolen Kingdom received critical acclaim and has been playing the film festival circuit for about a year. It's about urban exploration and ultimately a heist at Disney World.

It's live here now in r/movies for anyone interested in asking a question:

https://www.reddit.com/r/movies/comments/1vsnbts/hi_rmovies_im_joshua_bailey_director_of_stolen/

He will be back at 3 PM ET tomorrow (Thursday 8/20) to answer questions. I recommend asking in advance. Please ask there, not here. All questions are much appreciated!

Trailer: https://www.youtube.com/watch?v=TVNkxUxhqh0

Synopsis: The history of misdeeds and debauchery at Walt Disney World Resort over 30 years, which leads to the theft of almost half a million dollars worth of stolen props.

Thank you :)

u/BunyipPouch — 12 hours ago

What are these Mics?

Hi everyone! I’ve recently noticed an increase in what I think are short shotgun mics being used in movies, shows, etc., and I’m really curious about what they’re called and how they differ from longer microphones like the MKH 416.
Specifically, I noticed one in Deadpool & Wolverine when Dp pulls the boom down to break the fourth wall, and more recently in set photos from Spider-Man: Brand New Day. These mics seem to be completely wireless, very small, and extremely good at recording dialogue.
I don’t have much experience or knowledge when it comes to sound or microphones yet, so any input to ID these would be greatly appreciated!

u/Informal-Tourist6175 — 16 hours ago
▲ 76 r/Filmmakers+5 crossposts

My $5k feature finally released on streaming

It’s called “Cellar Noire” and you can watch it here: https://fawesome.tv/movies/10829509/cellar-noire or on any Fawesome app.

I wrote a movie about the three scariest things I could think of: losing my wife, the apocalypse, and claustrophobia.

It took me three years working entirely by myself. My wife and friends provided a few minutes of voice work but otherwise I was alone. My $5k budget consisted of a new Windows desktop with GPU, a 2nd hand Samsung Galaxy S23 phone, tripod, mics, some lights and props.

Finally it was released on streaming on Fawesome.TV (which I’ve been calling Tubi’s little upstart brother). Here’s the synopsis:

Cellar Noire: A claustrophobic psychological survival drama. Trapped after a catastrophe, Warren battles isolation, grief, & his mind, with a talking skeleton as his only companion. A dark, intense journey of despair and resilience. Zbigniew Winzig's sophomore entry in the "DIY Solo Film" movement.

The Devil’s DVD Bin did a very kind review (with spoilers) of the film that you can read here: https://thedevilsdvdbin.wordpress.com/category/cellar-noire-2026/

Now I can rest 🙂

  • Biggy
u/biggybigfoot — 13 hours ago

What would you do next after developing a feature this far on your own?

Hi!

I’m in my 40s, with an established career outside the film industry, and for the past couple of years I’ve been developing an original animated feature alongside that work. I’m now at a point where I’m not quite sure what the most rel
evant next step is. But I'm already getting myself ready for lots of unanswered emails and automated declines.

I'm deliberately not sharing the title, logline or story because I'm not looking for feedback on the film itself or asking anyone to read anything. I'm more interested in hearing from people who have been through development or production and might have some perspective on the situation.

The project has grown into a fairly large development bible. The overall story is structured, including the main character arcs, momentum pressure controls, sequence-level progression and causal chain. There's also a lot of work on the world and its internal rules, visual storytelling and staging, sound/music intentions, themes, audience. I have even made mood reels for the main sequences using other film materials and temp tracks to really show the intent. I've also made shorter documents that extract the important parts depending on who I will be presenting the project to.

Screenplay hasn't been part of this work. A lot of it has been figuring out the story, structure, rhythm, world, characters and how I imagine the film and its concept working visually and emotionally.

That's also why I don't really consider myself a screenwriter. I created the project and want to stay very involved creatively (a bit like a showrunner would in a series), but I don't necessarily want to write the final screenplay alone. Ideally I'd like to work with an experienced screenwriter who could challenge and improve what I've built rather than simply turn my notes into screenplay format.

My goal now is ultimately to find a producer and an animation studio in France, and I'm also starting to identify screenwriters who might be a good fit. I'm not looking to raise money or finance the film myself at this point. What I'm really trying to figure out is how to move from developing it alone to bringing the right professional people into the project.

So I'm curious what people here would do in this situation. Would you approach producers first and potentially find the writer with them? Try to find a screenwriter first? Or is having a screenplay basically expected before approaching producers with a feature like this?

I'm also wondering whether developing something this much before bringing professionals in is generally useful, or whether there's a point where having too much already defined can actually become a disadvantage.

I'd especially appreciate hearing from people who've worked in development or producing, or have seen projects come in from people outside the film industry.

reddit.com
u/HMasteen — 11 hours ago
▲ 507 r/Filmmakers+3 crossposts

First Feature Film On Tubi

I made a action crime comedy thriller for about $24K that was pure guerrilla style. 100% skeleton paid crew (DP, sound, AD and a gaffer sometimes), and mostly deferred actor pay. Wrote, directed, produced, and starred in it myself. I filmed in once then had to start over because my old DP was trash. I literally wasted at least $10K and it took so long to even start again and finish. I started writing it in 2017 started filming in 2022 and finished it in 2026 and it was distributed on Prime and Tubi. I hope you will be able to watch it. Its streaming free on Tubi.

https://tubitv.com/movies/100059912/look-behind

Look Behind is about a cop and a lawyer who's families were killed. They meet someone willing to help them get justice, but its an eye for an eye.

All rounder guys

Whoever is making film alone doing all things by themselves is crazy people because sometimes it is so hard and sometimes it is damm easy to do... I make my two short film by myself and release it on YouTube if you guys also do this type of things then share your experience

reddit.com
u/Shubh_Chaklan — 13 hours ago

Development Executive Experience

TLDR: Studio system in india in f*cked

I have been working as a dev exec at a major Indian film studio for more than 6 months now.

My experience has broken something inside me and idk where to go from here.

I’m the first rung of the ladder at the studio so I’m the first one who gets to read scripts when they come in.

In my time I have noticed that the studio is not really interested in developing work or talent. They want everything ready. They don’t want to pay writers to develop upon any material. I’ve had the opportunity to contact some big names among the indian writers and they’ve even submitted good ideas / concepts. They have all been passed on by the studio because they will require development.

They literally expect a complete show bible and a bound script if it’s a movie. Basically they want writers to write on spec. But even then they will not pay them. They will take the project to a streamer (there are only 4 in india: Netflix, Amazon, JioStar, Sony) and if the streamer likes something then and only then will they commission the project.

In my time I have not seen any project get commissioned, no script that’s being bought. The streamers always find a problem with the material (and usually the problem is solvable with development) and reject it.

Moreover, everyone at my workplace is a marketing person or MBA including my boss and my boss’ boss. Nobody comes from a film background or actually even cares if they’re making a good film or not. Everyone just wants to know if the film will sell on the first weekend.

I’m overworked, underpaid and there’s an unsaid expectation to work 24 hrs with no overtime pay. Work life balance is not a thing. Asking for a holiday seems like I’m doing a crime. And btw this was something really new for me: earned leaves. I have to work to earn my holiday. This all is giving me hints of slavery…

I see no future for cinema in india. The studio will survive and even thrive because of all the royalties they continue to get. It feels like that’s becomes their main business, their main source of income.

I want to know how do you keep hope alive. It’s so terrible out here. I came here in the hope that I would pitch them my movie someday but now I’m just hiding the fact that I have even written one because if I do they’ll argue that the movie is there’s since I wrote it while I’m employed with their company.

This is disillusioning me from cinema. The business is actively working against the art and artists, not even trying to support.

reddit.com
u/PuzzleheadedRound353 — 22 hours ago

I want to film a 70 minute feature for under $1000, what are some budget constraints I need to know?

Hey everyone, I plan on writing and filming my first feature before the end of the year. Right now, it is still in development. I plan for it to be a psychological horror movie.

I want to know before I finish writing it, what are some things I need to take into consideration to keep it under $1000. I already have a camera and computer ready. I don’t have a crew yet or a cast. Or script lol.

I know location, how many cast and crew members and scenery will be all the difference. I would like advice from everyone on what they did with budget constraints and how they ensured their project got finished!

Also, I do want to focus on shoot days. If someone has any great advice on shoot days and how paying actors/crew members, I would LOVE that!

Thank you so much in advance!

reddit.com
u/Dramatic_Ask7315 — 1 day ago

Special Effects and set design from the 1957 Indian Film - Mayabazar

Mayabazar (1957) is a legendary film famous for its groundbreaking practical visual effects:

Flying Sweets: Laddus were moved millimeter-by-millimeter frame-by-frame using stop-motion to create the illusion of food flying into Ghatotkacha's mouth.

Moonlight Effect: The song Lahiri Lahiri Lahirilo was filmed at noon; special lens filters and under-exposure turned harsh sunlight into a realistic full-moon night.

Disappearing & Shapeshifting: Used the stop-trick technique—the camera was paused so actors could swap places or step away before filming resumed, making morphing look seamless.

u/Srinivas_Hunter — 1 day ago