r/HobbyDrama

[Hobby Scuffles] Week of 06 July 2026

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u/EnclavedMicrostate — 4 hours ago

[Movies] Sex, Lies, and Snow: George Lazenby and On Her Majesty’s Secret Service, or how a male model with no acting experience talked his way into the role of James Bond.

Note: the two major sources I have used for this write-up are two documentaries. One in English, and a transcribed Dutch one. Therefore if there’s any wonky phrasing, please be aware that I looked high and low to no avail to find a proper translation for the Dutch documentary, but I couldn’t find one.

Part 1 here, but to quickly recap: In the 1960s to 70s, the James Bond movies were produced by two men: Albert R Cubby Broccoli and Harry Saltzman. In 1968, they faced an unprecedented crisis when Sean Connery quit the role of 007 (he was being stalked by journalists and fans) and they needed to find a replacement.

After finding the perfect actor to play 007, how do you find *another* one?

On Her Majesty’s Secret Service – The hunt for Bond

The first five Bond movies were all edited by one man...Peter Hunt. He did such a good job, that Cubby and Harry offered him the directors chair for the sixth movie, On Her Majesty’s Secret Service (OHMSS).

OHMSS is a weird but tragic story.

Bond is searching for his main nemesis, Blofeld. At the same time, he rescues a girl, Tracy, from committing suicide. Her father tries to browbeat him into marrying her, but Bond refuses.

Bond tracks Blofeld down to Switzerland. In order to defeat his nemesis, he goes undercover, disguising himself as ‘Sir Hilary Bray’. Entering Blofeld’s mountaintop fortress, Piz Gloria, he quickly discover his bat shit insane plot to take over the world.

I am just going to copy and paste this part of the plot from wikipedia, because it describes it far better than I ever will:

>Bond learns that Blofeld has apparently been curing a group of young British and Irish women of their allergies to food and livestock. In truth, Blofeld and his aide, Irma Bunt, have been brainwashing them into carrying biological warfare agents back to Britain and Ireland to destroy the agricultural economy, upon which post–Second World War Britain depends.

Yep. Blofeld is hypnotising a group of young women into becoming disease carriers.

Upon discovery, Bond escapes Piz Gloria. Using magic tectonic powers, Blofeld causes an avalanche, which Bond avoids, but the effort weakens him.

All of a sudden, Tracy appears and saves his life. Because of this, Bond falls in love with her. He proposes marriage and Tracy accepts.

With the help of some big guns and armoured helicopters, Bond returns to Piz Gloria and destroys it. Blofeld escapes via bobsled.

Despite his extremely dangerous and vengeful archenemy still being on the run, Bond decides to marry Tracy. While driving away from the wedding, Blofeld ambushes them with a gun.

Bond survives. Tracy is killed. Bond is sad and swears vengeance- which he will get in the next book.

So, unlike many other Bond novels, OHMSS is unique in that Bond falls in love, gets married, and almost settles down.

This means that whoever plays Bond in the OHMSS movie would have to show a lot of range: joy, anger, love, and heatbreak.

George Lazenby - The Second Bond

In their search for the second 007, the producers and director tested a lot of actors. A lot. Over 400 of them. They cast the Bond Girl easily- the lovely, incredible, absolutely amazing Diana Rigg (RIP).

But one day, they saw a commercial. For chocolate. The main star was an Australian named George Lazenby. He reminded Peter Hunt of Sean Connery-- he had the same physique and sex appeal. And so, Lazenby was invited to audition for the role of 007.

At the time, Lazenby was working as a cars salesman and male model in London. He had zero acting experience. Zilch. Nada. But he wasn’t broke, he was a highly sought after male model, earning £25,000 a year.

But Lazenby was smart, and decided to seize the opportunity and do whatever he could to win the role.

Before his audition, he went to Sean Connery’s tailor and got a suit- fortunately, they gave him one that Sean himself had left behind. Then he went to Sean’s barber and got a 007-style haircut.

So, he looked the part. Perfectly.

He first saw Harry Saltzman, and lied to him:

>So we went to his office across the street and there I was asked what my life story was. And I told him that I could ski and car racing, that I was a karate expert and all those other things that James Bond was.”

>Lazenby had skied and he had a sports car, but everything was said with that. It was all bluff. His film and stage experiences were also one big bluff story. “I said I had acted in China and New Zealand. It was difficult to control.” In reality, Lazenby only has experience as a model and can be seen in one advertising video by Fry Chocolate Cream.

Afterwards, Lazenby came clean to Peter Hunt.

Peter told him:

>”I’ll tell you what. You stick to your story, and I’ll make you the next James Bond.”

*Ominous noises*

Peter helped him become more Bond-like, teaching him to walk like “Prince Charles” and giving him elocution lessons to lessen his very thick Australian accent.

Lazenby also met Diana Rigg. And they got on. At first.

*More ominous noises*

But Lazenby still had to impress Harry and Cubby. Which he did. By punching a stuntman in the face and breaking his nose.

He then told them the truth, but they still cast him as 007, offering him a 7 film deal. At the time the press highlighted Lazenby’s inexperience with headlines such as "Australian Non-Actor Chosen to Play James Bond" and "He Traded In Auto Selling for 007 Job".

In contrast, Lazenby was enthused about the role:

OHMSS – The movie

The OHMSS movie is a relatively faithful adaptation. There are some minor changes- plot points are moved around and there is a lot more action- but by far the biggest change is the character of Tracy. She has more agency and a larger role in the plot. There also more scenes between her and Bond, making their romance more believable.

She’s also directly involved in the action and has several badass moments. In a car chase, she’s the one driving while Bond is a passenger, and in sharp contrast to book!Bond’s belief that women are terrible drivers, she proceeds to out drive a whole bunch of men. She’s also involved in the ski chase, and does a commendable job keeping up with Bond. Unfortunately, this time around, Blofeld’s tectonic powers actually work, and in a tired cliché, Tracy is captured while Bond escapes. However, this lets her have an epic verbal duel with Blofeld, so all is good.

Hunt intended the film to be a return to simplicity:

>Hunt has very clear in mind where he wants to go with his Bond film. “I wanted it to be a different Bond movie than the other. It was my movie, not anyone else's. The story of Fleming was so beautiful.”

>Hunt believes that the Bond film formula is going over the top. In the previous films, the decors were too extravagant and the humor and the tricks were too prominent. Hunt makes a decision that, in addition to the new actor as Bond, means a second deviation in the Bond film formula. He decides to follow the book of Fleming as faithfully as possible with the film On Her Majesty's Secret Service. “During the entire film adaptation, I had a paperback copy of the book in my back pocket. I had the book full of notes and was very tenacious in my loyalty to Fleming’s story.”

Filming begins – and so does trouble.

Now, the story of the filming troubles of OHMSS is a mixed bag- a he said, she said, situation. Lazenby and the film-makers have equally praised, and criticised one another. It’s worth mentioning that Lazenby reportedly did get along with some of the people on set- his co-star Telly Savalas, some of the crew, and the stuntmen.

Very few facts are a 100% certain. But I will present them as best I can using the sources I have found.

Cubby visited the set in Switzerland in November 1968, and found the atmosphere “just awful”. Tensions were running high- due to issues with the weather and mountain climate:

>Finding Piz Gloria is a great happiness for Hunt, but otherwise the recordings of On Her Majesty’s Secret Service are not going so well. The weather is causing trouble. It's cold, but for the first time in forty years, the snow stays out around the Christmas of 1969. Because this has to be waited for, Hunt is soon behind schedule. Recordings of James-Bond films have generally taken up a very long six-month period. Eventually, the recordings are completed 58 days later than planned. Furthermore, the thin air around Piz Gloria causes many problems and accidents in the stuntmen.

Cubby’s wife, Dana Broccoli, had a solution- she came to the set and threw a party for everyone.

The party went well, lifting everyone’s spirits. But one person was absent...George Lazenby.

And then...he arrived.

This is what Dana alleges happened:

>“So I went up to him and said, ‘George, come on. Come here and sit with us.’ ‘Alright’, he said. But he was very quiet. And I said to him, ‘George, why are you angry? What’s wrong?’. He said, ‘Well, I did not get an invitation to this party’. And I said, ‘George, it was on the call sheet, it was in the lifts. Everyone knew it.’ He said, ‘But I’m the star.’ So I laughed because I never heard anyone say that before.

>Well Cubby did not think it was funny and he said to him, ‘You’re not a star because you say you’re a star. You’re not a star because I say you’re a star. You’re a star when the public calls you a star and we have yet to see that.

Lazenby also caused other issues on set. Because of his status, the insurance company for OHMSS wouldn’t let him ski. But he did. And was caught- by Cubby, no less- and got in trouble again.

Lazenby gave his own view of what happened:

>Lazenby sits with the Bond squad in Switzerland for months for the filming and it soon turns out that there is a big difference of insight about directing. Lazenby expects that as an inexperienced actor he will be heavily coached, but that turns out to be disappointing, according to his own words. Lazenby has always claimed that he was not directed by Peter Hunt at all and that he did not even speak to him during the 9 months of filming. “I have experienced the collaboration with Hunt as unhappy. He never spoke to me. Everything Peter said to me went through the assistant. That situation existed throughout the film. He told everyone to stay away from me. Peter thought the more I was alone, the better I would be as James Bond. That was his theory. I have to praise him for that, because the result is good.”

Hunt responded:

>Although, according to Hunt, there were indeed many conflicts on the set, according to him, it is absolutely not true that he did not speak to Lazenby. “I had faith in Lazenby, otherwise I wouldn’t have worked with him. I knew he could act and I think he's a good Bond, too. Every director has his methods, but I certainly spoke to him. I do think that the change from the outback in Australia to the distinguished world of filmmaking was too big for him. Moreover, Lazenby was a bit of a strange figure, I always called for him to be more protected.” Hunt believes that Lazenby should be mainly trained in dealing with the press.

One group who loved the discord on set was the international paparazzi.

Just like with Connery, they hounded Lazenby during the filming of OHMSS. They constantly compared him to Sean Connery, and in interviews, constantly asked him about how he compared to Sean Connery.

They also ran a negative press campaign against him, alleging he was feuding with his co-stars on on set. One time, while they were interviewing him in the canteen before a romantic scene with Diana Rigg, she called out “I’m having garlic for lunch George. I hope you are.” The press ran with this, stating that Rigg disliked him.

Hunt later asserted that there were a few moments of discontent between them but nothing permanent, while Lazenby stated that he and Rigg were friends.

Lazenby also injured another one of his co-stars, Bernard Lee, who played M. While they were filming in Portugal, he chased Lee around on a horse, and Lee ran into a rosebush, badly scratching his leg. Lazenby apologised, but the incident further fractured his relationship with Cubby.

In 1970, Rigg published an open letter in a British newspaper, the Daily Sketch, stating:

>Dear George,

>

>The film has opened and is, I hear, making a great deal of money at the box office. This means you have been accepted by the public, which bodes well for your future career. Why, then, do you persist in dwelling on your petty grievances?

>

>I’m tired of reading those paranoid statements to the Press wherein you were solely surrounded by hostile people. I agree that by the end of the film most of the crew were hostile, but only because of your extreme behaviour.

>

>Why else would your dresser threaten to hand in his notice? Why else would three chauffeurs leave you within a week? Why else was one member of the unit restrained from striking you after one inexcusable and crude outburst against one of the girls in the film?

>

>Remember once telling me you valued honesty greatly and that I was “if nothing else, honest”? Perhaps you would prefer not to. But, let’s get some of those highly-coloured incidents between us straightened out truthfully.

>

>NO, GEORGE, I did not eat garlic on purpose. Why would I? To ruin an important scene for both of us? That is not what acting together means. And if you recollect, on discovering what I’d done, I apologised and took every precaution – sprays, pills, etc.

>

>NO, GEORGE, I was not, as you said, guzzling champagne in some warm bar when we had the row. I was attempting to back the Cougar car on a very icy road. You were telling me what to do - and since you know more about cars than I, you had every right.

>

>But the manner of telling me - abusively with threats to “Bash my ---- face in” - was hardly the best way. I felt ill, unable to fight back on that level - and I cried.

>

>Later, some weeks later, you apologised. But the damage was done.

>

>Neither do I think it was entirely truthful of you to suggest I was keeping the crew waiting. This was your particular pleasure and it is to their everlasting credit that they treated you throughout with patience and consideration.

>

>Even the cameramen took it in his stride when, after only a few weeks of filming, you began telling him what to do. He was a gentleman – remember George?

>

>Yes, I did talk to the crew rather than you. Quite simply I preferred their company. And as to Peter Hunt, the director, not once did he lose his temper under the constant provocation of your storming off the set, turning up late and sulking.

>

>As far as money is concerned, George, let’s face it: £22,000 for your first film – with perks thrown in – cannot be a hardship. Few would consider it so.

>

>And concerning your relations with the producers, I know little except that they found it impossible to meet your demands for more money, bigger chauffeur-driven cars, grander apartments, etc.

>

>I do know, too, that the producers are both men capable of generosity, and I was present on one occasion when “Cubby” Broccoli spontaneously gave you - off his wrist - a gold watch you had admired.

>

>It is against all my principles and beliefs in the work we as actors do to fight at all – let alone openly and crudely as you have been doing.

>However, your injustices and blatant distortions to the Press have finally forced me to speak.

>

>It is all in the past now, George. The people concerned have been prepared to forget – why can’t you?

>

>I’ll say no more.

>Yours faithfully,

>

>Diana Rigg

Lazenby fired back a day later, publishing a rebuttal in the same paper:

>Dearest Diana,

>I cannot understand what you have written, but I am trying to answer it in the most honest way.

>I have dwelt on my “petty” grievances because they may have been petty to you at the time because you have been in the business for 15 years. But I am just a beginner.

>My grievances and my “paranoid statements to the Press,” as you put it, are all part of somebody trying desperately to co-operate and become a good actor. I am, as you know, a raw recruit to show business.

>We all make mistakes, and I know I’ve made mine, as there are in every film. And that includes my dresser. But at the end of the film we’re all good mates.

>The chauffeurs? The one I had in London, Ernie Freeman, I took to Portugal to film. Because he was a stranger there he stayed as my guest more than anything. My second chauffeur was a bullfighter who drove like a lunatic. And, if I die young I’d rather drive myself.

>The third chauffeur was not outside a restaurant one night. A girl friend and I left and found no car, but there was a rowdy mob of fishermen sending me up as James Bond.

>The only thing I could do was to walk into the centre of them, rather than let them descend on me. What would you do, darling, if you left with your boy friend, Philip Saville, and found a jeering mob and no car?

>I was frightened, to be honest, and I shook the ringleader’s hand. Then the car arrived. I took the tension out on the chauffeur and that was wrong, I admit. But he won, because I walked home.

>I don’t remember any outburst worth speaking of that would get someone uptight enough to want to have a go. I’m sure we had slight disagreements, but they are past and forgotten.

>I never said you had garlic on purpose, although it was unfortunate you did. Darling, I’ve seen you drink champagne for breakfast. I have it, too, but it’s not exactly my scene. Give me apple juice any day.

>OK, so I said things about your driving but you don’t think I was right.

>The film crew I respected. If I can always get a crew like that I will be very happy. They kept me from going insane.

>The cameraman I could go on and on about. A great guy, Michael Reed. He was a gentleman.

>You will laugh, Diana about the money scene. But I would have accepted nothing for the part because I wanted to become an actor. It was the greatest screen test of all times.

>The watch!! I admired Cubby’s watch at the Variety Club Ball, and Cubby said he would get me one.

>Anyway, another actor had bought one and I mentioned that Cubby was going to give me one. And, two hours later Cubby, being the generous man that he is, handed his over.

>Obviously the word went down the line. I was very embarrassed and tried to give it back but he insisted that his wife wanted me to have it.

>I am sorry you brought that up. But what knocks me out the most is that you said it was against your principles and beliefs to bring other people into a fight.

>I am sorry it worked out this way, but there is a statement that a bigger man than I am has made recently. He puts it in a nutshell: “War is over if you want it.”

>Peace.

>George.

The Aftermath

In December 1969, at the premiere of OHMSS, Lazenby sported a decidedly un-007like beard and long hair.

The day before, he had appeared on the Late Night Show with Johnny Carson and made a stunning announcement...he was quitting the role of James Bond after only one movie. Cubby and Harry, who had been watching the broadcast, were enraged, fearing that Lazenby’s decision could hurt OHMSS’s box office. They also hated his new appearance and tried, to no avail, to persuade him to shave it all off. They took his resignation and ‘turned it around’, claiming that they had let him go.

Lazenby turned down the 7 film contract, losing one of the biggest roles in cinema, all because his agent, Ronan O'Rahilly, persuaded him that Bond would be out of the fashion by the 1970s.

Now, OHMSS, wasn’t a flop. It made money, just not enough money. It only grossed half of what the previous Bond movie, You Only Live Twice, had made. At the time, reviews were mixed, with most criticising Lazenby’s performance. United Artists, then distributors of the Bond movies, weren’t happy with the financial performance of OHMSS and blamed Lazenby.

Over the years, Lazenby has been very candid about his experience filming OHMSS and the publicity storm that happened after the premiere. In February 1970, he had a lengthy interview with the BBC, where he said that he was acting ‘uptight’ on set due to his inexperience, and reiterated that Hunt had always been too busy to help him. He also repeated his claim that Diana Rigg had been drinking before they had filmed the car racing scene and that he had lectured her about it. He then said that he felt Bond should’ve been gentler, more humane in the movie, versus the rigid characterisation that the director and producers wanted. This included inserting ‘pop music’ into the film to make it lighter. He also praised the crew, stating that if not for them, he would’ve gone ‘insane’. His final claim was that he’d financed his own tour around the USA to promote the movie, because due to his beard, he’d been cut from the official tour it as the producers had wanted him to look like 007.

After the premiere, Cubby defended Lazenby, stating that he’d given a good performance even if he wasn’t the best actor, although he found his attitude ‘annoying’, and that he was arrogant and had a lack of respect for the Bond character. By 1978, he was more ambivalent, saying casting Lazenby had been his ‘worst mistake’, calling him ‘very arrogant’ and that he hadn’t worked well with the cast and crew. Sean Connery came to Lazenby’s defence, saying Cubby was actually the arrogant one.

Lazenby on the state of his career:

>“It hasn't been easy, trying to climb back .... I admit I acted stupidly. It went to my head, everything that was happening to me. But remember, it was my first film .... Now what I've got to do is live down my past; convince people I'm not the same person who made a fool of himself all those years ago. I know I can do it. All I need is the chance.”

By 1978, he wasn’t doing so well. All his films had flopped. He had spent all his Bond money, experienced two mental breakdowns, and become an alcoholic. For the next couple of years, he bounced around Hong Kong, Australia and finally moved to Hollywood, where he achieved a modest success, but nothing high profile like OHMSS.

Epilogue – a modern day retrospective

As the years went on, OHMSS’s reputation grew and the critical consensus shifted. Now, many agree it’s one of the best Bond movies ever made. It has several high profile fans, including Christopher Nolan and Steven Soderbergh.

Over the years, Lazenby has conducted a lot of interviews about OHMSS. He has said that he had a lot of “growing up he needed to do” before he accepted the role of 007, and that he ‘should’ve done two’ and then he would’ve completed his contract and done all seven.

In 2012, he was less magnanimous:

>He tells Entertainment Weekly magazine, "They offered me millions under the table to do another one, but I thought James Bond was over. Easy Rider was the number one movie. Everyone was smoking marijuana, and that was the furthest thing from a James Bond movie. So I didn't sign the contract.

>"I was badly treated after that. They (producers) told the press that I was difficult to handle, so it was hard to find work."

>And Lazenby insists his portrayal of 007 in 1969 was the most believable, adding, "It's the only film that treats him like a human being. He's not a robot killer like the latest Bond... When I did it, it had more heart. There's no heart to the new Bond."

In 2019, on the fiftieth anniversary of OHMSS, Diana Rigg weighed in:

>“I could never understand why George behaved as he did,” Rigg said, “because he was given such a glorious opportunity and he threw it all away. I’m sorry for him, if you really want to know. At some stage, it just went to his head.”

>Both Lazenby and Rigg say they haven’t seen the movie in years. Nor are they in touch. “I don’t think one way or the other about Diana,” Lazenby said.

>"Oh goodness, no, he wouldn’t come near me!” Rigg said.

She died the next year. Peter Hunt died in 2002. Cubby Broccoli and Harry Saltzman both died in the 90s.

But George Lazenby is still alive.

In 2017, he participated in a documentary about his life called ‘Becoming Bond’, in which he reflected on his time as 007 and the lasting impact the role had on his career. Although, he also used the opportunity to brag about all the women he had seduced in the 1960s.

>Lazenby claims he was subsequently blacklisted by the industry, becoming the movie world’s equivalent of a one-hit-wonder. He agreed to participate in the documentary, directed by Josh Greenhaum, to set the record straight. “I haven’t talked about it much lately – in the last, say, 20 years – but I did want the truth to be out there,” he says. “Word got around that I was difficult to handle. They said that was the reason I didn’t do another Bond, but that wasn’t the truth.”

In 2022, Lazenby got into hot water for allegedly making homophobic, and ‘creepy’ remarks towards women, during an interview for a tour around Australia called ‘the Music of James Bond’. Although he apologised, he was booted off the tour. Some online have disputed what he said, claiming he was likely just repeating old stories, but again, this seems to be a he said-she said situation.

In 2024, Lazenby retired from acting and all public appearances.

In 2025, his ex-wife revealed he had been diagnosed with dementia and that she was looking after him.

Lazenby was only the second actor to play 007, but by no means the last.

After OHMSS, Sean Connery briefly returned to the role of 007 in Diamonds are Forever, before the hunt for a new Bond began all over again, but that’s a story for another time.

Thanks for reading.

u/Tokyono — 2 days ago

[Lost Media] Me and My Friends - A search for a children's show pilot invites sabotage, burns bridges, and leaves two communities in shambles

Content warning: mentions of death threats

Intro

If you have a morbid fascination with watching internet fandoms light themselves on fire over media intended for preschoolers, this just might be the story for you. This story primarily involves an internet community with a fairly simple goal - one whose conclusion is dangled over their head just out of reach for years, that is until they look beyond the carrot and notice who's holding the stick.

Lost Media

The lost media community is an online community of amateur sleuths whose goal is to research, document, and hopefully find and archive lost media.

The precise definition of what constitutes lost media differs depending on who you ask, and is a highly debated subject within the community. Some define lost media strictly as media that used to be publicly available but isn't anymore, whether due to being lost to the sands of time, or intentionally censored/hidden from the public. Examples of this include silent-era films (most of which are thought to be permanently gone due to the fragile and flammable nature of early film reels), and instances such as episode 847 of Sesame Street, which featured the Wicked Witch of the West and was pulled from airing due to the character scaring kids.

Others believe that other types of rare or mysterious media also counts, such as unidentified media, which is media that may be publicly available but is too obscure to find through traditional internet searches. An example of this would be O parádivé Sally, also known by its community nickname "Clock Man" - an obscure animated short that for many years was unknown and remembered primarily for a scene in which a bearded man jumps out of a clock and carries away a child.

Relevant to this story, another subset of media to commonly fall under the lost media umbrella is unreleased media - media that was never meant to be publicly available in the first place. This includes things such as early builds of video games, music demos, unaired TV show pilots and production material from movies (such as the "I Feel Good" Shrek test animation).

No matter the precise definition, the mission statement of the community is to find lost and rare media and post it to the Internet Archive for public viewing and preservation. Many in the community believe that media preservation is important, as it helps preserve culture and history - even trivial media like obscure cartoons or commercials are deemed valuable and worthy of being saved. It's common for members of the community to be openly hostile to the concept of hoarding or "gatekeeping" media, particularly in cases of third-party collectors obtaining rare media and keeping it to themselves to retain its value.

Me and My Friends

The Backyardigans is an American 3D-animated show that aired on Nickelodeon from 2004 to 2013. It follows a cast of anthropomorphic animal characters as they use their imaginations to go on grand adventures in their shared backyard. It is a show that is nostalgic to a lot of Gen Z Americans, so any new information about its history or development was bound to catch a lot of attention and intrigue.

In 2012, a YouTube channel by the name of avavideos1 posted a video they uncovered which was originally created by the staff at Nickelodeon Studios Florida back in 2000, for the studio's 10th anniversary. It consists of a montage of show clips and behind-the-scenes footage which was filmed at the studio. At around the 3:32 mark, there is a 3-second clip featuring the Backyardigans characters - already noteworthy as the show wouldn't come out for another 4 years, but the style is also wildly different from the final show. Rather than 3D animation, the clip is live-action, with the characters portrayed as full-body costumes. The title at this point was also unfinalized, as the clip is labeled Me and My Friends Pilot.

The Search Begins

Due to the discovery of an unavailable piece of media, and the media being connected to a popular show from many people's childhoods, lost media enthusiasts were eager to learn more about it. Some initial research led users to the Backyardigans Wiki, which had already started compiling information about its production, and was the sole source of much of the initial search efforts. From this page, it was revealed that the Me and My Friends pilot was filmed back in 1998 and pitched to Nickelodeon, and was rejected in favor of Dora the Explorer. But in 2001, the idea was reworked into a second pilot, where the name was changed to The Backyardigans, was animated in CGI and more closely resembled the final show. Some photos from Yvette Helin Studio, the company that made the costumes for Me and My Friends, were also uncovered, which showed some photos of the costumes as well as puppets for 3 meerkat characters, which were evidently in the pilot but didn't make it to the final show.

The First Signs of Trouble

Lost media YouTuber LSuperSonicQ compiled all of this information in a video he posted to his channel in 2017, which became widely popular within the community, putting many new eyes onto the pilot's existence. However, shortly after the video was uploaded, it was taken down by YouTube, and LSSQ's channel was issued a copyright strike. A day later, he received an email from someone claiming to be a lawyer. According to the lawyer, one of his viewers had watched the video, and this had inspired them to track down the name and email of a former crew member who worked on the second animated pilot. This individual then sent the crew member a death threat for not releasing the pilot online, causing them fear and upset. LSSQ was spooked by this incident and quickly deleted the video to be rid of the copyright strike, and explained to his followers what had happened. He later posted an unlisted reupload of the original video with any mentions of the CGI pilot removed.

This incident brought the search for Me and My Friends to a halt, as some lone wolf threatening a former Nickelodeon employee likely burned a lot of bridges before they could be built. It's generally accepted in the community that if you're going to try and contact people involved in a piece of media's production to ask for information, there's some strict etiquette to adhere to. Let one person be the one to contact them, be cordial and professional, be polite and understanding if they can't help you, and stop emailing them if they've given all that they can. Without these guidelines, it's very easy for even well-meaning users to effectively spam and harass people who are just trying to do their jobs, and can cut the community off from people who might be able to help them with their search. A crew member being sent a death threat by a troll might as well have put the entire community on a blacklist, with anyone who could be of help being warned away from interacting with the community.

A post on the Lost Media Wiki Forums indicates there was some conflict over whether the search should even continue, and some speculation that the incident jeopardized searches for other Nickelodeon lost media. LSSQ also expressed frustration with his feeling like some were blaming him for the incident and influencing other users' behavior due to the popularity of his videos.

>I kinda just want to say that my channel isn't (and was never intended to be) a hub of active search parties- that's what this website is for. Just because I make a video of something doesn't mean I'm trying to tell people to go out on a massive manhunt and search for it. I make videos for entertainment sake and if anyone wants to participate in a search from that point on that's their own business.

The Search Revival

Despite the determination of some to not let the search die, it largely went quiet for the next few years. But in 2020, a new lost media YouTuber by the name of SewerReviewer made his own video (volume warning at around 1:23) on the subject. He summarized the search thus far, and mentioned several people connected to the pilot that he had contacted, with no luck. This video also became very popular, and introduced a new round of people to the search, to the point of revitalizing it. A public Discord server dedicated to the Me and My Friends search was flooded with new users, eager for news and updates.

This second wind of popularity led to SewerReviewer, LSSQ and a small group of searchers to split off into their own private Discord server, which they dubbed Lostcast. Here, they went over all the information they currently had and brainstormed new search ideas. They had decided to conduct a focused search for Me and My Friends privately, partially to block out the extraneous discussion and unverified rumors spreading throughout the public server, and partially to keep any contact information of potential leads private to avoid another death threat incident.

The first person of interest to contact the private server was a user known as JenPen, who claimed to have acquired some valuable information about the pilot. They posted a never-before-seen production photo as proof, known as the elusive "pink frog photo." This photo depicted what appeared to be a pink frog puppet alongside one of the meerkats, and may have been yet another character from the pilot that was then unknown to the search team. However, JenPen very soon after deleted the photo, claiming they didn't have permission to share it, and asked the other server members not to. This didn't seem too suspicious - it had happened a few times that lost media was leaked to the internet by someone with internal access, and it was often done in a cryptic or convoluted way to try and prevent the leak from being traced back to them. Still, this was the first piece of material related to the pilot that had been uncovered in years, so a Lostcast member by the name of Mr. Bones drew the photo from memory, with the hope it might be useful in the future.

Due to this find, JenPen was invited into the private server, and there they revealed something else - they had found a crew member by the name of John Paul, who used to have a public Twitter account and email, and sent him a message. They provided a screenshot of their email correspondence, in which Paul provided some information about the pilot, but stated he didn't have a copy of it. His name was new to the search team, but seeing as he didn't have any information on where to find the pilot, he could safely be ruled out.

Soon after this correspondence, JenPen mysteriously stopped responding to messages and left the server, never to be seen again.

But hope persevered, as another Lostcast member managed to find the personal email of the head of Yvette Helin Studios. They sent an email asking for information, and the owner replied with a large collection of new production photos. These photos depicted the actors in various states of dress in the costumes, from headless backstage, to fully costumed and standing on different parts of the set with handlers cooling them down with fans, and sometimes surrounded by or holding props. These new photos were exciting to the search team, as they showed more of what the set looked like, and gave a few more clues as to what the pilot's storyline might have been.

This new collection of content was shared in an archived livestream on LSSQ's channel, then added to the gallery on the Lost Media Wiki article for Me and My Friends. Some older comments on this livestream express confidence that the pilot was very close to being found. Although LSSQ himself makes a comment that the search has played out in a very unusual way, with its start-and-stop nature of a lot of progress being made all at once followed by months to years of no activity, as well as a lot of confusion over which crew members have and haven't already been contacted.

In a bid for more leads, Lostcast reached out to the admins of the Backyardigans Wiki - after all, they seemed to have searched for the pilot the longest, so if anyone would have any important information, it would be them. Two admins responded, giving a list of names and stating all of them had already been contacted and didn't have much information to share. Any new names the admins mentioned were immediately added to a list of people to rule out and not contact - again, the etiquette of the lost media community is to never contact people who have already provided any information they could or would, because it would be rude to continue to bother them about it.

The wiki admins also mentioned that not only had they been searching for the pilot the longest, its existence was discovered sort of by accident, by one user known as Sandra:

>Sandra was doing research on a 2008 live show of The Backyardigans, which Yvette Helin designed...Sandra went to Yvette's website looking for info on the 2008 show, and she discovered the M&MF pictures...At the time, the pictures were just labeled "Me & My Friends Pilot" with no mention of Backyardigans...We googled it, and there were barely any results...Fortunately, we found Rick Lyon's site, which dated it to 1998...From that point, we knew it was the first-ever pilot, and we were able to piece together an article about M&MF for the wiki...A few years later, our article's info was copied over to the Lost Media Wiki, and the rest is history.

While initial conversations with the wiki admins seemed promising, the relationship gradually soured over time. The admins grew slower in their responses to Lostcast members' messages, and any new mentions of potential contacts were automatically met with claims that the wiki admins had already reached out to them. This led to Lostcast feeling as though the admins were giving them the cold shoulder, and they speculated that the admins didn't trust them enough to share much information with them. Or that perhaps they thought the lost media community was "stealing their thunder," given the comment about the Lost Media Wiki "copying" the Me and My Friends article from the Backyardigans Wiki. Either way, communication with them eventually ended on a sour note.

A Crack In the Search (and Facade)

Unbeknownst to the users of Lostcast, a lone individual from the public discord server under the name BerLostMedia had been conducting his own search for the pilot independently. Because he was not part of Lostcast, he was not aware of their do-not-contact list, and so he went ahead and sent inquiries to any new names he found on his own. He managed to reach out to Mark Delvecchio, an illustrator who had created the original designs for the Backyardigans characters as seen in Me and My Friends. Delvecchio provided his own personal photos from the set of the pilot, showing yet more shots of the costumes, as well as an infamously "liminal space" coded shot of the set in ominously low lighting. Ber posted these findings to Discord, and they soon made their way to the Lostcast server. Upon learning of their source, it struck the Lostcast members with confusion - Mark Delvecchio was on the list of contacts that had already been ruled out, as he allegedly didn't have anything to share. If this was the case, why was he able and willing to provide brand new material to Ber?

This led the search team to reconsider their list of discarded contacts. A few years had passed between the time they had been ruled out, and when Ber contacted Delvecchio. Perhaps some old leads could be recontacted to see if they had come across anything in the meantime. The first lead they pursued was Laura Kingsley, the director of the Me and My Friends pilot. They found her LinkedIn and sent her a message, asking for information on the pilot and if she had a copy. Her response read as follows:

>No plot, really. A premise. For the pilot, it was the concept that if you are "waiting" and doing nothing, it feels like things take forever. But if you get involved with other things, the time passes and you enjoy your time. Geared towards small children.

>There is just the pilot but nothing I can share. Hopefully you'll stumble upon it somewhere someday. It was a really sweet, and charming little show. Thanks for your interest. take care.

Some Lostcast members were disappointed that Kingsley seemed to turn down their request to share the pilot before they could even ask it. Still, this was an incredible piece of insight regardless, especially because not even the Backyardigans Wiki so much as mentioned a plot synopsis on their page.

The next blow came when Ber contacted Hiro Tanaka - an engineer who had worked on the pilot, and another name that Lostcast had thought they'd ruled out - and he recommended reaching out to his colleague, Michael Reilly. When Ber posted this name publicly, it sent shockwaves throughout the Lostcast server - Michael Reilly was on the list of known contacts, but under a completely different first name. Every mention on both the Backyardigans Wiki and subsequent lists of known crew members had his name listed as Thomas Reilly. This strange discrepancy came as a shock to the search team, and led some to wonder how a group as knowledgeable, strict and thorough as the wiki admins had allowed an incorrect name to be posted to their page.

Days after this discovery, the Me and My Friends page on the Backyardigans Wiki was found to have been updated by a user. This was significant as the admins had kept the page locked, so no one could make edits to it without their approval. This user, known as Oggy, quietly made two edits - one correcting Reilly's name, and the other adding a brand new production photo to the gallery. The discovery that they had more content that nobody in the search team had seen before led Lostcast to add them to their server, to see if they had any other material they could help with. Oggy claimed the new photo came from a storyboard artist they had contacted, and provided a screenshot of their email correspondence with said artist. Other than this, they didn't say much else.

But Lostcast had another lead on the table, so they contacted Reilly and asked for information. Reilly responded and revealed with photographic evidence that he possessed a VHS copy of the pilot, as well as a second VHS containing rehearsal footage. He came across in initial emails as very friendly and forthcoming with information, and even expressed interest in digitizing and releasing the tape. This was beyond exciting to the search team - after several years of trying to find this pilot, and only getting an occasional handful of production photos and at least one confirmation of a crew member having a copy and choosing not to share it, they might finally get actual footage of the actual pilot.

In his next email, however, he mentioned that he was going to ask his old boss if he could release the tape. This formed a pit in the stomachs of the search team, as any superior would likely tell him no. Nickelodeon, and its parent company Paramount, are notoriously protective of their IP - they are incredibly liberal with copyright takedowns of their work that was commercially released, even if it's no longer airing. Unreleased content such as pitch pilots tend to be under even greater lock and key.

This fear was further realized when Reilly stopped responding to emails altogether - no updates or confirmation on whether he was able to release the pilot or not, he completely ghosted the search team.

LSSQ shared this update on the forums:

>The tape guy wasn't post production but he did work directly on the pilot. In one of his earliest emails, he mentioned wanting to ask his old boss for permission to release it. I'm guessing his old boss was a former Nickelodeon executive and told him not to, which is why he stopped emailing us completely.

However, there was an underlying suspicion that if this were the case, Reilly would have let them know that he couldn't release it, as he had initially been very communicative and enthusiastic about the prospect. To get radio silence despite multiple follow-up emails led to discussions within the Lostcast team that they might have had something similar to the death threat incident, where an outsider sabotaged their correspondence by making the lost media community look bad in such a way that Reilly was compelled to cut all contact with them.

There was also a greater level of distrust with some of their contacts, particularly JenPen and Oggy, as their unwillingness to share their finds with the wider community led to the tinfoil hat theory that they deliberately baited the search team with new material to be let into their spaces, wherein they spied on the activity in Lostcast's private server and leaked information shared there. Due to similar caginess coming from the wiki admins, stemming from their frustration with the lost media community getting in on the search, it was speculated that they might have all been working together to try and sabotage the lost media community's search efforts. But this was all just conjecture, and there was plenty of room for other factors making the search for the pilot so difficult.

The Smoking Gun

After the disappointment of losing contact with the singular person who was known to have a copy of the pilot and a willingness to release it, leads once again dried up. All the search team could do was backtrack through all the information they already had, looking for anything that might have been missed. Lostcast members started with going through the edit history of the Me and My Friends page on the Backyardigans Wiki, to figure out when certain crew members were added, and what order information was discovered and posted in.

BerLostMedia did this on his own as well, but he took an additional approach. Since the wiki admins claimed that their information was copied over to the Lost Media Wiki, he decided to check its edit history as well, to build a more complete timeline of information.

And then, in doing so, a devastating piece of information was brought to the surface. Ber discovered that the Lost Media Wiki page for Me and My Friends had been temporarily deleted in 2016, with a log of who deleted it and their stated reason. The page was found to have been deleted by one of the admins of the Backyardigans Wiki, and their reasoning read as follows:

>The admins at The Backyardigans Wiki all have a copy. Most content on this page is false, and it is appearing in search results in place of our own work.

This revelation came as a massive shock to the search team, as it implied that the Backyardigans Wiki admins had already found the pilot, at least as early as 2016 - before most lost media enthusiasts even knew about its existence - and they were hiding it from the public. This already would have been irritating to the lost media community due to their anti-hoarding stance, but the revelation that they were in possession of the pilot basically the entire time the lost media search existed came across as insidious to the search team. They had been in correspondence with the admins, who were communicative with leads they had supposedly chased and ruled out. If they actually had the pilot by that point, that just meant they were lying about being in the middle of their own investigation. And elements like supposedly dead leads being revisited and providing new information, and Michael Reilly's incorrect first name, would indicate the admins were spreading purposefully wrong information to lead the search team on a wild goose chase to keep them from finding another copy.

Several bits of information and frustrations that surfaced throughout the search were called into question. The search team harkened back to the copyright strike and message from a lawyer that LSSQ had gotten, and speculated that the copyright strike was frivolous (famously not hard to do on YouTube) and that the "lawyer" was actually a sockpuppet of the admins in an early attempt to quash the budding search. Whether this is substantiated or not, the email was generally regarded as a troll rather than an actual lawyer pursuing legal action, as the supposed lawyer had contacted LSSQ using a standard Gmail account, while lawyers typically use custom domains using their firm name. It also didn't make sense to them that a YouTuber could be found liable for influencing an individual to threaten someone whose name and contact info were not mentioned or alluded to in the video itself.

JenPen, the user who briefly shared the "pink frog photo" and claimed to get some information about the pilot from John Paul (including a supposed screenshot of their email correspondence), was now met with skepticism after Ber reached out to Paul himself and was told that he did work at Nickelodeon Studios Florida, but not on the Me and My Friends pilot, contradicting what was written in JenPen's email. Similarly, the storyboard artist that Oggy claimed to have spoken to and gotten a photo from was called into question, and they found that the address attached to the email was fake. When the artist's actual email was found and contacted, he responded that he didn't have anything to share, so the photo wouldn't have come from him.

These discoveries led to a stronger conviction that these two were spy accounts for the wiki admins to keep up with the search team, especially since Oggy was added to the Lostcast server days after Michael Reilly's real name and contact info was found, and he was still in the server when Reilly stopped responding to the search team's inquiries about the pilot. This led to suspicions that Oggy or someone they were affiliated with had sent Reilly an email designed to discourage him from talking to the search team (though this appears to be unconfirmed).

Many of the wiki admin's claims of contacting specific crew members with no luck had already been called into question when one of them did end up having a lot of information and photos, and another had a different name. But while before it was suspected that they simply didn't want to work with the lost media community and didn't trust them with their information, the discovery of the Lost Media Wiki edit had steered the narrative toward the idea that the admins wanted to be the only ones who possessed the pilot, and that they were bitter that their research into the pilot was overshadowed by that of the lost media community.

All this information was shared in a video uploaded by LSSQ, which sent the wider community into disarray. This revelation led to a lot of anger among the wider community, with many users flooding into the Me and My Friends page on Backyardigans Wiki and vandalizing it with comments calling the admins gatekeepers and liars. There are roughly 500 edits logged on the history page, and the majority of them are these troll edits.

This led to a discussion on the Lost Media Wiki Forums about the whole ordeal. Most were angry at the prospect that the admins had not only hoarded a highly sought after piece of media, but also obfuscated such information to retain their sole ownership of it. There were, however, people who were upset with how some members of the community acted in response to LSSQ's video by harassing the admins and defiling their page, with one user suggesting some blame on LSSQ's part for sharing what amounts to theories and conjecture with conviction to his large audience, who likely made the fallout more of a shitshow than it needed to be.

>Here's a hot take:

>I get why people have a problem with the concept of hoarding, but regardless I think that [the] point still stands.

>This behavior and the method of contact was poorly chosen and needs to be ceased.
Combatting who may either be innocent or gluttonous with aggressive offers and pleas might make things worse than what the theory originally intended.

>These users may not in actuality be part of any major point of Lost Media discussion, and could be, oh I don't know, random Reddit users.
Wherever this activity came from, I think that LSSQ should've said something at the very beginning about his stance on this theory, and whether or not he is intending on the manpower of his views for research.

Regardless of who was to blame for what behavior, the entire search had collapsed. There were no more crew members to contact, and the only known copies of the pilot were being fiercely protected. The only option left was simply to wait, to see if the admins would relent and share the pilot, or if someone would take notice of the demand and leak it from another source.

It's Finally Over

In June 2025, roughly 6 months after the revelation of the admins hoarding the pilot, a popular lost media Twitter account known as Lost Media Busters made a post dedicated to Me and My Friends, posting some of the production photos alongside some text wishing for it to be found. Soon after, this account was DMed by an anonymous user known as P, who claimed to have the pilot via backdoor access to Paramount's servers. To quell any skepticism of P being a troll, they sent LMB a few screenshots of the pilot. This proved they had it without a doubt - until then, the only material from Me and My Friends that had ever been dug up (besides the initial 3-second clip) was a slew of behind-the-scenes shots. This was the first taste of any footage from the actual pilot itself.

P offered to send LMB the pilot, and LMB enthusiastically agreed. When LMB received the video file, they began downloading it. But suddenly, P rescinded the file mid-download. They then explained that they had been warned against sending it by other members of their community, as doing so would catch Paramount's attention, and cause them to tighten security that could deprive them of their access to Paramount's servers.

This news was a blow to morale, but nothing new that hadn't already happened several times in the search's history. If nothing else, the screenshots that P shared, as well as the small fragment LMB had recovered from the incomplete download, were still cherished, as it was the only look into the actual pilot that had surfaced since the initial 3-second clip.

However, any disappointment from the incident was short-lived. On June 26 2025 - 8 years after LSSQ's initial video on the subject, 13 years after the initial 3-second clip was discovered and 14 years after the first documentation of it on the Backyardigans Wiki - the full Me and My Friends pilot was leaked onto 4chan by an anonymous user. The video download was accompanied by the text:

>fuck you BYwiki

>happy brat summer, love PUNGAS

Given the timing of the post, there was some speculation as to the identity of the leaker, whether it was P or one of the wiki admins going rogue. Regardless, members of the lost media community were enthralled with the find, and were quick to download copies of the pilot for preservation. Me and My Friends was officially found media.

After news of the leak spread, one of the wiki admins got back into contact with Lostcast to tell their side of the story. They confirmed many of the accusations made against them in LSSQ's video, that they had purposefully led the search team astray to continue to hoard the pilot. But they also claimed they were being compelled to do so - that an older admin, known as K, had been the one to obtain the pilot (as well as loads of other unreleased Backyardigans-related material) through an unauthorized breach of Nickelodeon's digital archive. K had distributed the pilot to the other admins, but warned them not to share it publicly. This had initially been an act of caution, as K had obtained the pilot through illegal means. But over time, a sense of power and control had taken root, and K had continuously bullied the other admins into keeping quiet about the pilot, and even a suggestion toward sharing it was met with a swarm of angry messages and doxxing threats.

>Even years back I thought the harmless/non-sensitive stuff [...] should be released to the public. I have old emails to prove this too. But other admins would beg me not to share stuff from there, for various reasons, some valid and others a little crazy, but it was all within the realm of fandom drama.

>Not wanting to rock the boat and upset these people, I didn't upload anything at first. Eventually [Sandra] gave me the OK to release bits and pieces of things (HD episodes, high-res character artwork) against M and the Sheehans wishes, but not the pilot or production material. Even mentioning uploading the pilot caused certain people to fly into a rage, as if this file was a prized possession or something. Some of the other admins had my personal phone number and other details [...]

>As for the pilot itself, I was still genuinely interested in finding production photos plus bonus footage, so I continued to reach out to crew members myself. This is where the photo from [Oggy] (actually one of these ex-users under a new name) came from, as I shared it with them. But certain people went to great lengths to interfere with MY search, as well as the newer searches led by the Lost Media Wiki [...]

The Aftermath

The discovery of the Me and My Friends pilot was met with a lot of mixed emotions. Some were excited that it was finally uncovered after so many years of searching. Many Lostcast members remained friends afterwards, and believe they wouldn't have been so close if not for the search.

There was also despair for the ungraceful way the search had ended, with many wishing the pilot could have been acquired in a more cordial and legal way than through a 4chan leak.

But for the most part, the pilot itself appears to have been overshadowed by the drama that had overtaken the search. There had been instances before of lost media being hoarded, and sometimes involved hoarders trolling the community or offering to sell the media to them at an exorbitant price. But the hoarding of Me and My Friends went beyond basking in exclusivity and into the territory of actively messing with any efforts that threatened that exclusivity. LSSQ stated that he would have been fine if the wiki admins had admitted upfront that they had a copy of the pilot but weren't interested in sharing it - what upset him was not the hoarding, but the way they made it a point to interfere with any effort by the lost media community to find their own copy. This manipulation was, for him and many others, what made Me and My Friends the worst lost media search in the community's history.

It was all the more baffling (yet arguably not so surprising) that all of this effort had been in service of a pilot to a preschool TV show. Quoth SewerReviewer at the start of YouTuber BlameItOnJorge's retrospective video on the search:

>It's so stupid. It's so dumb. Why The Backyardigans? I don't get it.

Jorge concludes the video by stating that if the wiki admins had quietly released the pilot publicly back when they found it, there would never have been a search to find it, it simply would have been online and few would have questioned where it came from. Or if the admins had decided to simply ignore the search team, the search would have either continued without them or petered out the way many long searches do. But in their efforts to quash anyone else's access to the pilot, they had Streisand-Effect-ed their way into creating a lost media search team that only grew larger and more fervent the longer the search went on, thus sealing their fate of losing control over the situation.

Many lost media searches drag on so long that they are remembered more for the search than the media itself. But Me and My Friends might be one of the few instances of the media's discovery being met less with excitement and more with exhausted conviction. It is a piece of found media celebrated less for its content and history, and more as a cathartic conclusion to a decade-long power trip.

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u/CatzRuleMe — 4 days ago

[Meta] r/HobbyDrama July/August/September 2026 Town Hall

Hello hobbyists!

This thread is for community updates, suggestions and feedback. Feel free to leave your comments and concerns about the subreddit below, as our mod team monitors this thread in order to improve the subreddit and community experience.

As I fielded many questions about this at the last town hall: I want to repeat, AI IS BANNED on r/hobbydrama. We do not allow AI comments, posts, etc. However, we aren't going to remove anything based on hearsay, only if there's definitive proof the OP used AI.

Also, we aren't going to field anymore questions on splitting scuffles into two threads. Casual hobby talk is allowed in scuffles, and it's easier for users and mods to navigate one thread rather than two. This comment chain here does a good job of outlining the issues with splitting scuffles into two threads.

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u/AutoModerator — 4 days ago

[Hobby Scuffles] Week of 29 June 2026

Welcome back to Hobby Scuffles!

Please read the Hobby Scuffles guidelines here before posting!

As always, this thread is for discussing breaking drama in your hobbies, offtopic drama (Celebrity/Youtuber drama etc.), hobby talk and more.

Reminders:

  • Don’t be vague, and include context. If you have a question, try to include as much detail as possible.

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  • Keep discussions civil. This post is monitored by your mod team.

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Certain topics are banned from discussion to pre-empt unnecessary toxicity. The list can be found here. Please check that your post complies with these requirements before submitting!

Previous Scuffles can be found here

For easy access to past and present Scuffles, bookmark scuffle.zone or type it in your address bar to access the current Scuffles thread, or scuffle.zone/all to see all Scuffles threads from newest to oldest. And if you prefer Old Reddit, just type old. beforehand. Thanks to u/azqy for setting this up!


r/HobbyDrama also has an affiliated Discord server, which you can join here: https://discord.gg/M7jGmMp9dn

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u/EnclavedMicrostate — 7 days ago
▲ 100 r/HobbyDrama+1 crossposts

[Hobby Scuffles] Week of 22 June 2026

Welcome back to Hobby Scuffles!

Please read the Hobby Scuffles guidelines here before posting!

As always, this thread is for discussing breaking drama in your hobbies, offtopic drama (Celebrity/Youtuber drama etc.), hobby talk and more.

Reminders:

  • Don’t be vague, and include context. If you have a question, try to include as much detail as possible.

  • Define any acronyms.

  • Link and archive any sources.

  • Ctrl+F or use an offsite search to see if someone's posted about the topic already.

  • Keep discussions civil. This post is monitored by your mod team.

  • If your particular drama has concluded at least 2 weeks ago, consider making a full post instead of a Scuffles comment. We also welcome reposting of long-form Scuffles posts and/or series with multiple updates.

Certain topics are banned from discussion to pre-empt unnecessary toxicity. The list can be found here. Please check that your post complies with these requirements before submitting!

Previous Scuffles can be found here

For easy access to past and present Scuffles, bookmark scuffle.zone or type it in your address bar to access the current Scuffles thread, or scuffle.zone/all to see all Scuffles threads from newest to oldest. And if you prefer Old Reddit, just type old. beforehand. Thanks to u/azqy for setting this up!


r/HobbyDrama also has an affiliated Discord server, which you can join here: https://discord.gg/M7jGmMp9dn

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u/EnclavedMicrostate — 9 days ago

Racism, Sexism, and Overzealous Fans: James Bond and the Troubled Production of ‘You Only Live Twice’

No franchise lasts forever. Just see the decline of Superhero movies.

Nowadays, Hollywood is always chasing the next fad, the next big idea, the next moneymaker. They’re even looking to Reddit for ideas. God help us all.

But some franchises...don’t die. Some franchises keep re-inventing themselves, changing with the times, re-casting the main role once an actor is too old, and as a consequence, yielding bigger and bigger profits and cultural resonance.

The name is Bond. James Bond.

Who, or rather, what is James Bond?

James Bond is the brainchild of one man, Ian Fleming (1908-1964).

Ian Fleming was unsurprisingly, British, and he had a very British upbringing.

He was born into a wealthy family. His father died in World War I. He was sent to snobby schools- first Eton, where he was kicked out for fooling around with women, and then the military academy, Sandhurst, where he was kicked out for contracting gonorrhoea. Afterwards, he was sent to study in Switzerland, and then returned to take (and fail) the foreign office exam. By 1939, he was bouncing between jobs, briefly becoming a journalist, and then a stockbroker in London.

And then World War 2 happened, and young Ian Fleming found his calling- in the British Royal Navy.

Espionage. Propaganda. Sleeping with inumerable women.

Fleming charmed his way into beds and up the ranks of the Navy. He was promoted to commander and took part in many covert operations. The most infamous of his affairs was with Ann Charteris- he was sleeping with her while she was married to her first two husbands.

And then the war ended.

By 1952, Fleming had returned to journalism and moved to Jamaica. Ann divorced her second husband and married him, quickly becoming pregnant. She later gave birth to a son called Caspar.

Either because he needed to support his new wife (who had expensive tastes) and child, or was experiencing a mid-life crisis, Fleming decided to write a series of spy novels. Drawing on his war time experiences, he created the character of James Bond, named after an ornithologist (who came to hate his connection to 007). Bond was a womaniser, a commander in the Royal Navy, who had been kicked out of Eton for sleeping around-

Wait a minute.

This sounds familiar.

Is James Bond an Ian Fleming self-insert?

Sort of.

Fleming based Bond on himself, his brother Peter who was a secret agent extraordinaire, and a bunch of intelligence personnel he had known during the war. But, from Bond’s backstory, you can probably guess who the biggest inspiration was.

Fleming quickly achieved fame and success. By the early 1960s, he had written fourteen Bond novels and sold millions of copies. The books have also been adapted into a series of successful movies by Albert R Cubby Broccoli and Harry Saltzman (more on this in a moment).

Unfortunately, Fleming had also given Bond one of his major flaws- a love of smoking.

Fleming smoked over 70 cigarettes a day and drank copiously. In 1961, he suffered a heart attack, which did not slow down his writing. But on 11 August 1964, he suffered a second heart attack and died the following day.

Quick aside: Bond is problematic

Fleming was a man of his time- meaning he held views that would be considered abhorrent today. This is reflected in his Bond novels, which are full of racism and sexism. To give a few examples:

  • In Goldfinger, a lesbian, Pussy Galore, is ‘cured’ after sleeping with bond.
  • Also in Goldfinger, Koreans are called “rather lower than apes in the mammalian hierarchy”.
  • In Live and Let Die, black people are frequently called slurs, and they are portrayed as either criminals, or overtly servile to white people. Fleming called the relationship between Bond and Quarrel, a fisherman from Jamaica, as "that of a Scots laird with his head stalker; authority was unspoken and there was no room for servility".
  • In On Her Majesty’s Secret Service, homosexuality is called a “stubborn disability”.
  • Examples of sexist language include: From Russia with Love: “All women want to be swept off their feet. In their dreams they long to be slung over a man’s shoulder and taken into a cave and raped.” From Casino Royale: “These blithering women who thought they could do a man’s work. Why the hell couldn’t they stay at home and mind their pots and pans and stick to their frocks and gossip and leave men’s work to the men.” And from Goldfinger: “Four women in a car he (Bond) regarded as the highest danger potential, and two women as nearly as lethal. Women together cannot keep silent in a car, and when women talk they have to look into each other’s faces. An exchange of words is not enough. They have to see the other person’s expression, perhaps in order to read behind the other’s words or to analyse the reaction to their own.”.

All quotes sourced from here. Warning for slurs and other problematic language.

To reiterate, back in the 1950s-60s, these views were seen as perfectly normal. In 2023, the Bond books were re-edited to remove most of the problematic language.

The movies are also problematic in their own way. The sexism is much more casual, and most of the overt racism has been removed. In the early Connery films, some sex scene have been called “rapey”- the infamous Pussy Galore barn scene in Goldfinger, and the steam room scene in Thunderball. There are also several instances of yellowface in Dr No and You Only Live Twice.

Even with all their problematic elements, the movies and books are considered classics in the spy genre for a reason. They invented many plot points and elements that are now considered cliches.

Now *finally* onto the drama!

Sean Connery – The first Bond

In the 1960s, the Bond movies were produced by two businessmen, Albert R Cubby Broccoli and Harry Saltzman.

They cast a little known actor, Sean Connery- literally *little* known as Broccoli saw him in a film called ‘Darby O’Gill and the *little* people’ which convinced him of Connery’s acting ability and sex appeal- to play the first 007.

The casting choice was inspired. Connery proved to be great in the role. Bond made him famous. But in 1964, with the release of Goldfinger, the franchise achieved blockbuster status, making him a bonafide super star.

You Only Live Twice, or YOLT

The plot of YOLT is stupid. Very stupid. Evil bald man uses a spaceship to hijack other spaceships belonging to the USA and Russia. British intelligence realises he is in Japan. They send Bond. After beating up some people (including the Rocks grandfather) and sleeping with a bunch of women, Bond tracks down the evil bald man to his secret volcano lair. He foils his evil scheme, but the evil bald man escapes.

Other drama that happened on set:

  • After they had finished scouting locations in Japan, the production team, consisting of the producers, director, set designer, and second-unit director, were all due to fly out on the same plane. However they missed their flight due to the opportunity to see a ninja training film. Unbeknownst to them, this was a stroke of luck. The plane crashed into Mt Fuji, leaving no survivors.
  • While casting the role of the only Japanese girl in the film, they went through many actresses in Japan and narrowed it down to two, Mie Hama and Akiko Wakabayashi. Both of them were brought to England to learn English, which Hama struggled with. The director, decided to tell Hama that the role would go to Wakabayashi. Upon hearing the news, Hama reportedly threatened to jump out of a window. The director hurriedly created a new part for her in the movie, with less dialogue. However, she was still dubbed over by a British actress. The part about her threatening to jump out of a window may have been connocted by Gilbert- I can find no secondary source
  • Karin Dor, who played Helga Brandt, was almost crushed to death by a falling set light during filming.
  • While the crew were filming at a remote fishing village, the police setup checkpoints on roads to deter fans and journalists. Undeterred, they swarmed the village in boats to get around the blockades, stressing out the crew.
  • Johnny Jordan, an aerial photographer, was filming one of the helicopter battles when one of his feet was almost sawed off by a passing helicopter. This also damaged the helicopter he was in, but fortunately, the pilot was able to land despite missing one of his skids. Doubly fortunate for Jordan, a convention of surgeons was staying nearby, and they reattached his foot. Jordan was sent back to London, where his foot later had to be amputated. Despite this, he continued working and even worked on the next Bond movie.
  • The film also aged poorly due to Sean Connery wearing yellowface to appear Japanese. The story justification is also flimsy. He has to go “undercover” as a Japanese fisherman to get closer to the villains evil volcano lair. In fact, the ridiculousness of the plot meant YOLT could easily be parodied, most famously by the Austin Powers movies.
  • Connery also reportedly pissed off the Japanese public by saying “Japanese women are just not sexy,” because wearing the traditional kimono apparently “hides their figures” in a press interview. The awkward comment was blamed on a translation error. He also got in trouble for dressing too casually and not wearing his Bond toupee in interviews (yes- he apparently wore a wig when playing Bond.)
  • There’s also some questionable lines in the movie. At one point Bond asks “Why do Chinese girls taste different from all other girls?” and Tiger Tanaka says “Rule number two: in Japan, men come first, women come second.”.
  • When the crew were filming on the volcano set, they set off pyrotechnics to stimulate it exploding. Unfortunately, this freaked out Blofeld’s cat and it fled. The cat was missing for days, until it was found huddling in the girders of the roof.

YOLT was also Connery’s fifth Bond movie, and the final one in his current contract. By 1965, he was reportedly "fed up to here with the whole Bond bit.". Playing 007 had become stale for him and he wanted to move on to newer things. Even worse, during filming of YOLT, paparazzi and fans were following him everywhere- large crowds mobbed the film set, photographers pursued him into a public bathroom, and he was routinely harassed by a stalker. In the end, the incursions got so bad that the police had to be called several times. The film-makers also had to hire some security guards to protect the set and Connery.

Another issue was money. Connery felt he wasn’t being paid enough:

>Connery was also vocal about his displeasure with his salary, which amounted to $750,000 plus 25% of merchandising profits. He made it publicly known that he would only return to the franchise for a sixth film if Bond rights owners Eon Productions paid him a million dollars plus a percentage of the film’s gross.

This fractured his relationship with the producers, so Connery refused to renew his contract and quit the role.

At the time, some journalists thought this might be the end of 007...

Saltzman and Broccoli suddenly faced an acute dilemma: after finding the perfect actor to play 007, how do you find *another* one?

We will find out...in my next post.

Thanks for reading!

u/Tokyono — 9 days ago

[Trading Cards] Dallas Dumpster Heist 2.0: Six Figures in MTG and Lorcana Uncut Sheets Show Up in Dallas, Texas AGAIN

Hey everyone. Deja vu. It looks like lightning just struck twice in Dallas.

Within a few months, two completely separate six-figure stashes of highly restricted, uncut trading card sheets—spanning Yu-Gi-Oh!, Magic: The Gathering, and Disney’s Lorcana—have flooded the uncut sheet market.

If you aren't familiar with the original Dallas Dumpster Heist, here is the quick TL;DR: A couple of months ago, a man we’ll call "C" became an instant legend when he pulled hundreds of thousands of dollars worth of Yu-Gi-Oh! cards, uncut sheets, test prints, and blisters straight out of a Dallas dumpster. He sold it all for pennies and faked insane stories, and his mother completely crashed out on the uncut sheet community. Ultimately, most of the sheets were returned for free, though somewhere between $20k–$100k in individual cards had already been sold. (You can read the full r/HobbyDrama write-up here: r/HobbyDrama write-up here.

You’d think that was a once-in-a-lifetime anomaly. It wasn't. Now, a massive flood of MTG and Lorcana sheets has surfaced in the exact same city. Here is what is going down in the TCG community now.

The Grail Stash Surfaces

To understand why this is crazy, you need a little background on MTG uncut sheets. Out of the "Big Three" (Pokémon, Yu-Gi-Oh!, and MTG), Magic sheets are generally the easiest to come across. Wizards of the Coast (WotC) gives them out casually at tournaments or charity auctions. Even these "common" legitimate sheets fetch hundreds of dollars, while vintage grail sheets can push six figures.

Here is the catch: The sheets WotC gives away are properly printed, finalized product.They do not hand out misprinted uncut sheets as tournament prizes. At any given time, there are maybe 50 MTG sheets total listed on eBay, making them fairly niche and rare.

On May 13, 2026, a massive MTG stash surfaced in the uncut sheet collectors' Facebook group, consisting of a few hundred uncut sheets printed between 2020 and 2025. Many of these are misprints, test prints, showcase sheets, and highly sought-after sets like Lord of the Rings. It is truly a mountain of modern grails for a subset of collectors.

Just like the Yu-Gi-Oh! dumpster heist, dumping these hyper-rare sheets onto the market all at once is one of the worst ways to maximize their value—unless your goal is to liquidate them ASAP.

Collectors immediately started scooping them up, but it was silently understood that this collection wasn't obtained legitimately. WotC doesn't hand out test prints. Plus, the seller was also moving Disney Lorcana sheets, which currently have no legitimate path to public ownership. Because of the sheer quantity and nature of the sheets, it was obvious these were pulled off the production or discard line.

The Stars Align

So, where is all this unreleased TCG product coming from?

The sheets allegedly came from an employee at the Cartamundi printing facility in Dallas, who "gifted" this massive stack to a guy we’ll call "L." Just like the guy who found the Yu-Gi-Oh! sheets in the dumpster, L seemed completely clueless about the absolute goldmine he was sitting on. He immediately started posting pictures, trying to offload them all at once.

This is where the stars align for another chaotic twist. During the original Yu-Gi-Oh! dumpster heist, our first guy, C, had tried to sell his uncut sheets to a local Dallas card shop. Fast forward to early May: at that exact same card shop, we introduce "B."

B was judging a Magic tournament at the shop when a player told him someone in the area was trying to sell a massive stack of uncut sheets. B went to check it out and ended up acquiring around 60 of these full-size MTG and Lorcana sheets. (As of this writing, he has sold all 60 of them for between $200 and $6,000 USD each). Another buyer, who happened to be in town dealing for a local card show, scooped up the remaining sheets and reportedly sent them to an auction house. We will have to wait and see if they actually end up at auction.

How did a random employee walk out the front door with hundreds of uncut sheets? According to the story B shared in the Facebook group, he was told that Cartamundi was disassembling some of their massive industrial printing presses. The employee claimed these printers have an "internal catch mechanism" where sheets can get stuck or jammed during production over time. He supposedly asked his manager if he could keep the sheets they pulled out during the teardown, and the manager just said, "Sure."

My thoughts: The idea that hundreds of pristine, uncut sheets were just chilling in an internal drip tray for years without getting shredded, crumpled, or soaked in machine oil is wild. If anything, they were pulled from an external reject pile, a storage room, or someone was quietly taking product home. Also, a printing facility manager casually saying, "Yeah, sure, go ahead and walk out with a massive stack of unreleased, licensed intellectual property" is insane. Walking out with that many uncut sheets is not an easy task.

Cartamundi & WotC Shrug It Off

Because the whole situation felt incredibly sketchy, B claims he personally called Cartamundi corporate to verify the story, speaking directly with multiple people at both the corporate and facility levels.

Their response? Cartamundi confirmed there is no active investigation into these sheets. They essentially gave him the all-clear, telling him that if it happened the way the employee claimed, it is what it is, and he is totally free to keep and sell them.

The admin of the Uncut Sheet Facebook group also reportedly spoke with a contact at Wizards of the Coast. Here is the exact quote from the WotC employee:

"This has been a most interesting situation we have been following! At this time we have not asked for the sheets back. Currently we are more interested in attempting to understand what happened and not creating any unnecessary community speculation while we sort through the facts."

Wizards handled this with way more chill than when they famously sent literal Pinkertons to a guy's house for accidentally breaking a street release date. They probably remember the massive community backlash from that PR disaster and just want this story to quietly go away.

Here is a video of the uncut sheet group trolling WotC and showing off some of the sheets: [link]

To celebrate the absolute absurdity of the situation—and as a token of thanks to the community—B even gave away a blank uncut sheet for free to a member of the Facebook group. Worth $200 - $300 IMO.

Naturally, the original guy who sold the sheets to B is now upset. Now that the sheets are officially marked as "safe to purchase" by the manufacturers, they're predictably worth more and easier to sell. He’s arguing he didn't actually sell all of them to B and wants them back, or a larger cut of the profits. Rumor has it he’s also upset about potential consequences for the "employee" friend who gifted them to him in the first place.

The Return of "C" (The Original Dallas Dumpster King)

You can't have a Texas uncut sheet leak without our original protagonist, C.

Seeing the attention and cash B has been pulling for the MTG/Lorcana sheets in the uncut sheet group, C completely crashed out. He was actively popping off in the same collector group, trying to convince everyone that the new MTG sheets are fake and that his dumpster haul was the only authentic leak.

Some exact quotes from C’s recent text meltdowns:

"I know your people are not really falling for them fake ass sheets"

"Because before i put what i found on the market there were virtually no sheets to be found now there are sheets for everything from f******* North Pole and Santa Claus and his helpers and f******* dragon Ball z and etc etc what i figure happened all the people that were counterfeiting cards in the first place are now counterfeiting sheets but it's obvious what's real and what's no"

Meanwhile, "J"—the local Dallas guy who bought a ton of the original Yu-Gi-Oh! sheets from C and then willingly returned them to the printing company for no compensation—left a comment regarding C's current financial state:

"The craziest part of it all is that he has already blown through 100% of the money he got from selling the sheets. And yes he spent it on exactly what you would guess lol."

There is a ton more crashing out from C across the board, but you get the general vibe.

Final Thoughts

Right around the exact same time a guy is pulling hundreds of Yu-Gi-Oh! sheets out of a dumpster, an employee at a separate Texas facility is walking out the front door with hundreds of MTG and Lorcana grails because his manager supposedly didn't care.

Texas is just the Wild West of trading card games right now.

It makes you realize that the people working at these printing facilities must have access to some of the craziest, most legendary TCG products in existence—not just full sheets, but insane, one-of-a-kind misprints. One of the greatest TCG collections is probably sitting in the home of a factory worker who knows they can't safely sell any of it for a decade. Honestly, he and his buddies are probably reading these exact threads and laughing.

If you want to look through the massive archive of receipts, screenshots, and drama starting from late March up through May 23rd, it can be found here: Uncut Sheets Group Archive.

reddit.com
u/Important_Strategy73 — 12 days ago