r/ancientegypt

Tutankhamun's Armchair
▲ 3.0k r/ancientegypt+3 crossposts

Tutankhamun's Armchair

Just returned from a trip to Egypt. Blown away by the GEM. Some fascinating exhibits. Although adult size, this armchair must date from the beginning of his reign. The king and queen are standing beneath the rays of the Aten in the Amarna artictic style and their older, aten names, are still visible on the back and arms.

u/VisitAndalucia — 1 day ago

A picture of the sun shining directly on the face of King Ramses II in the Abu Simbel temple.

u/ABDOOUU99 — 1 day ago
▲ 342 r/ancientegypt+1 crossposts

King Akhenaten, the leader of the religious revolution in ancient Egypt

u/ABDOOUU99 — 1 day ago

Liverpool Museum - Sekhmet

This is one of a pair of statues of Sekhmet that stand guard to the entrance of the mummy room in Liverpool museum.

u/Sausagerolls-mmm — 1 day ago

Pre-dynastic Question

I’ve recently listened to Bob Brier’s history of ancient Egypt where he discusses the early kings and the Narmer Palette and something struck me, the artwork on the palette shows a clearly defined Egyptian culture that appears to be really well formed and that there must have been a gradual lead up to that rather than a light switch that went from nomadic farmers to a fully developed civilisation. What if any evidence is there of this transition and can anyone point me towards some more reading material? Thank you!

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u/Sausagerolls-mmm — 1 day ago

A mummy head of a woman from ancient Egypt, covered in gold and dating back more than 2700 years.

u/ABDOOUU99 — 2 days ago

How the stone blocks were joined in Ancient Egypt

In ancient temples and monuments the giant stones were locked together by chiselling holes in the stones.

At which point a piece of wood was cut and shaped, slightly smaller than the hole.

After this, water was added, this helped the wood expand, and thereby locking the stones in place.

Examples are all over Egypt, but this particular one is from tge Temple at Karnak, a stunning example of craft, skill and hard work

u/migoodridge — 2 days ago
▲ 552 r/ancientegypt+2 crossposts

The Colossi of Memnon: Luxor 2024

The 18-meter Colossi of Memnon are the surviving statues of a giant temple built by Pharaoh Amenhotep III. Due to cracks from an earthquake, one statue made sounds at dawn, which the Greeks linked to the myth of the hero Memnon. This mysterious "singing" stopped after Roman restoration, and two sphinxes from this temple complex now decorate an embankment in St. Petersburg.
Luxor, 2024.

u/Ekaterina_AlvaSet — 2 days ago

Did ancient Egyptians belive in one supreme God over all others?

I don't mean that in the same way as Zeus, Jupiter, Odin, or Anu/Enlil.

I mean that in the sense of like Vishnu, Shiva, or Mahavedi.

An almost all-powerful being that controlled every faced of existence.

To start off with, Egyptians had the concept of Nebertcher, meaning "Lord to the uttermost limit" or "Lord of the Universe," who was described as coming into existence by it's/his own will and taking the form of Khepera.

That is clearly influenced by an older Egyptian creation myth at Heliopolis where god Atum created himself through pure will and created the gods Shu and Tefnut.

Shu and Tefnut were described as already existing as one with Atum before he spat or masterbated them out.

This shows as everything existing as The One before multiplication.

Now, the interesting part of this is that in the city of Memphis, the god Ptah was seen as an all-powerful deity who created the universe from his thoughts and words. Even gods like Atum and Amun (we'll get to him later) were seen as lower workings of Ptah's creation who developed the world further.

Ptah has a few interesting epithets and names, like:

"Ptah the God who made himself to be God.",

"Ptah the begetter of the first beginning.",

"Ptah lord of eternity.",

"Ptah the double being.",

With the introduction of Aten, this gets even clearer.

After the abandonment of Aten in the New Kingdom, Amun seems to assimilate Aten's and Ra's attributes.

We get hymns like this:

>HAIL to thee, Amun-Ra, Lord of the thrones of the earth, the oldest existence, ancient of heaven, support of all things; Chief of the gods, lord of truth; father of the gods, maker of men and beasts and herbs; maker of all things above and below; Deliverer of the sufferer and oppressed, judging the poor; Lord of wisdom, lord of mercy; most loving, opener of every eye, source of joy, in whose goodness the gods rejoice, thou whose name is hidden. Thou art the one, maker of all that is, the one; the only one; maker of gods and men; giving food to all. Hail to thee, thou one with many heads; sleepless when all others sleep, adoration to thee. Hail to thee from all creatures from every land, from the height of heaven, from the depth of the sea. The spirits thou hast made extol thee, saying, welcome to thee, father of the fathers of the gods; we worship thy spirit which is in us.

This hymn presents Amun-Ra as an all-powerful being with the lines like "The oldest existence", "support of all things," and "maker of all that is, the one; the only one; maker of gods and men."

He is described as unborn and undesigned:

>He created himself. He was not born... Being undesigned, thou didst mould into form thy body.

Other hymns describe his as "Without his equal."

In some creation myths, Amun has two primary forms Kematef and Irta.

Kematef is his primordial serpent form that manifested itself from the infinite waters of Nu and created the universe.

Irta, on the other hand, is the creator of the Earth.

The word Irta means "The Earth maker."

So, to ask a question, can a later Egyptian religion be seen as a form of complex polytheism, pantheism, or some kind of Henotheism?

reddit.com
u/Neat_Relative_9699 — 2 days ago

Statue

Standing Mummiform Figure of Osiris
664–332 B.C.E.

Caption
Standing Mummiform Figure of Osiris, 664–332 B.C.E.. Bronze, 10 9/16 x 2 15/16 x 1 15/16 in. (26.8 x 7.5 x 5 cm). Brooklyn Museum, Museum Collection Fund, 11.664. (Photo: Brooklyn Museum)

Gallery
Not on view

Collection
Egyptian, Classical, Ancient Near Eastern Art

Catalogue description
Standing mummiform bronze figure of Osiris. Conventional posture. Hands grasping flail and crook; crown of Upper Egypt with feather on each side; large uraeus, no inscription. Heavy socket on base.

Condition:
Good, left side of base broken, nose slightly scarred. Apparently cast solid. Good routine workmanship.

Title
Standing Mummiform Figure of Osiris

Date
664–332 B.C.E.

Period
Late Period (probably)

Geography
Place made: Egypt

Medium
Bronze

Classification
Sculpture

Dimensions
10 9/16 x 2 15/16 x 1 15/16 in. (26.8 x 7.5 x 5 cm)

Credit Line
Museum Collection Fund

Accession Number
11.664 j

Have information?
Have information about an artwork? Contact us at bkmcollections@brooklynmuseum.org

The Brooklyn Museum

https://www.brooklynmuseum.org/objects/5726

u/Handicapped-007 — 2 days ago

Models

Models for sculptor
limestone, early Ptolemaic period (4th-3rd century BC)

unknown provenance  (inv. no. E 0.9.40015-0.9.40016)                      

Skilled Egyptian sculptors commonly used models on small, easily transportable slabs to practice or teach the art of relief carving. The use of these models dates back to the New Kingdom (16th-12th centuries BC), but became more widespread during the Late Ptolemaic period (7th-1st centuries BC).

The museum possesses two exquisite limestone model slabs of unknown provenance. One shows the profile of a ruler wearing a blue crown and the uraeus, the cobra symbol of royalty. The other model, carved on both sides, depicts the profile of a young ruler, wearing an elaborate wig, a uraeus on his forehead, and a broad, barely visible necklace.

On the back, however, there is a portrait of a female bust with a vulture-shaped headdress, a royal as well as divine attributes.

The three figures on the two slabs are drawn according to the canons of the most ancient period with the head in profile, the eye and the shoulder facing forward, but the stylistic rendering, the rounded face, the thick lips curled upwards, reveal a later execution, from the beginning of the Ptolemaic Period.

Castello Sforzesco

https://www.milanocastello.it/i-musei/galleria-antico-egitto/highlights/modelli-per-scultore

u/Handicapped-007 — 3 days ago