r/synclicensing

Hey just noticed that I have been exporting at 48k and 16 bit without thinking much of it. The specification hasn't been specified by the two libraries I've worked with so far.

I've heard 41000 = CD audio and 48000 = TV and film

Anyone know if a 44100 / 16 bit file causes problems for an video / film editor?

Thanks ✌️

So someone emailed me about a site called syncsuite.org and was wondering if it’s legit. I’m still all new to this and still learning.
If it’s not legit can you explain on how it’s not? I’d greatly appreciate it

Hi everyone,

I hope this is okay to post here...I’m looking for some help connecting with Father of Peace’s management or licensing team.

I’m currently producing an upcoming commercial advertising campaign and we would love to secure a synchronization and master-use license for their new single, "The Chaos," which I believe drops later this month, on August 21st. It’s the perfect fit for the creative direction of our project.

I have already reached out through their official social media channels and the email addresses I could find, but don't want to leave any stones unturned. Given the timeline of our campaign, I wanted to exhaust all avenues.

If anyone here is connected to their team, knows the best direct contact for commercial sync licensing, or can point me in the right direction, I would be incredibly grateful.

Thank you in advance for your time and help!

20-35% of sync licensing deals are lost due to mislabeled metadata and disorganized catalog with difficult to clear tracks. I wanted to help solve this issue and make it more accessible for independent artists by training an AI system that analyzes metadata like moods, genres, BPM, length, lyrics and key. Along with a simple to use and download Split sheet generator, that you can then upload and assign to specific songs showing clear ownership percentages, PRO affiliations and IPI numbers. This way simplifying the metadata issue. I’m also working on expanding the genre pool to more niche genres for better accuracy. I’m looking for feedback on how to improve it and help independent composers organize their catalogs better. For the composers, what is your biggest issue when organizing your catalog? And for the supervisors, what is the most tedious part of clearing a track to pitch?