Bo Katan / Darksaber plot hole?

Bo Katan / Darksaber plot hole?

I’m going thru the series for a fourth time, in preparation to watch the movie once it comes to Disney+ and I still don’t understand something.

In Chapter 18: The Mines of Mandalore, Din Djarin is captured by a creature who removes the Darksaber from him. Bo Katan later comes to rescue him and defeats this same creature, using the Darksaber to do it. Yet Din Djarin still holds the Darksaber. Why didn’t Katan keep it, since she fulfilled the code of winning the Darksaber in combat?

EDIT: I recognize she is given the saber in Chap 22, but my question is why did she need reminding how the code works? Why didn’t she keep it after freeing Djarin?

u/Bway-Boy-24601 — 3 days ago

Marriott Marquis controversial opening was 40 yrs ago this month

A long four-year battle over five theaters being demolished finally ended with the opening of the Marriott Marquis Theatre in July 1986. One year later, massive landmarks were enacted to save other Broadway theaters from being demolished.

The very first podcast episode of Closing Night dives into the tumultuous history of the Marquis Theatre and the rubble it was built upon.

u/Bway-Boy-24601 — 21 days ago
▲ 0 r/musicals+1 crossposts

Marriott Marquis opened 40 years ago this month after the Broadway Theatre Massacre

In July 1986, the Marriott Marquis opened its doors with a concert by Shirley Bassett and then its inaugural production of Me and My Girl, a highly successfulLondon musical transfer.

Just four years earlier a total of five Broadway houses had been demolished to make way for the new Marquis. And with that many in the theater community have called the building cursed. That’s because after the 3-year run of Me and My Girl, no show has even come close to such a long run, with many productions only lasting months or even weeks.

Learn more on the first episode of Closing Night, part of the Broadway Podcast Network.

u/Bway-Boy-24601 — 21 days ago
▲ 25 r/Theatre+1 crossposts

Turned down a role…and regret it?

What’s the one role that you were actually cast in but had to turn down, and now wish you could go back and accept it?

For me, it was finally booking my dream role of Dan in Next to Normal. However, due to vocal issues I had to bow out a couple weeks before rehearsals began. That was such a disappointment, and who knows if I’ll ever get the role again.

But as for a situation that wasn’t health related, I booked Trevor Graydon in Millie and Mr. Banks in Poppins for the same theater season, but then booked ensemble and Perón u/s in the Evita National Tour. I chose the tour cause it’s a tour (even though pay was the same). I did find a great friend in the company, and we’re still good friends all these years later, but professionally it was not a great experience and I never even went on for Peron. So I will always wonder what would’ve happened career-wise had I gone with Millie/Poppins instead.

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u/Bway-Boy-24601 — 22 days ago
▲ 16 r/AUSL

Strike zone?

The strike zone this season in the games I’ve seen has been wild. Pitches in the river are at least close, but now umpires are calling strikes over in the other batter’s box. It’s ridiculous. These two pics are from the same pitch. And the umpire was calling these strikes all game even though they’re way outside.

u/Bway-Boy-24601 — 2 months ago
▲ 5 r/acting

Is it time to say no to ensemble work?

For some context, I’ve been a professional theater actor for 34 years with numerous regional credits, three national tours, and just made my Broadway debut last year. The regional credits are just principal work, while the tours and Broadway have been ensemble, often with notable characters in a scene a two, and always with understudy parts as well.

I’m now in my early 50s and am honestly tired of understudying and just want to be seen for and book principal work from now on. But if I really want to take this step and stick to it, then I now have to start saying no to auditions for those ensemble u/s tracks. I know friends who made this transition and talked about the drop in auditions as they pushed for only principal work. Some eventually moved upward into that tier, while others ended up just taking any roles to find work again.

So how to decide if it’s time for me to say “no” in hopes bigger yeses will come my way?

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u/Bway-Boy-24601 — 2 months ago
▲ 31 r/AUSL

Errors being called hits

I see that the baffling college tradition of “hard hit balls” misplayed by infielders being called hits continues in the pros 😑 all this does is inflate and distort batting averages and fielding percentages above what they should be.

u/Bway-Boy-24601 — 2 months ago

Another reason for higher batting averages: lack of error rulings

I’ve watched mostly SEC softball this season, but since watching the postseason, it seems to be a problem across the sport. Many obvious fielding errors are ruled a hit. Ball ricochets off a glove or hits the heel of it and bounces out, yet the batter is given a hit. It’s been baffling so many times this season, that I believe it’s actual a reason both batting averages and fielding percentages are higher than they should be.

The most glaring recent example I saw was Kenleigh Cahalan in the Florida/Texas Tech Super Regional. In game one, she was having a bad time at SS (which played a role in their loss). Four different times she misplayed a ball hit to her, yet only two were ruled as errors (and even the announcers noted this). These loosey-goosey rulings have continued at WCWS as well.

u/Bway-Boy-24601 — 3 months ago