Is there a handy way to distill and grasp the various strengths/weaknesses/catches between the approximately 1,000+ options for Movers?
Hey all! Former cinema gaffer turned cinematographer, turned occasional DP for multicam broadcast with the need to LD here. I come from the cinema side of the world, but in the past decade or so I've been shooting a lot of multicam specials for Netflix, Dropout, Amazon, Showtime, etc. mainly all comedy standup. I've transitioned fairly smoothly into the world of theatrical fixtures for large venues, but one thing I consistently struggle with is the whack-a-mole game of 'name a mover'. For example, I know going into a given venue that I will want a line of 5 movers to act as my edge lights from the US Bar. I have to rent these movers as the venue owns none. I know that throughout the show I will need the movers to be able to zoom, rotate gobos, shift color to specific RGB/HSI values, and strobe. While this eliminates a lot of options, it still leaves me with hundreds. And when I look at 4Wall or AceyDecy or whatever rental house is in the city, even with their limited local inventories they still have dozens of different movers that all do what I need.
So beyond the fundamental "why are these companies making so many products that do basically the same thing?", I'm wondering if there is any kind of industry-wide wisdom or tier list to use as a starting spot when deciding which units to design with or quote for rental? Why would I go with a Mac III Profile and not a Maverick Mk 2 Profile? Or a Mac Viper Performance rather than a Martin Quantum Profile or a Martin Mac Encore Performance? The model names all blur together eventually!