Tyler has Three Doubles, part 2: We have yet to see Tyler's Higher Self--the naturally manifested Hyde
▲ 23 r/weyler

Tyler has Three Doubles, part 2: We have yet to see Tyler's Higher Self--the naturally manifested Hyde

From Plato to the Stoics, Christianity to Gnosticism, Neoplatonism, the Kabbalah, Hermeticism, alchemy, Theosophy, Freud and Jung, you'll find some version of the threefold soul.

And while these traditions differ in what they mean by these divisions, they share the underlying idea that man is not psychologically (or spiritually) singular. There is something within him that can stand apart from his ordinary self.

I think that's what makes the Hyde different from the other Outcasts. He's ultimately a reflection of an idea that runs through so many spiritual systems, esoteric beliefs, and occult traditions: that man has another side to him, something darker lurking beneath the surface, waiting to come out when provoked. The Shadow. The Id. The Devil within.

And you guys know how much I love talking about Tyler's character as something that resembles Lucifer, the fallen angel. I often compare him to Milton's Satan, too. Both are figures who have fallen from their original state. That's essentially what we've seen with Tyler's Hyde. It wasn't something that emerged naturally, but was instead created through artificial and violent means. So what we're looking at may be a distorted form of what a Hyde is supposed to be. And that's pretty much applicable to anything, even in real life: when a process or system is deliberately hijacked and twisted, the result is going to be a corruption of what it was meant to be.

But, as Jung said in the Red Book, "Without the depths, I do not have the heights." The idea of the Hyde as man's darker, more primitive nature raises the question of what exists on the other side of it. If the Hyde represents wild instinct, sin, aggression, and everything in man that we associate with the animal or demonic, then there should also be a corresponding image of what is higher in man: the divine rather than the animal, the angel rather than the beast. That's why we have stories that, in one form or another, resemble this Addams cartoon:

https://preview.redd.it/3y3wt2ymzeth1.png?width=659&format=png&auto=webp&s=781de50369ad753950db842f8fc9ec386ed665e7

Seeing as the show is drenched in Jungian psychology, Neoplatonism, Hermeticism, and various forms of spiritualism, it follows that after the demonic form, they will inevitably bring us the divine image: the divine spark, the inner Christ, the pneuma. It comes by many names, but they ultimately point to the same idea: the Higher Self.

And I truly think Tyler is headed this way.

You can't have a character fashioned after Lucifer without eventually exploring what lies beyond his fallen nature.

This Addams cartoon, which resembles René Magritte's masterpiece Not to Be Reproduced (1937), is reminiscent of a saying by the alchemist van Helmont that early spiritualists strongly endorsed: "Man is the mirror of the universe, and his triple nature stands in relationship to all things."

body/soul/spirit; animal/human/divine; lower/middle/higher

https://preview.redd.it/r9jcc92xzeth1.png?width=1232&format=png&auto=webp&s=9f4d35f4dd5babaa639b859cf71188c1d67f5d84

We see a man with three reflections--three projections, three doubles, in three different planes. And when it comes to Tyler, we've only seen two:

  1. Tyler's teenage boy persona (human)
  2. Tyler the Hyde (animal/demon)
  3. Tyler's higher self (pending)

From an occult perspective, Tyler would qualify as a medium. Go back a thousand years, and he might have been called a shaman. He's a character who is always "in-between" worlds. Plus, the whole process of unlocking the Hyde is ritualistic. There are specific methods to invoke another being. There's the use of a psychoactive drug, an altered state of consciousness, dissociation, and what looks very much like possession. That's basically the ritual of shamanism.

The more I think about the Hyde, the more I see shamanism and mediumship all over it.

Even Faulkner's notes about the "Hide" might as well be written about a shaman. I swear the writers patterned this after Mircea Eliade's book about Shamanism. I wouldn't put it past the writers who worked on Smallville to have taken inspiration, in some way, from the man who famously noted the similarities between superheroes and classical sacred stories, and described Superman as a modern myth.

https://preview.redd.it/i4nqkv4m3fth1.png?width=957&format=png&auto=webp&s=c4d734cf36fd1b37a219449c390e7bf0ba5b09d2

Mircea Eliade, Shamanism:

>"The shaman begins his new, his true life by a "separation"—that is, as we shall presently see, by a spiritual crisis that is not lacking in tragic greatness..."

>"This shamanic imitation of the actions and voices of animals can pass as "possession." But it would perhaps be more accurate to term it a taking possession of his helping spirits by a shaman. It is the shaman who turns himself into an animal...Or, again, we might speak of a new identity for the shaman, who becomes an animal-spirit."

>"Hereditary Transmission and Quest in Obtaining Shamanic Powers:
(1) hereditary shamanism
(2) that morbid phenomena frequently accompany both spontaneous manifestation and hereditary transmission of the shamanic vocation

>"In the Arctic the shamanic ecstasy is a spontaneous and organic phenomenon...But in the sub-Arctic the shaman...does not spontaneously obtain a real trance and is obliged to induce a semitrance with the help of narcotics..."

---

Happy 1-year anniversary to my first Fallen Angel / Tyler post

https://preview.redd.it/8x6be2000fth1.png?width=950&format=png&auto=webp&s=37301effc987a7c0584069e25564f2949df65a3a

This shot still amazes me. They really got lucky with casting Hunter, who not only has the natural curls but also has that perfect mix of masculine and feminine beauty. This casting is up there with Tilda Swinton as Angel Gabriel in Constantine.

--

This post is part 2 of my longer breakdown of the occult theories about corrupted mediumship and the Three Doubles.

u/ElvenQueen726 — 11 days ago
▲ 5 r/weyler

"Service / Service Entrance" - show and cartoon parallels | What if we see Tyler in another service role?

Your daily booster dose of actual Addams Lore to fight off the bad bacteria spread by haters and misinformation🦠

I guarantee they'll use this again. What if we see Tyler in another service role? He does have pretty good people skills. I think Tyler being a florist would be nice. Who doesn't love a man in touch with his feminine side?

edit: waittt... what if it's a flashback scene of barista Tyler?

---

"You rang?" video compilation

u/ElvenQueen726 — 23 days ago
▲ 8 r/weyler

"The monster's human." - show and Addams cartoon parallel

Your daily dose of actual Addams Lore to fight the bad bacteria from the haters who spread misinformation.

Anyway...

The show is very likely to use this motif again, but I think it would be a nice change if it were Tyler tracking Wednesday's footprints. We need him to showcase his hunting skills.

u/ElvenQueen726 — 23 days ago
▲ 25 r/WednesdayNetflixHQ+1 crossposts

Thing being a wingman since 1973

I'm telling you guys, every little detail in the Weyler scenes has references rooted in the Addams World. And Weyler or Weyler-related is where you'll find the most Addams references.

u/ElvenQueen726 — 24 days ago
▲ 25 r/WednesdayNetflixHQ+1 crossposts

Wednesday S1 & S2 × Prokofiev's Romeo and Juliet, pt. 1 | Scene Parallels

This is the video version of two posts I made four months ago, a compilation of the scene parallels between Wednesday S1 & S2 and Prokofiev and Lavrovsky's Romeo and Juliet ballet film. I haven't finished editing Part 2 yet.

The background music is Prokofiev's Romeo and Juliet: Dance Of The Knights by Wednesday Addams, Nevermore Academy Orchestra and Jacob Braun.

According to Charles Addams's biography, he saw Prokofiev's Romeo and Juliet in Leonid Lavrovsky's production. It's very likely that he saw the 1946 production, since this information was reported in The Lyons Den, a Broadway and gossip column in the New York Post that ran from 1934 to 1974. This would explain why the series is so heavily inspired by Prokofiev and his version of Romeo and Juliet. You can read the excerpt from the biography here.

Leonid Lavrovsky later directed the 1955 ballet film Romeo and Juliet, which was still based on Prokofiev's ballet.

The series is pretty much a pastiche of all the masterpieces that influenced Addams and, by extension, his cartoons and the Addams world. The references fit together like jigsaw puzzles, or better yet, like a Frankenstein creature assembled from pieces of different works.

There are still many significant elements from the ballet film that don't have parallels in the show yet, just as there are with The Phantom of the Opera (1925) and The Cabinet of Dr. Caligari (1920). There are still plenty of pieces left.

---

Older posts:

Even the checkered floors are inspired by Romeo and Juliet - Prokofiev was a chess master, so it's a really nice homage. He avidly attended major chess tournaments and famously defeated Capablanca--he created Capablanca Chess, also known as Knighted Chess, from which Gothic Chess is derived.

Gothic Chess and Wednesday parallels

u/ElvenQueen726 — 24 days ago
▲ 43 r/WednesdayNetflixHQ+1 crossposts

The Boola-Boola Mating Dance: Wednesday S1E4 × Hanna-Barbera's The Addams Family (1973) Parallels

You can always count on a Weyler scene having its roots somewhere in the Addams catalogue.

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In this episode (s1e3), the two antagonists are also a redhead (Buck) and a brunette (Clyde), much like Laurel and Tyler. Clyde is Buck's henchman and disguises himself as a gorilla as part of their con-artist business.

Fun fact: Jodie Foster voices Pugsley in this TV series. Which is funny, considering Wednesday and Tyler's Willow Hill scene was very The Silence of the Lambs.

----

Wednesday and her Boola-Boola, then and now

u/ElvenQueen726 — 24 days ago
▲ 26 r/weyler

help. Tyler's French VA has me WEAK

He sounds like he wants to devour her.

I couldn't be the guard watching this on the CCTV.

u/ElvenQueen726 — 29 days ago
▲ 16 r/WednesdayNetflixHQ+1 crossposts

Wednesday S2 visuals correspond to Vivaldi's Four Seasons: Autumn

Vivaldi's Four Seasons is descriptive music, with each concerto musically expressing the imagery and events described in its corresponding sonnet.

Autumn - Concerto in F Major

Allegro
The peasant celebrates with song and dance the harvest safely gathered in.
The cup of Bacchus flows freely, and many find their relief in deep slumber.

Adagio molto (this is the background music I'm using for this video)
The singing and the dancing die away
as cooling breezes fan the pleasant air,
inviting all to sleep
without a care.

Allegro
The hunters emerge at dawn,
ready for the chase,
with horns and dogs and cries.
Their quarry flees while they give chase.
Terrified and wounded, the prey struggles on,
but, harried, dies.

---

Season 3 might take inspiration from Vivaldi's Summer - Concerto in g-minor, and adapt the cartoons depicting scorching deserts, violent winds, and storms.

Addams cartoons depicting characters exhausted by the scorching desert heat
Addams cartoons of violent storms: wuthering and flagging (possibly related to the Norwester theories)

Summer Sonnet

Allegro non molto
Beneath the blazing sun's relentless heat
men and flocks are sweltering,
pines are scorched.
We hear the cuckoo's voice; then sweet songs of the turtle dove and finch are heard.
Soft breezes stir the air….but threatening north wind sweeps them suddenly aside. The shepherd trembles, fearful of violent storm and what may lie ahead.

Adagio e piano - Presto e forte
His limbs are now awakened from their repose by fear of lightning's flash and thunder's roar, as gnats and flies buzz furiously around.

Presto
Alas, his worst fears were justified, as the heavens roar and great hailstones beat down upon the proudly standing corn.

---

The seasons are arranged like a symphony
Wednesday S2 visuals correspond to Vivaldi's Four Seasons: Winter

u/ElvenQueen726 — 29 days ago
▲ 12 r/WednesdayNetflixHQ+1 crossposts

Wednesday S1 visuals correspond to Vivaldi's Four Seasons: Winter

Vivaldi's Four Seasons is descriptive music, with each concerto musically expressing the imagery and events described in its corresponding sonnet.

The concerto starts with Spring, followed by Summer, Autumn, and finally Winter.

But in Wednesday, the order seems to be inverted.

Vivaldi's Winter Sonnet

Winter - Concerto in f-minor

Allegro non molto (Wednesday plays this piece in episode 103)
Shivering, frozen mid the frosty snow in biting, stinging winds;
running to and fro to stamp one's icy feet, teeth chattering in the bitter chill.

Largo
To rest contentedly beside the hearth, while those outside are drenched by pouring rain.

Allegro
We tread the icy path slowly and cautiously, for fear of tripping and falling.
Then turn abruptly, slip, crash on the ground and, rising, hasten on across the ice lest it cracks up.
We feel the chill north winds coarse through the home despite the locked and bolted doors…
this is winter, which nonetheless brings its own delights.

---

The seasons are arranged like a symphony

Wednesday S2 visuals correspond to Vivaldi's Four Seasons: Autumn

u/ElvenQueen726 — 29 days ago
▲ 69 r/WednesdayNetflixHQ+1 crossposts

Canonically, the only love interest with multiple references to the creator's biography (a repost)

This is just a compilation of the parallels I've shared so far.

u/ElvenQueen726 — 1 month ago
▲ 5 r/weyler

The Regression of Morticia, Francoise, and Wednesday

https://preview.redd.it/jlobd5oyp1ph1.png?width=1920&format=png&auto=webp&s=94fe12a5c44d009abc79e12a495ef0d9639b3269

Cartoon of adult men trapped in arrested development ("man-children") being abandoned by their wives.

>"Let us agree to call this arrest of a partial impulse...a fixation of the instinct...Regression is the second danger of this development...the impulse is forced to a regression when it encounters great external difficulties." -Sigmund Freud

>"We may therefore distinguish a threefold species of regression: (a) a topical one...(b) a temporal one...and (c) a formal one." - Sigmund Freud

Temporal regression occurs when an individual reverts to less mature behaviours or infantile defence mechanisms, such as childish dependence.

We see these two expressions of regression in Morticia and Francoise, who act like girls again when they're around the family members they grew up with.

---

Morticia

Morticia burning Goody's book is essentially a tantrum. She does this in a fit of anger against her mother, then regrets it soon after.

She's usually poised and graceful when she's not aware that her mother is around. But the moment Hester appears, she immediately makes expressions like a teenage girl annoyed by her overbearing mother (sounds like someone we know), and Morticia's high spirits turn dull and sour. She visibly pouts and slumps at the mere mention or presence of her mother.

https://preview.redd.it/mucew884q1ph1.png?width=1920&format=png&auto=webp&s=8d82f08d20f3469458b6ecbffd3cf004d26b507a

https://preview.redd.it/lc98fuy4q1ph1.png?width=1920&format=png&auto=webp&s=3cb521542b2e3062a4b478bd9790c1500cdf821c

https://preview.redd.it/gvd7eds5q1ph1.png?width=1920&format=png&auto=webp&s=78dbe73c56a78b15f2a8f6e522c4d588c7cce414

Francoise

Before Isaac came back into Francoise's life, we see her doing three typical maternal things: treating Tyler's wounds, disciplining him, and cooking breakfast. But once she's reunited with her brother, we see more scenes of Francoise acting like a little sister.

Her condition is worsening, and worse still, her son has inherited her Hyde gene. Francoise is rather helpless, and for her, the only person who can make her or Tyler better is the brother she thought she'd never see again. All those years of missing her hero come rushing back at once. She reverts to being a wide-eyed, bubbly girl who depends on her cool, genius brother.

Francoise isn't only reliant on Isaac; she's literally clingy with him. She also speaks in a cutesy-voice from time to time.

https://preview.redd.it/4kepj0l8q1ph1.png?width=1920&format=png&auto=webp&s=6eb62d4e51c24ccdba1710b7e365ec6d9e2aa1f3

RIP Francoise, you would've loved learning about aegyo. Actually, their dynamic reminds me of siscon/brocon anime.

If there's an anime about the '90s class at Nevermore, Francoise would definitely call Isaac "onii-chan" and follow him around like a lost puppy.

https://preview.redd.it/uhqr76heq1ph1.png?width=1920&format=png&auto=webp&s=92563ecfc67d3d27babf372e93e719e024f7a45e

---

commercial break

I think the show is hinting at three things for Season 3. These are different forms of temporal regression, both literally and figuratively, that already exist in the cartoons:

  1. The man-children
  2. The Elixir of Eternal Youth (alchemy)
  3. The Fountain of Youth (are we going to Florida?)

https://preview.redd.it/kf0ruc4iq1ph1.png?width=1920&format=png&auto=webp&s=7f6d557efa4d8a7dd5df20114ec840590ac21dab

Idk why, but for some reason I just keep thinking of Nathaniel Faulkner. I really doubt he's dead. It's strange that we don't know what he looks like, and that Nevermore didn't even honour him during Remembrance Day. I think Faulkner got alchemically botched while doing his research about Hydes and is now literally stuck in arrested development, like Wesselman up there. Kind of like how, in Death Becomes Her, Elvis Presley and Marilyn Monroe faked their deaths because they weren't aging.

back to program

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Wednesday

https://preview.redd.it/gidncqrmq1ph1.png?width=567&format=png&auto=webp&s=e851a7113f6574affbb7b5cf11e4ad5620208776

This Freud quote describes what happened to Wednesday in Season 2.

"Even those components which have achieved a degree of progress may readily turn backward to these earlier stages...it is natural for those who have gone on to return to these stations if they are beaten or encounter a mighty foe. The more they have left on the way, however, the greater is their chance of defeat." -Sigmund Freud on Regression

He's saying that when someone has moved beyond a way of protecting themselves, they may retreat back into it when they are defeated or confronted with something they cannot handle. But...the further they have moved away from that protection, the harder it can be to return to it.

https://i.redd.it/ohffqgjtq1ph1.gif

The scene before Wednesday went to Weathervane to confirm she wanted to be more than friends with Tyler, she has a dialogue with Enid about her evolution, and serves as a signal to the audience that she's willing to change, and the big step of that change is Tyler.

And just like Freud's theory, the moment she was confronted with the pain of opening her heart to someone she thought she knew, she cocooned. But despite retreating to her earlier state, she never truly returned to being the old Wednesday.

https://preview.redd.it/i4w35vlvq1ph1.png?width=1920&format=png&auto=webp&s=a93d706abb449c16b4834503143d7c543bff51a1

Wednesday touched the flames of love once and went crawling back to the safety of her fortress of solitude...

Or so she thought.

https://preview.redd.it/779xf9gxq1ph1.png?width=678&format=png&auto=webp&s=45b7ed4b2391e9199c9c4a6cd535d764383b7690

Thanks, u/Wide_Donut_8810, for our conversation that reminded me of this cartoon.

I love how this old man started with just five locks, but after a love letter slipped under the door, he changed the locks and added two more.

reddit.com
u/ElvenQueen726 — 1 month ago
▲ 19 r/WednesdayNetflixHQ+1 crossposts

Second Empire and Colonial-era–style houses: Addams cartoons, the Galpin House, and the Addams Mansion parallels

u/ElvenQueen726 — 1 month ago
▲ 24 r/WednesdayNetflixHQ+1 crossposts

The Four Archetypes of the Feminine Psyche and Wednesday's Shadow in episode 206

collage by me 🖤

As I've often mentioned in my psychoanalysis posts, Addams frequently made cartoons that would appeal to his audience. The cultural zeitgeist at the time had psychoanalysts holding The New Yorker in a chokehold. Although from what I've gathered from his biography, Addams was annoyed by people who couldn't find the humour in some of his darker and more paradoxical cartoons.

>"Charles Addams was expected to "think neurotic."...The New Yorker's editors were encouraging him "to move from the macabre to humor in a psychological vein."-Charles Addams: A Cartoonist's Life, page 203

The show is quite consistent with honouring Addams' traditions, and episode 206 is especially heavy with Jungian allegories. RIP to our neurotic forebears who paved the way. You guys would've enjoyed Wednesday and Reddit.

I've already made a breakdown of Jung's Negative Mother Complex, so now we're moving on to the Jungian Shadow and feminine archetypes.

The first part of this post will categorise the feminine archetypes in episode 206 using 'The Structural Forms of the Feminine Psyche' by Toni Wolff, one of C. G. Jung's close collaborators. The second will look at the live-action adaptation of this Addams cartoon, including the Gothic book Wednesday is reading and how the show structured the episode to explore Wednesday's Shadow.

https://preview.redd.it/pm6j5d3n9ooh1.png?width=1336&format=png&auto=webp&s=73a3e30932cc6214a173450f3ebb6229c9c22f7b

>"And there are... werewolves that have but one body, in which the soul of man and of beast are at war. Then whatever weakens the human soul... brings the wolf to the fore." - Guy Endore, The Werewolf of Paris

The Four Archetypes of the Feminine Psyche

Toni Wolff's 1934 theory outlines four structural forms of the feminine psyche: the Mother, the Hetaira, the Amazon, and the Medial Woman.

I've selected the passages from Wolff's descriptions that best fit Morticia, Hester, Rotwood, and Enid.

'The Structural Forms of the Feminine Psyche', page 5

THE MOTHER

https://preview.redd.it/ow8hpas1aooh1.png?width=1920&format=png&auto=webp&s=367224a08ef2bb488ad045f9a0912b320e4b3b88

>"The negative aspect of the mother is mothering, anxious nursing and tutelage of the object when the latter never needed it." - Toni Wolff

THE AMAZON

>"The great sportswomen and travellers belong to this category... those working in business...or simply those who are ‘wearing the pants’ at home." -Toni Wolff

https://preview.redd.it/ouv7g4f5aooh1.png?width=1920&format=png&auto=webp&s=a5149467865729fc893c33e929586186eb7da7a4

https://preview.redd.it/k5iyftb8aooh1.png?width=574&format=png&auto=webp&s=96291d23ee87e5f91c4517ee1b35d883e8ecbc9f

https://i.redd.it/o4qvlms9aooh1.gif

THE MEDIAL WOMAN

https://preview.redd.it/0jf3gbocaooh1.png?width=1920&format=png&auto=webp&s=e326b34287f79be6cba7a330e31ebd458e424cca

https://preview.redd.it/airt0t5faooh1.png?width=1920&format=png&auto=webp&s=e2fee4464f97b88c3a99cd8b05e9c3076b48aac1

Wolff's description of the Hetaira is mostly written in the context of adult relationships and marriage. So I'm applying the same idea to a teenage girl (Enid) rather than taking all of Wolff's examples literally.

The name Hetaira comes from the ancient Greek hetairai, who were companions to men (courtesans). Some were highly educated and intellectually accomplished, and they had freedoms that respectable citizen wives generally didn't have. Wolff uses this figure because the Hetaira isn't defined by being someone's wife. This archetype represents a woman whose primary concern is the personal bond she forms with another person.

Wolff says the Hetaira is interested in understanding people on a personal level. She wants to know who they really are: their interests, problems, desires, ideas and ambitions. She wants to experience relationships in their "nuances and depths".

For a teenage girl, this can mean discovering who she is through her relationships. As she changes, she may outgrow a boyfriend or drift away from friends who no longer fit the person she's becoming.

>"She will convey to him the sense of a personal value quite apart from collective values, for her own development demands of her to experience and realize an individual relationship in all its nuances and depths." -Toni Wolff

In other words, her relationships change because she is changing.

Wolff contrasts the Hetaira with collective values because she is more interested in what feels personally meaningful than in what the group expects of her. She may start wanting different things from the people around her. (cough Alpha Enid arc cough)

On the Hetaira archetype, Wolff says:

>"Everything in life must be learned, also human relationship."

She also says that the Hetaira cannot begin with relationships at the most "differentiated" level. A Hetaira doesn't automatically know how to have healthy relationships. She doesn't necessarily know how to separate genuine intimacy from infatuation, projection or fantasy.

A young or immature Hetaira can get completely wrapped up in another person. She might mistake intense attraction for real intimacy, project an idealised version of someone onto them, or become so absorbed in the relationship that she stops seeing the situation clearly.

Wolff says the Hetaira can "insist on an illusion" and become a "temptress". A young Hetaira can cheat while also becoming the person another boy cheats with.

In Wolff's adult example, this can lead a married man to feel that the Hetaira understands him in a way his wife does not. In a teenage context, she becomes the person who makes a boy feel uniquely understood, seen or awakened to a different version of himself than he would with his girlfriend.

That's why Wolff makes a point of saying that her relationships have to be learned. She can be very good at creating an intense personal connection while still being terrible at understanding the boundaries of one.

For Enid, this fits with the way she outgrows Ajax. Her life starts moving in a completely different direction once she gets the life she had been dreaming of. Ajax was part of the life before she wolfed out, but once that life changed, she no longer knew where he fit into it.

Enid didn't simply "get bored" of Ajax. She changed, and so did what she wanted from the relationship.

Wednesday's Shadow

https://preview.redd.it/35f5412maooh1.png?width=1180&format=png&auto=webp&s=2d3cb126a1a86873614f12195ddef5fa2f57c78c

https://preview.redd.it/lzl6e81qaooh1.png?width=1336&format=png&auto=webp&s=4694cbf467a3726578312a202efe0120e2e26af3

I actually find this cartoon funny.

Charles Addams made this for Children's Book Week, and he chose that book of all things. It's not the first time he referenced Guy Endore's The Werewolf of Paris, but it's not exactly something you'd encourage children to read. It's a Gothic story about psychological torment, societal horror, political violence, the brutalities of war, sexual compulsions, physical and sexual violence, and the carnal violence of the inner animal.

Mind you, he also drew cartoons based on Charles Perrault's fairy tales. So he could've chosen Cinderella instead. But then again, it's on brand.

Since psychoanalysis became en vogue in the post-WW2 era, The Werewolf of Paris has become something of a quintessential text for exploring the Shadow archetype pioneered by Carl Jung. Psychoanalytic and literary theorists frequently read it as a metaphor for the repressed, animalistic and darker parts of human nature.

A movie with similar themes to ep206 is Ang Lee's Life of Pi, particularly the Bengal tiger Richard Parker, who also functions as an embodiment of the Jungian Shadow--the dark, primal and repressed side of the human psyche.

https://preview.redd.it/j17opbbsaooh1.png?width=2874&format=png&auto=webp&s=85903be5e9055aa018677712fef0a8ef0df59d4f

>"I know nothing truer than the fact that something wants to live, to exist, to unfold: the tiger wants to be a tiger..." - C.G. Jung, Zarathustra Seminars

---

I've always thought that the cartoon is the reason why the writers chose a werewolf as Wednesday's foil, so they can seamlessly use it to explore Wednesday's Shadow and tick all the components that would qualify the archetype.

First: the persona

The narrative needs to allow Wednesday to realise that her identity is, at least partly, a superficial construct. Her "social mask" is someone who is disciplined, in control and logical.

Second: the werewolf as the Shadow

>"...we have a body which, like all bodies, casts a shadow....Yet this body is a beast with a beast's soul, an organism that gives unquestioning obedience to instinct." - C.G. Jung

>"In woman's collective unconscious it is a fusion of the human with the animal." - C.G. Jung

The body swap trope has often been used as a metaphor for a Shadow projection made flesh. It usually works through opposites: a strict parent and a rebellious teenager, for example. The other body represents the qualities the protagonist has repressed, ignored or disowned.

That opposite has to embody something the protagonist doesn't want to acknowledge about herself.

Enid is hedonistic, romantically expressive, a people-pleaser, indecisive, vibrant and outgoing. Wednesday often finds her annoying and rolls her eyes in exasperation because Enid does things that she would rather not do.

So when the body swap happens, Wednesday's ego is suddenly detached from the persona she has cultivated. She's forced to discover who she is when that external identity is erased.

Take away her pigtails, and who is Wednesday Addams, really?

Third: the ego loses control

The part where Enid and Wednesday talk about what they've learned from each other also gives the audience a way to see what Wednesday learned about herself during her werewolf transformation. Unlike a novel, we're not privy to her thoughts.

What Wednesday says about Enid says more about herself.

Before the swap even happened, Rotwood read Wednesday like a book. In retrospect, it also serves as a prologue to Wednesday's uncanny adventure of learning, for lack of a better word, that she's not the shit after all.

During the body swap, her conscious mind (the ego) is completely displaced from her familiar body, while the werewolf transformation she fails to control disrupts the illusion of total control she thought she possessed.

The irrational, chaotic and violent animal within that she always thought she controlled finally bubbles to the surface, in a body detached from her ego and persona. Her loss of control is also a subtle confirmation that Wednesday was never truly ready to become Tyler's master.

More points to Weems.

>"Everyone carries a shadow, and the less it is embodied in the individual's conscious life, the blacker and denser it is." -Carl Jung

When Wednesday transforms, she literally comes out through the shadows. And unlike Enid's fair-coloured werewolf form, her fur is deep black.

Fourth: the Mana Personality and enantiodromia

The only explanation I can think of for why their werewolf forms are different is something like this diagram of the Jungian structure of the psyche.

https://preview.redd.it/2lunirr3booh1.png?width=594&format=png&auto=webp&s=7d061487ab95f02ef65837f0fbf1b5a2aa7519e4

Based on the difference between Wednesday and Enid's werewolf forms, I think werewolves are like a Mana Personality.

A Mana Personality is a psychological stage in Jung's theory where a person feels imbued with extraordinary spiritual power. Jung borrowed the word "mana" from Polynesian cultures, where it refers to an invisible spiritual force.

He used it to describe the unconscious influence one person can have over another through sheer presence and psychic force rather than physical force. But in the world of Wednesday, when someone is a werewolf, that unconscious force manifests as an actual beast.

Simply put, according to Jung, Mana Personality emerges when someone encounters the deeper, unconscious parts of themselves but then mistakes those powerful feelings or impulses for their own personal power or identity.

The stage that werewolf Wednesday goes through on this side quest to know herself better is what Jung called enantiodromia: the emergence of the unconscious opposite. A real-world example would be someone who lives a hyper-disciplined, rigid life suddenly swinging into reckless, chaotic behaviour.

Fifth: recognition and integration

Afterwards, Wednesday finally realises that she really is full of shit about herself.

She learns to stop projecting her internal flaws onto Enid because she literally became her--both Enid and the flaws she associated with her.

Wednesday returns to her original body, but she's been changed by the experience. She comes out of it wiser because of what she learned about herself during the swap.

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Quick segue: the entire episode also follows the Aristotelian concepts of tragedy, just like the other episodes and the overall series. (I made a breakdown of this some time ago here)

  1. Hamartia - The body swap happens because of Wednesday's fatal flaw: her hubris and her failure to communicate, which kept Enid in the dark.
  2. Peripeteia - Reversal of fortune: the actual body swap.
  3. Anagnorisis - Recognition, self-reflection and empathy. While trapped in Enid's body, Wednesday finally has to recognise some truths about herself and her projections onto Enid.
  4. Catharsis - The lesson is learned, the spell breaks, and they return to their bodies.

Wednesday's momentary lapse of control also gives us a glimpse into Tyler's character. Throughout the series, the two are deliberately presented as mirrors, so what we learn about Wednesday can often tell us something about Tyler, too: like her, he tries to control himself and fails. One example is the chapel scene with the Nightshades, when he yells at them to stop.

I often share my collection of Weyler parallels or mirror scenes because the show is being deliberate about presenting Wednesday and Tyler as two teenagers who are really not that different from each other. 

If the show also dedicated an entire episode to Tyler obsessing over "control", it would just be redundant. It would also take away some of the mystery and suspense.

This post is pretty much a mirror of another discussion related to Charles Addams' illustration of C. G. Jung's Janus, the two-faced god, and Tyler's own Shadow side.

https://i.redd.it/1im433wbcooh1.gif

u/ElvenQueen726 — 1 month ago
▲ 23 r/weyler

using my kpop stan investigative skills to triangulate Tyler's location

I actually forgot I made this, but this is why I don't mind being a little disorganised sometimes; it's like getting a gift from my past self.

I think Wednesday getting defenestrated is a clue to where Tyler is. All of the cartoons I have that depict Addams couples throwing someone off a cliff are set in "Echo Gorge". According to Charles Addams' biography, it's somewhere near Lake Champlain, and it's not really that far from Ausable Chasm or Jericho, Vermont.

There's also a cartoon about going to Ausable Chasm, which has a cave called Hyde Cave.

Ausable Chasm also has a legend about two lovers, Rev. John Dyer and Jennie Smith. John Dyer accidentally fell into the rapids, while Jennie pined away and died of a broken heart.

Aside from Echo Gorge, another recurring "date place" for lovers and married couples in the Addams world is Lovers Leap, where lovers would jump off to prove their undying love. Francoise's death was kinda giving Lovers Leap.

Considering these places aren't that far from Jericho, I think Tyler might be somewhere around Ausable Chasm and Lake Champlain.

https://preview.redd.it/l0o9vmk1vaoh1.png?width=697&format=png&auto=webp&s=50894f8a7d3bcd55f9da1520f8a827130ec8a72f

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Cartoons of Lovers Leap and Echo Gorge

u/ElvenQueen726 — 1 month ago
▲ 61 r/WednesdayNetflixHQ+1 crossposts

the only couple in the show with multiple parallels to the source materials btw // Addams romance featuring Wednesday, Tyler, and the OG Addams characters

These cartoons are from the Chas Addams' Happily Ever After, his collection of "romance-centric" cartoon panels.

No one did enemies-as-lovers/married couples quite like Addams.

u/ElvenQueen726 — 1 month ago