“We Just Keep Taking the High Road”: The Context Behind Justin Baldoni’s 8/11/2024 Sweden Video and What Blake Lively’s “This man is a monster” Narrative Leaves Out
Two years ago today, on August 11, 2024, Justin Baldoni shared a video of himself and his family visiting a local theater in Sweden. This was the type of content Blake Lively called a “smear campaign” against her.
Two days later, she and Brandon Sklenar discussed what a “monster” Baldoni is. Sklenar discussed how they were holding off on publishing an insensitive and tone-deaf Maximum Effort-produced comedy sketch, given the public backlash and “what he [Baldoni] is putting out there.”
What was he putting out there? A video of Baldoni in casual attire, holding his two kids’ hands as they went down the escalator in a local movie theater to talk about “hope” and “unhealthy relationships,” was exactly the type of content the primary audience of the It Ends With Us book and movie responded well to, in contrast to the Deadpool-esque insensitive skits and jokes about a jealous husband and murdering with empty hands that Sklenar participated in.
But why was Baldoni in Sweden?
He left the U.S. shortly after the premier and press tour ended. He was in Sweden trying to recover from Lively and Reynolds’ carefully orchestrated, mafia-style attacks against him and his studio to erase him and his contributions from his five-year passion project. He memorialized his pain in a voice memo from Aug 12,2024:
“As soon as I could—as soon as the press tour was over—I flew back to Sweden. I’m here kind of recovering. I’m sure we’re all feeling similar things, which is like this strange mix of, you know, joy that this movie that we all poured our hearts into for so long is released and is doing so well; and also the bittersweetness of the reality of what went down and how it went down, and, you know, how we were treated, and all of these things…”
He told this to the two fired editors from the movie, whom Lively replaced with Deadpool’s editor. Lively’s erasure of Baldoni from movie posters and marketing materials had collateral damage, including the editors whom Baldoni promised to fight hard for so they could receive recognition. Their names were ultimately included in the movie credits because they had done the majority of the foundational work.
Baldoni further talked about how, despite the negative leaks and attacks, he would continue to take the high road:
“And I say this in a weird place, because, you know, she’s leaked some attacks of me already, and I just believe that there’s protection, because this whole thing has been so crazy and so unjust, and yet we just keep taking the high road, all of us, you know. Great things will come from this for everybody, and I will be singing both of your praises until the end.”
Little did he know that Lively and Reynolds via WME would call a few hours later to pressure his studio to release a statement written by Reynolds, taking responsibility for Lively’s juvenile conduct and failed marketing.
Little did Baldoni know that the plan to ruin his professional relationship was already known within Lively’s circle of trust, as Sklenar wrote in a text:
“I am sure once WME drops him it will snowball.”