I'm so tired of Moses Hogan's Octave Jumps
Look, I get it. Gospel pieces go high. But as a Tenor 2 still working on my confidence above the staff, it annoys me when I'm going from a D3 to a G4 with no breath in between.
Elijah Rock was more manageable because there was that bass response measure, but hitting the A5 was rough after the A4. (I think my numbers are wrong btw but that's how I learned octave numbers, sue me.). I ended up doing falsetto for that because I was still in that "anything above an F is going to kill me!" phase. The curse of perfect pitch is real unfortunately.
Now I'm doing Didn't My Lord Deliver Daniel, and the Tenor 2 part reminds me of my Bass 1 roots (that was fun too. I have fomo during Daemon sometimes.) with the D3s. But as stated above, there's that "every man" to "hallelujah" which is that d to g jump that gives you a microsecond to prepare.
I love Gospel. It's the closest I get to Vocal Jazz when it's not Wednesday. As much as I love the chants (O'Magnum) and folk tunes (Magnificent Horses), Gospel clears. I just wish that composers let me skate by without technique training (this is a joke. I love technique training. sometimes.) and not have to lock in during Children Go Where I Send Thee (not Hogan but still) when I have to blend and sing straight Gs.
Skill issue? Yes. Am I still annoyed? Kinda.