The smartphone paper models are either from a Korean paper model community or ones I designed myself from scratch.
The desktop component models were made by drafting blueprints in Adobe Illustrator, then building them using cardboard boxes and foam board.
I brought some chunky renders and additional in-game screenshots.
Wonwol City has been in development since January 2020, and it’s a Korean-style modern city that I’ve been building entirely on my own. Since I sometimes recreate real-world buildings and structures, you’ll occasionally see buildings from other countries, such as the United States and China.
I’m currently serving in the South Korean military, so I probably won’t be able to start building again until November 2027. I can’t wait for that time to come so I can get back to building and have fun with it again. Haha.
I brought some chunky renders and additional in-game screenshots.
Wonwol City has been in development since January 2020, and it’s a Korean-style modern city that I’ve been building entirely on my own. Since I sometimes recreate real-world buildings and structures, you’ll occasionally see buildings from other countries, such as the United States and China.
I’m currently serving in the South Korean military, so I probably won’t be able to start building again until November 2027. I can’t wait for that time to come so I can get back to building and have fun with it again. Haha.
I brought some chunky renders and additional in-game screenshots.
Wonwol City has been in development since January 2020, and it’s a Korean-style modern city that I’ve been building entirely on my own. Since I sometimes recreate real-world buildings and structures, you’ll occasionally see buildings from other countries, such as the United States and China.
I’m currently serving in the South Korean military, so I probably won’t be able to start building again until November 2027. I can’t wait for that time to come so I can get back to building and have fun with it again. Haha.
The visuals are largely influenced by Space Engine's own 'Visual Style' and 'Graphics Settings'. I also have Reshade installed, though I only used its camera filters very minimally barely enough to make a noticeable difference.
The planets were ones I came across while traveling hundreds of millions of light-years, so I'm not sure about their exact coordinates.
I’m a Korean who has always been fascinated by Mesopotamian civilization. The world I’m building blends Mesopotamian culture and the Sumerian language with ancient Egyptian civilization, a wide range of mythologies, and modern Korean culture and language.
The largest continent is divided into three major regions: Mesomia, Nicaea, and Ennead. Since Mesopotamian civilization is my biggest source of inspiration, Mesomia is the most developed and densely populated region.
Ennead draws its inspiration from ancient Egypt. Vast deserts dominate the landscape, and instead of large cities, it consists of countless village-sized settlements. The people also wear clothing reminiscent of those seen in Dune.
Nicaea is closely connected to the sea. It has become the center of underwater cities, marine technology, and the study of native marine life.
I haven’t finalized the political structure yet, so I’m still undecided whether these regions will remain part of a single civilization or eventually become independent nations. That will depend on how the worldbuilding evolves.
I’m currently sketching and writing notes about the world’s native wildlife in a notebook. One defining trait of these animals is that almost all of them have horizontally elongated heads, similar to a hammerhead shark, with their eyes positioned at the far ends.
This evolved because many species rely on hiding behind trees or other objects for camouflage. Their wide-set eyes allow them to keep most of their bodies concealed while still seeing around both sides of whatever they’re hiding behind. For example, an animal can remain hidden behind a tree trunk while each eye watches a different side of the trunk, allowing it to monitor its surroundings without exposing its body.
There’s also a hidden twist in my map: if you invert the land and sea, the coastlines reveal the outlines of Asia, Africa, and Oceania.
I created this map and much of the world’s lore about three months ago. However, I’m currently serving in the South Korean military, so I probably won’t be able to make significant progress on the project until late 2027 or sometime in 2028.
It’s a modern city primarily inspired by South Korean architecture and urban design, while also incorporating a selection of buildings and landmarks from other countries.
I’m currently serving in the military, so I probably won’t be able to continue development until the second half of next year.