Eu sou o osso da minha espada
E as pessoas morrem quando são mortas.
E as pessoas morrem quando são mortas.
Sim, eu gosto de poderes criativos e sim, Zipers são legais. Ignore o resto se você não gosta de ler .
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- Se sim, então ele não é Onipotente
- Se não, entâo ele nunca foi Onipotente
A habilidade em questão, pega a idéia de que Othinus é um Deus, então tem poder absoluto. Ter poder absoluto significa poder fazer "qualquer coisa", o que significa que as infinitas possibilidades estariam abertas para qualquer ação que você tente executar. Mas ter infinitas possibilidades, quer dizer que todas estão incluidas igualmente, sejam elas possibilidades positivas ou negativas. Em outras palavras, o poder funciona como uma espécie de equilíbrio probabilístico onde há 50% de chance de dar certo e 50% de chance de dar errado. Em suma, Othinus mesmo sendo Deus que faz qualquer coisa, tem 50/50 de sucesso e fracasso em tudo o que vai fazer .
A idéia de Onipotente aqui é uma reflexão ao termo. Um ser poderoso que pode fazer tudo também pode falhar em tudo, ao mesmo tempo em que pode ter sucesso em tudo. É como fazer uma roleta russa com 3 balas .
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Uma pena que o autor dessa obra não aproveitou a versatilidade desse poder, O Akira mais criar um braço de canhão do que qualquer outra coisa nas lutas .
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Existe um webtoon chamado Ticket Hero, com um poder parecido ou até melhor a esse. O usuário rasga um ticket e herda as habilidades de alguma lenda da vida real, nâo necessáriamente só lutadores/guerreiros mas esportistas como Michael Jorndam ou Messi, até mesmo médicos, bombeiros ou assassinos que marcaram a história no mundo. Mas eu parei de ler esse webtoon quando começou a ser só um show de lutas aleatórias.
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Embora achei meio paia Killua ser excessão a essas regras só porque é irmão ela.
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Animes : Toaru Railgun e Fate Kaleid .
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O tipo de obra que torna difícil vc recomendar para alguém sem ficar explicando sobre . Consigo pensar em outros também como Made in Abyss e Monogatari que possuem coisas bizarras e até mesmo nojentas, no meio de um enredo incrivel .
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Música : a Ost de Devilman ( Smell Blood )
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- Plot
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- Worldbuilding
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- Power system
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- Character development/utilization
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I know that both have a cosmology similar: textures (Fate) and Phases (Toaru). I know they work a lot with symbolism, relativism, philosophy, physics, theology, and mythology. And they also talk a lot about heroism and villainy.
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P.S.: only counting the stories of Fate and its spin-offs (not Tsukihime or Kara no Kyokai) versus Toaru and its spin-offs (no other stories by the author).
• Animes chapéu de mago/bruxa:
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Gachiakuta
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Toaru Majutsu no Index
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Fate séries
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Fire Force
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Witch Hat Atalier
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Yugioh
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Touhou
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Fairy Tail
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Little Witch Academy
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Konosuba
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Black Clover
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Majo no Tabitabi
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• Animes chapéu militar:
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Akame ga Kill
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Re:Creators
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86 Eighty Six
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Sono bisque Doll
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Azur Lane
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Noragami
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Darling in the Franxx
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Youjo Senki
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Mahou Shoujo Lyrical Nanoha
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Mato Seihen no Slave
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Heion sedai Idaten
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Rwby ( anime )
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Fate séries
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Black Clover
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Owari no Seraph
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Arknights
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Island
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Haifuri
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Tsuki Laika Nosferatu
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Ps: no de mago há pelo menos 2 garotas do mesmo animes. Se vc quiser saber expecíficamente de qual anime é essa X garota, diga e eu vou responder .
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Animes/mangás:
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Petals of Reincarnation
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Doghua : The Leader
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Fate Apocrypha
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Toaru Majutsu no Index
De uns tempos para cá muitos veem chamando Dungeon Meshi, Frieren e Witch Hat Atalier de" os 3 melhores de fantasia", mesmo que o termo fantasia engloba muito mais do que o tipo de animes que eles são:
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-High Fantasy
-Fantasia medieval
-Fantasia contemporânea
-Fantasia urbana
-Dark Fantasy
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Entre outros aí. Todas essas são fantasias em si. Então chamar Dungeon Meshi, Frieren e Witch Hat Atalier de Big 3 da fantasia é um tanto exagerado porque ignora os outros tipos e as coloca no top. Eles são os 3 melhores de fantasia urbana mesmo não sendo urbana ? Não poh, vamos expecificar que tipo de big 3 de fantasia eles seriam .
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I was debating with a guy on a Brazilian subreddit because he said that Accelerator's vector shield is flawed in any other anime power system. He was saying that Accelerator understanding Dark Matter wasn't the same as understanding other anime systems, alien laws, because Dark Matter is in the same scientific field as Accelerator, which is why he was able to understand it. He was also using GT12 as an example, saying that Accelerator wasn't even able to reflect Styil's flames, so he would have difficulties with powers from other anime, like the Uchiha's fireball jutsu. And that he's dependent on Qhilphah to understand magic, that all his feats blocking unknown things were due to her help. In OT20, when Accelerator deals with the random mages of World War III and when he uses imaginary number theory to heal Last Order and transform his black wings into white ones. For this guy, these two feats count as follows: he indirectly obtained help from Aiwass and Index's magic song, which provided the necessary information for him to do this; in another verse, he wouldn't have had this help, nobody would have told him about his powers so he could understand and thus repel with the vector shield. This guy completely disregards a scenario where Accelerator discovers on his own how the powers of characters from other verses work in the middle of a fight to add this new set of laws to his personal reality. Even if that's how the fights in Toaru work. He completely disregards the idea that an attack like a fireball jutsu would have a movement vector and direction by default. He ignores the whole 11 Dimensions thing I mentioned, ignores the whole Esper = Thelemic mages thing which is the plot of the story and everything else.
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And when I finally gave an example of the conditions he himself argues...
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"It repels Dark Matter because it's scientific, so other anime wouldn't repel it" Is Mha's quirk not scientific?
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"It repels it because he has help; in another verse, no one will tell him how his power works." In Jujutsu, does the mages telling their powers to the enemy make them stronger?
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He also ignores it.
Quero dizer no sentido de melhor uso. Qual você usaria na vida real levando em conta: leis da física, tempo para ativar, limites, pós e contras e proteção individual/coletivo .
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Avalon ( Fate ) . É a banha da Excalibur que ao ser ativada, te faz entra na Terra das Fadas te tornando intocável . Dizem que até as 5 magias verdadeiras teriam dificuldades pra romper essa proteção . É uma defesa capaz de anular até mesmo a EA do Gilgamesh que rasga o espaço-tempo e mostra a verdade do mundo.
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Allmight ( Bleach ). Basicamente é um poder onde o usuário olha o futuro e escolhe um onde o ataque não funciona .
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Coração de leão ( Re:Zero ). Para o tempo do próprio corpo, o que faz você se desconectar com o mundo e não ser afetado por nada dele pois normalmente tudo no universo está sofrendo a influência do tempo mas seu corpo fica em um estado fixo.
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Escudo vetorial ( Toaru ). Um escudo que reflete qualquer vetor direcionado a você e o devolve com o dobro da força/velocidade. Todo no mundo tem vetores ou é influênciado por eles: massa, velocidade, aceleração, força e energia .
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GER ( Jojo ). Qualquer ação hostil contra você é resetado e volta ao zero .
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Allmight ( Toaru ). Move o mundo inteiro para te colocar na posição ideal para atacar. A habilidade ajusta a posição e cordenadas para que nada possa te atingir de uma forma que uma vitória ou um empate são os únicos resultados no final .
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Lord Camelot ( Fate ). Um muro criado pela vontade deproteger alguém. Quanto maior a determinação do usuário, mais absurda fica a defesa pois materializa o conceito de proteção.
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Love Train ( Jojo ) Toda desgraça é desviada para outro lugar. Azar, dano e ataques procuram qualquer alvo do mundo que não seja você.
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Mugen ( Jujutsu ). Cria um espaço finito com distância infinita entre você e o ataque, então ele nunca vai chegar a você
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Escudo Maple (Bofuri). Defesa levada ao extremo. Tanka golpes absurdos, ganha resistência para tudo. Eventualmente você vira um personagem impossível de matar por meios convencionais.
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Perfect Cube ( Nanatsu ). Uma barreira cúbica praticamente impenetrável que isola completamente quem está dentro dela.
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Escudo Aegis (Tate no Yuusha). Defesa lendária focada em bloquear, absorver e proteger aliados e ainda evolui conforme a ameaça aumenta.
Uncle Ben's phrase "with great power comes great responsibility" brings the reflection that the more power you have, the greater the impact of your actions. And therefore, the greater your sense of responsibility when acting. And for that, being mature is important, thinking before acting. Considering the impact of your choices Having self-control and awareness. Although it's not the main point, since a person can be mature in their daily life and still ignore someone who asks for help, maturity is still important; the more you grow in capacity, the more you also need to grow in awareness. So, based on that, I thought, what if it were the opposite? What if being more mature and responsible was precisely the problem? That's when I thought of a power system where being childish is what makes you stronger.
To begin, I will first explain the world I envisioned for this system.
• Nofel . It's a magical medieval world where elemental spirits roam everywhere unseen by humans, and science is beginning to become relevant. And so there are 3 types of magic systems in this world:
-Lyric. The oldest and most common form. It originates from the connection between humans and Elemental Spirits. Each spirit carries within itself an elemental aspect: fire, water, wind, earth, among others.
When a baby laughs for the first time, its laughter resonates with a special frequency that attracts a spirit. This spirit, touched by the purity of this emotion, chooses to become its guardian, magically merging with the child's soul. This unique connection provides the child with a lifelong source of elemental magical energy. But not all are chosen. For many, the echo of their laughter is lost in the void. If no spirit is attracted by the first laugh, the child will never be able to use magic.
I think you can see that the idea of a baby's first laugh was taken from the Tinker Bell story lol. Finally, those chosen by the spirits are called "Talented," capable of controlling the elements of nature. Those not chosen are called "Talentless."
- Heartcore. Artificial magic. With the advancement of technological understanding and years of research conducted by a man not endowed with talent, a second form of artificial magical energy emerged, called Heartcore. A scientific experiment.
The basis of this energy lies in the creation of Artificial Hearts, devices that simulate magical resonance. But the guardian spirit of the child who was used as a guinea pig in this experiment suffered upon seeing the cruelty of the adults and began to curse them. The spirit wished that ONLY children could use it based on their imaginary freedom, because only in them did the innocence and purity that should have been protected still exist. This wish interfered with the magical resonance that the devices simulated. And as a result, users of artificial magic cannot be adults.
Called Jokers, children with Heartcore develop magic based on sad ideas because their imagination has been corrupted by the cruelty of adults. Cries of fear or a desire for freedom are types of influences their magic might have. And as they grow up, the Joker children lose this innocence and purity. Therefore, they lose their powers as a result of the curse the spirit cast on everything that falls into the "adult" category.
- Toon: The child's unconscious. Those spirits who never chose anyone wander the world, and their presence envelops the planet like an invisible second skin, resulting in the third system, the energy of the planet itself.
Before dying, the talentless man who created the Heartcore supposedly created a device that detects the presence of spirits. And he began to study them. Throughout his research and knowledge, he realized that the spirits were more linked to children than anything else. Using this as a basis, Man only needed to find a way to capture the energy of the "planet" and channel it into something that would represent the concept of "child" in order to use magic.
Man used everything within the concept of childhood: toys, children's books, comic book characters, stories, places like amusement parks, etc., as a base. And thus formed a chaotic manifestation of the collective childhood imagination, which became known as the method of stealing the magical energy of spirits.
Being known as a Tunner, Man finally had his desire fulfilled: to be able to use magic even without having been chosen by a spirit or needing to be a child. But since this method is to forcibly take the energy of the spirit/planet, it ended up generating a consequence. The more a Tunner uses stolen magic, the more his mind becomes connected to childhood and the more it seems to regress in terms of personality, maturity, and responsibility. The Tunner develops a high degree of naiveté, a fascination with simple things and spontaneous laughter, may have difficulty concentrating on complex tasks and cannot distinguish right from wrong. Until the moment he practically becomes a baby in an adult body, becoming dysfunctional and dependent.
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I also thought about some characters and powers.
• The protagonist Kael was one of the children in the Hertcore experiment, therefore he is a Joker. He would possess a Magic called Paper Moon, capable of mimicking gestures to perform actions.
Example: he can imitate an Indian and make the movements of shooting with a bow and arrow with his hands, and eventually he hits the target with the damage and shape of the cut equivalent to an arrow. It is not visible or physical because when a child plays archery, they don't imagine an arrow appearing in front of them. They pull an imaginary string, aim, release and act as if the arrow had been fired. The ability to do things lies in the fact of perfectly imitating them, so things like position, angle of movement, height, and body length influence the outcome of the action. So if Kael imitates the way a sword is held, he will need to know the movements to fight with it. This means that Kael could imitate someone else's special attack by seeing it only once, but whether he will do it correctly is another story. That's why he opts more to perform common/practical and familiar gestures, after all, a child doesn't always perfectly understand what they are imitating. They know what it looks like but not how it really works. The interesting thing about this power is the mechanics; he can't say what he's doing, after all, that's the fun of a game of charades. So if someone guesses what he's doing or associates him with something just by coincidence, he loses the ability to perform the action. And the crucial detail is that a power that aims at action doesn't create matter, so things like cooking are not possible. Even if he imitates a chef, cooking is a process involving ingredients. You can imitate stirring a pot, but you can't imitate the existence of the ingredients inside it. And to represent his wounded soul in this experiment, he can't represent himself. He can imitate a hero, a swordsman, a lumberjack, but he can't create his own style. Despite mimicking, he can't see himself as an actor in a play playing a character, but rather as a stunt double for the actor who plays the character.
But as the story progresses, Kael faces numerous events that mark him forever. Protecting those he loves, taking responsibility, and dealing with the consequences led to a maturation of his character.nHe grew as a person. This resulted in the loss of his imaginary freedom, purity, and childhood innocence. Thus, losing his powers as he entered the status of being an "adult." And feeling empty and useless without his powers, Kael sought the path of evil, becoming a Tunner with a magic called Actor Mask. By using masks inspired by archetypes and children's characters (pirate, cowboy, monster, clown, ninja, superhero, etc.), he can simulate these archetypes and thus acquire powers related to them.
Example: By buying a Spider-Man mask in a toy store and analyzing the planet's magical energy in it, Kael can simulate Spider-Man's powers. Each mask grants him a set of powers, but also temporarily alters his personality. Therefore, Kael can only use one mask per day, because using multiple masks, besides slowing his mind down, will affect his emotional state to the point where Kael loses his real identity, as he blends into the other archetypes.
This power is somewhat of a counterpoint and an evolution to his old power. If before Kael was a stunt double for the actor with Paper Moon, with Actor Mask he would be the true actor of the whole thing, but one who has played so many roles that he can no longer differentiate the character from his true self.
• The Tunner who created Hertcore possesses a magic called Playlink. Through touch, he connects childlike ideas to inanimate objects, fusing their essences and creating a new, comical, and bizarre form or scenario. It's as if his power were a child's game, where everything can mix and transform with the logic of a child's imagination.
Example: by linking a teddy bear to a bowling ball, he can make the teddy bear as hard and resistant as a bowling ball. The connection ignores size, shape, and physics. Therefore, even a video game controller can control a kite in the sky if connected to it. And that kite could borrow the ability to fire laser beams if connected to a toy spaceship.
But since Toon is the power of childishness, it only works on inanimate objects or locations that fall within the childlike category. There is also a limit of 3 connections that can be made to the same object. And a limit of 3 results it can maintain at the same time.
• And the protagonist's romantic partner would be a rich girl with talent. Her first laugh attracted the elemental spirit of electricity. But since the character was destined to be the head of the family and a glorious leader, the spirit did not become her guardian, but rather her servant.
Being the "submissive" spirit, she did not gain the power to manipulate electricity, but rather to command it. She named this magic Dominance, like a queen giving orders to a servant with extreme elegance and authority. The electricity obeys her wishes through words.
Example: She can say exactly what each electrical particle should do, where to go, when to act, and how to behave. Each step of the trajectory is carefully guided by her. She could say something like:
"Bend-to-the-right, jump-over-vacuum, penetrate-latch, unite-single-work."
And immediately, each spark obeys, bending, deflecting, dividing, and converging exactly as the phrase dictates, just as one might order the electricity in the air to condense into small electric arcs.
But the more detailed the command, the greater the need for concentration. Poorly formulated or ambiguous commands can produce unexpected effects; a poorly constructed phrase can cause the electricity to act differently, fail, or even harm it. The orders also need to be within the logic of what electricity can do.
In this power, I was somewhat inspired by the system in R.F. Babel's book, which is based on a combination of linguistics.
That's basically it for now. What did you think? I haven't thought much about it, so any constructive criticism is welcome. For example, how to channel the planet's energy into a child's object, perhaps with rituals or magic circles. A Certain Magical Index did something similar, explaining it with the theory of the idol, for example.
Não precisa ser necessáriamente um da lista
Animes: Hunter x Hunter e Toaru Séries ( Toaru Railgun )
Música: dynoro & gigi d'agostino - in my mind
Tentando explicar as técnicas:
- Gotoh é um Enhancer ( reforço ), o que significa que ele consegue fortalecer e maximizar as capacidades naturais de um ser vivo ou objeto com aura. Sendo assim, ele reforça seus polegares e dedos com aura para suportar e aumentar a força.
- Depois usa Shu para envolver as moedas em aura como parte do próprio corpo.
- E então dispara as moedas em alta velocidade com o pelegar e as faz girar de uma forma expecífica, um truque de rotação para aumentar sua estabilidade e poder de perfuração.
- Normalmente, quando um objeto revestido de aura se afasta do usuário, a aura começa a se dissipar, então ele usa Emissão para manter a aura ligada às moedas.
Resultado: uma matralhadora de projéteis capazes causar danos fatais em seres humanos e pressionar usuários experientes de Nen à defesa. A força física do Gotoh já é enorme, mas o Nen amplifica o disparo e torna tudo mais poderoso .
Já no caso se Misaka:
- Sendo uma eletromaster, ela pode controla eletricidade, magnetismo e eletromagetismo com extrema precisão.
- Usando a teoria de Lorentz como base, ela posiciona uma moeda entre o polegar e os dedos, usando-as como condutor: O polegar é o impulso. O indicador e dedo meio é o alinhamento .
- A Força de Lorentz empurrar a moeda para frente, criando a aceleração dela .
- Misaka controla aceleração da moeda através dos campos magnéticos
- E por fim dispara a moeda usando o polegar como ponto de lançamento.
- A Aceleração da moeda gerando mais velocidade. E a velocidade gera mais e mais energia cinética, o que torna tudo mais poderoso.
Resultado: um projetil semelhante a um Railgun real, que pode viajar 50m á 3x a velocidade do som e pode destruir um bunker, enquanto se auto evaporiza no processo devido a reação do ar e o atrito que convertem/roubam parte de sua energia cinética e trasforma em calor. Quanto maior for o objeto metálico usado, maior será o poder destrutivo e sua distância pois demorará mais para evaporar.
Se nâo me engano, cu chulainn é um semi-deus da mitologia celta verdadeira e Lambda é uma letra do alfabeto grego.
Animes:
Boku no Hero
Dr Stone
Shakugan no shana
Kyokou Suiri
Golden Time
One Piece
Komi-san
Komi-san wa Komyushou desu
Fate séries
Mai-otome
The Eminence in Shadow
The Promised Neverland is only the first season
Animes:
Toaru Majutsu no Index
Black Clover
Fire Force
Engage Kiss
O mais difícil de decidir foi os da Madhouse, cada pérola: HxH, Death Note, Monster, Nana, Parasyte, Death Parede, Black Lagoon, Hellsing, Beck ...
Ps: no Cloverworks o Neverland é apenas a 1° temp. NÃO existe uma 2° temporada dele.
Okay, I decided to make a post about this because every time I talk about it in any media, people just ignore it or don't take it seriously. And since there's been a lot of discussion about how to overcome Gojo's Infinity, I thought it was a good time.
My question is this: does anyone remember how Accelerator's vector shield works and how Kakine managed to bypass it in A Certain Magical Index? Kakine used things that his vector shield needs to let through: light, gravity, air, sound waves, etc. Accelerator filters this to survive, so I believe Gojo does the same with Infinity. Gojo needs to filter the air to breathe, so any air manipulator could simply remove the oxygen around him without Infinity interfering? He also filters gravity, and even if he can block it at some point to float, it's not like he could keep it blocked forever because he would already be floating in space. So, any gravity manipulator couldn't crush Gojo to the ground by increasing his gravity or send him into space by removing the gravity around him, without Infinity interfering?
Kakine's power specifically is to create substances that don't exist in the universe and are as small as elementary particles. He can combine them with the periodic table to perform countless different phenomena, such as transforming matter into sand, air into poison, sound waves into a mind-manipulating substance, etc. In other words, his power is based on chemical reactions. If he adds his substance to a single atom of air, the air would cease to be air and begin to behave differently on a macro scale. Could he pass through Infinity? I mean, I don't think Gojo can detect threats at the elementary particle level, and even if he could, what could he do if Kakine transformed all the air around him into poison? If he blocks the air because he detects a threat, he will still die from lack of oxygen.
What do you think? Does the whole idea make sense and would it work, or not?
Anime:
Jujutsu Kaisen
A certain Magical Index