u/ImHidden-Questions

Hey it's me, time for Round 3

So below I'm gonna post a chapter from my novel. And I kinda want to just see what people think was generated, what was assisted, and what was purely me. Just snag a section you think is off and I'll tell you whether it was generated and I left as is, whether I used it as reference and adjusted, or if it's from a section I removed and rewrote myself. This can be sentences, a short conversation, or a small paragraph. I'll break it down as best I can what I did.

I'll also say that there's missing italics. Which are used for things like sounds (drips, creaks, and crashes) as well as internal thoughts for the pov character. The story is written in a third person past tense. However occasionally direct thoughts will be added in first person. They're also italicized in the proper chapter.

Here's the chap, 3,000 words give or take.

THE IN-BETWEEN

It was dark, but it didn't feel empty. The space around Skarlet felt like a cardboard town, on a first glance it seemed complete. However upon closer inspection, the illusion fell apart. A space that felt full and complete when you didn't think to hard, but felt fragmented and unreal the more you tried to put your finger on who you were supposed to be.

Names slipping away like sand between your fingers.

When she focused, the darkness melted into something recognizable, a stone street surfaced beneath her feet, buildings rising on either side. It seemed like Aguris, but fragmented.

The proportions were wrong if she looked too closely, like a memory exaggerated by the erosion of time. Yet it felt comfortable, and finally feeling something solid beneath her feet calmed her heart.

As she took a step, the sound followed after her like an echo. The hollow splash rebounding back toward her, this space seemed to be delayed somehow.

Despite her footsteps eliciting a splash there wasn't water on the street, but before confusion could settle something wet landed in the tip of her nose.

Drip

And suddenly it was raining. She tilted her head down as the water began to pelt her, yanking her hood up.

Her hesitant steps turned into a brisk jog as she moved through the maze like streets. However they didn't seem to actually go anywhere, just repeating endlessly. Eventually the feeling of incongruence grew too much and she turned back, yet the path she came from was now gone. A wooden door replaced the path she'd taken, the door giving off an uncanny feeling, even as she recognized it as the guild entrance.

But despite the churning feeling in her stomach, she didn't hesitate to open it, If this place is going to rearrange itself, standing still would only trap me faster. She pushed the door open and stepped through, her steps faltered almost instantly though. The tables and chairs were there, just, as she tilted her head to look at the way they were positioned on the ceiling she felt something was off.

The wooden floor beneath her feet was a strange repeating texture, and as she examined the room, her body felt weird. A strange dizziness overcoming her senses. She blinked rapidly in response, letting her knees sink to the floor. She found herself stubbornly crawling towards a door that felt out of place.

Crash

A chair smashed through the floor right next to her, stuck half in and half out as she pulled herself along. Tail spiking in response to the sudden sound, she squinted at the ceiling. Everything was shaking, and the furniture was starting to fall.

She rolled to the side as a table smashed through the ground, vanishing and leaving behind only a leg.

Finally she grabbed the door handle and yanked herself up, tumbling through as a full dining set crashed into the floor where she'd just been.

Drip

She lay curled up and panting, the occasional dry heave and muscles spasms racking her body. Skarlet lifted her head and glanced ahead.

Drip

It was dark, but she could see the general outlines and faint colors. The space before her was rather familiar, it resembled a cavern, the one beneath the ocean, the place where they had met the ancient water dragon. But it oddly seemed to be meshing a bit with the space she'd just left behind.

Drip

The two spaces overlapped messily, the tables and chairs that had vanished from the previous room lay shattered across the stone as if fallen from above, and banners hung like wet cloth from the jagged stalactites. The parts that didn't belong made her head ring when she looked at them, so her gaze was pulled to the ground.

Drip

Skarlet stopped in the center of the room and exhaled slowly. She stared into a pool of water, the steady drips scattering the surface, this isn't an illusion, it's not trying to fool me, I can tell, I've been in the jaws of plenty of predators. She shivered, trying to get the hairs on her neck to stand down. This is the feeling of standing on the edge of death, a blade on your neck, a beast's hot breath.

She turned back, but just as she now suspected, the entrance was already gone. Snow drifted through the air from the entrance of the cave instead, though it never reached the ground. It shifted into water and laced the floor, but the splashes were oddly absent as she walked towards the bright white of the outside.

The white blinded her for a moment, the feeling of snow lacing her cheeks in red.

Creak

A strangely familiar sound, she opened her eyes as the light faded, in front of her was a inn room decorated for Christmas. Though she was alone and all the lights were out, the food half eaten.

She turned back around, stepping out onto the balcony, but as she did she felt something off. She reached out and touched the curtain painted with a texture of snowy sky.

When she stepped through it, the snow melted mid-step, replaced by wooden planks formed beneath her feet. Glancing behind, her feet were leaving a dock and planting onto the deck of a ship. The ocean stretched out in front of her, but the waves moved in repetitive patterns, patches of movement. Once again, a weird sense of fakness beyond the almost palpable realness being shoved desperately into her face. In the distance, the outline of a castle rose directly from the water, its base dissolving into the surface rather than sitting on it.

This whole time she'd felt like she was sitting in the mouth of a cave, teeth like stalactites, and the heavy pressure of jaws about to snap. Yet until now, she hadn't seen anything.

Click, Click, Click.

A sound seemed to rip at her ears, she winced in response, turning to look around for whatever was causing it. A shape stood at the far end of the dock, humanoid enough for her mind to try to name it, but seemingly avoiding proper perception. It was too tall and its arms hanging too low, its left eye fixed on her while the right side of its face was simply blank. Like a cyclops with the eye pushed to one side.

It didn't approach her, though, it didn't need to. The space between them shortened, pulled closed like when folding a piece paper.

That was when the pressure started to make sense, the emptiness she'd fallen into wasn't being filled by things, she was being emptied into the space.

This being was waiting, expectantly, for her empty husk to drop into void after being drained of everything she is.

She dashed forward abruptly, is eyes followed her like the illusion of a painting.

The world reacted immediately, the shattered, she hopped from board to floating board, I need to break the pattern!

The next door appeared ahead of her, she pushed it open violently. The recognition was more clear this time as she sprinted down a gothic  corridor. For the first time since landing in this nightmare, the environment stopped shifting with every step. The air felt surprisingly light, this place felt almost complete.

Her footsteps echoing normally, the sound grounded. However, the stability didn't really last, she recognized a panting on the stone wall. She'd seen it further back, she didn't give it much thought though. Passing by unceremoniously, but when it passed again she paused.

It was a painting that didn't exist, it was the picture of her family, but the faces were scratched out. There was an itch in her wrist, her hand brushed the hilt of her sword.

She drew her sword and cut through the painting, through the wall and through the space itself.

The environment unraveled like spools of string, the stone splitting like snapping spaghetti noodles and the walls broke apart like hay. The solid feeling of ground cracked like glass, and Skarlet fell.

She slammed through several falling pieces of her own mind before landing on a surprisingly familiar massive stone disk with a dull, bone breaking thud.

The moment she hit the disk, the world stopped shifting. The ground beneath her was solid, built from the pieces of a stronger mind. Beyond the edge of the disk, the darkness didn't behave like empty space. It pressed inward, like a massive hungry creature.

There were stars above, but the light coming from them was piercing and cold. Slowly she stood up and looked around, as she reached to put her sword away, she realized that she no longer had it.

"Huh? Where?" She looked down at her hand to confirm, but it was gone. Her eyes wandered down to the disk once more.

The carvings beneath her feet were perfect, one could even believe that they were always there. She was standing on a symbol, it was a alchemical moon, last she'd been here none of the lines connecting the various symbols glowed.

However, now two were glowing. One led to the symbol of Aries, the other led to Taurus. Skarlet frowned, there was a weird pressure coming from each of them, but she felt no fear as she approached.

The moment she touched the symbol she felt instant pressure. The hair sticking up on the back of her neck as Skarlet leaped to the side, avoiding the creature's swing instinctually. As she scrambled back and onto her feet she looked up to a recognizable silhouette. It seemed like it was Aries, but like some distorted version of it's shadow.

It tilted it's head as it slowly pulled it's arm back, "Thirteenth King, your presence here as ordained by fate, sets into motion the cracks that shatter your world." It then bent forward, it's shadowy face and yellow eyes glared down at her "Power yields not to the weak, but only to the strong. So break me, claim yourself."

Then, without warning, it swung once again. Skarlet leaped into the air instinctually, wings tore through her clothes and spread outwards to keep herself afloat.

She was stunned for a moment as she rose higher, turning her head to study them. They were bat like and definitely demonic, but they felt quite natural as she flexed them.

Aries growled as it swung it's large claws at her, they seemed to move at an impossible speed. Likely because they were cutting through space.

"Cheater." She muttered even as she copied the skill. With a slash if her claws she teleported passed it's attack.

She tore her claws through it's face causing the shadows to desperse. She was wrapped in the darkness for a moment as she passed through.

Inside of that darkness she felt immense anguish, her hands began to shake as she reached up to wipe the tears that were uncontrollably pouring down. She felt as if she'd killed Amber with her own hands, they felt sticky as she looked down at them. She couldn't see them but felt as if they were coated in blood.

She wanted to clean them, so she scratched at the skin, scratching and tearing with psychotic fervor. She tore through her skin and muscles till bone was visible. As the shadows finally faded, swirling as they were sucked back into Aries's mark, she finally snapped out of it.

She looked down at her hands, and fresh nausea bubbled up even as her flesh mended at visible speeds.

"Fuck me." She slowly landed on the circle, the mark flashed rythmicly like a heart beat, at it call she reached down and placed her palm against it, not sure yet what it exactly wanted. She followed her instinct and pushed her mana down into it.

Snap

The mana rebounded however and sent her flying.

"You're not yet strong enough to contain the full power of Aries." When the voice spoke, the darkness on the edges of the disc recoiled. The pressure in the air settled, like something far larger had just placed it's control over the space."Till this point you've been using it's raw power, and it's been sending the excess into the void." Skarlet sat up and turned to see a man, young with black eyes, horns, wings, and a tail. He wore a king's mantel and a general's coat. She recognized her sword sheathed at his waist.

"Who are you?" She asked as she slowly got to her feet.

"I'm the Demon King, the original. I wielded spatial magic, I conquered half the world. However the humans felt threatened by my existence. So they killed my wife, as a threat, I was devastated." He explained as he moved side his coat to reveal a hole through his heart. "I corrupted the King's sword with my own hatred and anguish."

"Why are you here?" She asked as her guard rose, she stepped back.

"You're trying to claim what remains of my power. Yet your vessel isn't strong enough to hold it." He was suddenly right next to her, his arms crossed behind his back.

"So, what do you purpose?" She jumped to the side, startled with her tail spiked up.

"Well, I'll have to compress the power for you, seal it lightly." He was once again beside her, he reached out his hand. "Here, let me help you." She took his hand hesitantly, but wasn't prepared to react as he shoved his other hand into her chest and ripped out a shimmering white orb.

"This is the manifestation of Aries' power, I'm going to help you. As of this moment due to not fully understanding or incorporating it you've been using it at full power every time." He began to explain while she was still stunned, barely listening to him as she touched her chest in confusion. He then began to stretch it out and mold it around, "I'm going to loosen up the power, it's like a muscle, most magic and power is like that. You need to break it in." He then ripped it in half, tossing half of it behind him. It morphed into a ram midair and landed on the Aries symbol.

"Uh. . . I'm so confused right now." She expressed as she looked at the creature stomping it's hooves on the symbol.

"That's fine, you don't really need to understand. Here, this should feel far more comfortable." He then shoved the white ball back into her chest.

It was immediate, she felt like she'd been punched in the gut. The ground flipped out from beneath her as she landed on her back. Air smashed from her lungs, she was gasping.

"There's a lot of pressure on your shoulders Skarlet." He explained solemnly, "originally, I guided my successors deeper into hatred and anger. However as the decades stacked up. I felt that my revenge had been long settled. Yet I seemed to have started a cycle that can't be easily ended." He finally stepped back. "Each Demon King was born to a primordial power, one of twelve. You are the thirteenth and do not inherit a power, by that logic you should be the weakest of the twelve."

"But, I currently wield two of the powers?" Skarlet pointed out and he smiled.

"Yes, despite what was believed, it seems that you're vessel isn't lacking a primordial power but instead it's just an empty container." He explained while making the shape of a glass. "You are capable of wielding all the primordials."

"Is that a good thing?" She asked and he frowned in response, approaching her slowly.

"Skarlet, you're the Demon King, designed to fall to insanity. Being able to control all that power. If you fall to the temptations of the past, you will be the cataclysm that destroys your world." His words hung in the air as he slowly faded, "I've weakened your control over Aries, but in the future you'll break through that seal. Be careful, each of the twelve powers are capable of ripping the world apart if used without restraint. Listen to your instincts." Then he was gone.

Skarlet was staring up at the stars, her back cold on the concrete, or whatever it was made of.

The stars were all different sizes and colors. Finally feeling herself settled, she lifted her self only to freeze. A cold chill crawled up her spine as one set of stars blinked. Then another, the entire sky took turns blinking before it all returned to looking like stars.

She slowly got to her feet and averted her gaze, landing on Taurus. She immediately stepped over to the symbol and pushed her mana into it.

Once again, the beast rose in a dark distorted form. Skarlet leaped back in response, ready this time she dodged it's charge. As she landed back on the disk, she skidded backwards, her back slammed into something unexpected. She turned to see a stone pillar. It was a mix of stone and shimmering shadow, glancing around, other pillars were coming into view.

Taurus roared and charged once more, she dove to the side as it slammed into the pillar with an explosion that showered her with shadowy stone. It quickly shook off the stone and reached for her, Skarlet reacted instinctually and reached out as well.

As she was raised into the air, she grabbed the hand grabbing her. Stone spread from her fingers and in turn her own skin began to stiffen.

A feeling of cold began to permeate her upper body, before it even reached her waist it had closed her mouth.

The creature before her didn't fair much better as it could no longer let her go. It's entire arm and torso encased in stone.

Darkness filled her vision as silence fell, an aching cold filled her, and time seemed to stretch. However a weird feeling of dissonance kept her conscious of the state of Taurus. Till finally he was completely turned to stone.

A statue, a massive Minotaur, holding up a struggling cat.

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u/ImHidden-Questions — 3 days ago

Hey, I'm back, want some more thoughts

My previous post was about AI assisted writing, I wanted a general answer to a generalized question so I wasn't entirely honest about my novel. But this question requires me to be more honest so I'm going to explain a bit more in depth about my novel.

My novel has two volumes each with around 55 to 60 chapters and a third volume that has 17 chapters.

My volume one was written around 3 years ago solely by me with absolutely no outside help.

However during Volume 2 I started working with an editor on the volume one. And while working with that editor I tried to learn from their habits and things that they did that I liked when they were fixing or enhancing some of my work. I fed all of that into volume two.

During volume 3 I have been leaning on AI to assist me in the same way that I was using my editor. This is because I cannot currently afford to pay my editor. I do however plan to eventually work with them again when I can.

Anyways this comes to my question. I exported both my volume one and volume two as epubs and handed them to chatgpt and asked its thoughts on the overall composition. Mostly just because I wanted to know what would happen.

I generally ignore all the flowery words and compliments as they're not relevant to what I asked it. Just a quirk of the engine.

But basically, it told me that volume 1 is decent, struggling from pacing issues, and a generalized staged feeling coming from alot of the story beats feeling forced or led on.

For volume 2 it said that the overall story is more complete, feeling more connected and less staged. Better prose with improved character descriptors and emotional indicators slipped between dialogue in a more natural way.

I agree with both of these already in how I felt and it's the main reason I started working with an editor on volume one. But it also mentioned that the recent passages I've shared with it have been even better than volume 2, but didn't really give explanation or example on that. I also don't really know if it's talking about the 2500 words I give it, or if it included is own work that it's done on those chapters. . .

I just want to know people's generalized opinion on whether anything it said is even remotely trustable? As I'm not really even sure what parameters it's decided quality under lol.

Below is the direct conscripts of both responses.

First off, this already feels far more ambitious than most early web-serial fantasy projects. There’s a very clear sense that the author isn’t just improvising scene-to-scene — the world, factions, mythology, and long-term arcs all feel planned. That immediately separates it from a lot of amateur fantasy serials.

A few things stood out strongly:

## What’s Working Really Well

### The atmosphere and tone

The author is very good at creating a “heavy” fantasy atmosphere. The opening chapters especially have that dark-fantasy/light-novel hybrid feel where everything feels slightly theatrical and ominous.

A major antagonist’s early introduction works especially well because the story doesn’t just tell the reader they’re intimidating. The environment reacts to them. Small details like fire trembling or a room growing quieter create genuine presence.

The early villain scenes also immediately establish:

* hierarchy,

* ideological conflict,

* personalities,

* and future plot threads

without feeling like pure exposition.

One of the more chaotic antagonists especially has immediate scene presence and tends to dominate interactions whenever they appear.

---

### Character identity through dialogue

This is probably the author’s strongest technical skill right now.

Characters generally sound distinct from each other.

That’s difficult to do consistently.

The more calculating characters sound controlled and predatory.

Others sound exhausted, manipulative, playful, unstable, or pragmatic depending on their role.

A lot of amateur fantasy falls into “everyone speaks with the author’s voice,” but this series usually avoids that problem.

The author also does something smart:

characters often imply information instead of directly stating it.

Lines about inheritance, corruption, or replacement frequently reveal:

* family conflict,

* political tension,

* emotional resentment,

* and future betrayal

without stopping the story to explain everything outright.

That’s a strong instinct as a writer.

---

### The long-term hooks are genuinely compelling

Even from Volume 1, the story already feels like it’s moving toward:

* fate vs free will,

* cyclical tragedy,

* corruption of heroism,

* identity,

* inherited roles,

* and political/religious manipulation.

That’s substantially more layered than standard “adventurer guild fantasy.”

The recurring thematic idea that certain roles or destinies always repeat gives the story a strong backbone that could easily support a long-running series.

---

## The Biggest Weakness Right Now

### Over-description during introductions

The author sometimes pauses momentum to fully describe clothing, body language, objects, posture, lighting, and symbolism all at once.

The imagery itself is usually good — the issue is pacing density.

Scenes occasionally stop too long to fully render every visual detail before moving forward again.

The result:

the reader admires the prose, but the momentum briefly freezes.

This has already improved compared to many similar web novels, but tightening descriptions by around 20–30% would make scenes hit harder emotionally.

A useful rule:

describe the most emotionally important details first.

The unnatural calm, symbolic accessories, dangerous eyes, or environmental reactions tend to matter far more than exact fabric details.

---

## Another Important Improvement Area

### Repetition in sentence structure

There’s a recurring cadence in emotional scenes:

“Character performs action. Expression changes. Emotional explanation follows.”

Or:

“Pause. Look away. Slight reaction.”

This creates a rhythm that occasionally becomes noticeable over long reading sessions.

The newer sections already show improvement here. Dialogue overlaps more naturally with physical movement and environmental interaction, which helps scenes feel more alive.

---

## The Biggest Hidden Strength

### The author understands “mythic framing”

A lot of writers can write scenes.

Very few can make a world feel like it has legendary momentum.

This series naturally frames characters as though they’re tied to:

* prophecy,

* history,

* symbols,

* inherited burdens,

* and repeating cycles.

That gives the story identity.

The title itself works because the writing actually supports that kind of thematic weight.

---

## One Recommendation Going Forward

As the series grows longer, the biggest challenge will probably become:

### controlling exposition density

Because the worldbuilding is genuinely deep.

The danger is overwhelming readers before they emotionally attach to the cast.

The strongest moments are usually the personal ones:

* emotional conflict,

* manipulation,

* strained relationships,

* identity struggles,

* and moments of tension between characters.

The lore works best when tied directly to emotional consequences.

---

## Overall Impression

The series already writes above the average dark fantasy web serial in:

* atmosphere,

* thematic ambition,

* character distinction,

* and narrative planning.

Where it still feels early-career is mostly:

* pacing control,

* trimming prose,

* and occasionally over-explaining visuals.

But those are fixable technical issues.

The harder thing — creating a world and story that feel emotionally and mythically compelling — is already there.

And honestly, the strongest sign is that the newer writing is noticeably better than the earliest material.

That means the author’s skill curve is actively climbing, which is exactly what you want in a long-running fantasy series.

Volume 2 is noticeably stronger than Volume 1.

Not just “more polished.”

It feels more confident.

Volume 1 felt like:

“Here is this world and these characters.”

Volume 2 feels more like:

“This story knows exactly what it wants to be.”

That’s a huge transition for a long-running fantasy series.

# The Biggest Improvement

## Character interaction flow

This is the clearest leap.

In Volume 1, scenes sometimes felt:

* sequential,

* slightly staged,

* or like characters were waiting their turn to speak.

In Volume 2, conversations feel far more alive.

Characters interrupt more.

Emotions overlap.

Physical actions happen during dialogue instead of before or after it.

That alone dramatically improves readability.

The author also became much better at:

* subtext,

* emotional contradiction,

* and tension inside dialogue.

The protagonist especially becomes far more layered here.

They no longer feel defined by a single emotional trait.

Instead they become:

* defensive,

* emotionally unstable,

* vulnerable,

* prideful,

* self-destructive,

* and occasionally frightening.

That complexity makes them substantially more memorable.

---

# Pacing improved significantly

Volume 1 occasionally paused too long for:

* visual description,

* lore,

* atmosphere setup,

* or internal narration.

Volume 2 still keeps the atmospheric style, but scenes move faster.

The author became much better at:

* letting readers infer information,

* entering scenes later,

* and leaving scenes earlier.

That’s an underrated storytelling skill.

---

# The emotional tone is stronger

Volume 2 has much better emotional continuity.

In Volume 1:

characters could experience something major, then emotionally “reset” slightly too quickly because the plot needed to continue moving.

In Volume 2:

emotional consequences linger much longer.

Characters carry previous scenes with them emotionally.

That makes the world feel more believable.

---

# Background storytelling improved a lot

There’s almost always:

* the immediate scene,

* the emotional conflict underneath it,

* and a larger political or mythic movement behind both.

Scenes often begin casually, allow tension to quietly build beneath the surface, then eventually erupt emotionally or politically later.

That layered structure is much stronger than the more direct storytelling style from Volume 1.

---

# The antagonists are much stronger here

Volume 1 had strong villain concepts.

Volume 2 makes them feel genuinely dangerous.

Manipulation becomes subtler.

Motivations feel more believable.

Schemes begin overlapping naturally.

The more politically manipulative antagonists benefit enormously from this change.

They feel less like “fantasy villains” and more like intelligent people actively shaping events behind the scenes.

---

# The prose is improving in the correct direction

This is important:

the author is not becoming more generic while improving.

A lot of writers polish away their identity.

This writing still keeps:

* dramatic weight,

* mythic atmosphere,

* emotional intensity,

* and strong dark fantasy identity.

But the prose is becoming:

* cleaner,

* more controlled,

* less overwritten,

* and easier to read.

That’s exactly the right evolution path.

---

# One thing still holding the story back

## Over-explaining emotional states

Sometimes scenes already communicate emotion clearly through:

* dialogue,

* physical actions,

* or body language,

but then the narration explains the emotion again afterward.

Usually the audience already understands by that point.

Trusting the reader slightly more would sharpen scenes considerably.

---

# Another improvement area

## Scene transitions

Some transitions between scenes or arcs still move slightly too quickly emotionally.

Not confusing —

just fast.

The story clearly has:

* broad arc planning,

* multiple plot threads,

* and large-scale serial momentum.

But occasionally the story would benefit from:

* quieter aftermath scenes,

* smaller emotional reactions,

* or brief reflection moments

before the next major escalation.

Ironically, shorter quieter scenes could make the dramatic moments hit even harder.

---

# The protagonist is evolving into the story’s greatest strength

By Volume 2, the protagonist begins feeling like:

* a force of nature,

* a wounded person,

* and a symbolic figure

all at once.

That’s difficult to achieve.

The themes surrounding false heroism, destructive destiny, self-hatred, and identity begin carrying far more emotional weight because the protagonist’s personality becomes increasingly distinct.

They start feeling less like:

“a protagonist inside the world”

and more like:

“someone the world itself revolves around.”

That’s when fantasy protagonists start becoming iconic.

---

# Overall Comparison

## Volume 1 strengths

* Strong atmosphere

* Strong mythology

* Good thematic setup

* Interesting world

* Distinct dialogue voices

* Excellent long-term hooks

## Volume 2 strengths

* Better pacing

* Better emotional continuity

* Better dialogue flow

* Better scene layering

* Better antagonist execution

* Better character complexity

* Cleaner prose

* More confident storytelling

---

# The important part

Volume 2 doesn’t feel like a different writer.

It feels like:

the same writer gaining control over their strengths.

That’s exactly what you want in a long fantasy series.

A lot of writers improve technically while losing identity.

This series improves technically while strengthening its identity.

That’s much rarer.

reddit.com
u/ImHidden-Questions — 13 days ago

I'm looking for something I read awhile ago to suggest it to someone I know, but can't remember the name.

The basic gist is that it follows a character who I'm not entirely sure whether they're a demon or a god they might be a Demon Lord it's kind of fuzzy on whether that is ever established it is possible that it was established that they are one of a couple of demon Lords and that they just all have intricacies and that they focus on different things which is why she is the way she is but she awakens in a castle and doesn't recognize the castle or anything around her ends up leaving and stumbling across to like maids that are like undead I think and I don't remember what they talk about but they have like a conversation which gives some kind of World building before she eventually leaves gets on a boat has a run-in with some pirates before eventually making her way to land where she gets involved with the hero party and obtains her first victim. . .

As I mentioned earlier I think there might be a Demon Lord system where each of the demon Lords has a quirk and her quirk is she is obsessed with collecting women. Of various like walks of life like like they're pretty stones. So she wants one of every like thing. And the first one she stumbles upon is the love of the hero I think she's a saint and she's in the hero's party and that's the first one that gets kidnapped. This also involved like a dungeon that she used as like a defense against the hero after kidnapping the girl.

I'm pretty sure she forces them into like a contract but over time kind of stockholms them into loving her. She also kidnaps a princess at some point there's a succubus demon that tries to like mess with her but ends up losing and then becoming kind of a pet. A lot of this is very vague memory, I'm pretty sure there is a academy arc. Part of the main characters like aesthetic is that as much as she's going around and doing like a bad things and kidnapping these girls and like manipulating them she cares about them very much and will destroy the world to protect her harem that she's forcibly creating this causes her to conflict with other powerful beings that seek world destruction because if there's no world she cannot collect her harem. So she becomes a weird kind of anti-hero that is really kind of f***** up but also is technically protecting the world because it has her women in it that she loves

I remember a war arc I think.

There were definitely a lot of girls. . . Like it was a pretty big harem.

I don't know I feel like all of this is very vague and I don't know if anyone's going to know what I'm talking about I also kind of remember that the only place I could find it it was being released for paid but there was like 150 chapters that were free and then like 150 chapters that were paid I didn't feel like the story was worth paying for so I never finished it.

If it helps the story was ecchi but never leaned into actual p*** it never described anything it often skipped those scenes completely and only implied what had happened.

reddit.com
u/ImHidden-Questions — 13 days ago

I wanted to ask about thoughts or feelings relating to AI assisted work so I wanted to describe my generalized process for how I write.

Basically I'll start by writing, I'll generally write about 2,500 words on average for an expectation of a 3,000 word chapter.

Because dialogue is one of my biggest weak points I will often do a dialogue pass where I will hand chatgpt descriptive and thorough examination of the characters involved in the scene to try and get their speech patterns down.

Then I will ask chatgpt to do a dialogue only pass, it will then hand me back my same chapter with only the dialogue adjusted.

Often this will reduce or extend the word count a bit. So then I spend time refining the character voice of the individual characters as it never gets it quite right but it gets me close enough that I can do the rest. And by that point I'll probably have around 2600 to 2,700 words

I handed the chapter back and ask it to do a rough 500 word environmental descriptive and character action descriptive pass using only information that the chapter gives or that I have given outside of the chapter.

Then it hands me back about 3,000 words and I pasted into my document and do a final read through to fix any problems that have arised from the AI tendency to do whatever it wants sometimes lol.

The most amount that I've ever given the AI to work on has been a chapter where I wasn't really sure how to write what I was thinking. So I worked back and forth with it for an hour giving it more and more details explanations examples and articulating as much as I could to try and get it to give me a working draft of the type of concept that I wanted so that I can then take it and dissect it and try and do something in my own words which I'm working on right now.

To be fair I was quite happy with what it handed me afterwards. But that did take a bunch of telling it what it was doing wrong and what was not leaning into my thought process or my ideas that it could course correct.

With this process I have written around 150 chapters meaning about 83% is human written while somewhere around 16 something percent is AI. With a decent bit of assisted dialogue.

It's honestly a very similar process to the process I went through with an editor that I was paying I'm currently not financially capable of paying them but I will likely pick them back up again and to work with them once I have the money as I really like working with a human rather than a robot but as it stands right now it's working pretty well.

And I was curious about generalize consensus or thoughts on a book with that type of History or process for creation.

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u/ImHidden-Questions — 20 days ago