Three-song Spanish storytelling cycle.
The first song, Él, follows a woman who senses a presence she cannot name.
The second, Ella, tells the same journey from the other perspective.
Algo Más doesn't answer every question. Instead, it explores what happens when searching gives way to trust.
It's written to be interpreted in different ways—spiritual, romantic, existential, or simply human.
The final part of a three-song Spanish storytelling cycle was released today.
The first song, Él, follows a woman who senses a presence she cannot name.
The second, Ella, tells the same journey from the other perspective.
Algo Más doesn't answer every question. Instead, it explores what happens when searching gives way to trust.
It's written to be interpreted in different ways—spiritual, romantic, existential, or simply human.
A small playlist built around a simple idea:
three emotional movements —
• seeking
• being seen
• understanding
It starts with Él, continues with Ella, and ends with Algo Más, surrounded by other songs that carry the same quiet, reflective atmosphere.
If you enjoy contemplative, cinematic or spiritual music, I'd love to know what you think of the journey.
The second part of a Spanish storytelling trilogy was released today.
The first song ( Él ) tells the story of a woman sensing a presence she cannot name.
Ella tells the exact same journey—but from the other perspective.
The final part, Algo Más, completes the story next week.
I'm curious how people interpret the relationship between the two songs.
✨ Él ✨
​
Una canción sobre una presencia que siempre está ahí.
​
¿Quién es Él?
​
La respuesta pertenece a cada oyente.
One day, your little girl stands in front of you as a young woman.
​
And you realize something every father eventually has to learn:
​
She was never yours to keep.
​
Only yours to love, protect, guide — and then let go with pride.
​
You Were Never Mine to Keep
Released on my daughter’s graduation day.
I have some thoughts about using AI as a way to put music to texts.
When I discovered that it was possible to use AI to turn my storytelling into something more, it opened up a whole new world for me. Writing a story is one thing. Curating that story through music; testing, retesting, tweaking, shaping it until it not only aligns with the original vision but adds the emotional layer that music can bring, is something else entirely.
For me, it has meant a lot. And I think it has meant a lot for many others as well.
And regardless of what some may say: it is music. However one chooses to value it does not change that fact. It is music, just as real as any other music. The difference lies in the methods and tools used.
Not everyone plays every instrument themselves. Not everyone records in a studio. Not everyone manually programs every sound in a DAW. Different tools have always shaped music.
AI music is music, but that does not mean all concerns about AI music are invalid.
Is all AI-created music high quality? No.
Is it all music? Yes.
Is it good or bad? Well, to that I say: de gustibus non est disputandum.
“Lucie” is a French house EP built around five ideas:
Liberté — movement
Égalité — shared light
Fraternité — moving together
Laïcité — the neutral space we share
Lucie — the experience of being inside that space
A dance-driven journey through light, breath, bodies and repetition.
I wanted to reshare this song, On ne vit qu’une fois (“We only live once”).
It’s about that simple but difficult idea — that life is finite, and yet we often hesitate, wait, or hold back.
The song is meant as a quiet reminder to live, to feel, and to take those moments while they’re here.
🎧 Listen here: https://open.spotify.com/track/2Evqy8iZJd6dKDpewbfh8z?si=l7KrhwzeSkaNA5VZS134aw
Curious — what does “living fully” mean to you?