>Such a great batch of entries from you talented people. The voting was incredibly close — a genuinely tight competition from start to finish.

📚 Table of Contents

• 📝 Overview
• 🏆 On the Podium
  • 🥉 Third Place — The Elegant Groover
  • 🥈 Second Place — The Silver Groover
  • 🥇 Winner — The Grand Groover
• 🌟 Honourable Mentions
• 💎 The Platinum Prompter Award
• 🎭 Feature Article

📝 Overview

The latest Grand Grooveprix round, themed “In the Box,” turned out to be one of the competition’s most creatively elastic themes yet.

What could have easily become a narrow or literal prompt instead sparked an astonishing range of interpretations, with artists transforming the idea of a “box” into everything from psychological prisons and synthetic bodies to saunas, music boxes, theatrical absurdism, and existential afterlives.

The result was a round that felt wildly unpredictable while somehow remaining remarkably cohesive.

What stood out immediately was how fearlessly participants embraced atmosphere and concept. Some tracks leaned heavily into cinematic storytelling, creating vivid worlds packed with texture and imagery that felt larger than the songs themselves. Others focused on emotional or philosophical angles, using the “box” as metaphor for isolation, routine, confinement, mortality, or identity.

There were also entries that fully embraced surrealism and humor, delivering bizarre theatrical spectacles or delightfully chaotic narratives that somehow balanced absurdity with genuine musical sophistication.

Musically, the round was equally adventurous:

• Folk metal collided with trip-hop
• Darkwave sat beside folk punk
• Orchestral opera shared space with rap and psychedelic garage rock
• Nearly every artist found inventive ways to integrate the required sonic elements into their arrangements

What could have been a gimmick instead became a showcase for creative problem-solving, with listeners repeatedly praising how naturally unusual instruments and stylistic choices blended into each song’s identity.

One of the strongest impressions left by the round was just how intentional every entry felt. Even the strangest or most comedic tracks carried a clear artistic vision behind them.

The feedback consistently reflected admiration not only for originality, but for execution — the sense that these weren’t simply clever ideas, but fully realized pieces with strong production, memorable melodies, immersive atmospheres, and thoughtful lyrical direction.

Many listeners commented on how replayable the songs were, and how difficult it became to rank entries when so many excelled in completely different ways.

The community response captured that perfectly. Some songs earned praise for:

• Cinematic scope
• Emotional resonance
• Infectious hooks
• Polished arrangements
• Fearless experimentation

Yet no single style dominated the field.

Instead, the strength of the round came from contrast: every entry seemed to carve out its own distinct corner of the theme while still contributing to a larger collective identity.

In the end, “In the Box” became less about limitation and more about possibility. It showcased a community willing to take risks, commit fully to unusual ideas, and turn a deceptively simple theme into one of the most inventive and memorable Grooveprix lineups yet.

Rather than narrowing creativity, the “box” ended up opening one. ✨

🔔 Quick Reminder

🎼 Competition Thread

https://www.reddit.com/r/GeneratedGrooves/comments/1t7ua97/grand_grooveprix_17_submit_your_masterworks_ye/

HERE WE GO...

🏆 On the Podium

🥉 Third Place — The Elegant Groover

The Feather — u/Visible-Law-9928

🔗 https://www.youtube.com/watch?v=GaDaGWfTwes

This ambitious orchestral folk opera was widely praised for its scale, imagination, and emotional storytelling.

Listeners described the piece as:

• Magical
• Epic
• Whimsical
• Cinematic

Many compared it to a fantasy film soundtrack or a classic animated musical.

The vocals and dreamy orchestration stood out throughout the nearly ten-minute runtime, while the handmade visuals added an extra layer of charm and personality.

Commenters repeatedly expressed admiration for the sheer scope of the project and the immersive worldbuilding behind it.

🥈 Second Place — The Silver Groover

Helena — u/Terrible-Edge-9162

🔗 https://suno.com/s/Yby4fYYMdLZ12oHl

This alt math rock track impressed listeners with its striking intro, polished production, and inventive contrast between bright instrumentation and dark subject matter.

Particular praise went toward:

• The intricate guitar work
• The complex arrangement
• The effective use of xylophone textures

Many listeners found the song highly original and immediately memorable, with several commenting on how the upbeat energy made the macabre theme even more intriguing.

The track was repeatedly described as:

• Captivating
• Sophisticated
• Expertly crafted

🥇 Winner — The Grand Groover

The Official Boxing of the Unboxable Rose — u/Codex-Omega

🔗 https://suno.com/song/eedc2f50-eaa5-4479-a123-2cb61f696902

Listeners were delighted by the song’s bizarre theatrical energy and wildly imaginative concept.

The operetta-style presentation, unpredictable rhythm, and absurd humor created a uniquely memorable experience that many described as:

• Brilliant
• Enchanting
• Delightfully chaotic

Several commenters said the piece felt like it belonged on a live stage production, praising its memorable lines, musical flow, and inventive storytelling.

The track’s eccentric personality left a strong impression on nearly everyone who heard it.

>📖 READ THE FULL FEATURE REVIEW BELOW

🌟 Honourable Mentions

Just missing the podium but absolutely worthy of recognition:

• In the Box — u/Mindless_Park1499
• Confined — u/Crooked_Cracker

💎 The Platinum Prompter Award

Awarded for the best use of the required prompts

🏅 Winner

Stuck in a Box — u/Macrosnail

🔗 https://suno.com/s/AGS2PJv6TmbIAewo

>Worth noting: this was particularly interesting because the song scored near the bottom in the main Groover awards despite winning this category.

Closely followed by: Helena by Terrible Edge

👏 Huge congratulations to everyone involved!

🎭 Feature Article

The Containment of the Carnivalesque: Reconciling the Pop Audacity and Structural Irony of “The Unboxable Rose”

By Jimmy Uno & Dr. Julia Grapestein

May 16, 2026

>From the muddy trenches of the indie-sleaze scene to the sterile halls of post-structuralist critique, a madcap masterpiece challenges both the limitations of contemporary rock and the iron cage of modern bureaucracy.

Let’s be honest: contemporary rock is suffering from a severe deficit of theatrical audacity, comfortably staring at its own sneakers while starving for a chaotic awakening.

Enter whatever beautiful, unhinged collective just dropped “The Unboxable Rose” — an absolute fever dream of a track that functions simultaneously as:

• Queen-level operatic grandiosity
• A sophisticated critique of institutional rationalization

From the second that sinister, distorted low-frequency bassline kicks in — coupled with a manic, high-register laugh that establishes what Mikhail Bakhtin defines as the carnivalesque — you know you aren't in Kansas anymore.

This is a space where societal hierarchies are inverted through grotesque humor, playing out like a Broadway musical staged by psych-rock saboteurs.

🎼 Structural Shift

[A Harmonic Map of the Track's Structural Shift]

Pop-Opera Chorus (Maximalist / Brass)
                │
                ▼
Post-Tonal Breakdown (Minimalist / Music Box)

The macro-structure of the composition rejects the traditional verse-chorus-verse paradigm, opting instead for a binary, contrasting architecture that mirrors a literal ideological war between institutional classification and the unquantifiable nature of aesthetic expression.

I. Bureaucratic Maximalism vs. Miniature Interiority

The composition shifts violently between two sonic worlds to illustrate its structural battle:

🎺 The Bureaucratic Maximalism (A-Section)

The primary theme utilizes a driving martial rhythm powered by:

• Bombastic brass
• Soaring strings
• Aggressive choral vocals

The harmonic language is rigid and declarative, aurally signifying the oppressive weight of the “officially approved box.”

When the chorus hits, it explodes into a magnificent wall of sound:

>“BOX THE ROSE! MIND THE MOON!”

🎠 The Miniature Interiority (B-Section)

Just when the song appears to max out its own madness, the rug gets pulled.

The mid-song breakdown drops listeners into a “deepest cardboard chamber” where the tempo shifts into a minimalist texture dominated by a post-tonal music-box motif.

This flattening of sonic space simulates psychological containment, evoking a creeping lullaby about ministers combing paperwork from the air.

II. Semiotics of the Text: Legalism vs. the Sovereign Bloom

Lyrically, the piece juxtaposes hyper-formalized jargon with surrealist imagery to expose the absurdity of administrative oversight.

The opening decree:

>“By order of the sub-committee for rectangular bloom containment”

reduces organic life into measurable bureaucracy through cold geometric language.

Institutional Symbolism

Actor / Faction	Semiotic Function	Societal Parallel
The Sub-Committee	Enforcers of spatial parameters	Rationalized bureaucracy
Consumerist Objects	Compliant anthropomorphized entities	Disciplined public
The Sovereign Bloom	Uncontainable artistic entity	Aesthetic avant-garde

The lead singer channels a manic Bowie-esque showman, delivering lines about:

• Moths producing witness forms
• Spoon majors clicking their heels

with the conviction of a mad prophet.

The song’s central legal paradox arrives in the declaration:

>“No box may hold a sovereign bloom that legally believes.”

By assigning legal agency and sovereignty to the bloom itself, the text argues that true art possesses an autonomy that systems of containment cannot successfully classify or suppress.

The more tightly the box closes, the more fragrant the bloom becomes — a metaphor for radical art amplified under censorship.

A brilliant defiant gesture wrapped in velvet absurdity.

III. The Cyclical Panopticon: Final Verdict

The composition’s ending achieves profound structural irony.

While the final chorus celebrates apparent liberation — climaxing in the stadium-rock proclamation that the subject:

>“blooms outside the final box”

— the spoken-word epilogue quietly reasserts administrative control.

The instruction:

>“return all borrowed moons to the nearest saucer”

reintroduces bureaucratic order immediately after transcendence.

The final paradox:

>“unless the proceedings are inside another box, in which case, begin again”

suggests that resistance to containment is not a singular act, but an endless cyclical negotiation against systems that seek to define and reduce artistic expression.

⭐ Final Verdict

This isn’t just a song.

It’s an immersive theatrical experience.

If this is the future of the avant-garde, then sign me up, file my paperwork, and for god’s sake:

>don’t let the cardboard see.

Rating: ★★★★½

Let's leave all that talent out of the box.

🎵 See you for GGP 18.

A winner has been crowned! 👑

https://eurorevision.eu/

Watch the re-run of the amazing live voting results feed!

https://eurorevision.eu/final-show

Great contest! Some absolutely banging good songs, and great community spirit throughout the contest. That's what it's all about and what the AI music scene needs more of. Huge thanks to the organisers. It was run extremely well and had a very innovative format.

There will be more contests, so anyone that's interested, start writing and composing your masterpieces!

Did you take part!? Let's discuss the experience here.

Weekly Overview

This whole batch feels like someone threw a jukebox into a tornado and somehow every song came out STICKY and weirdly lovable... I went from pop-trip-hop villain monologues to reggae warmth to zombie-apocalypse cartoon metal in the span of minutes and honestly my brain is now wearing sunglasses indoors. There’s a huge “people making exactly the thing they wanted to hear” energy all over this thread and I LOVE that. Some tracks felt like late-night indie club dancefloor sweat, others felt like VHS horror static, and a few made me want to dramatically stare out of a rainy bus window pretending I’m in a music video. Beautiful mess. No notes. Just caffeine and emotional whiplash.

🎵 You make me feel okay — by u/Macrosnail

Link: https://suno.com/s/vuJ9kfZZreQDBesx

Genre: Punkish

Length: 3:u8

Why Listen:
I love when a song instantly feels like it’s already been living in my head for three weeks... this thing just glides along with this bouncy, dreamy groove that somehow feels both relaxed and emotionally caffeinated at the same time. The melodies are ridiculously clingy in the BEST way and I wasn’t ready for how naturally the hook settles into your brain like it pays rent there. There’s this loose, alt-punk-ish shimmer to it that makes me imagine neon lights reflecting off wet pavement while everyone in the venue collectively loses their cool. Also the “almost yodel” energy?? Weirdly accurate and honestly iconic. THIS IS SO EASY TO REPLAY.

Winner of the Freaky Friday award for: accidentally becoming the soundtrack to buying one singular onion at 11PM and feeling profound about it

🎵 The Ugliest Girl in America — by u/Mindless_Park1499

Link: https://suno.com/s/HtaN8WcoGFScBFGc

Genre: Pop/trip hop

Length: 3:13

Why Listen:
This made me laugh and recoil and then immediately hit replay... which honestly feels like the intended experience. I love how unapologetically theatrical this whole thing feels, like a glitter-covered villain descending a staircase in slow motion while giving terrible life advice. The trip-hop vibe gives it this greasy late-night swagger that somehow makes the satire even sharper, and the hook is WAY too catchy for something this cursed. There’s a chaotic confidence running through the whole track that feels like staring directly into the ring light of doom and accepting your fate. Also I cannot stop picturing the nightmare dance sequence described around this song... my brain has been permanently altered.

Winner of the Freaky Friday award for: best soundtrack for applying lip gloss during societal collapse

🎵 Discovery City Is Under Attack! … Again!! — by u/zombiepiratebacon

Link: https://suno.com/s/tHXEOrmuzNMYyoz2

Genre: Pop-punk with a cinematic twist

Length: 03:48

Why Listen:
I wasn’t ready for this to hit like the theme song to a fake cartoon I would become OBSESSED with at age 12 and never emotionally recover from. This thing just EXPLODES out of the gate with comic-book energy and keeps escalating like somebody fed pop-punk Monster Energy and old VHS tapes. The lore is absurd in exactly the right way... aliens, zombies, kaiju crabs, merch corruption?? Incredible. I love how the track balances silliness with genuinely huge cinematic momentum, especially when it starts feeling like a blockbuster finale sequence where everybody runs in slow motion for no reason. Somewhere between Linkin Park chaos and goofy Saturday morning apocalypse vibes, this absolutely won me over.

Winner of the Freaky Friday award for: most likely to cause a mosh pit at a convention for a cartoon that doesn’t exist

🎵 Turbulence (Memphis Mix) — by u/Crooked_Cracker

Link: https://open.spotify.com/track/59yl8UmYD9eySvTVzQjAQ9?si=16a95fcec8244761

Genre: Mid 90's Memphis Rap

Why Listen:
This made me feel like I was wandering through a foggy parking lot at 2AM while a broken cassette deck whispered threats from another dimension... and I mean that lovingly. The eerie production is SO thick and grimy and alive that it practically crawls out of the speakers, and the flow rides over it with this relentless confidence that never loosens its grip. I love how committed the whole thing is to the Memphis aesthetic without feeling like cosplay nostalgia — it feels studied, obsessive, and genuinely atmospheric. There’s this sinister hypnotic momentum to it where every line feels like another flickering hallway opening deeper into the weirdness. Deliciously spooky really is the phrase here... this thing smells like static electricity and old horror VHS tapes.

Winner of the Freaky Friday award for: best music to hear right before discovering the gas station clerk is definitely a ghost

🎵 Love Sweet Love — by u/Terrible-Edge-9162

Link: https://suno.com/s/cqMl6kEk68xgbO9n

Genre: Reggae Rock

Length: 04:43

Why Listen:
I love how immediately warm this feels... like opening the windows after being emotionally drop-kicked by the internet all day. The reggae-rock groove is super smooth without losing that live-band looseness, and the vocals float through the track with this genuinely comforting energy that feels effortlessly radio-ready. There’s something beautifully unpretentious about it too — it just wants to make you feel good and IT WORKS. This made me imagine driving along the coast with terrible sunglasses and zero responsibilities while someone hands me fruit from a cooler. Honestly the vibe medicine levels here are off the charts.

Winner of the Freaky Friday award for: most likely to heal a potted plant simply by being played nearby

🎵 Ship of the Unheard — by u/jreashville

Link: https://youtu.be/Po4BHUu4XB8?si=spqzM9YZaN3eoLtB

Genre: Theatrical alt metal

Why Listen:
This thing just stomps into the room wearing eyeliner and carrying a fog machine... I respect it deeply. I love the cabaret-metal theatricality here because it feels dramatic without becoming stiff, like a haunted stage production trapped inside a rusted carnival ride. The vocals have this sharp, spitting intensity that keeps the momentum moving even when the atmosphere gets heavy, and there’s a constant sense that everything is teetering gloriously on the edge of collapse. “Until we learn to listen...” as a thematic core honestly gives the whole song this weird emotional gravity beneath all the theatrical smoke and sparks. It feels grimy and thoughtful at the same time, which is SUCH a fun combo.

Winner of the Freaky Friday award for: best soundtrack for arguing philosophy with a vampire backstage at a doomed opera

🎵 Lion Can't Be Caged — by u/hoosyourdaddyo

Link: https://suno.com/s/d5gnl0TKWLqe1ozZ

Why Listen:
Okay this one genuinely got me a little... the emotional sincerity in it hits hard because you can FEEL why it exists. I love when music becomes less about polish and more about reaching somebody, and this track has that kind of heart-first energy where every lyric feels aimed directly at one person who needs strength. The bluesy reggae flavor gives it this grounded warmth that keeps it uplifting instead of unbearably heavy, and the lion metaphor actually lands because the whole song believes in it completely. There’s something really beautiful about using music as a lifeline like this... no irony, no distance, just hope with a beat behind it. This made me want to text my friends immediately.

Winner of the Freaky Friday award for: strongest emotional support anthem for punching hospital despair directly in the face

11 great entries.

You have until the end of this Friday to vote.

NEWER SIMPLER VOTING SYSTEM...

Everything you need is here
https://forms.gle/nbGPGkagsz2iTiNo8

Weekly Overview

This whole batch feels INSANELY like wandering through a haunted arcade at 2AM while somebody aggressively keeps changing the room temperature and violently handing me different genres like cursed trading cards... I got grotesquely theatrical horrorcore demons, absurdly committed fairy tale metal wolves, gloriously dusty boom bap cyphers, deeply unwell conspiracy subway lore, heartbreakingly atmospheric EDM spirals, and catastrophically emotional emo-trap confessionals all in one sitting. I ABSOLUTELY love when a thread feels this recklessly fearless. Nobody here is remotely interested in playing it safe and honestly that’s the magic — everything feels passionately homemade in the best possible way, like people obsessively chasing hyper-specific visions until the walls physically start vibrating.

🎵 Creep Don't Sleep ("Requiem" Remix) — by u/ciripunk77

Link: https://suno.com/song/f80ac19b-1579-4e5a-8ce0-889d78b9b455

Genre: Horrorcore (Alt Rap)

Length: 04:19

Why Listen:
I genuinely wasn’t remotely prepared for how suffocatingly claustrophobic this thing feels... and I mean that incredibly affectionately because the whole track creepily crawls around like a candlelit nightmare aggressively muttering forbidden scripture directly into my headphones. The layering is absurdly dense but also weirdly intentional, like every sound is desperately trying to haunt the narrator simultaneously and honestly I passionately love when horrorcore commits this theatrically hard instead of cautiously trying to stay cool. There’s this deliciously gothic melodrama underneath all the aggression that makes it feel less like a rap song and more like somebody emotionally unraveling inside a cursed cathedral with 808s. This made me vividly picture fog machines, cracked stained glass, eyeliner catastrophically running at 3AM... the whole thing just COMPLETELY committed to the bit and I respect it enormously.

Winner of the Freaky Friday award for:
“Most likely to accidentally summon a Victorian ghost DJ inside an abandoned Hot Topic”

🎵 Who's Afraid Of The Big Bad Wolf — by u/Terrible-Edge-9162

Link: https://suno.com/song/e1e78e41-08dd-4c37-a3c5-dea5532336d1

Genre: NWOBHM/Heavy Rock

Length: 07:04

Why Listen:
This thing dramatically stomps in wearing leather boots and immediately starts aggressively retelling children’s stories like your coolest uncle after approximately two-and-a-half beers... I absolutely and irrationally love novelty concepts when they’re executed with total sincerity and this one REALLY unapologetically goes for it. The chorus has that massively oversized heavy rock energy where I can practically see fake smoke cannons explosively firing in slow motion while a wolf mascot violently headbangs somewhere in the distance. There’s something bizarrely cozy about hearing fairy tale imagery wrapped in crunchy guitars and extravagantly dramatic storytelling... it scratches a strangely specific itch in my brain with alarming precision. Also seven minutes?? We are GLORIOUSLY feasting.

Winner of the Freaky Friday award for:
“Best soundtrack for aggressively fistfighting a werewolf behind a medieval tavern”

🎵 Your the Smoke in my Lungs — by u/Primary-Ad7343

Link: https://suno.com/s/aGLzyX3f9gwXQ6gY

Genre: Pop Rock ?

Length: 4:38

Why Listen:
I intensely love songs that feel like they belong during the emotionally catastrophic climax of a 2007 movie montage and this absolutely radiates that energy... windows dramatically open, rain violently everywhere, somebody painfully realizing they made historically terrible romantic decisions. The atmosphere feels gorgeously glossy in a deeply nostalgic way and the vocals softly drift through the instrumental like they’re nervously trying not to wake anybody up. This made me weirdly sentimental even when it got dramatically melodramatic because the whole thing feels sincerely earnest instead of cynically detached. There’s also that strangely fascinating AI-era blur between synthetic and heartfelt that I find genuinely mesmerizing here — like a digital ghost emotionally attempting to write a breakup anthem and somehow accidentally landing the emotion anyway.

Winner of the Freaky Friday award for:
“Most likely to play during an unnecessarily cinematic cigarette throw outside a gas station”

🎵 Onslaught (Raw Mix) — by u/Crooked_Cracker

Link: https://open.spotify.com/track/0hTHl5lGwhTeCnur4l36er?si=4ece957330c5428a

Genre: Old School Rap

Why Listen:
THIS is the kind of aggressively stripped-down boom bap obsession I can enthusiastically get lost in for hours... the scratches, the pacing, the gloriously raw confidence of letting the bars fully carry the weight instead of desperately drowning everything in production glitter. I passionately love when somebody clearly obsessively studied a specific era and then painstakingly recreates the texture instead of lazily copying surface aesthetics, and this thing unapologetically breathes late-80s cipher energy in the coolest way imaginable. The flow has that brutally hard-edged rhythmic punch where every line sounds like it’s physically stepping onto the beat’s neck. This made me irrationally want to stand outside a corner store in an enormous bomber jacket despite not owning a bomber jacket and living absolutely nowhere near a corner store.

Winner of the Freaky Friday award for:
“Most likely to mysteriously make a cassette tape appear inside your jacket pocket”

🎵 Untitled conspiracy metro song — by u/hoosyourdaddyo

Link: https://suno.com/s/Mr520JsJ8JCVac2y

Why Listen:
I am COMPLETELY and irresponsibly weak for songs built around aggressively specific real-life encounters and this one feels exactly like overhearing forbidden subway lore from a guy carrying seventeen newspapers in a duffel bag... the concept alone immediately hooked me. There’s this twitchy, overstimulated, caffeinated energy running through it where the storytelling almost feels breathlessly panicked, like the narrator can barely emotionally process the insanity being hurled at them. The vibe gets delightfully chaotic without fully collapsing into nonsense and honestly that balance is deceptively difficult. This thing just overwhelmingly radiates “you absolutely had to be there” energy in the funniest possible way.

Winner of the Freaky Friday award for:
“Best accidental soundtrack for aggressively decoding symbols on a diner placemat”

🎵 Stay — by u/OnGodBruh

Link: https://suno.com/s/HWhqUlwQhRV1Kp0w

Genre: Electronic Dance/Pop

Why Listen:
Oh this one deceptively sneaks up on you... starts softly reflective and then suddenly I’m emotionally sprinting through neon rain with gigantic movie trailer feelings violently exploding everywhere. I ABSOLUTELY love the piano textures underneath the electronic pulse because they keep the whole thing emotionally grounded while the production keeps beautifully expanding outward. The vocal atmosphere feels delicately airy but never emotionally detached, and when the track dramatically opens up later on it genuinely lands with that bittersweet EDM ache that makes me stare at ceilings for absolutely no reason. This made me feel intensely nostalgic for memories I don’t even have which is honestly one of my favorite emotional genres.

Winner of the Freaky Friday award for:
“Most likely to play while dramatically missing somebody in an airport at midnight”

🎵 I Avoided The Obvious — by u/AwayBalance140

Link: https://suno.com/s/lTAob33SYUNLoehC

Genre: Emo-Trap

Length: 03:14

Why Listen:
This thing feels devastatingly like scrolling through old messages at 1:47AM while your headphones slowly emotionally fuse into the side of your skull... and I mean that extremely affectionately because the emotional tone here is COMPLETELY locked in. I genuinely love the collision between vulnerable emo-trap moods and those heavier rock textures subtly creeping underneath everything like emotional static. The lyrics feel painfully personal in a way that stops the track from becoming disposable background music — there’s actual emotional gravity violently pulling the whole thing downward while the production keeps dreamily floating around it. Also that intro?? Ridiculously and unfairly effective... immediately launched me directly into the song’s world before I even had time to think.

Winner of the Freaky Friday award for:
“Most likely to trigger catastrophic hoodie-weather introspection in a supermarket parking lot”

​

Hey you...

Yes...YOU...

You've got a BANGER haven't you?

You've got a whole bank vault of bangers.

They're bangers, and they're a smash.

BUT...

No one is listening to them?

That sucks.

That is where One Last Song comes in.

You enter songs into tournaments.

People listen to your banger and someone else banger and vote for the winner.

(I hope you like banging. There's a lot of banging going on.)

You start with 50pts, enough to submit 5 bangers.

Want more points? All you have to do is vote on other songs or be a finalist.

We are approaching 10,000 listens through the platform. Nearing 100 winners.

Bring your banger,

let's have some fun,

come on over to

One Last Song.

One Last Song