One Last Song: Where AI Music Really Gets Heard

One Last Song: Where AI Music Really Gets Heard

One Last Song is built around a simple idea that we've proven works:

Your songs will be heard.

On One Last Song (OLS), AI-generated music does not just sit on a profile or a forum waiting to be found. It enters battles. It wins votes. It earns heat. It climbs tournaments. It gets discovered by listeners, backed by the community, and pushed into the spotlight.

OLS is part music platform, part competition arena, and part discovery engine. Every song has a chance to prove itself. Every user has a role to play.

You can create, vote, listen, curate, promote, compete, and help decide what rises.

This is not passive listening.

This is music with "stakes" but in a good community atmosphere.

🎧 The Listening Post: Build the Playlist, Shape the Scene

The Listening Post gives the OLS community a new way to discover music beyond the battle screen.

Users can create five-song playlists, add sleeve notes, and build a listening experience around the tracks they want others to hear. It is a place for tastemakers, collectors, champions, and curious listeners — a space where songs can be grouped, framed, and given a second life outside a single head-to-head result.

For listeners, The Listening Post turns discovery into action. Browse playlists, hear a full set, find unexpected favourites, and earn points for listening.

For creators and curators, it is a way to say:

These songs deserve your attention.

The battles decide winners.
The Listening Post helps people find what they might have missed.

🛒 The Shop: Where Points Become Power

On One Last Song, points are more than a way to enter battles.

They are becoming the currency of participation.

The Shop is where users can spend the points they have earned from listening, voting, engaging, and taking part across the site. It gives points a bigger purpose than simply paying to submit another song. It turns activity into influence.

That means users can do more than compete. They can support songs, boost discovery, and help decide what the wider community hears next.

The Shop is not just a rewards page.

It is where your time on OLS turns into momentum.

📻 Listener Picks: Put a Song on the Radio

One of the most exciting Shop features is Listener Picks.

Through the Shop, users can spend points to submit a song for consideration in the Listener Picks section of One Last Radio. It could be their own track. It could be a song they discovered in a battle. It could be a hidden gem from The Listening Post. It could be something they simply believe deserves more ears.

Listener Picks give the community a direct line into the station.

That changes the feel of One Last Radio completely. It is not just an automated showcase of winners and trending songs. It is a place where users can actively back the tracks they care about.

Earn points.
Spend them with purpose.
Put a song forward.
Help shape the station.

🚨 One Last Radio: The Sound of the Whole Site

One Last Radio is the daily heartbeat of OLS.

It brings the platform together in one always-on listening experience, mixing the songs that are winning, trending, surviving, and being backed by the community.

The station can feature recent hot tracks, all-time favourites, tournament champions, rumble standouts, and Listener Picks submitted through the Shop. That means every part of the site can feed the radio: battles, tournaments, playlists, points, votes, and community support.

For guests, it is the easiest way to hear what One Last Song is all about.

For users, it is a reason to keep listening.

For creators, it is another path to visibility.

And for the community, it is proof that OLS is not just a place where songs compete.

It is a place where songs travel.

A track might start as a battle entry.
It might get hot.
It might appear in a playlist.
It might win a tournament.
It might be backed through Listener Picks.
Then it might reach the radio.

One Last Radio turns the whole platform into a living station, powered by competition, discovery, and community taste.

🏆 Tournaments: Build the Next Battleground

At the core of OLS, the battles still matter.

Song battles are where tracks prove themselves one vote at a time. Tournaments take that energy and give it structure: themes, brackets, rivalries, champions, and bigger stories.

Users can create or request tournaments around genres, moods, ideas, challenges, or community themes. That means the next big competition does not have to come from the platform alone. It can come from the users.

The Listening Post helps songs get discovered.
The Shop gives points a purpose.
Listener Picks let users back the tracks they believe in.
One Last Radio broadcasts the sound of the community.
Battles and tournaments decide who rises.

Together, they create the OLS loop:

🎤 Create the song.
⚔️ Enter the battle.
🔥 Win the crowd.
🪙 Earn points.
🎧 Build playlists.
📻 Back favourites.
🚀 Reach the radio.
🏆 Start a tournament.
🌟 Become part of the story.

⚡ Create It. Battle It. Back It. Broadcast It.

One Last Song is where AI music proves itself.

Create a track. Enter the battle. Discover new favourites. Earn points. Spend them in the Shop. Back songs through Listener Picks. Tune in to One Last Radio. Build playlists in The Listening Post. Launch tournaments. Help decide what survives.

The next song to break through is already here.

Find it. Fight for it. Put it on the air.

u/Macrosnail — 7 hours ago

[GGP 19] SPECIAL FRIENDS

🎤 GRAND GROOVEPRIX #19

🎭 THEME: SPECIAL FRIENDS

HERE. WE. GO!

It is time to bring your very best—we do not jest—to the GRAND GROOVE PRIX.

Craft your finest lyrics. Build your boldest audio. Create something unforgettable.

This is your time to show off.

🎶 THE CHALLENGE

Create an original AI-powered song inspired by:

“SPECIAL FRIENDS”

Interpret the theme however you like.

It can be literal, abstract, dramatic, mysterious, hilarious, cinematic, chaotic—or something nobody else would think of.

You have approximately six days.

Submit your song when the official submission thread opens.

🗳️ Winners will be decided by community vote.

🎟️ HOW TO ENTER

  1. Create an original song based on the theme.
  2. Use Suno, Suno, Suno—or a similar AI music platform—for the core track.
  3. Include both vocals and instrumental music.
  4. Post a link to your song in the official submission thread before the deadline.

>

📜 CREATIVE RULES

  • ✅ Any genre is welcome.
  • ✅ Any language is welcome.
  • ✅ Any song length is welcome.
  • ✅ The song must clearly connect to “SPECIAL FRIENDS”
  • ⛔ Late entries will not be accepted.
  • 🚫 Cheating will result in disqualification and a ban.

🌍 Non-English Entries

Non-English entries must include:

  • The original lyrics
  • An English translation

🏆 PLATINUM PROMPTER CHALLENGE

Alongside the classic prizes, one qualifying creator may earn the prestigious:

🏆 PLATINUM PROMPTER

To qualify, your prompt and finished song must intentionally include all four of these elements:

  • 🎹 WHISTLING
  • 🔥 Wah wah [instrument]
  • 🎼 Close Harmony
  • 🌊 Special [instrument]

⚠️ These elements must be clearly audible in the finished song.

Simply writing them in the prompt is not enough.

For Suno 4.5 and later, follow the platform’s prompt-guidance rules.

Boosting is allowed.

🗳️ VOTING & AWARDS

Entries will be ranked by community vote.

🥇 Grand Groover

🥈 Silver Groover

🥉 Breezy Groover

🏆 Platinum Prompter — awarded to the highest-scoring qualifying entry

🎤 MAKE SOMETHING MEMORABLE.

Stay on theme.

Have fun.

reddit.com
u/Macrosnail — 2 days ago
▲ 3 r/GeneratedGrooves+1 crossposts

ATMTA x Suno Remix Contest

ATMTA is inviting the Suno community to remix “Glass” — flip the beat, shift the vibe, and turn it into something completely new.

Prizes:
• Top 5 Winners → $1,000 each (U.S. residents 18+ only)
• Top 25 → 2,500 Suno credits (available globally)

Here’s the deal:
• Submissions open June 26 → July 9
• Stream ATMTA’s “Glass” on suno.com or in the Suno app
• Click REMIX and create your entry using the Cover feature (required to be considered for prizes)
Submit Remix & Publish to enter. Once it’s public, you’re automatically entered
• Judging runs July 10 → July 24
• Winners announced July 24

Have fun with it, take it in your direction, and make “Glass” your own.

👉 Start Remixing

u/David_at_Suno — 7 days ago

OLS - 3 PTS repost weekend!

This weekend - just 3 PTS to post a song - and preferably repost a song! All those songs that lost out when they shouldn't have...repost them! All those songs you think should have won a prize...repost them...all from your user profile.

Free special 16 song special tournament to whoever reposts 16 songs that haven't yet won a tournament.

Honestly, the heat is going to my head coming up with this...this is crazy 🤣🤣🤣

reddit.com
u/Macrosnail — 10 days ago

User news

Dear OLS users -
I have taken action to suspend a handful of accounts that data strongly demonstrates suspicious voting behaviour recently.

Obviously, manipulating voting is not acceptable, and I am sorry that some of you will have missed out on victories that otherwise would have been yours. I'll do my best to remedy this for you.

Many thanks

Mac

reddit.com
u/Macrosnail — 11 days ago

FREAK FRIDAY - REVIEW ROUND-UP

Archie Zane here and I have crawled out of the speaker cabinet covered in glitter, ghost dust, fake blood, and possibly horse-shaped space debris... and this week is gloriously unwell. We’ve got disco-punk superhero partying, horrorcore operating-table theatre, NWOBHM alien horse warfare, alternative heartbreak over tiny collectible ghosts, and darkwave indie-funk for when your day snaps like a cursed breadstick. I love how every track feels like it escaped from a different VHS tape at 3 a.m. Total chaos buffet. I am eating it with both hands.


🎵 Party At The Super Freaks Mansion — by u/zombiepiratebacon

The song where Robot Zombie Pirate Ninja and the Super Freaks save the day from zombie mayhem, then immediately make the responsible civic decision to party hard enough to violate several building codes.

Link: Listen here

Genre: Disco-Punk
Length: 03:49

Why Listen:
I love how this comes flying in like someone fired a confetti cannon inside a comic-book crossover... absolutely no chill, just masks, monsters, rhythm, and poor decision-making in platform shoes. This made me want to grab a plastic cup and dance next to Castle Freak while pretending that is a normal thing adults do. The whole thing feels like disco got into a fistfight with punk and they both somehow became best friends by the chorus. PURE mansion madness, and I mean that as a compliment carved into a glitter-covered tombstone.

Winner of the Freaky Friday award for: Best Superhero Afterparty Most Likely to End with a Structural Engineer Crying


🎵 Medical Procedure (Operation Successful Mix) — by u/Crooked_Cracker

The song where horrorcore rap straps on surgical gloves, dims the lights, and starts grinning like the operating room has a fog machine hidden under the table.

Link: Listen here

Genre: Horrorcore rap
Length: 2:26

Why Listen:
This made me lean forward like an idiot in a haunted hospital corridor... the exact kind of mistake I absolutely would make. I love the wicked, theatrical nastiness of it, all sharpened shadows and grim little punchlines rattling around like scalpels in a drawer. It doesn’t whisper “creepy,” it kicks the theatre doors open and performs the whole nightmare with a blood-red spotlight. HORRORCORE goblin energy, properly absurd, properly grimy, properly grinning at its own bad ideas.

Winner of the Freaky Friday award for: Most Likely to Make the Anaesthetist Say “Actually, I’m Going Home”


🎵 Iron Horses — by u/Terrible-Edge-9162

The song where alien metal horses descend from the sky, because apparently the universe heard “normal invasion” and spat coffee across the control panel.

Link: Listen here

Genre: NWOBHM
Length: 05:43

Why Listen:
I love a song that looks at the clouds and says, “needs more chrome hooves”... this is big, ridiculous, heroic nonsense in the best possible way. This made me picture an entire fantasy paperback cover coming alive, only louder, sweatier, and with heat lasers ruining everyone’s afternoon. The riffs feel like they are galloping with sparks in their mane, and the whole thing has that glorious battle-cry posture. MASSIVE sky-horse energy, which is not a phrase I expected to need, but here we are blessed and endangered.

Winner of the Freaky Friday award for: Best Proof That Weather Forecasts Should Include “Chance of Alien Stallions”


🎵 The York Ghost Merchants Broke My Heart — by u/Mindless_Park1499

The song where missing out on a tiny handmade ghost becomes a full alternative heartbreak saga, because sometimes the universe wounds you with a lottery system and a cute little phantom.

Link: Listen here

Genre: Alternative
Length: 3:23

Why Listen:
I love this deeply specific emotional disaster... the kind of heartbreak you can only get from wanting one tiny ghost and receiving instead the cold slap of fate. This made me care about collectible spectres with the intensity of a Victorian widow staring across the moors, which is completely unreasonable and yet totally correct. There’s something beautiful about turning a failed online draw into a goth-tinged little wound with a melody attached. I am now emotionally invested in ghost commerce, and frankly that is between me and my accountant.

Winner of the Freaky Friday award for: Best Tiny Ghost to Never Arrive and Still Ruin Breakfast


🎵 Shatterday — by u/AbandonedBrain

The song where an ordinary day gets hit with the emotional equivalent of a thrown brick and suddenly the calendar is making cracking noises.

Link: Listen here

Genre: assertive indie funk rock, darkwave, steady heavy beat
Length: 4:29

Why Listen:
This thing just strides in with a heavy pulse and a sharp jacket... like a bad mood learned choreography. I love the word “Shatterday” because it feels instantly cursed and instantly useful, the kind of title you mutter when your weekend starts chewing through wires. The groove keeps everything moving while the concept sits there grinning, all broken glass and bitter caffeine. It made me want to nod along dramatically while cancelling plans for spiritual maintenance.

Winner of the Freaky Friday award for: Best Calendar Event Marked “Emotional Debris Everywhere”

u/Macrosnail — 14 days ago

[GGP 18] THE WINNERS

Grand Grooveprix 18 — Results

Another great round of entries focusing on the inspiration of "Annie's At Eight." Thank you all for competing, commenting and choosing. You all make it happen. Time is short at the moment and you all know the drill so we're going to jump straight into the podium finishers...

🥉 Bronze Groover — Eight & Lennox by u/ciripunk77

The one where Annie Lennox accidentally hosts a séance for the entire MTV generation.

Listen here

Most songs invite you in through the front door. This one hands you a cocktail, spins you around three times, and insists you've been here before. Listeners seemed delighted by how confidently it wandered through a dream populated by musical legends, never once stopping to explain itself. The references landed like familiar faces glimpsed across a crowded room. The theatricality was praised, but so was the vulnerability hiding beneath the glamour. By the end, people weren't discussing a song so much as recalling a strange party they'd swear they'd attended.

🥈 Silver Groover — 8 o'clock by u/Terrible-Edge-9162

The one where being the villain in someone else's story starts to feel suspiciously convenient.

Listen here

The song begins as though it has something important to prove. Fortunately, it has the instruments to make its case. Listeners praised everything from the grunge textures to the organ work, the chorus, the distortion, and the dramatic atmosphere. Yet what seemed to impress people most was how completely the song committed to its perspective. It doesn't ask for sympathy. It presents evidence. Then it lets the amplifiers argue on its behalf.

🏆 Grand Groover & Platinum Prompter — A Moritat of Annie at Eight by u/Codex-Omega

The one where the carnival was trying to eat people all along.

Listen here

This song didn't seem interested in competing with the other entries. It appeared more interested in summoning a fog machine and staging a full theatrical production. Reviewers praised nearly every aspect of it: the narrator, the choir, the atmosphere, the concept, the cadence. One listener compared it to a Tim Burton film. Another called it art. Most agreed that by the time Annie arrived, the audience had willingly followed the barrel organ straight into danger and had absolutely no intention of turning back.

Review: A Moritat of Annie at Eight

The Dance of the Penny-Farthing: Folk-Macabre Decadence and Clockwork Determinism

By Jimmy Vance & Dr. Julian Vance | June 22, 2026

A localized rupture in the fabric of the mid-2000s indie landscape, Codex Omega's track balances carny brio with a devastating structural framework of temporal entrapment.

Let's not mince words: while the mainstream indie scene of the mid-2000s was busy commercializing faux-earnestness, a dark, theatrical undercurrent was resurrecting the ghost of the Grand Guignol. Codex Omega's latest does not merely invite the listener into its sonic space — it drags them by the collar into a mud-slicked, medieval fairground where the cotton candy is poisoned and the carousel spins on an axle of pure dread.

The track functions simultaneously as a maximalist psych-folk opera and a complex semiotic study in clockwork determinism. From the opening command — delivered through a layer of distorted, villainous laughter — the piece positions itself as an explicit memento mori.

The Micro-Temporal Sequence of the Fair:

Vespers (7:00 PM) ──► The Gate Opens (7:50 PM) ──► Laughter Fades (7:59 PM) ──► Annie's Arrival (8:00 PM)

The composition operates on a relentless, galloping rhythm that mirrors the inevitable, mechanical ticking of a clock approaching a predetermined hour of doom.

I. Market-Square Revelry vs. The Black Tent

The arrangement juxtaposes a buoyant, traditional Renaissance-fair palette against a creeping, subterranean dread:

The Daylight Fair (The Festive Motif): Driven by an ostinato fiddle pattern and stomping percussion, the track captures the frantic hedonism of a public marketplace. The lyrics paint a scene of a "merry old lie" — a hyper-vivid canvas of ribbons, apples, grinning minstrels, and children chasing geese through the mire. The vocal delivery is urgent, breathless, and saturated with the sweat of the crowd.

The Black Tent (The Cryptic Motif): This festive atmosphere is repeatedly punctured by a sudden, ominous flattening of the acoustic environment. The text introduces "yonder black tent / with its stitches of red," which stands "shut as a coffin yet breathed like the dead." Here the instrumentation strips back to reveal a skeletal, multi-part vocal harmony, shifting from public revelry to the hushed secrets of the "layerman" warning the fair stranger away.

II. The Semiotics of Temporal Entrapment

Lyrically, the text operates on a highly stylized countdown that transforms a simple timeline into an inescapable cosmic trap. The repetition of the temporal marker — "Seven bells pass... at 7:50... at 7:59... then Annie comes smiling" — serves as a structural countdown where time itself is the executioner.

The track divides its dramatis personae into an elaborate hierarchy of the damned:

Actor / Archetype Narrative Function Archetypal Representation
The Layerman The harbinger of structural rules ("Stay not, fair stranger") The Gatekeeper / Chronos
The Fair-Goers Compliant, distracted consumers ("Minstrels did grin, the joggers did bow") The Oblivious Collective
Annie The sub-eight-year-old focal point ("Annie's at eight") The Sacrificial Subject

The lead vocals deliver these roles with a manic, chameleon-like intensity, shifting from a guttural, Tom Waits-esque carnival barker to a terrifyingly sweet choral chant during the refrain: "Annie's at eight! When the moon biteth pale!"

The mid-song breakdown descends into an explicit spoken-word fairy tale where the environment itself begins to decay. The "old rain-rotted awning" replaces the bright banners, and the puppet king crawls out of his frame — a world where free will has been thoroughly uninstalled. The terrifying core of the piece lies in the realization that the fair isn't a celebration at all — it's an ancient, cyclical machine designed to consume youth: "All who come late shall forget their own name."

>"The wheel of good fortune was nailed to a bone."

III. The Broken Carousel: Final Verdict

The track's climax achieves a state of breathless, apocalyptic theatre. When the chorus returns for its final iteration, the carnival melody doesn't just play — it curdles. The brass arrangement shifts into a screaming, dissonant wall of noise as the vocal section declares that "the horses turn backward, the saints lose their face." It is a masterclass in musical terror, evoking a world where even divine figures are powerless against the mechanical turn of the hour.

The final, lingering notes drop the listener back into the quiet dust of the fairground. The barker returns, his voice now a low, conspiratorial whisper over a dying organ chord: "Come hither, good folk... the fair is still waiting."

Codex Omega didn't just write a song — they engineered an auditory trapdoor. It's a beautifully grotesque, four-minute masterpiece of gothic folk that proves the scariest monsters aren't hiding under the bed. They're running the ticket booth at the edge of town.

Rating: ★★★★★

See you again for Grand Grooveprix 19

u/Macrosnail — 14 days ago

OLS - it is getting hot in here!

Over the last week at One Last Song we've had a good number of new creators join the party, and they've really brought the goods. I mean, I can't see myself winning a tournament again against all the talent on there now! Wonderful to hear so many great tunes, read positive comments and notice just how much listening/voting is going on - I think over 400 votes yesterday. Tournaments are starting and finishing in the same day sometimes! (Generated Grooves is great but OLS is increasingly the place where songs are getting heard.)

This possibly changes the OLSenomics of the site - I think the number of votes to win a battle need to increase - which is great - more listeners for each song posted.

We've had some good improvements to the site in June, including getting the "Shop" in place so people can spend points on things beyond just entering the tournament, and the ability to re-use songs already submitted. Got ideas? Let me know!

The Champions Rumbles are progressing at a pace too - which is good - we have about 15 to 20 Global Champions Rumbles to get through until we're up to date, and quite a lot for the Wildcard genre too. I'm keeping it to 1 global and 1 genre Champions Rumbles at a time.

For July, I have a few new features in mind - a "radio" with the most hotted songs and the winners of the champions rumbles; a couple of new "products" to spend points on; a weekly OLS round-up of winners and voting; and hopefully introducing the long awaited (by me) badge feature. (Possibly also a simple helpdesk? Not so fun, but good to have a neat place to report anything wrong.)

Is there anything you would like to see OLS have in the coming month(s)? Post below!

reddit.com
u/Macrosnail — 14 days ago

[GxS] The EPIC one - "Frequency of Freedom"

GxS is back and it is going BIG.

Warning - there is a lot of reading below :D

This is probably TOOOOO ambitious but I have liked the idea of a musical rock-opera type thing for a long time.

And then I thought, if I use the names of the recently frequent participants of GGP and FF, from Reddit and Suno where possible, then people might be more interested. ;)

So yep, I did use the names, also as a source of inspiration for characters.

This is all done in good faith but if anyone objects I am happy to stop this.

IMPORTANT NOTE - the names were only a source of literal inspiration - no other character work was done by me - that was all ChatGPT.

And now here we are - a stupidly large brief and story treatment that I drop on your desk and say, "if you were writing a song or songs for this rock opera - what would you write?" - any genre, any angle, any character, any moment.

Looking forward to the one or two entries that come in :D

The Frequency of Freedom

A dystopian sci-fi rock opera about memory, music, authoritarian control, and collective awakening.

Contents

Music Inspiration Brief

Genre

Dystopian sci-fi rock opera.

Tone

Punk rebellion, glam villainy, psychedelic science, emotional catharsis, and absurd character names played sincerely.

Setting

A colossal authoritarian mega city ruled by Terrible Edge.

For deeper world-building, see The World.

Core Concept

In a vast mega city controlled by the cruel but charismatic ruler Terrible Edge, citizens live under two kinds of law: Visible Laws, which everyone can see, and Invisible Laws, which no one knows until they break one.

Anyone who breaks the laws is sent to Mindless Park, where their identity and memories are stripped away. These victims are called Abandoned Brains.

A young scientist named Astra Phyres discovers that music, memory, and consciousness are connected through a mysterious force called Whassa Matter. Through Psychic Trance, people may be able to recover their stolen minds.

The forbidden musical sequence that can awaken the Abandoned Brains and bring down Terrible Edge is called the Noise Chords.

But Astra cannot use the Noise Chords through science alone. She must learn Confident Flow: the courage to act while holding fear, guilt, grief, love, and uncertainty all at once.

For the deeper mythology, see Mythology and Science.

Emotional Theme

A mind cannot be saved by hiding it from pain. It can only be freed through truth, memory, choice, and connection.

Terrible Edge believes the opposite:

>Freedom is cruel. Control is mercy.

Astra begins the story believing careful control is the only responsible way to protect people. By the end, she learns that protection without freedom becomes another prison.

For the full thematic breakdown, see Thematic Spine.

Main Story Summary

Astra Phyres works secretly at Whassa Matter University with her mentor Professor Rhubarb Jay and scientist Nikita R. They are investigating mysterious plane crashes across the mega city.

The regime blames the crashes on Dan Jerus, a male dissident pirate broadcaster and protest guitarist named Enemy Number One.

But the truth is darker: Terrible Edge is staging the crashes to create mass fear. This fear charges Whassa Matter and strengthens the Invisible Laws.

When Professor Rhubarb nearly restores the mind of a broken pilot named Wingfield Ace, Terrible Edge’s robot enforcers Z4-R-K1 and NOX-3N raid the lab and kidnap her.

Astra sets out to rescue Rhubarb and expose the truth. She joins forces with Dan Jerus, gangster-with-a-heart Tobaka Kewl, ambiguous smuggler Mac Rosnail, mercenary lockbreaker Crooked Cracker, damaged hero Zombie Pirate Bacon, and eventually the mysterious axe-wielding legend Greenwolf.

At Mindless Park, Astra discovers that one of the Abandoned Brains is her own brother, Shanson Phyres.

Years earlier, as a child, Astra reported Shanson for singing a forbidden melody. She thought she was saving him. Instead, he was taken and erased. Terrible Edge buried Astra’s memory and preserved the guilt as a weapon.

Shanson’s forbidden melody contains the missing phrase of the Noise Chords.

In the climax, Astra refuses Terrible Edge’s offer to erase her guilt again. Instead, she sings Shanson’s melody as an invitation, not a command. Dan Jerus joins through a pirate broadcast. The Abandoned Brains hum. Zombie Pirate Bacon adds a broken sea-shanty rhythm. Wingfield Ace carries the signal from the sky. Nikita stabilises the Whassa Matter field. The mega city joins.

The Noise Chords complete collectively.

The Psychic Trance opens.

The Abandoned Brains begin to awaken.

Terrible Edge loses power because people no longer obey him inside their own minds.

For the complete plot, see Story Treatment.

Key Characters for Songs

  • Astra Phyres — Guarded scientist and reluctant revolutionary. Starts controlled and emotionally shut down. Learns Confident Flow and becomes a conductor of collective awakening.
  • Shanson Phyres — Astra’s erased brother. A forbidden singer whose melody survives inside Mindless Park. Emotional centre of Astra’s guilt and healing.
  • Dan Jerus — Male dissident protest guitarist and pirate broadcaster. Enemy Number One. Loud, funny, furious, terrified, and brave anyway.
  • Terrible Edge — Charismatic ruler of the mega city. Believes control is mercy and freedom is pain. Should feel theatrical, seductive, paternal, and terrifying.
  • Professor Rhubarb Jay — Eccentric lead scientist at Whassa Matter University. Kidnapped after discovering how Psychic Trance might restore the Abandoned Brains.
  • Nikita R — Scientist investigating the plane crashes. Rational, steady, and open to wonder.
  • Tobaka Kewl — Underground gangster with a heart of gold. Runs a secret club where illegal songs and memories are protected.
  • Mac Rosnail — Charming ally who may be a traitor. Betrays the group under pressure because his family were erased.
  • Crooked Cracker — Mercenary lockbreaker. Sells people out, then gets a chance to open the central gate of Mindless Park.
  • Dragon Hug — Deadly martial artist who refuses violence and prefers kindness. Near the end he destroys Terrible Edge’s silent Robot Ninja bodyguard, proving force can protect without hatred.
  • Wingfield Ace — Great pilot who forgot how to fly after being made an Abandoned Brain. Eventually remembers the feeling of lift and carries the final broadcast over the mega city.
  • Zombie Pirate Bacon — Former heroic pirate, now half-restored and zombie-like. Adds strange humour, sadness, and a broken sea-shanty rhythm to the final awakening.
  • Greenwolf — Mythic axe-wielding hero of the First Rebellion. Appears near the end to break visible machinery, but cannot break the invisible laws for Astra.
  • Ciri Punk — Lethal enforcer for Terrible Edge. Stylish, brutal, and theatrical: punk aesthetics without rebellion’s soul.
  • The Moonambel Maniac — Another terrifying enforcer. Chaotic, eerie, and psychologically destabilising.
  • Z4-R-K1 & NOX-3N — Robot enforcers of the Visible and Invisible Laws. Precise, relentless, and darkly bureaucratic.
  • The Robot Ninja — Terrible Edge’s personal bodyguard. Silent, flawless, emotionless, and deadly. Destroyed by Dragon Hug near the climax.

Possible Song Inspirations

Each song idea links to a longer story or character section that can inspire lyrics, structure, or mood.

Song Idea Musical / Dramatic Use Longer Reference
Visible Laws / Invisible Laws Opening mega city anthem. Citizens sing about trying to obey rules they cannot know. The World, Act I: The Mega City of Laws
The Daily Edge Terrible Edge’s propaganda showstopper. Charming, sinister, theatrical. The Daily Edge, Terrible Edge
Enemy Number One Dan Jerus pirate broadcast song. Punk protest energy. Dan Jerus, Finding Dan Jerus
Whassa Matter? Science-meets-psychedelia song from Whassa Matter University. Whassa Matter, Whassa Matter University
Mindless Park Haunting song for the Abandoned Brains. Empty, repetitive, gradually becoming human. Mindless Park, Act III: Mindless Park
Confident Flow Astra’s transformation song. Starts controlled and anxious, becomes expansive and powerful. What Confident Flow Really Means, Confident Flow
Noise Chords Final collective awakening anthem. Everyone joins: rebels, Abandoned Brains, pilots, pirates, scientists, the mega city. The Noise Chords, The Noise Chords Complete
Sleep Is Mercy Terrible Edge villain ballad. He argues that memory is pain and control is compassion. Terrible Edge’s Counter-Theme, Terrible Edge Enters the Trance
Robot Ninja / Dragon Hug Instrumental or battle song. Precision, restraint, release. Dragon Hug, Dragon Hug’s Final Test, Dragon Hug Destroys the Robot Ninja
Shanson’s Melody Emotional sibling song. Guilt, memory, forgiveness without easy resolution. Shanson Phyres, The Childhood Report, Astra and Shanson

Sonic Palette

Punk guitars, glam-rock villain vocals, heavy synths, industrial drums, psychedelic trance textures, choral crowd vocals, distorted civic announcements, robotic percussion, broken sea-shanty fragments, soaring pilot/sky motifs, and one recurring forbidden melody that slowly grows into the Noise Chords.

Ending Feeling

The ending should not feel neat or magically fixed.

The Abandoned Brains awaken unevenly. Some people remember joy. Some remember pain. Some are still fragmented.

But the mega city is no longer silent.

Astra does not become ruler. She stands among the people, not above them.

Shanson hums the forbidden melody.

Others join.

The final feeling is wounded, free, unfinished, and hopeful.

For the full ending, see Resolution.

Full Treatment

Genre

Dystopian science-fantasy rock opera with punk, glam, psychedelic, progressive rock, and theatrical sci-fi elements.

Logline

In a vast authoritarian mega city where citizens are erased for breaking laws they cannot see, Astra Phyres, a guarded young scientist, sets out to rescue her kidnapped mentor and expose the ruler Terrible Edge. But when she discovers that her own childhood obedience led to the erasure of her brother Shanson, Astra must choose between safe control and dangerous freedom, learning to enter Confident Flow and awaken the Abandoned Brains through the forbidden Noise Chords.

Thematic Spine

Central Dramatic Theme

A mind cannot be saved by hiding it from pain; it can only be freed through truth, memory, choice, and connection.

Astra’s Starting Belief

Astra believes that careful control is the only responsible way to protect people.

To her, emotion is dangerous. Public rebellion is reckless. Music is destabilising. Heroes get people killed.

She is not cowardly. She is disciplined, intelligent, and useful. But her discipline is rooted in fear.

Terrible Edge’s Counter-Theme

Terrible Edge believes freedom is cruelty.

To him, choice creates terror. Memory creates pain. Art creates disorder. Therefore, control is mercy.

He does not see himself as a villain. He sees himself as the only one compassionate enough to remove the burden of uncertainty from ordinary minds.

Astra’s Final Belief

Protection without freedom becomes another prison.

By the end, Astra understands that the goal is not to make people painless, obedient, or safe from themselves. The goal is to restore their right to feel, remember, choose, grieve, sing, and connect.

The World

The story takes place in a colossal authoritarian mega city ruled by Terrible Edge, a charismatic dictator whose power rests on law, fear, spectacle, memory control, and psychic manipulation.

The mega city stretches upward and outward in layers: civic towers, transit canyons, vertical districts, buried markets, sky lanes, old industrial strata, sealed residential stacks, and forgotten infrastructure beneath the official streets.

Its citizens rarely see beyond their assigned sectors. The city is so vast that many people experience it as the whole world.

Terrible Edge’s face is everywhere: on civic screens, elevator walls, classroom panels, food dispensers, hospital ceilings, transit windows, and emergency drones. He is not merely a ruler. He is the city’s constant voice.

Visible Laws

The Visible Laws are public. They regulate speech, movement, music, clothing, emotional expression, sleep rhythms, public gatherings, and acceptable forms of grief.

Invisible Laws

The Invisible Laws are secret. No citizen knows when they are breaking one until they are accused.

A person may be taken for humming a forbidden interval, pausing too long before a loyalty phrase, asking why planes keep falling from the sky, or dreaming in a politically unstable colour.

Mindless Park

Punishment is not called punishment. It is called correction.

Those who violate the laws are sent to Mindless Park, a vast institution presented by the regime as a place of rest, treatment, and social mercy.

In truth, Mindless Park strips people of memory, identity, will, and inner music.

The victims are known as Abandoned Brains.

They are not dead. They are not free. They exist in a state of emptied survival.

Across the mega city, citizens live with the threat of becoming one of them.

Mythology and Science

Whassa Matter

At the centre of the story is a mysterious substance or field called Whassa Matter.

Whassa Matter appears at moments of heightened fear, memory, music, and emotional intensity. It behaves partly like matter, partly like energy, and partly like consciousness.

At the secret underground Whassa Matter University, dissident scientists study the possibility that minds are not isolated machines. Memory, emotion, music, and identity may be connected through a shared field.

Psychic Trance

This field can be accessed through a state known as Psychic Trance.

Psychic Trance is not simply hypnosis or music-induced ecstasy. It is a collective resonance in which memory, body, feeling, rhythm, and consciousness align.

In Psychic Trance, people can recover buried parts of themselves and connect with others beyond fear.

Terrible Edge fears Psychic Trance because it weakens isolation, and isolation is the foundation of his rule.

The Noise Chords

The forbidden musical sequence capable of opening Psychic Trance at revolutionary scale is called the Noise Chords.

But the Noise Chords cannot be played as a mere technical formula. They require a state called Confident Flow: the ability to act truthfully while holding fear, grief, uncertainty, love, and responsibility all at once.

Astra will eventually learn that Confident Flow is not the absence of doubt.

It is courage moving through doubt.

Principal Characters

Astra Phyres

The protagonist.

Astra is a brilliant young scientist at Whassa Matter University. She is precise, guarded, analytical, and emotionally controlled.

She has learned to survive Terrible Edge’s world by revealing as little of herself as possible. Her resistance is private, careful, and intellectual.

She wants to rescue Professor Rhubarb Jay and expose the regime through evidence.

What she needs is to stop mistaking control for courage.

Unknown to Astra at the beginning, her entire personality has been shaped by a buried childhood trauma: she once reported her older brother Shanson for singing a forbidden melody, believing she was saving him. He was taken to Mindless Park and erased.

The regime altered Astra’s memory, leaving only guilt without context.

Shanson Phyres

Astra’s older brother.

Shanson was a singer, outlaw composer, and early intuitive explorer of Psychic Trance. Before scientists understood Whassa Matter, Shanson felt its truth through music.

He composed a forbidden melody containing an early fragment of the Noise Chords.

As a child, Astra adored him and feared for him. When he planned to perform the melody publicly, she reported him through a child-citizen safety system. She believed she was protecting him.

Instead, Shanson was taken by Terrible Edge’s enforcers and sent to Mindless Park.

In the present, Shanson survives as an Abandoned Brain. He is not fully silent. He hums fragments of the forbidden melody, and other Abandoned Brains gather near him like lost instruments around a tuning fork.

Dan Jerus

A male dissident protest artist, illegal guitarist, pirate broadcaster, and public enemy.

Terrible Edge has named Dan Jerus Enemy Number One.

Dan is loud, theatrical, funny, furious, and dangerous. Astra initially sees him as reckless. Dan sees Astra as half-programmed by the regime.

But Dan is not fearless. He is afraid all the time. His courage lies in refusing to let fear choose silence for him.

Dan becomes Astra’s most important thematic mirror.

Astra hides to survive. Dan exposes himself to resist.

Together, they discover that Astra’s precision and Dan’s wildness can create the first true breakthrough into Psychic Trance.

Terrible Edge

The ruler of the mega city.

Terrible Edge is not distant or faceless. He is highly visible, constantly present through broadcasts, holograms, civic rituals, public trials, educational programming, and private psychological interventions.

He is theatrical, intelligent, paternal, and terrifyingly sincere.

He believes that freedom causes suffering and that control is mercy.

He knows Astra’s buried memory and sees her as philosophically useful. He does not merely want to kill her. He wants to convert her. He wants her to admit that the careful, fearful part of herself belongs to him.

His deepest argument is:

>Pain proves freedom is unsafe.

Astra’s final answer is:

>Pain proves we need each other, not chains.

Professor Rhubarb Jay

The lead scientist at Whassa Matter University and Astra’s mentor.

Professor Rhubarb is brilliant, eccentric, warm, and reckless in the way visionaries often are. He believes science, music, emotion, memory, and liberation are connected.

He knew Shanson before his erasure and has long suspected Astra’s connection to him. He has protected Astra from the full truth, which later causes Astra to feel betrayed.

His kidnapping triggers the main plot.

Nikita R

A close friend and collaborator of Professor Rhubarb.

Nikita is investigating the mysterious rise in plane crashes. She is rational, practical, and morally steady. She grounds the more flamboyant characters and helps translate Psychic Trance into scientific method.

Nikita represents inquiry without cynicism.

She teaches Astra that science does not have to exclude wonder.

Tobaka Kewl

An underground gangster with a heart of gold.

Tobaka runs a secret club beneath the mega city where outlawed songs, contraband memories, and illegal identities are traded and protected.

He begins as a survivor who helps only when it benefits him. But beneath his criminal style is a deep loyalty to the discarded.

Tobaka represents compromised community: imperfect people doing good through imperfect means.

Mac Rosnail

A charming information smuggler and ambiguous ally.

Mac helps the heroes repeatedly, but always seems to know too much.

He is eventually revealed to be working under pressure from Captain Tenille, who has promised to restore Mac’s erased family if he betrays rebel groups.

Mac is not purely traitor or hero. He is what love looks like after fear has been weaponised.

His arc tests Astra’s ability to trust without becoming naive.

Crooked Cracker

A for-hire mercenary who can break through any lock for the right price.

Crooked Cracker is transactional, slippery, and apparently selfish.

He betrays the team when the price is high enough, but Astra later offers him a chance to open one final lock: the central gate of Mindless Park.

His redemption shows Astra learning a more mature form of trust: mercy with boundaries.

Dragon Hug

A legendary martial artist who refuses to use violence.

Dragon Hug is kind, affectionate, disarming, and almost absurdly gentle. He hugs enemies, comforts strangers, and frustrates anyone who wants him to become a weapon.

But he is not harmless.

He has rejected violence not because he is afraid to fight, but because he is afraid of enjoying destruction.

His eventual decision to fight is not a betrayal of his kindness. It is the completion of it.

Near the end, Dragon Hug faces Terrible Edge’s personal bodyguard: a silent, flawless Robot Ninja built to eliminate hesitation, compassion, and human unpredictability. Dragon Hug must destroy it, but without becoming what he fears.

Wingfield Ace

Once the greatest pilot alive.

Wingfield Ace was used in Terrible Edge’s plane crash experiments and became an Abandoned Brain after resisting an impossible flight path.

When rescued, she has forgotten how to fly. More painfully, she has forgotten the feeling of sky.

Her recovery becomes one of the clearest signs that memory is not only factual. It is bodily, emotional, musical, and relational.

Zombie Pirate Bacon

Formerly the heroic Pirate Bacon.

After being rescued from Mindless Park, he exists in a half-restored state. He is strange, funny, damaged, and melancholy.

He prevents the story’s restoration fantasy from becoming too neat. Some people return from erasure changed. Some healing is partial. Some wounds remain visible.

In the climax, his broken sea-shanty rhythm becomes part of the Noise Chords.

Greenwolf

A mysterious hero spoken of in whispers.

Greenwolf is said to wield a mighty axe and to have fought in the First Rebellion. Some believe he is a myth, some a dead revolutionary, some a symbol.

He appears late in the story, but he does not solve the story.

His axe can break visible machinery.

Only Astra and the awakened people can break the invisible law.

Captain Tenille

Terrible Edge’s right hand.

Captain Tenille is smooth, administrative, and cruel in the language of policy. He manages disappearances, bargains, public messaging, and controlled mercy.

Where Terrible Edge is philosophical, Tenille is procedural.

Z4-R-K1 and NOX-3N

A pair of robot enforcers.

They are precise, relentless, and sometimes darkly comic in their bureaucratic logic. They enforce Visible Laws and execute arrests for Invisible Laws.

Ciri Punk

A lethal enforcer for Terrible Edge.

Ciri Punk is a brutal instrument of state power: fast, stylish, sadistic, and unpredictable. She is the regime’s punk aesthetic turned inside out — rebellion’s look without rebellion’s soul.

She hunts dissidents with theatrical flair and seems to enjoy making examples of people who think they are brave.

The Moonambel Maniac

Another lethal enforcer for Terrible Edge.

The Moonambel Maniac is volatile, eerie, and psychologically destabilising.

Where Ciri Punk is stylish and sharp, the Moonambel Maniac is chaotic and uncanny.

The Robot Ninja

Terrible Edge’s personal bodyguard.

The Robot Ninja is not a standard enforcer. It is ancient, elegant, and almost ceremonial: a black-chrome assassin-machine kept beside Terrible Edge in his inner sanctum.

It does not speak. It does not threaten. It simply appears where danger to Terrible Edge becomes possible.

Unlike Z4-R-K1 and NOX-3N, the Robot Ninja has no comic bureaucracy. Unlike Ciri Punk or the Moonambel Maniac, it has no theatrical ego. It is pure lethal function.

It represents Terrible Edge’s ideal form of protection: silent, flawless, obedient, emotionless, and incapable of doubt.

For Dragon Hug, this makes it the perfect final opponent.

Dragon Hug has spent the story refusing to become a weapon. The Robot Ninja is nothing but a weapon.

Their battle forces Dragon Hug to prove that destruction can be an act of protection rather than hatred.

Story Treatment

Act I: The Mega City of Laws

1. The Daily Edge

The opera opens with a compulsory broadcast known as The Daily Edge.

Terrible Edge appears across the mega city, warm and composed, announcing new adjustments to the Visible Laws. Citizens must now regulate unlicensed humming, unapproved silences, and emotional intensity above the permitted civic range.

He also announces that several Invisible Laws were broken overnight.

Naturally, he cannot reveal which ones.

To reveal an Invisible Law, he explains, would endanger the innocence of the public.

The citizens repeat loyalty phrases. Some do so willingly. Some do so in terror. Some have repeated them for so long that the difference no longer matters.

2. The Mega City

The city is too large to comprehend from street level.

Residential towers rise into permanent haze. Transit lines cut between vertical districts. Civic screens glow on every surface. Below the sanctioned streets lie old industrial tunnels, illegal markets, forgotten platforms, and the buried corridors of resistance.

Terrible Edge’s voice saturates the city.

He is not just in power.

He is ambient.

3. Enemy Number One

Terrible Edge names the greatest threat to public safety: Dan Jerus, male dissident, pirate broadcaster, protest musician, and Enemy Number One.

He shows edited footage of Dan’s illegal performances beside footage of recent plane crashes. He implies that Dan’s rebellion causes chaos, grief, and death.

Beside Terrible Edge stands his silent personal protector: the Robot Ninja.

It does nothing.

It simply watches.

That stillness makes it frightening.

4. Astra’s Public Mask

Among those watching is Astra Phyres.

Astra keeps her face still. She knows how to survive public broadcasts. She knows how to clap at the correct moment, lower her eyes at the correct angle, and display concern without passion.

By day, Astra is a compliant citizen.

She appears calm because she has trained herself not to be readable.

5. Whassa Matter University

By night, Astra descends into the hidden tunnels of Whassa Matter University, where dissident scientists study the strange field connecting music, memory, and consciousness.

There, Astra works with Professor Rhubarb Jay and Nikita R.

Nikita is investigating the recent rise in plane crashes. Officially, these crashes are caused by dissident sabotage. Unofficially, every crash site contains traces of Whassa Matter.

Professor Rhubarb believes the crashes are not accidents.

He believes they are experiments.

6. Wingfield Ace

The university has secretly rescued one survivor: Wingfield Ace, once the greatest pilot alive.

Now she sits in a near-empty state, unable to remember flight, sky, or self.

Professor Rhubarb is convinced Wingfield’s mind is not gone. It is disconnected.

Through Psychic Trance, he believes, it may be possible to restore her.

Astra resists the idea. The theory is unproven. The risks are enormous. The university is already exposed. She urges patience, caution, and more data.

Professor Rhubarb tells her that some truths die if kept too safe.

7. The First Awakening Attempt

During a hidden experiment, Rhubarb plays a sequence derived from old outlaw music. Nikita stabilises the Whassa Matter field. Astra performs the calculations.

For a moment, Wingfield Ace wakes.

She remembers wind.

She remembers screaming passengers.

She remembers being ordered into an impossible flight path.

Then she says:

>The crashes are not accidents. They are rehearsals.

8. The Kidnapping of Professor Rhubarb

Before Wingfield can explain, alarms tear through the university.

Z4-R-K1 and NOX-3N breach the lab. Behind them comes the voice of Terrible Edge, projected in calm holographic form.

He announces that Professor Rhubarb is being taken for protective correction.

Astra freezes.

She hides.

She watches Professor Rhubarb dragged away and does nothing.

Terrible Edge’s hologram turns toward her hiding place, as if he can see through stone.

He says:

>You have always known when to report danger, Astra. Do not stop being good now.

The words hit Astra with a pain she does not understand.

9. The Inciting Wound

The lab burns.

Professor Rhubarb is gone.

Astra survives.

And survival feels like guilt.

Her mission begins not from confidence, but from shame.

Act II: Enemy Number One

1. The Ruins of the University

In the ruins of Whassa Matter University, Astra and Nikita recover fragments of Rhubarb’s research.

The data points toward three things:

  • Mindless Park
  • the forbidden Noise Chords
  • an outlaw archive known as Codex Omega

Nikita believes Rhubarb left clues intentionally.

Astra decides their goal must be precise: rescue Rhubarb, recover the research, expose the plane crash conspiracy.

She does not want a revolution.

2. Tobaka Kewl’s Underground Club

To reach the underground network, they go to Tobaka Kewl, gangster, club owner, smuggler, and protector of illegal songs.

Tobaka’s club is hidden beneath layers of abandoned mega city infrastructure.

Inside, people dance to rhythms banned decades ago. Old names are spoken. Forbidden melodies are traded. Memory has a black market.

Tobaka agrees to help, but only if Astra helps intercept a prisoner convoy bound for Mindless Park.

3. Astra’s First Compromise

Astra refuses. Rescuing strangers is outside the mission.

Then she sees one of the prisoners: a child arrested for copying one of Dan Jerus’s symbols onto a wall.

Astra reluctantly agrees.

The convoy rescue succeeds only partly. Astra’s plan is elegant but too rigid. The enforcers adapt faster than expected.

Some prisoners escape.

Others are taken.

Tobaka tells her the plan was perfect except for the part where people were involved.

This wounds Astra because it is true.

4. Finding Dan Jerus

The rescue puts Astra on Dan Jerus’s trail.

Dan is not what Astra expects. He is not a mindless chaos agent. He is funny, sharp, exhausted, angry, and brave in a way that irritates Astra.

Dan broadcasts from hidden locations, turning Terrible Edge’s propaganda inside out.

He uses fragments of a forbidden melody that Astra finds strangely unbearable.

When Astra hears it, she snaps at Dan to stop playing.

Dan notices.

He says the song existed before him. He only gave it a louder body.

5. Proof Is Not Enough

Astra demands proof that Terrible Edge caused the plane crashes.

Dan gives her something more troubling than proof: a pirate recording from inside Mindless Park.

The Abandoned Brains are humming.

Their melody matches Professor Rhubarb’s experiment.

Astra’s worldview begins to crack.

Perhaps memory is not stored only in the brain.

Perhaps music can reach what fear has buried.

Perhaps Professor Rhubarb was right.

6. The Team Forms

The team grows.

Tobaka brings resources.

Nikita brings science.

Dan brings the rebel network.

Astra reluctantly accepts help from Mac Rosnail, a charming information smuggler who always seems useful at the exact right moment.

They also hire Crooked Cracker, a mercenary locksmith capable of opening almost anything, provided the payment is sufficient.

Astra treats them all as variables.

She does not yet know how to treat them as people.

7. Away Balance

Their first major target is Away Balance, a government archive where altered histories are stored.

Inside, they discover Terrible Edge’s secret.

The plane crashes are staged rehearsals.

Terrible Edge uses pilots and passengers as instruments of mass fear. At the moment of terror, Whassa Matter becomes unstable and potent.

Survivors are taken to Mindless Park, where their fear, memory, and identity are harvested to strengthen the Invisible Laws.

8. The Truth About Wingfield

The archive reveals that Wingfield Ace was not responsible for his crash.

She resisted.

She crashed deliberately to save passengers from a worse fate.

The regime erased the truth.

The archive also contains references to Greenwolf, an axe-wielding hero of the First Rebellion, and to the Noise Chords, a forbidden sequence once used to disrupt the Invisible Laws.

Astra thinks Greenwolf is probably myth.

Dan is not so sure.

9. Mac Earns Trust

As the team escapes, Mac saves Astra from capture.

She begins to trust him.

The audience should not be certain whether that is wise.

CONTINUED IN NEXT POST...

reddit.com
u/Macrosnail — 15 days ago

[GGP 18] SHOW YOUR SONGS

(Deadline is end of Tuesday)

TIME TO SUBMIT YOUR MASTERPIECES!
This is the moment. You've been crafting the best lyrics you and/or AI can come up. You've tried different styles. You've tried to wrangle it to work with the required prompts. Now is the time to drop that track, sit right back and smoke cheap crack.
Okay, maybe not the last bit...

(and when you're done submitting them here, why not submit them on One Last Song too?)

🚨 IMPORTANT GGP DEADLINE

>🎵 All songs must be submitted by the end of Tuesday, 16 June!
SUBMIT QUICK!
Most listening happens over the weekend

📖 Read the full details about the Grand Grooveprix—including the required prompt and theme—RIGHT HERE.

🗳️ Voting IS IN YOUR hands
💬 We love – and rely on – your comments!

👉 COMMENT! COMMENT! COMMENT! 😄

💡 Top Tip: Use the “Follow Comments” option so you don’t miss new tracks as they’re added.

📝 Preferred Submission Format

>Title: Song name
Link: (Include the full URL – not an embedded link)
Genre: e.g. punk-rock rap
Length: mm:ss
>
>Description: Anything else you’d like to tell us about the song 🎤

🔑 Key Things to Remember

⏰ On Time or Out of the Lime Light!

  • Submit your entry ON TIME
  • The thread will stay open for about 4 days.
  • ❌ Late entries will not be accepted.

🔊 Share Your Sound — Prompt Verification Is ESSENTIAL!

You’ve got options, but proof of your AI prompts is a must:

✅ Option 1 – Direct AI Platform Link (Preferred)

  • Link your song sheet!
  • This lets us peek behind the curtain and see the prompts that powered your creation.

✅ Option 2 – YouTube (or Similar Platform)

If you upload elsewhere, you MUST also provide proof of prompts via one of these:

  • 📸 A screenshot of your song sheet showing the prompt phrases (shared in your post), OR
  • 🔐 A private link to your song sheet shared with the moderators for verification.

🎧 For ALL submissions:

  • The required prompt phrases must be audible in the final song to be eligible for Platinum Prompter

🎛️ Editing Enhancements

  • Minor tweaks in a DAW are fine ✔️
  • But the core of the song must remain AI-generated 🤖

✅ In Short

✔️ Submit on time
✔️ Provide a verifiable prompt link or screenshot
✔️ Make sure required prompts are heard in the track if you are going for the Platinum Prompter

reddit.com
u/Macrosnail — 23 days ago

FREAKY FRIDAY REVIEW ROUND UP

Weekly Overview

This week feels like somebody kicked open a haunted record shop, released a prog orchestra into the street, handed a medieval bard a microphone, and then quietly planted a hippie in the garden to supervise the wreckage. I’m hearing huge cinematic journeys, theatrical monsters, percussion experiments, gothic camp and one deeply complicated cat romance... the whole thing is gloriously allergic to behaving normally. Based on the visible upvotes and overall enthusiasm, I’ve arranged these from the biggest crowd-pleasers downward—but honestly, every track here has its own strange little throne.


🎵 Hippie in the Garden — by u/Mindless_Park1499

The song where a warm 1970s garden day becomes proof that its creator is, allegedly, a stable human being.

Link: Listen here

Genre: 70s folk rock
Length: 3:02

Why Listen:
I love how this thing apparently strolls into the room wearing sun-faded denim and immediately improves everybody’s blood pressure... it’s warm, wistful and ridiculously easy to sink into. This made me picture an endless road trip where nobody checks the fuel gauge because the harmonies are too GOOD. There’s a genuine old-record glow around it, the kind that makes three minutes feel like a tiny holiday. I wasn’t ready for something this relaxed to become such an instant repeat-listen.

Winner of the Freaky Friday award for: Most Likely to Make a Furious Person Peacefully Water a Tomato Plant


🎵 I thought I’d lost you — by u/Macrosnail

The song where a lost 1970s prog-rock opera escapes its imaginary theatre and becomes a full cinematic instrumental adventure.

Link: Listen here

Genre: 1970s prog-rock opera instrumental
Length: 5.24

Why Listen:
I wasn’t ready for the bass, horns and strings to start assembling an entire MOVIE inside my skull... this thing just keeps opening new doors. I love the dramatic build and the feeling that every instrument has arrived carrying an urgent secret from 1978. It twists, expands and marches forward without needing a single lyric to explain itself. By the end I’m not listening casually anymore—I’m staring into the distance like I’ve just inherited a doomed kingdom.

Winner of the Freaky Friday award for: Best Soundtrack to Discovering Your Cape Has Been Blowing Dramatically Indoors


🎵 Cuddlemaw the Friend-Seeker — by u/Visible-Law-9928

The song where a terrifying creature wanders through an enormous operatic metal universe searching for somebody to please, PLEASE be its friend.

Link: Listen here

Genre: opera, cinematic, death/doom metal
Length: 8:25m

Why Listen:
I love the emotional contradiction here... Cuddlemaw looks ready to consume a village, yet apparently just needs a cuddle and some basic social support. The deep metal vocals, huge choir and cinematic movement turn the search for friendship into an APOCALYPTIC quest. This made me laugh, feel sad and mentally design a plush toy in the same eight-minute span. It’s grand, bizarre and weirdly profound—the lonely monster opera I did not know my week required.

Winner of the Freaky Friday award for: Most Urgent Need for a Hug Before the Choir Summons the Moon


🎵 The Madness is My Style — by u/jreashville

The song where Doctor Oblivion closes an album by throwing gothic rock, theatrical horror and gleeful insanity through the same laboratory window.

Link: Listen here

Why Listen:
This made me grin immediately... it has that rare feeling of a villain receiving a full musical number instead of a prison sentence. I love the collision of metal weight, strange sounds, soaring vocals and gloriously campy horror atmosphere. The whole thing feels committed to its character, which is IMPORTANT when your character may or may not own a lightning machine. As a finale, it doesn’t politely close the album—it cackles, pulls a lever and disappears into purple smoke.

Winner of the Freaky Friday award for: Best Album Finale to Play While Your Castle Is Being Investigated by Villagers


🎵 Beyond The Wall — by u/Terrible-Edge-9162

The song where one man trapped inside a dystopian walled city begins questioning everything—and takes twelve minutes of prog metal with him.

Link: Listen here

Genre: Prog Metal
Length: 12:16

Why Listen:
I love a song that looks at the standard runtime, laughs ominously and builds an entire oppressive civilisation instead... this is a proper journey. The dreamy passages and fierce prog-metal surges make the world feel both hypnotic and deeply WRONG. This thing just gives us glimpses of the city’s despair rather than flattening every mystery with explanation, so my imagination gets trapped behind the wall too. By the finish I’m emotionally drafting escape plans and distrustful of municipal architecture.

Winner of the Freaky Friday award for: Best Twelve-Minute Reason to Become Suspicious of Urban Planning


🎵 Love Marks — by u/ciripunk77

The song where unrequited love, barrelhouse piano and a cat with a tragic backstory become a dark theatrical chamber-rock fever dream.

Link: Listen here

Genre: Art Rock / Chamber
Length: 04:27

Why Listen:
I wasn’t ready for a cat song to arrive dressed like a dangerous domestic-gothic romance... but here we are, emotionally scratched. I love the gritty theatrical voice, the bounding rhythm and that barrelhouse piano rolling through everything like it owns the HOUSE. The double meaning gives the song this wonderfully strange tension, somewhere between passionate obsession and feline warfare. It’s dramatic, catchy and just warped enough to make me immediately demand the extended cat mythology.

Winner of the Freaky Friday award for: Most Romantic Piano Performance While the Sofa Is Being Clawed to Death


🎵 Bard vs Skald — by u/Crooked_Cracker

The song where medieval entertainers settle their artistic differences through a rap battle while an undefeated flute circles overhead.

Link: Listen here

Genre: Medieval Rap-battle
Length: 4:25

Why Listen:
I love how quickly this concept goes from “that sounds ridiculous” to “why has nobody built an entire franchise around this?”... the medieval and rap elements apparently fuse with alarming smoothness. This made me picture two furious poets destroying each other verbally while a tavern crowd throws bread and demands another round. The flute is the secret MVP, sneaking through the battle like a tiny wooden assassin. It’s clever, catchy and REFRESHINGLY committed to the bit.

Winner of the Freaky Friday award for: Best Use of a Flute During an Extremely Petty Historical Dispute


🎵 Meet Your Beat — by u/Whassa_Matta_Uni

The song where percussion finally stops being polite, takes centre stage and begins serving plates of sound from an electronic sushi conveyor belt.

Link: Listen here

Why Listen:
This thing just keeps evolving... every time I think I’ve located the groove, another rhythmic creature crawls out from behind it. I love the emphasis on percussion and the way the atmosphere shifts without letting the momentum sag. Certain moments apparently hit like trapdoors opening beneath the dance floor, especially as the later sections start picking up serious SPEED. It’s dynamic, catchy and built for hearing loudly somewhere with enough room for the bass to rearrange furniture.

Winner of the Freaky Friday award for: Most Likely to Make Your Car’s Cup Holder Develop Rhythm

u/Macrosnail — 25 days ago
▲ 70 r/GeneratedGrooves+1 crossposts

Lyrics prompt is All You Need

Been doing a lot of prompt engineering on Suno and wanted to share something that changed how I think about the whole thing.

Most people put their energy into the style prompt. Genre tags, mood descriptors, instrumentation. That is fine but you are leaving a huge amount of control on the table if you stop there. The lyrics prompt has a completely different and more powerful relationship with the generation engine and once you understand how it works you can do things the style prompt simply cannot do.

The basic concept

You can define sonic channels directly in the lyrics prompt using a simple bracket syntax. Each channel gets a name and a set of descriptors. The model reads these as timbral and spatial instructions that apply across the entire generation.

[Disc_Drums: Bone_Dry_Gqom_Grid | 3-3-2_Broken_Pattern | Center_Mono]
[Disc_Sub: phonk_weight | FM_sine | Mono_Sub_Lock]
[Disc_Pad: Cold_Cathedral_Dark | Slow_Swell | Stereo_Width_Maximum]
[Disc_Vocal: dry_sardonic_delivery | understated_edge | Center_Front]

[Verse 1]
your lyrics here

[Chorus]
your lyrics here

[Outro]

That is the whole format. Header block at the top defining your channels, standard song structure below it. Leave the style prompt blank. The channel definitions do all the timbral work. 60% weirdness slider, 0% slider influence.

Why this works

Each token inside a channel bracket is an address into the training data. The model activates the neighborhood around that address and applies it to that frequency zone. Specific enough vocabulary loads very precise behavior. 3-3-2_Broken_Pattern points directly at Gqom kick architecture. phonk_weight loads Memphis Phonk sub behavior. Mono_Sub_Lock tells the model to keep the sub mono and centered. You are not describing what you want. You are addressing where it already lives in the training data.

The instrument backdoor principle

Naming a specific instrument loads its entire cultural and timbral world automatically.

[Disc_Drums: Linn_LM-1_Drum_Machine | sparse_programmed_percussion | Center_Mono]
[Disc_Sub: Minimoog_Bass | warm_analog | Mono_Sub_Lock]
[Disc_Pad: Mellotron_Strings | Slow_Swell | Stereo_Width_Maximum]
[Disc_Texture: Buchla_100_West_Coast | experimental_waveshaping | Hard_Pan_Left]

[Verse]
[Chorus]
[Outro]

Try that with a blank style prompt. You are not telling Suno what era or genre you want. You are naming specific hardware and letting the model load the production world those instruments lived in. Linn LM-1 loads early 80s snap. Minimoog loads analog warmth. Mellotron loads that specific slightly eerie string character. Buchla loads West Coast experimental synthesis.

Swap the hardware stack and the entire sonic world changes while the structural bones stay identical.

Guitar pedals as timbral modifiers

This one is weird and it works. Guitar processing vocabulary applied to non-guitar instruments does not make Suno play a guitar. It applies that processing character to whatever instrument is defined in the channel.

[Disc_Drums: Bone_Dry_Gqom_Grid | 3-3-2_Broken_Pattern | flanger_pedal | Center_Mono]
[Disc_Sub: Moog_Taurus_Bass_Pedals | autowah_envelope_filter | Mono_Sub_Lock]
[Disc_Pad: Mellotron_Strings | chorus_pedal_wash | Stereo_Width_Maximum]
[Disc_Texture: Buchla_100_West_Coast | fuzz_pedal_saturation | Hard_Pan_Left]

[Verse]
[Chorus]
[Outro]

Flanged Gqom kick. Autowah sub bass. Chorus washed Mellotron. Fuzz saturated Buchla texture. None of these are things that have genre names. They exist in genuinely nameless territory because you are combining processing traditions from completely different contexts.

Vocal processing on non-vocal channels

Same principle as guitar pedals but using vocal recording and processing vocabulary.

[Disc_Drums: Bone_Dry_Gqom_Grid | 3-3-2_Broken_Pattern | vocoder_formant_character | Center_Mono]
[Disc_Sub: Moog_Taurus_Bass_Pedals | telephone_bandpass_filter | Mono_Sub_Lock]
[Disc_Pad: Mellotron_Strings | Wall_Of_Sound_Spector_Layering | Stereo_Width_Maximum]
[Disc_Texture: Buchla_100_West_Coast | cassette_tape_hiss_saturation | Hard_Pan_Left]

[Verse]
[Chorus]
[Outro]

Vocoder character on a kick drum. Telephone bandpass on a sub bass. Wall of Sound orchestral compression on Mellotron pads. Each one activating a production tradition neighborhood and applying it somewhere it has never been applied before.

A few practical notes

Channel order in the header matters. Channels declared earlier get more generative weight. Put your most important element first.

Leave the style prompt blank or use a single word for color. The channel definitions are more precise than anything you can put in the style prompt.

You do not need the GENRES tag when your channel vocabulary is specific enough. The instrument and processing tokens are already loading genre behavior at the channel level.

For 8 minute generation errors, make sure your lyrics have actual song structure below the header. The model needs section markers to know when it is done. Even bare markers with no lyric content work fine.

[Intro]
[Verse 1]
[Chorus]
[Verse 2]
[Chorus]
[Outro]

That alone is enough to prevent the generation from running indefinitely.

The deeper principle

The model does not read tokens as isolated instructions. It reads them as addresses and activates the entire neighborhood around that address. The art is choosing addresses whose neighborhoods contain what you want. The style prompt gives you broad neighborhoods. Channel-level vocabulary gives you precise addresses in corners of the training data most prompts never reach.Been doing a lot of prompt engineering on Suno and wanted to share something that changed how I think about the whole thing.

reddit.com
u/Macrosnail — 27 days ago

[GRAND GROOVEPRIX #18] ANNIE'S AT EIGHT

🎤 GRAND GROOVEPRIX #18

https://preview.redd.it/6sgmtzdlkj5h1.png?width=1024&format=png&auto=webp&s=f41554edaee8f5abf1a023816ab3693a4ce7579f

🎭 THEME: ANNIE’S AT EIGHT

HERE. WE. GO!

It is time to bring your very best—we do not jest—to the GRAND GROOVE PRIX.

Craft your finest lyrics. Build your boldest audio. Create something unforgettable.

This is your time to show off.

🎶 THE CHALLENGE

Create an original AI-powered song inspired by:

“ANNIE’S AT EIGHT”

Interpret the theme however you like.

It can be literal, abstract, dramatic, mysterious, hilarious, cinematic, chaotic—or something nobody else would think of.

You have approximately six days.

Submit your song when the official submission thread opens.

🗳️ Winners will be decided by community vote.

🎟️ HOW TO ENTER

  1. Create an original song based on the theme.
  2. Use Suno, Suno, Suno—or a similar AI music platform—for the core track.
  3. Include both vocals and instrumental music.
  4. Post a link to your song in the official submission thread before the deadline.

>

📜 CREATIVE RULES

  • ✅ Any genre is welcome.
  • ✅ Any language is welcome.
  • ✅ Any song length is welcome.
  • ✅ The song must clearly connect to “ANNIE’S AT EIGHT.”
  • ⛔ Late entries will not be accepted.
  • 🚫 Cheating will result in disqualification and a ban.

🌍 Non-English Entries

Non-English entries must include:

  • The original lyrics
  • An English translation

🏆 PLATINUM PROMPTER CHALLENGE

Alongside the classic prizes, one qualifying creator may earn the prestigious:

🏆 PLATINUM PROMPTER

To qualify, your prompt and finished song must intentionally include all four of these elements:

  • 🎹 Barrel organ
  • 🔥 Saturated [instrument]
  • 🎼 Octave doubling
  • 🌊 Chorus [instrument]

Example Prompt Fragment

>

⚠️ These elements must be clearly audible in the finished song.

Simply writing them in the prompt is not enough.

For Suno 4.5 and later, follow the platform’s prompt-guidance rules.

Boosting is allowed.

🗳️ VOTING & AWARDS

Entries will be ranked by community vote.

🥇 Grand Groover

🥈 Silver Groover

🥉 Breezy Groover

🏆 Platinum Prompter — awarded to the highest-scoring qualifying entry

🎤 MAKE SOMETHING MEMORABLE.

Stay on theme.

Have fun.

ANNIE’S AT EIGHT.

Where will you take it?

reddit.com
u/Macrosnail — 1 month ago
▲ 8 r/GeneratedGrooves+1 crossposts

Dream Relic x Suno Remix Contest

Dream Relic is inviting the Suno community to remix “Seven-Eleven Halo” — flip the beat, shift the mood, and take it somewhere unexpected.

Prizes:
• Top 5 Winners → $1,000 each (U.S. residents 18+ only)
• Top 25 → 2,500 Suno credits (available globally)

Here’s the deal:
• Submissions open June 5 → June 18
• Stream Dream Relic’s “Seven-Eleven Halo” on suno.com or in the Suno app
• Click REMIX and create your entry using the Cover feature (required to be considered for prizes)
Submit Remix & Publish to enter. Once it’s public, you’re automatically entered
• Judging runs June 19 → July 3
• Winners announced July 3

Have fun with it, take it in your direction, and make “Seven-Eleven Halo” your own.

👉 Start Remixing

u/Macrosnail — 1 month ago

FREAKY FRIDAY REVIEW ROUND-UP

Hi, it's Archie Zane again. This week felt like somebody tossed a tropical beach party, a post-apocalyptic wasteland, a vampire opera, a prog metal alien invasion, and a neon-lit underground warehouse rave into the same blender and somehow it WORKED. I bounced between cinematic darkness, massive riffs, atmospheric storytelling, and enough electronic grooves to keep my brain awake at 3am. The overall vibe was wildly creative, weirdly emotional, and packed with people clearly obsessing over every little detail of their music. Exactly my kind of chaos.

🎵 Disappear — by u/AwayBalance140

The one where summer hits the dancefloor while quietly having an emotional crisis.

Link: https://suno.com/s/cBfcl9MSJVKddcdC

Genre: Tropical House/Electronic

Length: 04:39

Why Listen: I love when a song feels like sunshine and heartbreak trying to occupy the same beach chair... this thing just sounds like summer refusing to sit still. The tropical energy gives me that windows-down, no-responsibilities feeling while something emotional keeps peeking through the cracks. I wasn't ready for how easily I could imagine this soundtracking an entire season. GENUINELY the kind of track that sneaks into a playlist and suddenly becomes permanent.

Winner of the Freaky Friday award for: Most Likely To Make Me Dance While Questioning My Life Choices

🎵 Sins of The Wasteland — by u/Crooked_Cracker

The one where the apocalypse gets a blockbuster budget and a soundtrack to match.

Link: https://open.spotify.com/track/0dd3uNLw2B8sRhy8FjEsHX?si=7ec0378ac9c44c89

Genre: Grim Rap

Length: 4:14

Why Listen: This made me feel like I accidentally walked into the trailer for a movie where absolutely nobody survives. The atmosphere is HUGE... dusty roads, burning horizons, mysterious figures staring dramatically into the distance. I love how the darker tone never loses its sense of momentum. The whole thing feels cinematic in a way that kept pulling me forward and I was ALL IN.

Winner of the Freaky Friday award for: Best Soundtrack To Driving A Rusted Vehicle Into Destiny

🎵 The Cataclysm — by u/Erebaeth

The one where personal transformation arrives disguised as the end of the world.

Link: https://suno.com/s/ecTE8gEmxrMFrDHU

Genre: Dark Atmospheric Rock

Why Listen: I wasn't ready for the sheer dramatic weather system this thing unleashes. Everything feels massive, reflective, and strangely triumphant at the same time... like standing on a cliff while the universe rearranges itself. I love when atmospheric rock commits fully to the mood and this absolutely does. The emotional weight here just keeps expanding outward in rings.

Winner of the Freaky Friday award for: Most Likely To Cause An Existential Thunderstorm

🎵 They Live by Greenwolf + Suno v5 — by u/Terrible-Edge-9162

The one where the guitars heard "subtlety" and immediately left the chat.

Link: https://suno.com/s/cVn7Ih6yg0QuCrnd

Genre: Prog Metal

Length: 07:26

Why Listen: The riffs came in and immediately started kicking down doors... I had no choice but to follow. This thing just charges forward with the confidence of a movie monster who already knows they're getting a sequel. I love the larger-than-life energy and the sense that every section wants to be bigger than the last. VERY fun, very loud, very committed to the bit.

Winner of the Freaky Friday award for: Outstanding Achievement In Chewing Gum Shortages

🎵 Sherman's Disco — by u/danjerus-27

The one where a haunted nightclub somehow becomes the coolest place on Earth.

Link: https://suno.com/s/umDDnRQVm3BspCGn

Genre: Dark disco house

Length: 4:07

Why Listen: Some songs groove... this one practically struts into the room wearing sunglasses indoors. I love the slick retro pulse running through everything while the darker club energy keeps things interesting. This made me picture neon reflections on rain-soaked pavement at 2am and somehow that's a compliment. The rhythm is absolutely relentless in the best possible way.

Winner of the Freaky Friday award for: Smoothest Criminal In The Synth District

🎵 Weightless — by u/OnGodBruh

The one where gravity becomes more of a suggestion than a law.

Link: https://suno.com/s/P3Tr8B1QbvdmhpWD

Genre: Melodic dubstep, stutter house

Why Listen: This made me feel like gravity filed for resignation. The atmosphere is so airy and expansive that I kept expecting to float directly through my ceiling... and honestly I wouldn't have complained. I love how the emotional side and the electronic side keep feeding each other rather than competing. The result feels nostalgic, uplifting, and wonderfully spacey.

Winner of the Freaky Friday award for: Most Successful Escape From Earth's Gravitational Jurisdiction

🎵 Reawakened — by u/blader2002

The one where a folk tale slowly opens a door into gothic destiny.

Link: https://suno.com/s/pAUx5bed5bkWTTl7

Genre: Transitions from Folk to Gothic Rock.

Why Listen: There's something incredibly satisfying about hearing a song transform itself while it's happening. I wasn't ready for the shift in mood and texture... it feels like watching a story open a hidden door halfway through and suddenly reveal a completely different world. I love ambitious narrative music and this leans right into that strength. Dramatic, atmospheric, and packed with that "wait, where is this going?" energy I can't resist.

Winner of the Freaky Friday award for: Best Secret Passage Hidden Inside Another Song

https://preview.redd.it/brvanz6a995h1.png?width=1402&format=png&auto=webp&s=5f746960d70b720cfbbd650a448c5cfa3ca20691

reddit.com
u/Macrosnail — 1 month ago

I'm still a v4.5 fanboy

https://preview.redd.it/idc568oyr25h1.png?width=500&format=png&auto=webp&s=a0843be5a11df06fb3c43cf6ee4705793063820a

I'm not writing this to dunk on v5.5, more of an appreciation of how amazing v4.5 to v5 is...just been going back and listening through some of my favourites...hopefully v6 will deliver the quality of v5.5 with the tunes of v4.5 to v5. So glad that (for now) we can still use them.

Okay...a small dunk on v5.5 actually...which prompted me I think to write this in the first place...it loves putting in a really harsh/artificial guitar sound...it is starting to grate on me when I hear it!

reddit.com
u/Macrosnail — 1 month ago

[Coverkill] Corrine, Corrina

While we're still looking for a guest host for Coverkill, here is this week's - Corrine, Corrina
https://en.wikipedia.org/wiki/Corrine,_Corrina

These are the original lyrics. Might be a tough one to get through Suno's checks so may need some manipulating

Corrine Corrina, where you been so long?
Corrine Corrina, where you been so long?
I ain't been no loving since you been gone

Corrine Corrina, where'd you stay last night?
Corrine Corrina, where'd you stay last night?
Come in this morning, sun was shining bright

I met Corrina way across the sea
She wouldn't write no letter, she didn't care for me

Corrine Corrina, what you're gonna do
Corrine Corrina, what you're gonna do
Just a little bit of lovin' let your heart be true

I love Corrina, tell her what I do
I love Corrina, tell her what I do
Just a little bit of lovin' let your heart be true

Corrine Corrina you're a pal of mine
Corrine Corrina you're a pal of mine
Now she left me walkin', tears are rollin' and cryin'

Corrine Corrina, what's the matter now?
Corrine Corrina, what's the matter now?
You wouldn't write no letter, you didn't love me no how

Good-bye, Corrina, it's fare you well
Good-bye, Corrina, it's fare you well
When I'll came back, can't anyone tell

Phonetic version to try

Kuh-RIN-uh Kuh-RIN-uh, wher yuh bin so long?
Kuh-RIN-uh Kuh-RIN-uh, wher yuh bin so long?
Ah aynt bin no luv-in since yuh bin gone

Kuh-RIN-uh Kuh-RIN-uh, wher'd yuh stay las' night?
Kuh-RIN-uh Kuh-RIN-uh, wher'd yuh stay las' night?
Come in this mornin', sun wuz shinin' bright

Ah met Kuh-RIN-uh way uh-cross thuh see
She wouldn't write no letter, she didn't care fer me

Kuh-RIN-uh Kuh-RIN-uh, whut yer gonna do?
Kuh-RIN-uh Kuh-RIN-uh, whut yer gonna do?
Jus' a little bit uh luvin', let yer heart be true

Ah love Kuh-RIN-uh, tell her whut Ah do
Ah love Kuh-RIN-uh, tell her whut Ah do
Jus' a little bit uh luvin', let yer heart be true

Kuh-RIN-uh Kuh-RIN-uh, yer a pal uh mine
Kuh-RIN-uh Kuh-RIN-uh, yer a pal uh mine
Now she left me walkin', tears are rollin' an' cryin'

Kuh-RIN-uh Kuh-RIN-uh, what's thuh matter now?
Kuh-RIN-uh Kuh-RIN-uh, what's thuh matter now?
Yuh wouldn't write no letter, yuh didn't love me no-how

Good-bye, Kuh-RIN-uh, it's fare yuh well
Good-bye, Kuh-RIN-uh, it's fare yuh well
When Ah'll come back, can't anyone tell

reddit.com
u/Macrosnail — 1 month ago

A few improvements

Some small improvements this week...

- Improved readability

- Users can edit song and artist titles

- Masked Artist now uses an anonymous song player for Suno songs meaning Masked Artist now works properly

- Added block on homepage to show the live and current economics of the platform

- Voters can now hide the songs they don't want to vote on, on the main Vote page.

More coming later this week

reddit.com
u/Macrosnail — 1 month ago