Image 1 — All Roads Lead To You By Courtney W. Dixon
Image 2 — All Roads Lead To You By Courtney W. Dixon
Image 3 — All Roads Lead To You By Courtney W. Dixon
Image 4 — All Roads Lead To You By Courtney W. Dixon

All Roads Lead To You By Courtney W. Dixon

4.5 🌟🌟🌟🌟✨

I hope it's OK with this Subreddit to post a longer format review. 🙂 I've tried my best not to make it too spoiler-y, and wherever there are a few tangential spoilers, have marked them out.

(Note: I'd earlier posted a similar version of this review in the MM_RomanceBooks Subreddit).

I just wanted to gush about {All Roads Lead To You by Courtney W. Dixon} after one of my recent re-reads, especially since it's hit the second anniversary of the publication. Despite not really being a fan of the stepbrother romance trope per se, this book really clicked for me. So much so that despite a few niggles I had, it's become one of my favorite MM romances.

I know that it's fairly popular, but IMO it doesn't really get the attention and hype it deserves; whether in discussions of road trip romances, or in the stepbrother romance genre; where many other books tend to get significantly more attention. On Goodreads, for instance, All Roads Lead To You clocks in at around 780 odd ratings and 200 odd reviews - quite an impressive number, but much less engagement than it truly deserves.

First things first - for those readers for whom MCs being stepbrothers from a young age is something of an ick factor - this book doesn't have that. Logan Conrad and Nicholas 'Nick' Theodoropoulos are already in their mid teens when their respective parents (Logan's Dad and Nick's Mom) get together, so it isn't like they grow up together as such.

Visual appeal wise, this is one of the few books which have excellent covers for both the regular paperback/ebook edition (incorporating a photograph from Katie Cadwallader photography) and the special paperback edition (artwork by David Da Silva). The depiction on both these covers actually fits the MCs - which is something of a rarity. 🙂 There are so many other book covers where the models/cover art looks nothing like the MC's description, so these covers really felt like a breath of fresh air.

Coming to the plot/ character portrayals itself. On its surface, the novel is an enemies-to-lovers road trip romance, set in the summer of 1987. Dig a little deeper, however, and it becomes a thoughtful exploration of grief, identity, family expectations, and the momentous process of discovering that the person you've spent years resenting, may be the one who understands you the best of all. 

Owing to a chain of circumstances, Logan and Nick, who have been reluctant stepbrothers with five years of simmering resentment between them; are forced into an extended cross-country drive from Vienna, Virginia to California. Logan is shortly set to start his Freshman year at Berkeley, and Nick likewise at Stanford. 

As with the best done road-trip romances, the journey also becomes an effective metaphor without feeling heavy-handed. Every picturesque destination reached introduces another emotional crossroads, every detour forces conversations - some grounding and reassuring, others more uncomfortable; and every mile travelled gradually dismantles years of barriers built up. Barriers having arisen owing to the (mostly) one-sided frustration channeled by Logan into antagonism, and retaliated to by Nick.

It may be a familiar literary device, but the author employs it with a lot of nuance and depth; and makes it feel organic and meaningful to the characters. By the time Logan and Nick’s physical journey nears its conclusion, it's evident that the emotional one has altered both characters in ways neither anticipated when they first got into the car.

It’s entertaining and engrossing to see how the trope of kinda/sorta semi-forced proximity works here. Their cross-country road trip strips away distractions. There are only miles of highway, roadside diners, cheap motels, campsites, and conversations that become increasingly difficult to avoid. Every passing halt on their trip becomes another layer peeled away from both characters, and the plot allows their relationship to evolve and deepen in a very intense manner.

What elevated the book for me, beyond the levels of a conventional slow-burn romance, was the emotional architecture which lays a solid foundation to the love story. Neither Logan nor Nick feel like stock romantic leads. This book is one of the select few which remembers why we like reading about well-delineated characters falling in love, and the author never forgets to present Logan and Nick as palpably real-feeling young men.

Logan's journey is perhaps the more outwardly turbulent one. His defensiveness often masks vulnerability, and watching those defenses weaken over the course of the journey is one of the novel's most satisfying emotional arcs. Still haunted by the untimely loss of his mother, Logan carries a crushing burden of survivor's guilt that quietly dictates so many of his choices. His grief has calcified into anger; and his father’s remarriage two years after his mother’s passing, feels to him almost like a betrayal. Logan is unable to hold on to his resentment against his stepmother for too long though; because she is genuinely good to him and calmly tries to win him over, while also not letting him get away with rudeness. So his new stepbrother, Nick, becomes an extension of that resentment, an unwitting symbol of the merged family Logan never asked for. Yet beneath all that bitterness lies a young man desperate to be loved without conditions, terrified that if his father ever discovered the truth about his sexuality, he would lose the only parent he has left.

The irony is that just as Logan begins accepting his sexuality to himself, he finds himself falling irreversibly in love with the very person he believes he should never want. His attraction to Nick isn't merely confusing, it feels like another betrayal: of what he thinks his father would expect, of the demands of a society already prejudiced against gay men amidst the AIDS pandemic, and of the fragile version of himself Logan has spent years trying to preserve. Watching Logan wrestle with that knot of grief, guilt and intense yearning is compelling, because the book never reduces his conflict to a single issue. Every emotional battle feeds the next until his entire identity feels like something he's struggling to hold together.

Nick provides an equally fascinating counterbalance. Where Logan often reacts first and reflects later, Nick possesses a quieter emotional intelligence that isn't immediately obvious. He's patient without becoming implausibly saintly, kind without feeling idealized. The novel never reduces him to the stereotypical role of "the nicer one". He has his own insecurities, frustrations, and emotional scars that emerge naturally as the story progresses. His pain is quieter, and for much of the novel, easier to overlook - just as it is for the people around him. On the surface, Nick is warm, charming and sociable; the sort of person who instinctively lights up a room. But the book gradually reveals that this optimism is, in many ways, a survival mechanism.

Nick has spent much of his life absorbing abandonment as though it was inevitable. First, his biological father walked away from him and his mother, leaving behind an absence that subtly shapes his understanding of love and permanence. Then, just as he begins imagining a future with his longtime girlfriend, he abruptly realizes >!she's already emotionally checked out of their relationship without him ever having an inkling of this. She’s made plans for a life in which he no longer figures .!<That silent erasure from being chosen leaves scars every bit as deep as Logan's more explosive grief. Somewhere deep down, Nick fears that no matter how hard he loves, people will simply leave again. There's something profoundly moving about how the author peels back that cheerful exterior to reveal a young man who longs, perhaps more than anything else, for someone to choose him first. Nick’s gradual pansexual awakening/realization is handled with a lot of deftness, and it’s lovely to see how he goes all-in with accepting his attraction and feelings for Logan. 

What makes Logan and Nick’s relationship so memorable is that their personalities complement rather than simply oppose one another. This makes their eventual intimacy feel rooted in genuine understanding, rather than mere superficial attraction. Neither Logan nor Nick "fixes" the other. Rather, they begin gently dismantling the suppositions each has spent years believing about himself. Logan teaches Nick that he is worthy of being chosen simply because of who he is. Nick, in turn, offers Logan something he has been thirsting for over years: unwavering emotional safety. He never asks Logan to be less intense, less emotional, or less complicated. Instead, he quietly remains present until Logan begins believing he deserves kindness and acceptance as much as anyone else. 

It's almost poetic how their individual wounds fit together without ever feeling contrived. Logan, who fears that revealing his true self will cost him love, finds complete and unconditional acceptance in the one place he hadn’t ever expected it. Nick, who has lived with the ache of being left behind, discovers someone who chooses him again and again, even when doing so feels scary. By the novel's end, they don't feel like two broken halves completing one another; but rather two whole, imperfect people whose strengths naturally compensate for the other's vulnerabilities. It almost feels like Nick heals the bruises on Logan’s psyche, just as Logan soothes the wounds on Nick’s. That, more than any grand declaration or dramatic climax, is what makes their love story feel so enduringly real.

Another aspect I liked was the treatment of family. Without venturing too far into spoiler territory, I appreciated that the novel doesn't manufacture conflict solely to delay the inevitable romantic resolution. The obstacles that arise feel consistent with who these characters are, and with the emotional baggage they've been carrying. With so much they have to face externally, it was a warm and reassuring touch that while their respective parents are understandably concerned of how others might view a relationship between Logan and Nick, >!they themselves offer their cautious but still warm acceptance and support.!< And thankfully, there wasn't any contrived or melodramatic third-act breakup, which becomes a bane in some other trope-ridden plots. I also liked the fact that Logan and Nick's respective best friends >!give them the warmth of their support and unstinting acceptance - that was a very nice touch.!<

One small niggle I had with the novel was that, in places, the prose seemed a bit….stilted. Probably this was to reflect authenticity of Logan and Nick’s age group (they’re 19 through most of the novel, and 23 during one of the epilogue chapters), but still, some turns of phrase did feel a tad clunky. That said, this didn't detract from my overall enjoyment of the book. The writing isn’t needlessly ornate, nor does it strive for lyrical excess. Instead, it prioritizes emotional clarity; with heartfelt conversations moving naturally between teasing, frustration, vulnerability, and a disarming honesty. Those exchanges do much of the heavy lifting in convincing the reader, of the enduring strength of Logan and Nick’s feelings for each other.

The intimate scenes between Logan and Nick are very well written. Unlike some other books where the smut overpowers the plot and slides into borderline-sleaze territory; in this book the passion and sensuality were a great combination of erotica and emotion. There is also the added nuance that it’s the first time for both of them in a way. It’s Logan’s first ever sexual experience, and Nick’s first time being with a man. But even more than the sensual/erotic scenes, Logan and Nick’s love story is built on care, and the gradual realization that they've become one another's safest place in the world.

There are several achingly lovely emotional scenes between the MCs which live rent-free in my head. One is a very tender sequence when they're camping in the Ozarks, and they shave each other one morning by the riverbank. The care and gentle touch they share is filled with a very profound intimacy and trust.

The second scene is both romantic and heartbreaking in a sense. >!After the devastating news of his best friend’s mother's death!<leaves Logan emotionally shattered, Nick quietly draws a warm bath for the two of them and simply holds him. He doesn't make any dramatic attempts or perfectly crafted speeches to magically 'fix' Logan’s grief. Instead, he creates a safe, secure place where Logan can stop pretending to be strong and just let himself be adored. I had to put the book down for a few minutes after that scene, because it felt so visceral and yet cathartic.

One more sequence is where Nick, feeling emotionally vulnerable, tells Logan, "Don't ever leave me." And Logan, who's been trying and failing to suppress his feelings for Nick for three entire years, quietly makes him a heartfelt vow. "Never," he says. "I swear it". At another juncture in the book, responding to Nick's passionate declaration, Logan tells him, >!"It will only ever be you".!<

Moments like those are why Logan and Nick work so beautifully as a couple. I'd heartily recommend this book, it's been a joyful re-read for me on several occasions over the past couple of years.

u/OrchidBouquet369 — 2 days ago

All Roads Lead To You By Courtney W. Dixon

With the second anniversary of the publication of {All Roads Lead To You by Courtney W. Dixon} coming up in a few weeks, just wanted to gush about it after one of my recent re-reads. Despite not really being a fan of the stepbrother romance trope per se, this book really clicked for me. So much so that despite a few niggles I had, it's become one of my favorite MM romances.

I know that it's fairly popular, but IMO it doesn't really get the attention and hype it deserves; whether in discussions of road trip romances, or in the stepbrother romance genre, where many other (IMO significantly less well constructed and executed) books tend to get more attention. On Goodreads, for instance, All Roads Lead To You clocks in at around 750 odd ratings and 200 odd reviews - quite an impressive number, but much less engagement than it truly deserves.

First things first - for those readers for whom MCs being stepbrothers from a young age is something of an ick factor - this book doesn't have that. Logan Conrad and Nicholas 'Nick' Theodoropoulos are already in their mid teens when their respective parents (Logan's Dad and Nick's Mom) get together, so it isn't like they grow up together as such.

Visual appeal wise, this is one of the very few books which have excellent covers for both the regular paperback/ebook edition (incorporating a photograph from Katie Cadwallader photography) and the special paperback edition (artwork by David Da Silva). The depiction on both these covers actually fits the MCs - which is something of a rarity. 🙂 There are so many other book covers where the models/cover art looks nothing like the MC's description, so these covers really felt like a breath of fresh air.

Coming to the plot/ character portrayals itself. On its surface, the novel is an enemies-to-lovers road trip romance, set in the summer of 1987. Dig a little deeper, however, and it becomes a thoughtful exploration of grief, identity, family expectations, and the momentous process of discovering that the person you've spent years resenting, may be the one who understands you the best of all. 

Owing to a chain of circumstances, Logan and Nick, who have been reluctant stepbrothers with five years of simmering resentment between them; are forced into an extended cross-country drive from Vienna, Virginia to California. Logan is shortly set to start his Freshman year at Berkeley, and Nick likewise at Stanford. 

As with the best done road-trip romances, the journey also becomes an effective metaphor without feeling heavy-handed. Every picturesque destination reached introduces another emotional crossroads, every detour forces conversations - some grounding and reassuring, others more uncomfortable; and every mile travelled gradually dismantles years of barriers built up. Barriers having arisen owing to the (mostly) one-sided frustration channeled by Logan into antagonism, and retaliated to by Nick.

It may be a familiar literary device, but the author employs it with a lot of nuance and depth; and makes it feel organic and meaningful to the characters. By the time Logan and Nick’s physical journey nears its conclusion, it's evident that the emotional one has altered both characters in ways neither anticipated when they first got into the car.

It’s entertaining and engrossing to see how the trope of kinda/sorta semi-forced proximity works here. Their cross-country road trip strips away distractions. There are only miles of highway, roadside diners, cheap motels, campsites, and conversations that become increasingly difficult to avoid. Every passing halt on their trip becomes another layer peeled away from both characters, and the plot allows their relationship to evolve and deepen in a very intense manner.

What elevated the book for me, beyond the levels of a conventional slow-burn romance, was the emotional architecture which lays a solid foundation to the love story. Neither Logan nor Nick feel like stock romantic leads. This book is one of the select few which remembers why we like reading about well-delineated characters falling in love, and the author never forgets to present Logan and Nick as palpably real-feeling young men.

Logan's journey is perhaps the more outwardly turbulent one. His defensiveness often masks vulnerability, and watching those defenses weaken over the course of the journey is one of the novel's most satisfying emotional arcs. Still haunted by the untimely loss of his mother, Logan carries a crushing burden of survivor's guilt that quietly dictates so many of his choices. His grief has calcified into anger; and his father’s remarriage two years after his mother’s passing, feels to him almost like a betrayal. Logan is unable to hold on to his resentment against his stepmother for too long though; because she is genuinely good to him and calmly tries to win him over, while also not letting him get away with rudeness. So his new stepbrother, Nick, becomes an extension of that resentment, an unwitting symbol of the merged family Logan never asked for. Yet beneath all that bitterness lies a young man desperate to be loved without conditions, terrified that if his father ever discovered the truth about his sexuality, he would lose the only parent he has left.

The irony is that just as Logan begins accepting his sexuality to himself, he finds himself falling irreversibly in love with the very person he believes he should never want. His attraction to Nick isn't merely confusing, it feels like another betrayal: of what he thinks his father would expect, of the demands of a society already prejudiced against gay men amidst the AIDS pandemic, and of the fragile version of himself Logan has spent years trying to preserve. Watching Logan wrestle with that knot of grief, guilt and intense yearning is compelling, because the book never reduces his conflict to a single issue. Every emotional battle feeds the next until his entire identity feels like something he's struggling to hold together.

Nick provides an equally fascinating counterbalance. Where Logan often reacts first and reflects later, Nick possesses a quieter emotional intelligence that isn't immediately obvious. He's patient without becoming implausibly saintly, kind without feeling idealized. The novel never reduces him to the stereotypical role of "the nicer one". He has his own insecurities, frustrations, and emotional scars that emerge naturally as the story progresses. His pain is quieter, and for much of the novel, easier to overlook - just as it is for the people around him. On the surface, Nick is warm, charming and sociable; the sort of person who instinctively lights up a room. But the book gradually reveals that this optimism is, in many ways, a survival mechanism.

Nick has spent much of his life absorbing abandonment as though it was inevitable. First, his biological father walked away from him and his mother, leaving behind an absence that subtly shapes his understanding of love and permanence. Then, just as he begins imagining a future with his longtime girlfriend, he abruptly realizes >!she's already emotionally checked out of their relationship without him ever having an inkling of this. She’s made plans for a life in which he no longer figures!<. That quiet erosion of being chosen leaves scars every bit as deep as Logan's more explosive grief. Somewhere deep down, Nick fears that no matter how hard he loves, people will simply leave again. There's something profoundly moving about how the author peels back that cheerful exterior to reveal a young man who longs, perhaps more than anything else, for someone to choose him first. Nick’s gradual pansexual awakening/realization is handled with a lot of deftness, and it’s lovely to see how he goes all-in with accepting his attraction and feelings for Logan. 

What makes Logan and Nick’s relationship so memorable is that their personalities complement rather than simply oppose one another. This makes their eventual intimacy feel rooted in genuine understanding, rather than mere superficial attraction. Neither Logan nor Nick "fixes" the other. Rather, they begin gently dismantling the suppositions each has spent years believing about himself. Logan teaches Nick that he is worthy of being chosen simply because of who he is. Nick, in turn, offers Logan something he has been thirsting for over years: unwavering emotional safety. He never asks Logan to be less intense, less emotional, or less complicated. Instead, he quietly remains present until Logan begins believing he deserves kindness and acceptance as much as anyone else. 

It's almost poetic how their individual wounds fit together without ever feeling contrived. Logan, who fears that revealing his true self will cost him love, finds complete and unconditional acceptance in the one place he hadn’t ever expected it. Nick, who has lived with the ache of being left behind, discovers someone who chooses him again and again, even when doing so feels scary. By the novel's end, they don't feel like two broken halves completing one another; but rather two whole, imperfect people whose strengths naturally compensate for the other's vulnerabilities. It almost feels like Nick heals the bruises on Logan’s psyche, just as Logan soothes the wounds on Nick’s. That, more than any grand declaration or dramatic climax, is what makes their love story feel so enduringly real.

Another aspect I liked was the treatment of family. Without venturing too far into spoiler territory, I appreciated that the novel doesn't manufacture conflict solely to delay the inevitable romantic resolution. The obstacles that arise feel consistent with who these characters are, and with the emotional baggage they've been carrying. With so much they have to face externally, it was a warm and reassuring touch that while their respective parents are understandably concerned of how others might view a relationship between Logan and Nick, >!they themselves offer their cautious but still warm acceptance and support.!< And thankfully, there wasn't any contrived or melodramatic third-act breakup, which becomes a bane in some other trope-ridden plots. I also liked the fact that Logan and Nick's respective best friends >!give them the warmth of their support and unstinting acceptance - that was a very nice touch. !<

One small niggle I had with the novel was that, in places, the prose seemed a bit….stilted. Probably this was to reflect authenticity of Logan and Nick’s age group (they’re 19 through most of the novel, and 23 during one of the epilogue chapters), but still, some turns of phrase did feel just a tad clunky. That said, the writing isn’t needlessly ornate, nor does it strive for lyrical excess. Instead, it prioritizes emotional clarity; with heartfelt conversations moving naturally between teasing, frustration, vulnerability, and a disarming honesty. Those exchanges do much of the heavy lifting in convincing the reader, of the enduring strength of Logan and Nick’s feelings for each other.

The intimate scenes between Logan and Nick are very well written. Unlike some other books where the smut overpowers the plot and slides into borderline-sleaze territory; in this book the passion and sensuality were a great combination of erotica and emotion. There is also the added nuance that it’s the first time for both of them in a way. It’s Logan’s first ever sexual experience, and Nick’s first time being with a man. But even more than the sensual/erotic scenes, Logan and Nick’s love story is built on care, and the gradual realization that they've become one another's safest place in the world.

There are several achingly lovely emotional scenes between the MCs which live rent-free in my head. One is a very tender sequence when they're camping in the Ozarks, and they shave each other one morning by the riverbank. The care and gentle touch they share is filled with a very profound intimacy and trust.

The second scene is both romantic and heartbreaking in a way. After >!the devastating news of his best friend’s mother's death!< leaves Logan emotionally shattered, Nick quietly draws a warm bath for the two of them and simply holds him. He doesn't make any dramatic attempts or perfectly crafted speeches to magically 'fix' Logan’s grief. Instead, he creates a safe, secure place where Logan can stop pretending to be strong and just let himself be adored. I had to put the book down for a few minutes after that scene, because it felt so visceral and yet cathartic in a way.

Another scene is where Nick, feeling emotionally vulnerable, tells Logan, "Don't ever leave me." And Logan, who's been trying and failing to suppress his feelings for Nick for three entire years, quietly makes him a heartfelt vow. "Never," he says. "I swear it".

Moments like those are why Logan and Nick work so beautifully as a couple. I'd heartily recommend this book, it's been a joyful re-read for me on several occasions over the past couple of years.

u/OrchidBouquet369 — 1 month ago

WWTBC- MMM romance with initial jealousy when MC1 walks in on MC2 and MC3 in bed

Hi,

Am trying to recall the name of this book - MMM romance where there's a lot of initial jealousy and feelings of betrayal when MC1 accidentally walks in on MC2 (his best friend) and MC3 (his years-long crush) in bed together.

MC1 feels betrayed initially, because he'd confided in MC2 about how he felt for MC3. He'd never acted on it though - since MC3 was presumed straight; and (IIRC) there was an additional complication with MC1's mom and MC3's dad dating, possibly considering marriage.

OTOH, MC1 and MC2's friendship is also extremely close and possessive, with some (unacknowledged as yet) romantic undertones.

The confrontations trigger a frank confession of feelings between the three, and they settle into a happy polyamorous relationship. IIRC, there was a bit of drama from MC1's mom about him in a relationship with his potential step sibling (MC3) but they surmounted this.

Would sincerely appreciate if someone could remind me of the title for this one.

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u/OrchidBouquet369 — 2 months ago

Third Act Breakups - Yea or Nay?

Was wondering what the broader opinion/consensus is regarding third act breakups in MM romances. I've been an avid reader of MM fiction (both published novels and fanfics) for about a dozen years now; and in several of the stories, I've found that this plot device doesn't actually work too well or fit the narrative - at least, IMO.

I get why the plot device is there, and why, if used appropriately, it can be impactful. After all, queer romances are compelling because of the broader context and struggle. Often times, the lovers have to struggle against societal norms/strictures or familial and peer-group expectations. There could be an internal struggle as well, in coming to terms with one's sexuality or insecurities. So a genuinely well-executed breakup raises the emotional stakes, forcing one or both MCs to confront their deepest fears and unresolved conflicts before they can fully commit to one another. If this further explores themes of identity and vulnerability, a temporary separation can function as a catalyst for personal growth and belonging - ultimately strengthening the relationship.

To my mind, the short-term third-act breakup >!(maybe better termed as a couple weeks or so of no-contact)!< between Wes and Jamie in {Him by Sarina Bowen and Elle Kennedy} was one that both fit the characters and moved the plot forward. >!While one feels upset for both characters and frustrated with one of them for 'running away' in a sense,!< that reaction felt authentic given where they were at that point. Plus, this temporary estrangement is resolved in a very satisfying manner - >!with candid and heartfelt communication, and a tenderly romantic reunion!<.

But at least over the past few years' worth of novels, it seems to me that third-act breakups often feel "shoehorned in". Not to really serve the plotlines or character arcs, but to merely satisfy what is assumed as genre expectations. In such cases, the "conflict" is one that stems from a simple misunderstanding, or could be resolved through a single honest conversation, or is wildly out of tune with what we've been shown of the characters thus far. In these cases, the breakup just feels manufactured and melodramatic, and this plot device interrupts narrative momentum rather than enhancing it.

For me, a stark example of this was in {Don't You Dare by C.E. Ricci} - where the third act breakup instigated by one MC was such a massive betrayal >!(of both the romance and the years-long friendship between the leads)!<, that I just could not root for the couple to even get together again after that. To add insult to injury, there was only the most perfunctory redemption track afterwards, >!with the other MC forgiving him all too easily IMO!<. It pretty much ruined the entire book for me and has left me extremely wary of any other books by this author.

While not quite as bad as this, the third act split in {Playing For Keeps by Jax Calder} also felt unjustified and extremely frustrating. There too, it seemed to me that one MC had to put in almost all the heavy lifting for their relationship. The other MC seemed content to take him for granted on multiple occasions throughout.

Curious to know what others' opinions and reading experiences have been. Which books did you feel employed this trope well? And which ones did so badly?

Edited to Add - Just to highlight that if there are plot spoilers, am marking them with the spoiler tag. However, since this discussion is about which books employed the 3rd act breakup well and which ones didn't - inevitably some book names are going to be mentioned. The mere fact of the book having a 3rd act breakup shouldn't count as a spoiler - however if there are people who'd rather not know this at all, please bear this in mind for this discussion.

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u/OrchidBouquet369 — 2 months ago

So out of the blue, my Goodreads account - of over a dozen years' history, is showing up as locked when I tried to login this week. The display message on login says it has been "temporarily suspended because one of your actions violated our Community Guidelines".

I haven't done anything unusual or spam like whatsoever. I'd recently participated in a buddy-read activity with some friends, so in the past 10 days or so, I had rated about 5 books I'd completed reading (some were positive ratings, others critical ratings) and 'liked' half a dozen other reviews at max. I don't know if Goodreads auto filters assumed this as spam, but it makes no sense to me. I've always been constructive in my reviews/ratings, and whether it's a positive or critical review, I always mention the aspects which either worked for me or didn't.

Has anyone else experienced something like this? I'd reached out to Support team over the 'Contact Us' link, explaining that I haven't done anything which violates Goodreads Community Guidelines or Ratings/Review Guidelines, but....all I received was an automated email stating that "Your Goodreads account is temporarily suspended while under investigation for suspicious activity. We will notify you once this review is complete. If you would like to proactively appeal the action, please contact us and submit a summary explaining why your review/rating activity adheres to Goodreads guidelines."

The email definitely seems automated, because I had already submitted a pretty detailed explanation as to why my review/rating activity did not violate any guidelines.

Any suggestions on what I should do further? Does replying to the email help, or do I post another submission on the 'Contact Us' page after a few days?

If anyone has had a similar experience - how long does Goodreads Support typically take to respond to appeals? Is there an actual support executive/Mod who will review the case or is it all just auto filter driven?

Logically, I realize this may not be a huge deal. But I have so much reading history associated with my account that I can't help feeling almost bereft at this unexpected development.

Edited to add: I never received any email from Goodreads informing me that my account was temporarily suspended and for what reasons. The only correspondence I received from Support team was in reply to the details I submitted on the 'Contact Us' form.

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u/OrchidBouquet369 — 4 months ago