
Mahanirvana Tantra chapter part1
MAHANIRVANA TANTRA
CHAPTER III
THE WORSHIP OF THE SUPREME BRAHMAN
PART I
The Supreme Brahman and the Brahma Mantra
The previous chapter established the Supreme Brahman as the ultimate object of worship and explained that all forms of worship ultimately reach the Supreme.
Parvati now asks Shiva to explain how that Supreme Brahman is to be approached through worship. She has heard that the worship of Brahman can grant both Bhukti, enjoyment and worldly fulfilment, and Mukti, liberation. She therefore asks about the method of worship, the Mantra, Dhyana and the observances connected with it.
The chapter now moves from the nature of Brahman to the practical Sadhana through which the Supreme is approached.
Parvati asks about the worship of the Supreme
Parvati begins by praising Shiva as the Lord of all Devas and the Guru of even Brihaspati. She recalls that He has revealed the Scriptures, Mantras and Sadhanas and has already explained the nature of the Supreme Brahman.
She now asks Him to explain how the Supreme Atman is to be approached, what Mantra is to be used, what meditation is to be performed and what observances accompany the worship.
Shlokas 1 to 4
Devadeva Mahadeva Devatanam Gurorguro
Vaktam Sarvashastranam Mantranam Sadhanasya Cha
Kathitam Yat Param Brahma Paramesham Paratparam
Yasyopasanato Martyo Bhuktim Muktim Cha Vindati
Kenopayena Bhagavan Paramatma Prasidati
Kim Tasya Sadhanam Deva Mantrah Ko Va Prakirtitah
Kim Dhyanam Kim Vidhanancha Pareshasya Paratmanah
Tattvena Shrotumicchami Kripaya Kathaya Prabho
Meaning
Parvati asks Shiva to explain the essential method of worshipping the Supreme Brahman. She asks how the Supreme Atman may be pleased and realised, what Sadhana is prescribed, which Mantra is to be used, what Dhyana should be performed and what observances belong to this worship.
She is not merely asking for another description of Brahman. She wants to know how a person can actually approach and realise that Supreme Reality.
Shiva describes the Supreme Brahman
Shiva begins by telling Parvati that He is about to reveal an extremely secret and supreme Truth. He describes Brahman first according to Its essential nature before explaining the practical Sadhana connected with Its worship
Shlokas 5 to 8
Atiguhyam Param Tattvam Shrunu Matpranavallabhe
Rahasyametat Kalyani Na Kutrapi Prakashitam
Jneyam Bhavati Tad Brahma Saccidvishvamayam Param
Tatha Tattvasvarupena Lakshanairva Maheshvari
Sattamatram Nirvishesham Avangmanasagocharam
Asattrilokisadbhanaṃ Svarupam Brahmanah Smritam
Samadhiyogaistadvedyam Sarvatra Samadrishtibhih
Dvandvatitairnirvikalpairdehatmadhyasavarjitaih
Meaning
Shiva explains that Brahman is the Supreme Truth, beyond ordinary perception and beyond the limitations of speech and mind. It is pure Being, Consciousness and the Reality underlying the universe.
Brahman may be understood through Its essential nature or through the characteristics by which It can be recognised.
The Supreme is beyond distinctions and beyond the ordinary divisions created by the mind. It is known through Samadhi by those who have developed an equal vision toward all things, who have gone beyond pairs of opposites, who are free from mental distinctions and who no longer identify the body with the Self.
Brahman known through the universe
Shiva then explains another way in which Brahman can be recognised.
The entire universe arises from Brahman, exists through Brahman and ultimately dissolves into Brahman. The manifested universe therefore serves as an indication of the Reality from which it has arisen.
Shlokas 9 to 11
Yato Vishvam Samudbhutam Yena Jatancha Tishthati
Yasmin Sarvani Liyante Jneyam Tad Brahma Lakshanaih
Svarupabuddhya Yad Vedyam Tadeva Lakshanaih Shive
Lakshanairaptumicchunam Vihitam Tatra Sadhanam
Tatsadhanam Pravakshyami Shrinushvavahita Priye
Tatradau Kathayamyadye Mantroddharam Maheshituh
Meaning
That Brahman from which the universe has arisen, through which it exists and into which everything returns can also be known through these characteristics.
Those who seek to approach Brahman through such indications are given a specific Sadhana.
Shiva now begins to explain that Sadhana, starting with the formation and revelation of the Brahma Mantra.
The Brahma Mantra
Shiva first explains how the Mantra is formed.
Shloka 12
Pranavam Purvamuddhritya Saccitpadamudaharet
Ekam Padante Brahmeti Mantroddharah Prakirtitah
Meaning
The Pranava is uttered first, followed by the words Sat and Chit, and the word Brahma is placed at the end after Ekam. This gives the form of the Brahma Mantra.
The Mantra
Om Saccidekam Brahma
This is the Brahma Mantra.
Shlokas 13 to 16
Sandhikramena Militah Saptarnoyam Manur Matah
Tarahinenena Deveshi Shadvarnoyam Manurbhavet
Sarvamantrottamah Sakshaddharmarthakamamokshadah
Natra Siddhadyapekshasti Narimitradidoshanam
Na Tithirna Cha Nakshatram Na Rashiganana Tatha
Kulakuladinayamo Na Sanskaro'tra Vidyate
Sarvatha Siddhamantroyam Natra Karya Vicharana
Bahujanmarjitaih Punyaih Sadgururyadi Labhyate
Tada Tadvaktrato Jnatva Janmasaphalyamapnuyat
Meaning
When the words of the Mantra are joined according to the rules of Sandhi, the resulting Mantra is described as having seven letters. When the Pranava is omitted, it becomes a six-letter Mantra.
Shiva declares this to be one of the highest Mantras, capable of granting Dharma, Artha, Kama and Moksha.
The usual calculations concerning Tithi, Nakshatra, Rashi and the suitability of a Mantra are not required here. The text also states that the traditional Mantra Samskaras are not necessary in this case because the Mantra is already considered fully efficacious.
Shiva then emphasises the importance of receiving the Mantra from a Sadguru. Obtaining such a Guru is itself described as the result of merit accumulated through many births, and receiving the Mantra directly from the Guru makes human birth fruitful.
The fruit of receiving the Mantra
Shiva next describes the significance of receiving the Brahma Mantra from the Guru.
The disciple is said to obtain the four Purusharthas, Dharma, Artha, Kama and Moksha, and to attain fulfilment both in this life and beyond it.
Shlokas 17 to 22
Chaturvargam Kare Kritva Paratreha Cha Modate
Sa Dhanyah Sa Kritarthashcha Sa Kritih Sa Cha Dharmikah
Sa Snatah Sarvatirtheshu Sarvayajneshu Dikshitah
Sarvashastreshu Nishnatah Sarvalokapratishthitah
Yasya Karnapathopantaprato Mantramahamanih
Dhanya Mata Pita Tasya Pavitram Tatkulam Shive
Pitarastasya Santushta Modante Tridashaih Saha
Gayanti Gayanim Gatham Pulakanchitavigrahah
Asmatkule Kulashrestho Jato Brahmopadeshikah
Kimasmakam Gayapindaih Kim Tirthaih Shraddhatarpanaih
Kim Danaih Kim Japairhomaih Kimanyairbahusadhanair
Vayamakshayatruptah Sma Satputrasyasya Sadhanat
Meaning
The person who receives the Mantra is described as one who has obtained the four aims of human life: Dharma, Artha, Kama and Moksha.
Shiva describes such a person as blessed, accomplished and righteous. Receiving the Mantra is compared with having bathed in all sacred places and having participated in all Yajnas.
The significance extends beyond the individual. The mother and father of such a person are described as blessed, and the entire lineage is considered purified. The ancestors are portrayed as rejoicing because someone in their family has received the knowledge of Brahman.
The imagery expresses the immense importance that the Tantra places upon Brahma-Upadesha and initiation into the Brahma Mantra.
What happens to one initiated into the Brahma Mantra?
Shiva now explains why the Mantra is given such importance.
Shlokas 23 to 30
Shrunu Devi Jagadvandye Satyam Satyam Mayochyate
Parabrahmopasakanan Kimanyaih Sadhanantraih
Mantragrahanamatrena Dehi Brahmamayo Bhavet
Brahmabhutasya Deveshi Kimavapyam Jagattraye
Kim Kurvanti Grahah Rushta Vetalashchetakadaya
Pishacha Guhyaka Bhuta Dakinyo Matrikadayah
Tasya Darshanamatrena Palayante Parangmukhah
Rakshito Brahmamantrena Pravrito Brahmatejasa
Kim Vibheti Grahadibhyo Martanda Iva Chaparah
Tam Drishtva Te Bhayapanna Simham Drishtva Yatha Gajah
Vidravanti Cha Nashyanti Patanga Iva Pavake
Na Tasya Duritam Kinchid Brahmanishthasya Dehinah
Satyaputasya Shuddhasya Sarvpranihitasya Cha
Ko Vopadravamanvichedatmapaghatakam Vina
Ye Druhyanti Khalah Papah Parabrahmopadeshine
Svadroham Te Prakurvanti Natirikta Yatah Satah
Sa Tu Sarvahitah Sadhuh Sarvesham Priyakarakah
Tasyanishthe Krite Devi Ko Va Syannirupadravah
Meaning
Shiva declares that the worshipper of the Supreme Brahman has no need for other forms of Sadhana merely for the purpose of attaining the Supreme.
The disciple who receives the Mantra is described as becoming Brahmamaya, filled with or pervaded by Brahman. Shiva then uses powerful imagery to describe the protection associated with the Brahma Mantra. Adverse planetary influences and various classes of spirits are said to flee from one who is protected by the power of Brahman.
The deeper point of the passage is connected with the nature of the Brahma-upasaka. Such a person is described as purified by truth, established in Brahman and devoted to the welfare of all beings.
Those who attempt to harm such a person are therefore said to harm themselves, because the Brahma-upasaka is established in the same Supreme Reality that pervades all beings.
The Mantra must be understood
Shiva then gives an important qualification.
The Mantra should not merely be repeated mechanically. The Sadhaka must understand its meaning and its Chaitanya, the awakened awareness of the Reality represented by the Mantra.
Shlokas 31 to 34
Mantrartham Mantrachaitanyam Yo Na Janati Sadhakah
Shatalakshaprajapto'pi Tasya Mantro Na Sidhyati
Atosyarthancha Chaitanyam Kathayami Shrinuspriye
Akaren Jagatpata Samhartta Syadukarat
Makaren Jagatsrashta Pranavartha Udahritah
Sacchabdena Sada Sthayi Chicchaitanyam Prakirtitam
Ekamadvaitam Ishani Brihattvad Brahma Giyate
Mantrarthah Kathito Devi Sadhakabhishtasiddhidah
Meaning
Shiva states that even extensive repetition of the Mantra does not produce its full result when the Sadhaka does not know its meaning and Chaitanya.
He therefore explains the components of the Mantra.
The A, U and M of the Pranava are associated with the functions of preservation, dissolution and creation. Sat represents eternal Being. Chit represents Consciousness. Ekam means One, without a second. Brahma refers to the vast and all-pervading Supreme Reality.
The Mantra is therefore not presented merely as a collection of sounds. Its words point directly toward the nature of Brahman.
The awakening of the Mantra
Shiva now explains Chaitanya more specifically.
Shlokas 35 to 38
Mantrachaitanyametattu Tadadhishthatridevata
Tajjnanam Parameshani Bhaktanam Siddhidayakam
Asyadhishthatri Deveshi Sarvavyapi Sanatanam
Avitarkyam Niratankam Vachatitam Niranjanam
Vangmayakamaladyena Tarahinenena Parvati
Diyate Vividha Vidya Maya Shrih Sarvatomukhi
Taarena Tarahinena Pratyekam Sakalam Padam
Yugmayugmakramenapi Mantroyam Vividhah Bhavet
Meaning
The Chaitanya of a Mantra is the knowledge of the Devata who presides over it. In the case of this Mantra, the presiding Reality is the omnipresent, eternal and ineffable Brahman.
Shiva then explains that the Mantra can be modified through different Bija Mantras. When the appropriate Bija associated with Sarasvati, Maya or Kamala is used instead of or in relation to the Pranava, different forms of knowledge, Siddhi and prosperity are said to arise.
The Mantra can therefore occur in different forms according to the way its components are arranged.
Rishi, Chandas, Devata and Viniyoga
Shiva next identifies the traditional elements associated with the Mantra before explaining its Nyasa.
Shlokas 39 to 40
Rishih Sadashivo Hyasya Chhando'nushtubudahritah
Devata Paramam Brahma Sarvantarayami Nirgunam
Chaturvargaphalavaptyai Viniyogah Prakirtitah
Anganyasakaranyasau Kathayami Shrinuspriye
Meaning
Sadashiva is identified as the Rishi of the Mantra. Its Chandas is Anushtubh. The Devata is the Supreme Brahman, described as Nirguna and as the Inner Ruler present within all beings.
The Viniyoga is the attainment of the four Purusharthas: Dharma, Artha, Kama and Moksha.
Shiva now proceeds to explain Kara-nyasa and Anga-nyasa.
Kara-nyasa and Anga-nyasa
The teaching now moves from understanding the Mantra to ritually placing it upon the body.
Shlokas 41 to 43
Taram Saccidekamiti Brahmeti Sakalam Tatah
Angushthatarjanimadhyanamikasu Maheshvari
Kanishthayoh Karatalaprishthayoh Suravandite
Namah Svaha Vashat Hum Vaushat Phadantairyathakramam
Nyasanyoktavidhina Sadhakah Susamahitah
Hridadikaranaparyantamevameva Vidhiyate
Meaning
Shiva instructs the Sadhaka to place the different parts of the Mantra upon the fingers and hands, accompanied by the prescribed Mantra endings such as Namah, Svaha, Vashat, Hum, Vaushat and Phat.
After Kara-nyasa, the Sadhaka performs Anga-nyasa, beginning with the heart and proceeding according to the prescribed method.
Nyasa transforms the body into a ritual field in which the Mantra is consciously established.
Pranayama
After Nyasa, Shiva gives the method of Pranayama to accompany the Brahma Mantra Sadhana.
Shlokas 44 to 48
Pranayamam Tatah Kuryanmulena Pranavena Va
Madhyamanamikabhyanch Dakshinahastasya Parvati
Vamanasaputam Dhritva Dakshinanasaputena Cha
Purayet Pavanam Mantri Mulamashtamitam Japan
Angushthena Dakshinanasaṃ Dhritva Kumbhakayogatah
Japed Dvatrimshatavrittya Tato Dakshinanasaaya
Shanaishanaistyajedvayum Japan Shodashadha Manum
Vamanasapute'py evam Purakumbhakarechakam
Punardakshinatah Kuryat Purvavat Surapujite
Pranayamavidhih Prokto Brahmamantrasya Sadhane
Meaning
Shiva describes a specific pattern of Pranayama accompanied by repetition of the Pranava or Mula Mantra.
The breath is inhaled, retained and exhaled while the Mantra is repeated the prescribed number of times. The same sequence is then performed through the opposite nostril.
The three stages are Puraka, Kumbhaka and Recaka, corresponding to inhalation, retention and exhalation.
This completes the Pranayama prescribed for the Brahma Mantra Sadhana.
Dhyana of the Supreme Brahman
Having explained the Mantra, its meaning, its ritual placement and the accompanying Pranayama, Shiva now gives the Dhyana.
The Sadhaka's attention turns inward toward the Supreme Brahman within the heart.
Shlokas 49 to 50
Tato Dhyanam Prakurvita Sadhakabhishtasadhanam
Hridayakamalamadhye Nirvishesham Niriham
Hariharavidhivedyam Yogibhirdhyanagamyam
JananamaranaBhitibhramsi Saccitsvarupam
Sakalabhuvanabijam Brahma Chaitanyamide
Meaning
The Sadhaka should now meditate upon the Supreme Brahman in order to accomplish the desired spiritual aim.
The meditation places Brahman within the lotus of the heart. Brahman is without distinctions, beyond personal desire and accessible to Yogis through meditation.
It is the Reality that removes the fear of birth and death. It is of the nature of Sat and Chit, Being and Consciousness, and is described as the seed or source of all the worlds.
From Dhyana to Worship
The meditation now becomes worship.
Shloka 51
Dhyatvaivam Paramam Brahma Manasairupacharakaih
Pujayet Paraya Bhaktya Brahmasayujyahetave
Meaning
Having meditated upon the Supreme Brahman in this manner, the worshipper should perform worship with mental offerings and with supreme devotion, with the aim of attaining union with Brahman.
This marks the end of the first part of the chapter.
The next section begins by explaining these mental offerings and how the elements themselves become the articles of worship.
Terms and Meanings
Bhukti: Enjoyment, worldly fulfilment or experience of the fruits of life.
Mukti: Liberation.
Brahman: The Supreme, all-pervading Reality.
Paramatman: The Supreme Self.
Sadhana: A spiritual discipline undertaken for the attainment of a particular goal.
Sadhaka: One who performs Sadhana.
Dhyana: Meditation or sustained contemplation.
Svarupa: The essential or true nature of something.
Lakshana: A characteristic or indication by which something may be known.
Samadhi: A state of deep meditative absorption.
Dvandva: A pair of opposites such as pleasure and pain, heat and cold.
Nirvikalpa: Beyond mental distinctions and conceptual divisions.
Dehatma-adhyasa: Identification of the body with the Self.
Pranava: Om.
Sandhi: The joining of sounds according to Sanskrit grammatical rules.
Tithi: A lunar day.
Nakshatra: A lunar constellation.
Rashi: A sign of the zodiac.
Sadguru: A true or competent spiritual Guru.
Brahma-Upadesha: The transmission or teaching of Brahman, particularly through the Mantra given by the Guru.
Chaitanya: Consciousness or awakened awareness. In the context of a Mantra, it refers to knowledge or awareness of the Devata presiding over that Mantra.
Bija: A seed syllable used in Mantric practice.
Rishi: The seer associated with a Mantra.
Chandas: The metre of a Mantra or verse.
Devata: The presiding Deity or Divine Reality associated with a Mantra.
Viniyoga: The intended purpose or application of a Mantra.
Nyasa: Ritual placement of Mantras upon parts of the body.
Kara-nyasa: Placement of Mantras upon the fingers and hands.
Anga-nyasa: Placement of Mantras upon different parts of the body.
Pranayama: Regulation of the breath.
Puraka: Inhalation.
Kumbhaka: Retention of the breath.
Recaka: Exhalation.
Purusharthas: The four aims of human life: Dharma, Artha, Kama and Moksha.
Dharma: Righteousness, duty and the principle of right living.
Artha: Material prosperity and the legitimate means of sustaining life.
Kama: Desire, enjoyment and fulfilment of legitimate worldly aspirations.
Moksha: Liberation from bondage and the cycle of birth and death.
Nirguna: Without attributes or limiting qualities.
Brahmamaya: Permeated by or identified with Brahman.
Brahma-Sayujya: Union with Brahman.