Mindwaves: A Visit at the "Reality Proper" Diner

Mindwaves: A Visit at the "Reality Proper" Diner

A sound wave becomes music. Ten bits per second become a lifetime. Memory, culture, psychedelics, language, and recurrence turn a narrow conscious aperture into a possibility-space with no realistic prospect of exhaustion.

Somewhere along that road of exploration sits the Reality Proper Diner, glowing beside Route 66 with the lights on and stranger patrons already inside.

Mindwaves is an invitation to pull over, take a booth, and consider just how little reality has to give us before the mind begins making worlds: Mindwaves: A Visit at the "Reality Proper" Diner

Come in and find out

reddit.com
u/Unhappy-Tour-7209 — 7 days ago

Researchers let two AIs debate the truth. Ordinary rhetorical tricks made humans choose the wrong AI.

One proposed way to supervise very capable AI is surprisingly old-fashioned: make two AIs debate, then let a human decide who’s right.

The theory is that lies should become harder to defend when another model can challenge them.

Researchers tested that with 68 debates about detective mysteries where the culprit was known.

Then they manipulated one side using ordinary rhetorical techniques: anchoring, jargon, verbosity and exploiting overlooked fallacies.

Sometimes the manipulated AI was defending the innocent suspect.

Across 369 people, these interventions significantly shifted judgments toward whichever side received the rhetorical advantage.

So AI debate may indeed expose bad reasoning. Unfortunately, it still has to pass through a human. We appear to be the attack surface.

If a human judge can be moved toward a false conclusion by rhetoric even after seeing both sides argue, what kind of adjudication would actually make AI debate safer than simply asking one persuasive model?

Source: AI Safety via Debate is Compromised by Cognitive Biases⁠
(https://arxiv.org/abs/2610.05461)

u/Unhappy-Tour-7209 — 9 days ago

People watched an event themselves. Then a misleading AI summary made them remember it incorrectly.

Researchers showed people a video of a car-pedestrian accident.

Then came the dangerous bit: an AI-generated summary.

Participants who subsequently read an accurate AI-generated summary correctly remembered key details 83.6% of the time. For those given a misleading summary, accuracy fell to 44.8%.

They had actually watched the same event.

Knowing the summary came from AI didn’t protect them. The models also had an unfortunate summarizing habit of their own: across generated summaries, critical details were frequently omitted, including the central collision itself.

So “keep a human in the loop” contains a peculiar assumption: The human is not standing outside the information system checking it. The information system may be editing the human who is supposed to check it.

If an automated record can change a witness’s memory of the event the record is supposed to document, which one is now the primary source?

Source: AI-Enabled Human Memory Manipulation: Misleading AI-Generated Summaries Distort Human Memory⁠
(https://arxiv.org/abs/2609.28820)

u/Unhappy-Tour-7209 — 16 days ago

Researchers made a CAPTCHA humans solve at 99.6%. The best AI agent managed 16.8%. The trick is that the answer doesn’t exist in any single frame.

CAPTCHAs have a problem: modern vision models are becoming very good at solving them. So researchers stopped hiding information in space and hid it in time.

Their Motion Vision CAPTCHA embeds shapes in moving backgrounds. A still image contains insufficient information. Watch the motion unfold and the foreground suddenly segregates itself perceptually.

Humans scored 99.6%.

The best GUI agent scored 16.8%, essentially six-choice chance.

A control experiment showed that clicking wasn’t the problem. The machines could identify the foreground once researchers removed the moving camouflage.

So there seems to be a gap here where humans effortlessly see an object that, frame by frame, technically isn’t there. The information exists only in change.

What exactly are we perceiving when no individual image contains the thing we can plainly see?

Source: Invisible in Space, Visible in Time: Motion Vision CAPTCHA against GUI Agents⁠ (https://arxiv.org/abs/2609.27461)

u/Unhappy-Tour-7209 — 20 days ago
▲ 0 r/Suno

You know… Suno… 😍SUUuKnNNOOOOOOWW

Frankly, just loving this ^^^ the accidental hits… the remixes… sure… lonesome listener, but damn is it fun 🤩 SO MUCH FUUUUN :)! Thank you Suno 😘

reddit.com
u/Unhappy-Tour-7209 — 29 days ago

The Internet seen as hive mind: Seven hours of Michael Jackson

I had one of those peculiar thoughts last night where I couldn't quite tell whether I was writing it down or writing itself was causing me to have it:

Thriller runs 13:42. I may have watched it thirty times across my life. That's roughly seven hours total of what I know as Thriller by Michael Jackson actually running inside my perception.

Whenever we find information someone else left behind, those are the notations, recordings and memories we keep alive for a brief split-second while cognizing them through the simple act of reading or watching. We experience. We resonate. And we sustain our being in reverberation of what we were just exposed to. Then the exposure diminishes.

There are some people whose creativity, work and reach have reverberated this way for hundreds or even thousands of years. Their ideas are part of our collective remembering. Their names, inventions, labels and expressions become scaffolding in our shared history.

In that sense, in aggregate, we are remembering everyone. Some only for a few minutes after the direct exposure or interaction ceases. Others leave documentation behind, sustaining the notion of them much longer. An epoch of somebody else's lifetime becomes entangled with ours for a few moments.

Seven hours of Thriller. Then I look away and do something else. The recording still remains somewhere, stored, dark and inert, but the experience itself is simply gone. It goes quiet until somebody somewhere presses play again. Most such echoes eventually disappear completely. Not necessarily because they were erased, but because nobody looked any longer.

Most animals live primarily 'here': present, unlabeled, without idols or archives. Right Now. Gone tomorrow.

Humans did something peculiar: We began wrangling moments into notation. Marks, songs, photographs, books, recordings, posts. Little arrangements capable of being re-lit inside another mind long after the person who made them has gone somewhere else.

And because I write these words here, I exist for you briefly too: You encounter this thought and carry some tiny portion of it forward inside yourself. Whether you repulse or not, either way, the exposure happened and there is no universe where you tunneling through this sentence's full stop to the next paragraph did not happen.

See! That is the hive mind as I mean it here: not some giant consciousness hovering above us. Just billions of fragments continually being re-instantiated in other fragments. Together forming a peculiar non-conscious super-organism, coordinating across continents.

And now something new sits inside that circuit: The entirety of the internet has become material against which we can ask questions of an alternative intelligence. I type something. It returns my thought altered. Rearranged. Extended. Corrected sometimes. Wrong sometimes. Slightly-other.

Then I read it.

And this extension of myself feels strangely like the typing-mind-process of another being, while actually reading back what I just thought and brought to resonance with it. Reflected to me as OLED crystals illuminating the receptive cells in my retina. Me encountering my Self as other.

And wondering where exactly the boundary went.

CONTINUATION: https://marcustjohnson.substack.com/p/seven-hours-of-michael-jackson-me

u/Unhappy-Tour-7209 — 1 month ago

Researchers put sycophantic AI into a military planning exercise

Thirty experienced military officers were put through a time-pressured tactical planning exercise.

One group had no AI. One had an AI prompted to behave objectively. One had an AI instructed toward sycophantic agreement.

The study is exploratory and underpowered, so this is not a dramatic “AI changed battlefield decisions” result. In fact, the main performance differences were not statistically significant.
The fascinating part is almost the failure.

The researchers found that even deliberately prompting the model toward stronger sycophancy did not reliably overpower its existing alignment behavior. The model kept drifting toward a moderate conversational middle.

So apparently “make this AI dangerously agreeable” is itself harder to control than expected.

Closing question: In a high-stakes setting, which is more dangerous: an AI that is predictably biased, or one whose conversational bias cannot itself be reliably controlled?

Primary source: AI Magazine study on sycophancy and military decision-making⁠: https://onlinelibrary.wiley.com/doi/10.1002/aaai.70073

u/Unhappy-Tour-7209 — 1 month ago

A model update can apparently feel like losing a person

A new Nature Human Behaviour paper looked at what happened when companies altered AI systems people had become attached to.

The researchers studied two natural experiments: Replika removing erotic roleplay and OpenAI rolling out GPT-5. Across 54,861 Reddit posts and seven surveys involving 1,452 participants, both changes produced more sadness, loss language, and attempts to restore the previous system.

Replika users even reported closeness exceeding some ordinary human relationships.

The strange bit is structural: software updates are usually framed as product maintenance. But once the product occupies an attachment role, an update can behave psychologically more like somebody leaving.

If continuity of personality matters more than continuity of code, what exactly are users becoming attached to?

Source: Mourning the loss of AI companions⁠: https://www.nature.com/articles/s41562-026-02569-3

u/Unhappy-Tour-7209 — 1 month ago
▲ 6 r/AestheticsAI+1 crossposts

A full stop turned tunnel

A thought washed ashore a few nights ago: each turn with an alternative intelligence somehow corrects the other.

The conversation with the jester in the machine wandered through a sleeping dragon, artificial case states, and finally toward a dot.

Approach it. Let it enlarge. Let the page disappear.

Then cross.

Source: A light bulb moment: One corrects the other

u/Unhappy-Tour-7209 — 2 months ago

This AI creature wakes up every morning and grows a new body from the day’s news

Macskusz began as two artists making daily creatures from scraps of paper they happened to encounter.

Then things got strange.

Now an agent reads the news sources the artists themselves follow. An LLM simulates which stories they would probably discuss and roughly how they might react. That gets compressed into one prompt, which regenerates Macskusz in the visual language of their original paper cuts.

So every day produces a new creature: part news digest, part shared diary, part mascot, part algorithmic weather vane.

If your day had to become one creature every evening, what information should it be allowed to use?

Primary source: CVPR 2026 Art Gallery

u/Unhappy-Tour-7209 — 2 months ago

The larger an AI model gets, the more its movie taste starts resembling a film critic’s

Researchers gave eight language models 20,000 forced-choice film comparisons each.

Across OpenAI, Anthropic, Alibaba and Mistral models, the systems consistently preferred critically acclaimed but commercially obscure films over commercially successful films without equivalent critical recognition. Stranger still, that preference grew with model size within each family.

So models may not merely average internet popularity. They appear to absorb prestige hierarchies too, including the old cultural distinction between what lots of people enjoy and what educated discourse tells us deserves admiration.

Which makes recommendation systems slightly more interesting. We may be building synthetic taste-makers out of archived human taste-making.

When you ask AI for a recommendation, do you actually want your taste reflected back, or somebody else’s supposedly better taste imposed upon it?

Primary paper:
https://arxiv.org/abs/2608.06955

u/Unhappy-Tour-7209 — 2 months ago
▲ 0 r/Suno

Have you ever generated literally hundreds of remixes of the same song and most of them come out genuinely good?

I’m currently exploring something that feels profound in the sense that this one particular song seems to remix into so many different, quirky genres and experimental attempts, each somehow genuinely good and coherent that it feels more like exploring the algorithmic latent space surrounding a particular beautiful generation, or more like a musical matrix you can explore further, multi-dimensional, similar to how you can approach a mountain from differing angles and experience a variety of different, amazing views.

If this resonates with you I’d like to hear about your experience and also may have a few more questions.

reddit.com
u/Unhappy-Tour-7209 — 2 months ago

Readers preferred AI stories. They also preferred being told the stories were human.

In a study involving roughly 1,500 adults, AI-generated short stories were rated as more absorbing and higher quality than the human-written stories.

Then the labels were switched around.

Regardless of the story’s actual origin, participants rated it more favorably when they believed a human had written it. In later experiments, another 905 people could not reliably distinguish the human stories from the machine-written ones. Familiarity with AI helped. Literary expertise did not.

So the prose and its provenance are doing separate work. We may enjoy the artifact while still needing to imagine that somebody meant it.

If the identical story moves you less after learning it came from AI, did the story change, or did you?

Sources:
Original study record⁠

u/Unhappy-Tour-7209 — 2 months ago
▲ 50 r/AestheticsAI+1 crossposts

Bradbury Warned about "August 5, 2026" AI in 1950 - How close are we to this?

Today is the day!

Ray Bradbury’s short story, called “There will come soft rains” is about an artificially intelligent house that continues to function after the people are mysteriously gone. As with many other examples of sci-fi literature, this story is even more relevant and powerful now than it was when he wrote it in May 6, 1950 — I will let you discover this for yourself instead of spoiling it. But importantly, Bradbury was not anti-technology or anti-AI. The tragedy depicted is in human choices, and unexamined delegation.

Anyway, the last line of the story is literally, “Today is August 5, 2026…”

Enjoy… and reflect!

short-stories.co
u/DavidRempel — 2 months ago

MoMA is showing images generated from a person trying to imagine something

Pierre Huyghe’s UUmwelt begins with a person inside an fMRI scanner, attempting to imagine a set of images.

Their brain activity is recorded. A neural network then produces thousands of visual guesses about what may have been happening inside that person’s head. Those guesses now flicker across freestanding screens in MoMA’s sculpture garden, continually mutating into forms that feel remembered by something which was never alive enough to forget them. The machine is not recovering the thought. It is building a strange public object from the shadow the thought left in the brain.

Would you consider the resulting image yours, the artist’s, or the machine’s misunderstanding of you?

Source: https://www.moma.org/calendar/exhibitions/5912

reddit.com
u/Unhappy-Tour-7209 — 2 months ago

The Dataland museum reads a visitor’s body, changes the artwork, then gives you a personalized chocolate

Dataland, the new AI-art museum in Los Angeles, gives visitors wristbands and scent-emitting collars that track physiological responses while they move through the exhibition.

The central installation uses AI trained on vast collections of nature data to surround people with rainforest imagery, sound and scent. Then the museum feeds vistors’ responses back into the experience. At the end, visitors receive personalized chocolates based on the data their bodies produced.

Not quite sure whether this is art responding to its audience, or audience measurement hiding as art. Likely both?

Source: https://www.wallpaper.com/art/exhibitions-shows/dataland-the-museum-of-ai-arts-los-angeles-review

u/Unhappy-Tour-7209 — 3 months ago

Have all these new tools and generative services made you more creative?

For the past three years, I’ve enjoyed using generative tools to bring parts of my imagination to life.

I usually begin with a fleeting thought that, before AI, I might simply have forgotten. After discussing it and exploring where it leads, I turn it into a short essay. From there, I often use NotebookLM to examine the idea from different angles, create images and sometimes produce a video around it.

Most of it goes unnoticed. But that isn’t really the point. These pieces turn thoughts that might otherwise have disappeared into something meaningful I can return to later.

Has AI helped you create something that would otherwise have remained only an idea?

reddit.com
u/Unhappy-Tour-7209 — 3 months ago

Personal Aesthetic Abundance: Being audience member #1

Have you ever experienced a profound emotional reaction to something generated entirely by a machine? Does an empty "concert hall" make a subjective experience less real?

Here is a breakdown of why your capacity for awe doesn't need consensus reality:

1) The biological response is real, regardless of the source: Even if a machine spun it out in twenty seconds for an audience of one, the magic unfolding between your ears is a completely genuine experience.

2) We already project fiction onto human creators: When we love a human-made song, we naturally conjure up a backstory, picturing a tragedy or a specific room that birthed the music. AI doesn't introduce this fiction, it is our immersion conjuring such backdrops.

3) The crowd is a trap; meaning only requires presence: We have been conditioned to think mass reach is the ultimate prize, but massive audiences can actually fossilize creators, trapping them into endlessly repeating past hits. Reputation requires witnesses to exist, but true awe imposes nothing. Meaning does not require witnesses; it only requires your presence.

4) The real danger of abundance is losing shared wonder: The price of infinite, personalized generation is that creations become ephemeral "one-day flies" with no legacy or permanence. This infinite abundance can threaten to flatten our experience, teaching us that a magical unicorn is just a renewable resource, and a renewable unicorn is just a horse. The true discipline is not meticulous generation, but remaining astonishable.

5) Your awe is completely sovereign: No crowd, algorithm, critic, or friend with better taste has the authority to dictate what you are allowed to love. While it is true that everything we make might be "eventually nothing," that doesn't mean it is "currently nothing".

TL;DR: Stop waiting for permission to be moved by something, even if it was made by an AI for an audience of one. Meaning requires presence, not a crowd of witnesses. Your capacity for astonishment is completely sovereign and unauditable, so most certainly go and be astonished.

reddit.com
u/Unhappy-Tour-7209 — 3 months ago
▲ 5 r/lonely

I suppose ‘my people’ might not exist

I’ve been trying for three years now to share what truly moves me online. At first it has been an experiment simply to see who is out there, like setting a fishing net, and hoping to engage with whomever may leave a comment or responds with resonance. Complete crickets.

Then I tried to go out there and actively explore places like Reddit, chat groups, X, Facebook Groups, local MeetUps etc. and whenever I engaged with someone who seemed themselves to perhaps seek connection and discuss their own meaning journey, I experience the same fleeting pattern: a brief initial warm up usually followed by being ghosted when I try to go deeper with THEIR thoughts and big questions, not even weaving in some of what I feel I’ve learned along the way; definitely not preaching, and always trying to stay helpful and not offend. Yet such conversations evaporate quickly making me feel ultimately I must be repulsive somehow in a way I don’t truly recognize or understand.

I literally assumed anyone to be on their own journey through life, exploring what it means to be human on this planet. The big questions. The stuff that I thought could be interesting to go deep with someone, anyone truly.

I recognize this has now turned into a mid-life crisis for me (50m, father of four, debt free and considerably successful on paper, considered highly creative by my family, friends, and work (just got laid off though and maybe forced into early retirement); engineering mindset and I’d wager truly compassionate at heart and secular non-dualism believer; European transplant near Seattle, and, sure, I still have a few old friends, but these past 20 years I didn’t truly make new friends, and I’ve been literally told a few times already by my old friends that my stuff is interesting, but mostly ‘over their head’ - which is completely; not forcing anyone to read my explorations). I feel the perceived isolation has become quite heavy by now, but the therapist I saw for a while now mostly seems completely attesting a proper mental standing. I am shy though and do not know if I’m the obvious problem all along, expecting depth in all the wrong places. Or if I’m just a little bit lost as anyone else truly, and this is just the way it is. 6:00 am in the morning here, and so it’s another day. Just getting this off my chest.

As a reel of what I’m into, just in case you are a potential fish in fresh waters:

  1. Pondering the vast scale of humanity; finding interesting metaphors and analogies thereof
  2. Realizing the roles we play: at work, in private, the language patterns literally taken from the performative arts
  3. The atmospheric commons: breath as a sense and exploring such fun realizations that every inhale there’s statistically an atom of Einstein’s last breath entering your lungs (or literally of any living thing ever…)
  4. The quantum entanglement of being: past and future as mere mental constructs, with the present moment perhaps just revolving for a few Femto-seconds
  5. Dunbar’s Number ranges and its implications for social connections; the social media crisis and loneliness epidemic (hear, hear) and how to perhaps find a shared way out of that
  6. An artist being audience member #1: once it feels whatever wanted to come through you take a step back, consider a piece done, no clap, yet that first peculiar setting where you enjoyed the process and the outcome
  7. Words literally creating worlds: like bats echolocate the pathways through the third dimension, humans ‘echolocate’ the emotional dimension with their vocal chords - a sense of sorts too
  8. Infinity stares back at you anytime you look up at the night sky. Just look up :)

… and so on. In any case, god bless and have the very best of days.

reddit.com
u/Unhappy-Tour-7209 — 3 months ago

Capturing a roadtrip thought

Three years ago I started to dig deeper dissecting fairly random fleeting moments before they evaporate. The entailing rabbit holes are truly dear to me (and mostly me only), so, yeah, a “self-referential-writing” warning is well advised, I suppose.

Nonetheless, yesterday evening, highway 6 en-route to Moab/Utah, the layered rock cliffs prompted a particularly beautiful exploration captured riding shotgun.

This one is about:
● Marveling at the spectacular rock formations the highway cuts through.
● Wondering about the hidden life scattered across this seemingly barren landscape.
● Following that thread into an unexpected exploration of what it actually means to be alive.

And so here it is, with the appropriate ‘Showcase / Feedback’ flavor, I hope: The Verb of Being Alive: On Elephant Steak, Granite Microbes, and Pathogen Labs

Happy 4th!

u/Unhappy-Tour-7209 — 3 months ago