u/Wisperfx

I'm a VFX artist using seedance, now that we have 4k I pray for the day that seedance or any similar video model will output in higher bit depths, I mean 16 bit would be a wet dream :3 even if it wasnt log . I don't think we will be able to use exr sequences or to have uncompressed videos as input but that would be really cool. Cause quality loss is a bit of a problem when I'm using seedance in a production pipeline . I do a upscale process in logspace to everyclip I use but again that's just damage control

2 years ago I got the chance to work on the most challenging project I've ever worked on. Everything from onset supervision, CGI environments , Compositing and the whole vfx workflow was done by me for 80+ full CG Environment integrations before the age of AI all manually rotoscoped, tracked with no ML assisted tools, oh man what a journey it has been. I would love to share the before afters of this which I will do soon since it has been a year since released I think it's long overdue. I learned to composite in nuke from this project. Very proud of the hairkey :). The boat is also CG replaced , but we had a rectangle shaped box colored to fit the boat material ( made by the art department) to assist on set. That helped me with feet contact points but I did end up replacing the whole boat. All CG Environments were made in Blender. Before going on set we made an animatic with all the environments to finalize the look so on the day of the shoot it was just a matter of looking at our cg animatic and moving the onset lights to match that. I learned a lot from this project and there's so much more I want to show, especially the animatic and the before, afters. Looking back at the video now, there's so many details and mistakes I notice but it definitely is a milestone in my career. Would love to know your thoughts, critique I'm open for notes on how to improve.

2 years ago I got the chance to work on the most challenging project I've ever worked on. Everything from onset supervision, CGI environments , Compositing and the whole vfx workflow was done by me for 80+ full CG Environment integrations before the age of AI all manually rotoscoped, tracked with no ML assisted tools, oh man what a journey it has been. I would love to share the before afters of this which I will do soon since it has been a year since released I think it's long overdue. I learned to composite in nuke from this project. Very proud of the hairkey :). The boat is also CG replaced , but we had a rectangle shaped box colored to fit the boat material ( made by the art department) to assist on set. That helped me with feet contact points but I did end up replacing the whole boat. All CG Environments were made in Blender. Before going on set we made an animatic with all the environments to finalize the look so on the day of the shoot it was just a matter of looking at our cg animatic and moving the onset lights to match that. I learned a lot from this project and there's so much more I want to show, especially the animatic and the before, afters. Looking back at the video now, there's so many details and mistakes I notice but it definitely is a milestone in my career. Would love to know your thoughts, critique I'm open for notes on how to improve.