
u/avril14th__

Which One Is You? (Part 1)
Borris Butters had rules for photographing lightning.
Never stand beneath a tree.
Never be the tallest thing in an open field.
Never trust a storm moving east.
And never stay after the rain begins to fall sideways.
He broke the last rule first.
The storm had arrived over the plains shortly after midnight, a black wall swallowing the horizon. Borris parked on the shoulder of an abandoned county road and carried his tripod into the field.
Lightning flickered inside the clouds.
Once.
Twice.
Then the entire landscape turned white.
Borris pressed the shutter.
Thunder followed so violently that he felt it in his teeth.
He smiled.
By morning, he had taken four hundred and twelve photographs.
He printed twenty-three.
He pinned them to the wall of his motel room and sat on the edge of the bed, still wearing his wet clothes.
One by one, he studied them.
Branching veins of white against purple sky.
A bolt splitting an oak tree.
Another striking somewhere beyond a farmhouse.
Another touching the earth so perfectly it seemed less like electricity than a crack in the world.
Borris leaned closer.
“Which one is you?”
His finger moved to the next photograph.
“Which one is you?”
Then the next.
“Which one is you?”
Hitchcock be like: OK... let's try it again... (Photograph by Kerry Skarbakka: The Struggle to Right Oneself)
As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty (2000) Dir. Jonas Mekas
I Still Have Everything You Gave Me by Naomi Shihab Nye
Dies Irae (Day of Wrath, 1943) dir. Carl Theodor Dreyer
Tishk Barzanji - Architecture of Solitude
Tishk Barzanji is a London based Kurdish visual artist whose surreal architectural worlds explore human experience, isolation, and our relationship with the spaces we inhabit.
Working primarily in digital illustration, using digital collage, photography, and image manipulation, Barzanji draws from Modernism, Surrealism, and architecture to construct dreamlike environments filled with vivid color, geometric forms, and solitary figures. Beneath their idyllic, psychedelic surfaces is often a sense of displacement and human vulnerability, a search for comfort somewhere within the chaos.
“To belong nowhere is a blessing,” says Barzanji, whose work tells the stories of the people living within these imagined environments.