I re-watched Comrades, Almost a Love Story (1996) dir. Peter Chan recently, and was wondering about the cultural context of the settings
I really adore this movie, and I'm hoping to understand more about it, beyond just seeing these charming characters find their way to being with each other. Maggie Cheung and Leon Lai are really wonderful with the way they express themselves, but what really fascinated me were how their characters - Li Qiao, and Li Xiao-Jun, came from specific parts of mainland China. Li Qiao came from Guangzhou, which she says has similarities to Hong Kong. Whereas Li Xiao-Jun was a northerner, who seems simpler in nature, contrasting Li Qiao's (and perhaps Hong Kong's?) more financially-centered goals to build wealth.
They both seem to find a deep connection within Teresa Teng's music, and Li Qiao, and other immigrants from the mainland hide their ties to avoid being othered. I could tell that within this more capitalist driven environment, Teresa Teng's songs really stood out as sincere, and sweet. There are some gaps in my understanding, since I am not from Hong Kong or China, and I'd really like to understand the deeper aspects of this story. Was there meant to be a parallel between the complicated turns in their romance, and Hong Kong & mainland China? I know certain directors like Wong Kar-Wai, and Hou Hsiao-hsien have done this in their movies and their countries, which is why I noticed it.
I'm also wondering if there was any significance in the US being the setting of the last act, given it might be more capitalist in nature compared to so many other parts of the world. It's interesting how something simple yet good like Teresa Teng's music playing on the news, is what ended up uniting them, even though the chances in such an environment are low. Really hoping to hear more of everyone's thoughts about this! Thanks in advance :)