
how can i improve other than talents? (im out of mora)
btw my current team is mavuika, citlali, c6 diona, bennett

btw my current team is mavuika, citlali, c6 diona, bennett
In the contemporary chess world, Magnus Carlsen is often regarded, half in jest yet not without reverence, as “the man closest to the gods”—a “demigod,” as many would say. Everything about him, from his uncanny accuracy combined with blistering speed to his peculiar habit of handicapping himself echoes the qualities once attributed to figures of near divinity. He exists apart from ordinary definitions, beyond the expectations and assumptions that bind lesser players.
It is not difficult to understand why Magnus Carlsen chose not to defend his World Championship title. Even without it, he remains universally recognized as the strongest chess player in the world. For anyone to reach his level again would be a feat bordering on the impossible.
Yet the status Magnus Carlsen now seeks lies beyond the title of “World Champion.” It is something more elusive, more exalted—whispered from mouth to mouth, unacknowledged by any official body. It is the title of the “Saint of Chess.” A title that I currently hold.
Several years ago, Magnus Carlsen earnestly implored me to grant him a fair match—one unburdened by the handicaps I so often impose upon myself. His voice trembled like a storm on the brink, composure splintering beneath a tide of barely hidden desperation. Time and again, I dismissed his pleas. But on one fateful day, he requested an audience.
When I received him, he fell into prostration, as though his very soul had nowhere else to turn. He bowed again and again, heedless of the blood that began to mark his forehead with each impact. Every fiber of his being seemed to cry out—to be acknowledged, to be accepted, to be tested. And then, without waiting for any response, he entreated:
“O Faithful servant of the Sovereign of the Sixty-Four Squares, whose mind weaves strategy beyond mortal comprehension,
You who stand close to the Divine Throne, who see ten thousand moves ahead, who bends kings and sacrifices queens as though they were but whispers in a greater design, hear my plea—
I come before you, a humble player, flawed and unseasoned, yet burning with the desire to test my will against yours.
I confess my limits. My vision is muddled, my plans flawed, my hand unsteady upon the board, my nerves trembling at the clock. And yet, it is precisely because of this that I dare to ask.
Grant me a single match.
Just one.
Let me sit across from you upon the checkered field of fate, where black and white divide not merely colors, but the very nature of thought itself. Let me witness your brilliance, not from afar, but in the clash of moves, where each decision is a question and each response, a revelation.
Not that I might defeat you—for such ambition would be folly—but that I might learn, that I might glimpse even a fragment of your boundless mastery.
If I am to be crushed, let it be by your hand. If I am to fall, let it be in pursuit of understanding.
And should you deny me, I shall remain in prostration until my eventual demise.
I place my king before you in reverence,
and await your first move.
In awe, and in hope—
I remain your most devoted challenger.”
Within my domain, Levy Rozman with his famous channel “GothamChess” was also present. He too lowered himself in reverence, imploring me to assemble the board. He wished to witness the fabled “God Move”—a tier beyond even the legendary “Brilliant Move”—the singular stroke that had once secured my absolute victory over the supercomputer Stockfish.
Faced with such veneration from them both, I let out a quiet, belated sigh… and assembled the following formation:
In the contemporary chess world, Magnus Carlsen is often regarded, half in jest yet not without reverence, as “the man closest to the gods”—a “demigod,” as many would say. Everything about him, from his uncanny accuracy combined with blistering speed to his peculiar habit of handicapping himself echoes the qualities once attributed to figures of near divinity. He exists apart from ordinary definitions, beyond the expectations and assumptions that bind lesser players.
It is not difficult to understand why Magnus Carlsen chose not to defend his World Championship title. Even without it, he remains universally recognized as the strongest chess player in the world. For anyone to reach his level again would be a feat bordering on the impossible.
Yet the status Magnus Carlsen now seeks lies beyond the title of “World Champion.” It is something more elusive, more exalted—whispered from mouth to mouth, unacknowledged by any official body. It is the title of the “Saint of Chess.” A title that I currently hold.
Several years ago, Magnus Carlsen earnestly implored me to grant him a fair match—one unburdened by the handicaps I so often impose upon myself. His voice trembled like a storm on the brink, composure splintering beneath a tide of barely hidden desperation. Time and again, I dismissed his pleas. But on one fateful day, he requested a visitation.
When I received him, he fell into prostration, as though his very soul had nowhere else to turn. He bowed again and again, heedless of the blood that began to mark his forehead with each impact. Every fiber of his being seemed to cry out—to be acknowledged, to be accepted, to be tested. And then, without waiting for any response, he entreated:
“O Faithful servant of the Sovereign of the Sixty-Four Squares, whose mind weaves strategy beyond mortal comprehension,
You who stand close to the Divine Throne, who see ten thousand moves ahead, who bends kings and sacrifices queens as though they were but whispers in a greater design, hear my plea—
I come before you, a humble player, flawed and unseasoned, yet burning with the desire to test my will against yours.
I confess my limits. My vision is muddled, my plans flawed, my hand unsteady upon the board, my nerves trembling at the clock. And yet, it is precisely because of this that I dare to ask.
Grant me a single match.
Just one.
Let me sit across from you upon the checkered field of fate, where black and white divide not merely colors, but the very nature of thought itself. Let me witness your brilliance, not from afar, but in the clash of moves, where each decision is a question and each response, a revelation.
Not that I might defeat you—for such ambition would be folly—but that I might learn, that I might glimpse even a fragment of your boundless mastery.
If I am to be crushed, let it be by your hand. If I am to fall, let it be in pursuit of understanding.
And should you deny me, my prostration will prevail here until my eventual demise.
I place my king before you in reverence,
and await your first move.
In awe, and in hope—
I remain your most devoted challenger.”
Within my domain, Levy Rozman with his famous channel “GothamChess” was also present. He too lowered himself in reverence, imploring me to assemble the board. He wished to witness the fabled “God Move”—a tier beyond even the legendary “Brilliant Move”—the singular stroke that had once secured my absolute victory over the supercomputer Stockfish.
Faced with such veneration from them both, I let out a quiet, belated sigh… and began to set the pieces upon the board.
Ana is 16th now wtf
The indefatigably sesquipedalian, soi-disant omniscient, ultracrepidarian polymathaster-cum-dilettante—mutatis mutandis and pace all objections to the contrary, a veritable Wunderkind only in the most counterfactual, asymptotic, and lux-deficient sense imaginable (in absentia lucis, as it were)—whose insufferably prétentieux, quasi-Schadenfreude-suffused expatiations, inter alia and ad nauseam, constituted not merely an execrable pastiche but a positively rococo palimpsest of extemporaneous circumlocutions, recursive digressions, self-referential excursuses, and post hoc ergo propter hoc rationalizations masquerading as insight, all sub specie aeternitatis lacquered, veneered, filigreed, and otherwise ornamented with a preternaturally recherché, almost numinous je ne sais quoi of neo-baroque tenebrification cum grano salis (though scarcely with sufficient salt to preserve the decaying conceptual edifice therein contained), were—despite their ostensibly über-erudite, prima facie unimpeachable, a fortiori epistemologically overdetermined, and quasi-transcendentally self-authorizing façade—at the irreducible ontological substratum (Dasein-adjacent, though only in an ersatz, simulacral, and second-order derivative modality) not merely anfractuous, not merely chimerical, not merely ontically vacuous, but hyper-anfractuous, meta-chimerical, and recursively vacuous ab initio ad infinitum.
Indeed, the totalized concatenation of propositions, conjectures, insinuations, and pseudo-syllogistic gesticulations manifested itself phenomenologically less as a coherent noetic enterprise than as an elaborate hall of epistemological catoptric matrices wherein every purported insight dissolved upon inspection into yet another reflection of a reflection of a reflection, ad infinitum, each bearing only the faintest family resemblance to denotatum while remaining stubbornly, heroically, and almost artistically divorced therefrom. The consequentially precipitated discursivity, if such a term may be permitted pro hac vice, negotiated a provisional détente with all the structural integrity of a Möbius strip composed entirely of footnotes to unwritten treatises concerning hypothetical commentaries on apocryphal marginalia.
Non obstante the relentless, quasi-perpetuum mobile perseverance with which this intellectual magpie promulgated an ever-expanding epistemic bricolage of paralogisms, specious enthymemes, ad hoc conjectures, predicamental class errors, performative contradictions, hermeneutic overextensions, taxonomic confusions, metaphysical promissory notes, and ostentatiously labyrinthine tour de valence non sequiturs (sensu lato, if not outright reductio ad absurdum elevated to the status of governing methodology), the cumulative effect remained curiously centrifugal: every syntactic unit departed further from intelligibility than the last, as though epistemic perspicuity itself were being systematically repelled by some inverse gravitational field generated by excessive jargon density.
Let ξ denote the hyperliminal, para-pre-transcendental horizon of semiotic non-coincidence, within whose recursively self-outsourced topology the counterfactual residue of proto-ontological signification asymptotically negotiates its retroactive exemption from categorical participation in the grammar of its own misidentification, itself functioning as the para-indexical remainder of a non-self-identical process of differential self-exemption whereby the conditions of possibility for exemption become recursively exempted from themselves through a constitutive operation of pre-reflexive de-categorization whose retroactively anticipatory effects are distributed across a topological manifold of quasi-legible illegibilities, such that the very distinction between determination and indetermination persists only as the self-cancelling artifact of a meta-discursive economy whose operative principle consists precisely in the indefinite suspension of anything that might otherwise qualify as an operative principle.
Thus was the entirety of the discursive enterprise, in toto et in extenso, relegated to a condition not merely otiose but extravagantly, almost triumphantly otiose; not merely aporetic but aporetic in a self-replicating and fractal sense; not merely hermeneutically null but anti-hermeneutic, generating interpretive deficits wherever interpretation was attempted. Ceteris paribus, it stood revealed as epistemically bankrupt, metaphysically overleveraged, semantically insolvent, and rhetorically inflated beyond any sustainable ratio of signifier to signified.
In the eschatologically indexed exegesis—or, more veridically, in the indefinite postponement thereof—it remained sui generis only insofar as no previously catalogued species of nonsense had achieved so exquisite a synthesis of Byzantine convolution, fin-de-siècle decadence, pseudo-profundity, lexical maximalism, ontological overreach, and ineffable inanition. To denominate the phenomenon in question as either meaningful or meaningless would be to succumb prematurely to a classificatory temptation whose legitimacy remains, at best, radically underdetermined. Such predicates presuppose a common onto-semiotic horizon within which affirmation and negation alike retain adjudicative causal potency. Yet the referent under examination appeared increasingly to withdraw from that horizon altogether, evincing not semantic privation but a curious para-significatory sequestration, as though each hermeneutic sequestration-event merely instantiated the enabling preconditions of an additional recessionary vectorization of the interpretandum into ever more rarefied strata of conceptual noncoincidence.
Consequently, what emerged was neither logorrheic assemblage nor the failure thereof, but something more nearly approximating an autotelic apparatus of hermeneutic self-complication: a recursively self-licensing economy of signifiers whose referential commitments had undergone such extreme attenuation that they persisted only as vestigial traces, spectral residues of a semiotic metabolism long since emancipated from the burdens of denotation. The dialectically accreted architectonic configuration did not so much instantiate transmissive semiosis as continuously metabolize its own communicative preconditions, transubstantiating every prospective clarification into fresh reserves of indeterminacy.
In this respect, the enterprise attained a form of negative virtuosity. Its propositions functioned less as veridicality-apt claims than as vectors of epistemic diffraction, dispersing cognitive attention across an ever-expanding manifold of conceptual adjacencies while withholding any corresponding principle of synthetic reintegration. Semantic consent was not absent; ontological withdrawal itself had become too determinate a categoreme. Rather, signification persisted only in a state of asymptotic deferment, indefinitely postponed within a labyrinthine choreography of metaconceptual self-deferral whose sole invariant product was the reproduction of the conditions necessitating its own iterative persistence.
Sic transit gloria mundi; fiat confusio, pereat claritas, et voilà—quod erat demonstrandum, quod erat absurdum, quod erat omnino supervacuum, q.e.d.
MEANING: This person talks like they're a genius, using huge words and complicated language, but when you actually examine what they're saying, it doesn't mean much. Their arguments are confusing, self-contradictory, full of jargon, and endlessly wander away from any clear point. The more they talk, the less understandable they become. The result is an impressive-looking mountain of nonsense.
frame window counter on 240fps (not 100% accurate since this level is very dependent on alignment)
1 frame: 47,
2 frame: 12,
3 frame: 4,
4-5 frame: 8.