[Threads] Jay : Why Hasn’t the Monkey Enclosure Changed Much Despite All the Donations for Punch?
With Ichikawa Zoo recently introducing a new way to donate by credit card, I thought this would be a good opportunity to share another write-up by Jay, a zookeeper from Taipei Zoo. He gives us some insight on how zoo donations are managed and used and why improvements may not always be obvious immediately.
September 30, 2026
Today, I want to discuss another question I see quite often:
“Ichikawa Zoo has received so many donations through Punch, so why does the monkey enclosure still look like it hasn’t changed very much?”
Some people have even gone a step further and questioned:
“Is the zoo simply trying to make money or profit from Punch?”
I think this question is partly reasonable. And because donations are involved, I believe the zoo has a responsibility to clearly explain how the money is being used.
According to information currently made public by Ichikawa City, as of September 13, 2026, donations related to “#がんばれパンチ” (“#GoPunch”) have reached a total of ¥72,369,005.
More than ¥70 million is certainly not a small amount, so I think it is perfectly reasonable for people to ask, “Where exactly is all this money going?”
However, there is one thing that needs to be clarified first: from the beginning, these donations were not designated exclusively for Punch, nor were they all intended to be used to renovate the monkey enclosure.
Ichikawa City’s publicly available Supporters Guide clearly states that the donations are intended for “improvements to the animal environment at Ichikawa City Zoo and Botanical Gardens, with Punch as the main focus, as well as facility management and other operational activities.”
In other words, Punch was indeed the main reason for this fundraising campaign and the reason many people were willing to donate. But the intended scope of how the funds could be used already included improving the environments of other animals, managing zoo facilities, and other related purposes.
So, “A large amount of money was raised because of Punch” and “All of this money can only be spent on Punch” are two completely different things.
That brings us to the next question:
“Even if the donations aren't exclusively for Punch, ¥70 million is still a lot of money. So why does the monkey enclosure still look like it hasn't changed?”
This is where I can share some observations based on my own first-hand experience working in animal facilities.
Ichikawa City previously explained that it planned to use some of these donations for several improvements, including shade structures at the monkey enclosure, the installation of soil/ground areas, expansion of the back-of-house space, and air-conditioning equipment for the back-of-house area.
In addition, Ichikawa City submitted a supplementary budget proposal to the city council totaling ¥70 million for the “Environmental Improvement Project for the Monkey Enclosure and Other Areas of the Zoo and Botanical Gardens.”
At the time, the zoo specifically explained that expanding the back-of-house area was not only for current needs. It was also being considered in preparation for a future major renovation of the monkey enclosure, when there would need to be a place where the animals could be temporarily housed.
In other words, if the monkey enclosure is eventually going to undergo major renovations, the issue of temporarily relocating the animals has to be solved first. There needs to be enough back-of-house or other temporary housing space so that the animals can be moved somewhere safely before further construction can take place.
These things often have to be done one step at a time, making it difficult to complete everything at once.
Improvement work on the monkey enclosure itself has also already begun.
The publicly announced work this time includes adding shade structures and creating areas with soil, wood chips, or other suitable ground materials. The back-of-house air-conditioning was largely completed earlier, while expansion of the back-of-house area is part of the ongoing improvements.
The monkey enclosure was originally scheduled to be closed to visitors from September 1 to September 18. However, construction was affected by rainfall, so an additional closure from September 25 to October 9 was later announced.
Then, on September 29, because of several consecutive days of rain, the approaching typhoon, and the resulting impact on construction progress, the closure was extended again, this time until October 18.
The zoo has also explained that construction is not taking place every single day during this period.
When construction workers enter the monkey enclosure, the monkeys have to be temporarily moved into the back-of-house area. Repeatedly moving the monkeys in and out every day could create unnecessary stress for them, so gaps are deliberately left between construction days. On days when there is no construction, the monkeys can use the enclosure normally.
Although the original closure period was around three weeks, the actual number of days when construction was scheduled to take place inside the monkey enclosure was only around several days.
This is actually quite similar to what I have experienced when construction work is carried out in animal facilities.
An animal exhibit is not an ordinary construction site that can simply be completely emptied and handed over to contractors for continuous work.
Animals may still be living in nearby spaces, or they may need to continue using certain facilities. Therefore, both the timing and methods of construction have to be coordinated with the animals’ circumstances.
Some construction work simply has to be postponed when it rains. Other work may create significant noise or vibration, or require unfamiliar construction workers and machinery to enter an environment normally used by the animals.
If these stimuli are clearly affecting the animals, the construction schedule may need to be adjusted, and buffer periods may even need to be arranged between construction sessions.
So when a project that appears relatively small ends up taking a long time, it isn't necessarily because the construction itself is particularly complicated. Weather conditions, the animals’ responses, and day-to-day management all have to be taken into account.
For a zoo, the construction schedule is actually part of animal management.
That is also why I have always felt that “it doesn’t look like much has changed” and “nothing has been done” cannot simply be treated as the same thing.
Adding shade structures and improving the ground areas may be relatively easy for visitors to see. But expanding the back-of-house area, installing air-conditioning there, creating temporary animal-housing space, and even the design, procurement, and administrative procedures that take place before construction may not be immediately visible to visitors.
The zoo itself has also mentioned that even when some construction work has already taken place, visitors may not necessarily see a dramatic change in the appearance of the monkey enclosure.
And Ichikawa City Zoo and Botanical Gardens is a public zoo.
When a public institution receives money, it isn't as simple as the zoo director being able to take ¥70 million the next day, buy materials, hire workers, and completely remodel the monkey enclosure.
There is naturally an entire administrative process involving budgeting, design, procurement, construction, inspection, and acceptance of the completed work.
Now let's move on to the second question:
“Is the zoo making money from Punch?”
If the question is, “Has Ichikawa City used Punch's popularity to attract more resources?” then I would say: yes.
There is really no need to avoid acknowledging this.
In addition to direct donations, there have also been various initiatives involving hometown tax donations, LINE stickers, collaborative transportation passes, commemorative stamps, book collaborations, and other projects.
Punch's popularity has indeed been converted into resources that can support the zoo.
However, “using a popular animal to raise resources” does not, by itself, lead to the much more serious accusation of “profiting from the animal” or “personally enriching themselves.”
I don't think there is anything inherently wrong with a zoo using the popularity of a well-known animal to raise funds and then putting those resources toward animal care, environmental improvements, or facility operations.
What actually needs to be examined is how the zoo originally explained the intended use of the money, what items were ultimately included in the budget, which projects have been completed or are currently underway, and how the remaining funds are going to be used.
Those are the things that can actually be verified.
If someone can find evidence showing that Ichikawa City diverted the donations to purposes completely unrelated to what was originally announced, or that there were problems with the accounts, procurement, or expenditures, then of course those issues should be raised and examined.
But if what we currently have is simply:
“Punch is very popular.”
“The zoo has received a lot of donations.”
“There are many Punch-related products and collaboration projects.”
And:
“I went to the monkey enclosure and felt that it didn't look very different from before.”
I don't think these things, taken together, are enough to directly conclude that “Ichikawa City is simply exploiting Punch to collect money.”
Of course, that doesn't mean I think the zoo has already explained everything perfectly.
On the contrary, because the amount raised has already exceeded ¥70 million, and because many donors were willing to contribute specifically because of Punch, I actually believe Ichikawa City should continue to proactively disclose its actual expenditures, construction progress, remaining funds, and plans for future use.
The more transparent this information is, the better it is for the zoo itself.
So if someone asks:
“Why don't I see a monkey enclosure worth ¥70 million if more than ¥70 million was donated?”
My answer would be:
Because this money was never intended to be used entirely to build or renovate the monkey enclosure, nor was it restricted to use on Punch. And construction work at an animal exhibit cannot be judged simply by looking at how much the exterior appears to have changed.
Construction projects at a municipal zoo, budgetary procedures, and on-site work that has to accommodate the condition of the animals are all part of a fairly complex process.
Of course, these matters should continue to be monitored, and the zoo should be open to questions about how the donations are being used.
But oversight should ultimately be based on information that can be verified. We shouldn't simply see that the exterior of the monkey enclosure has not changed as much as expected and immediately interpret that as meaning the zoo has done nothing, or go a step further and accuse the zoo of simply exploiting Punch to collect money.
I think the most effective way to monitor a donation is not to start by guessing what the people who received the money are thinking.
Instead, we should go back and look at:
What was promised in the beginning?
What was actually budgeted?
What was ultimately done?
And where did the money actually go?