▲ 35 r/books

I finished Vita Nostra by Maryna and Serhiy Dyachenko last night and I can't stop thinking about it

Hey!

I've been influenced by BookTook to start the audiobook of the Russian-language, Ukranian-authored fantasy (maybe sci-fi?) YA novel Vita Nostra by Maryna and Serhiy Dyachenko.

As a disclaimer, I quickly need to say I am severely not the target audience for this book. I am double the age of the main chararcter at the beginning of the novel, and even at 16 I found YA a cheesy genre. And yet!

Since I've been quite busy with work, I decided to go for the audiobook, and in hindsight that was quite a happy coincidence.

Let's start by saying, and maybe that's a credit to the translation (I don't speak Russian unfortunately), that the writing is literary, in a beautiful prose, and absolutely stunning in descriptions and historical/cultural context scoping. I don't know much about Eastern Europe in the 90s, and still I consistently found myself immersed in the landscapes, the little-town vibe descriptions, the post-sovietic dark academia. And that's just half of the world building the authors have achieved here.

The other 50% of the world building is the most original feature in this novel. If you've read and appreciated Babel by RF Kuang, you will probably enjoy Vita Nostra's Weltanschauung. The core idea that >!the universe we inhabit is a narrative one, and words (and signs!) have creative capabilities!<, is something I've always dreamt of seeing explored in non-fiction as a philosopher of language, and the literary choice of exploring it through a coming-of-age story is somehow enticing in the end.

You're forced by the world-building and the main character's arc to learn how Vita Nostra's universe works step by step, little by little, consistently being swept away by its complexity alongside a main character that, through the messy confused lens of a growing girl's eyes, is at the same time attracted and repulsed by the almost >!Lovecraftian!< discoveries on her academic path of transformation.

The ending, >!although open,!< was incredibly well written. I've been looking at reviews online, and I've found some readers have found it confusing. I think the main plot point which might have been missed by some could be >!the direct quote of John 1:1, the definition of λόγος, and the Chomskian theoretical/semiotic infrastructure of the world the novel ultimately offers!<. I am not entirely confident some nouances of the plot can be accessible to non-specialists, and especially young adult non-specialists. So maybe that's the question I'm asking here: do people who have read this book and know nothing or very little about philosophy of language, cognitive studies, and semiotics understand the ending?

Another issue I've found raised by other readers is the meaning of >!the early tests with Farit Kozhennikov!<, which according to some has not been fully explained. I think the authors did a great job at positioning it in the wider structure of the plot, instead:>!the tests were aimed at testing Sasha's endurance, and her discipline, and her ability to compromise on her ethical stances and habits for a higher purpose. Basically, her faith !<.

The book overall is a great exploration of magical thinking, of growing out of your roots and family of origin, of getting consumed by a worldview, and of the concept that every choice demands a renounciation. It's also a strong agrument for free will, which I did not expect to find so elegantly depicted through >!time travel/loops!< of all things.

On Reddit I've found a thread I can locate any longer where someone mentioned the novel might make an argument on simulation theory as well. I don't find that to be correct. From my understanding of the plot, >!reality really is influenced by "speech", and the technologies to overwrite reality are only available because reality is affected directly by them.!<

In any case, Vita Nostra is a great book. The only thing I've found icky is the oversexualization of young women, and sometimes the language around this topic sounded quite harsh, but... Hey, what can I say, this book came out 20 years ago. Maybe it was different times. Maybe. Let me know what you think.

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u/zeroschiuma — 4 days ago

Request: Mockumentaries

Hi!
I’ve realised too late in life I’m fond of mockumentaries, and I’d like to explore this newfound passion.

Recommend me your favourites!
I have a Netflix and an Amazon Prime subscription. Thanks everyone! 🤞🏻

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u/zeroschiuma — 22 days ago

How is it like living in Buenos Aires?

📍 Place: Buenos Aires, Argentina
🎯 Why I'm asking: I was born in Naples, Italy, and I’ve always lives in the myth of Argentina in general
👤 About me: I’m 34, married, no children. I love Mariana Enriquez and grew up with a poster of Maradona on my wall
🔍 What I specifically want to know: Little slices of life! What do you for fun do in Buenos Aires? How’s the job market? Is it safe? If you have a day off and you want to do something around the city, what do you do? How’s public transport? Best restaurant in town? Favourite place? Vibes, basically

u/zeroschiuma — 2 months ago
▲ 12 r/books

Just finished The Passion According To G. H., help

Hi! 👋

I can’t believe I am posting this, but I really need help organising my thoughts and: 1. I really don’t want to resort to AI and 2. Reddit is not helping me as it usually does.

I just finished reading The Passion According To G. H.; I am a philosophy master graduate, and I’ve come to my conclusions regarding some of the themes & overall interpretation, but I need your help!

Can you find the blind spots in my understanding of the message? If you’ve ready it more than once, or you’ve studied it in school/uni, can you point out what I couldn’t see for myself?

Here goes my take:

  1. Simone Weil and The Metamorphosis made a baby together, and it’s this fever dream
  2. The >!discovery of something unknown and gross within the orderly and ordinary led the main character to a mystic epiphany!<
  3. >!The epiphany!< is Taoist and Stoic in its nature, with Catholic imagery here and there, namely >!one must go through life meekly, one is all, language is a limitation, consciousness is God experiencing Himself!<… You read it, you know what I’m taking about

What did I miss?

Help! 🚔

P. S. I read it in the English translation by Idra Novey, so any notes on the original Portuguese are welcome!

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u/zeroschiuma — 2 months ago
▲ 73 r/TheOA

Season 3 Conspiracy &amp; Believing In Impossible Things

Hi everyone! I am a long-time lurker, first time poster in this sub! I must admit I just recenrtly activated the bell notifications, to keep up with every update and theories, because... Well, because I have officially resumed believing in impossible things!

Before I start, I just want to clarify I do not work in the entertainment industry. My point of view is informed by extensive experience with philosophy of culture (I am a semiologist by training) and product management (I work in tech, product ops).

I watched Season 1 and Season 2 of The OA when Season 2 came out, and I was immediately enamoured. As someone who got a philosophy master degree and immediately opted out of academia, not to mention as someone who was raised Catholic and stayed profoundly spiritual but abandoned religion, I am constantly in search of meaning. I am constantly looking for books, movies, TV series, even songs that allow me to scratch the surface in search of meaning and awaken my critical thinking.

With The OA, I found everything I was looking for.

Deep spiritual meaning, multiple layers of interpretation, stunning acting, a coherent and well devised world-building... Nothing was amiss. It genuinely scratched an itch for me.

And, and this is where you'll have to forgive me and understand my point of view, when Netflix canceled the show after Season 2 I was sort of okay with it.

I know.

Just hear me out.

>!When the forth wall is broken, and the plot gets entangled with this dimension, real life, the universe we all collectively dwell in,!< it does close the plot neatly.

Stay there, let me explain.

If you start from the last scene of Season 2 going backwards, what you're observing is the creative process: >!Brit ascending while completing the creation of The OA.!< If I had not followed the news regarding the cancelation, I would have been satisfied with the ending. I would have been hungry for more, sure, that's why fanfiction exists, but I would have considered it an absolutely legendary, open to interpretation, well crafted Netflix limited series with a lot of potential for speculation.

So, yeah. For a while I stopped thinking about The OA, and only kept up with the news through this sub.

Last year I rewatched it from scratch, trying to confirm my interpretation; the clues are there, if you watch it this way: the artist needs to die and be revived to tell their story, the house represents the multiple ways a story can be told, and the last scene is the key of it all.

However, this time I remembered what I read here, of Brit, Zal and Jason consistently selling to the press they'd love to finish the job, and I started getting more and more curious about the story they could have told. Of course I watched all sorts of video theories available on Youtube (I don't do TikTok obviously, I am too old) about what Seasons 3, 4 and 5 will be about, but I won't waste your time discussing them here.

What I will discuss instead is my theory on what's going to happen to the product. Because something will happen.

Let's start by saying The OA was not an unsuccessful series. I haven't seen the data, but I know for a fact all the sci-fi fans I know have watched it, and you know during the pandemic everyone was looking for something quirky and different to overfixate with. This is conjecture, of course, although it looks like Netflix did report striking numbers for Season 1.

Now, there is no comparative data because apparently Netflix never released viewership data on Sense8. Although the target audience, the tone, the execution, and most definitely the budget are totally different, that would have been the only fair comparison considering the catalogue Netflix had at the time. In any case, Sense8's cancelation in 2017 tells us something very important: they were still investing in the same genre, and looking for a long-term return that would have ensured client retention and product growth going, but it wasn't Sense8.

It is vital to mention here that Brit Marling and Zal Batmanglij have only published one (1) finished product in 7 years. That's A Murder At The End Of The World which, although not earth-shattering, is an interesting limited series with a lot of heart.

This is where my attention focuses. While the data on *The OA'*s performance is not conclusive, what is objective is the fact Brit Marling and Zal Batmanglij were, at that point, rockstars in the industry. If you have a series out on Netflix, another one on Hulu (is it Hulu?), and you've become a cult classic name, you ride the wave. You tell more stories.

Even if you consider the 3 years average it takes Brit and Zal to deliver a product, usually, it's 1 year too late.

So, lining up all this, I started to believe in impossible things. And here's my theory.

Ready? Right.

Seasons 3, 4 and 5 have already been filmed. They were filmed in London, for sure, as proved by the famous pictures from the cast.

I don't know when they're going to be released. Before the end of the year for Season 3 sounds plausible, considering the anniversary, the hints, and the recent post I saw regarding Netflix's rebranding of the series' page. It was probably filmed in 2019, paused for a while during the pandemic, resumed after production was completed for A Murder At The End Of The World. The rest might have come right after, and probably Season 5 is in post-production as we speak.

How certain I am of my allegations? Let's say I would not bet money, but I have my "I told you so" speech ready.

And now, the elephant in the room... Why?

The OA is a show about dimentions interacting, influencing each other, progressing simultaniously. The OA is a show about loving without touching.

As I've always suspcted, its creators want the viewer to do the work after Season 2. You are the show. Brit Marling is a real person and, although she is not married to her creative partner, she is an aand she is The OA.

Netflix loves experimenting. Think of Black Mirror: Bandersnatch (2018). Bold, experimental, absolutely stunning piece of media.

If the show is about the creative process, and I am telling the viewer to participate actively into the creation by willing the product into existence, I am betting on a winner. The cult-like fanbase will keep speculating, and the hunger for more source material will produce more and more discourse, narratives, and ultimately pay Netflix back for the investment.

How would I do it, in practice? Nov 16th, Season 3 Part 1 drops. Dec 16th, Season 3 Part 2.

See you in 2029 for Season 4, and so on.

So what do you think? Should I close my laptop and go to bed? lol

TL;DR - The show could have ended with Season 2 alright, but I think it won't. Season 3 dropping out of nowhere sooner than you think. Believe in impossible things, angels.

u/zeroschiuma — 3 months ago