r/16mm
Shot Super 16 for the first time (DC Filmmaker)
I’m really excited and truly grateful that I finally got a chance to shoot on Super 16 today. Shoutout to DU-All Camera in NJ. I rented an Anton XTR Plus, Arri Zeiss Ultra 16s and Zeiss Superspeeds MKIII. I shot 400’ of 500T and will be dropping the film off at the lab tomorrow. I am film photographer and shooting super 16, felt like the natural progression for me.
I shot a teaser to help support my crowdfunding campaign for a short film that I’m planning to shoot in the fall.
“Operation: We Practiced Freedom” coming soon,
In an unnamed country,a group rebels are commissioned to extract a scientist to shift the tides of war.
World's First Lucky 16mm Film SHD50 Test (B&W Single Perforated)
Right after Lucky Film officially restarted its production lines in 2025, I reached out to them to discuss making single-perf 16mm film. During the process, they made a few dummy rolls without emulsion just to verify the sizing. Sadly, the perforation positioning didn't meet the standards during our first few attempts. But after several more rounds of adjusting, finally make a film roll that meets the SMPTE standards. Then they produced a first batch of single-perf 16mm test film coated with Lucky SHD50 emulsion. I shot a roll the moment I got my hands on it, and I've just freshly scanned the footage.Lucky SHD50 is a negative film, but I developed it as a positive using the D67 reversal process. I developed it in a 3D-printed Lomo tank that I designed and built myself. The stainon the right side happened because I made a mistake while loading the film—I put the perf side facing up by accident. This coast non-perforated side is under-developed.
New Kodak 100' Spools = Jams?
I was shooting over the weekend and didn't realize that the last probably 5' got jammed in the Bolex. It was my first time using the new plastic spools for the take-up... anyone else having issues with it jamming when using the plastic ones? I ran out the last part of the film at the highest fps, so maybe that also had something to do with it. Love the price of stock going up and the quality of the spools going down 🙃
Kodak 250D question!
Hey all,
I shoot on a K3 camera and I have shot a few rolls of 16mm but only 50D, and it comes out nice.
I tend to over expose by one and one third stops and the K3 has a 150 degree shutter angle (which is the 1/3 stop) and I like the look of slightly over exposed film as I think bringing the brightness down in post looks better than potentially having to bring it up.
However my question is, is 250D safe to film in daylight? I am worried due to a few of my lenses being wide angles with no front filter thread for ND filters. I want flexibility for late afternoons as it’s getting darker but I don’t want to sacrifice being able to shoot in the daylight either.
Has anyone shot any 250D 16mm in bright daylight conditions without ND filters before?
Problem disassembling the side panel
I was testing the camera without film and suddenly it stopped working, the winding mechanism got stuck and I couldn't keep turning it. The trigger moves, but the mechanism doesn't turn. I am disassembling the side panel, but the 2 screws of the rotation mechanism are not accessible for disassembly; is there any way to make it rotate?
Has anyone seen the Tamino - Raven (a film by Thibaut Grevet) ?
Have you guys seen this video ? They used some cool technique to create the effect. It took them two years. According to them they were trying to expose the same image 30 times the same way. But I feel like i am missing something here because just exposing it 30 times should not be that complicated. Can anyone explain how is it that difficult ?
[ORIGINAL VIDEO] Void Comp - Passerby (indie electronic)
Shot on 16mm film in Montreal
Figuring out my Bolex and identifying issue
Hey all,
I'm a full time filmer, but recently delving into the film world which is exciting! I recently shot a roll and the results came back pretty mediocre compared to a roll I had previously shot on a friends Bolex. Every time I start shooting, the image warps twice. Along side that, it seems that the film moves out of place half way through the roll, rending the rest unusable. Seems I also missed focus a bit, which I thought I was nailing during filming, and didn't miss focus once on the other roll I'd shot previously, so that was strange.
Hoping to identify the cause of this ahead of my next roll, so I'm not wasting money needlessly. I've attached a video that shows a dummy roll loaded and running to see if anything looks out of the ordinary (although it seems to start shredding near the end, maybe due to it being reused many times?), and also the roll of film that was shot. The roll messes up two thirds of the way through.
Any advice is much appreciated!
Thanks.
Did anyone here already use Verita 200D? I'd be interested in seeing the results.
Haven't really found much online other than Kodak's promotional footage. Would be really interested in seeing some footage shot with it if you want to/are allowed to share it!
16mm film development and scan in Zurich
Hi all,
A friend and I will be shooting a short project (30–60 seconds) near Zurich in August on 16mm film using my Beaulieu R16 camera. The project came together quite recently, so I am currently looking for the best option for high-quality film development and scanning - and probably for film stock as well. I already reached out to the Cinegrell and The Film Lab teams, but I wanted to ask for suggestions here as well. Do you have any recommendations?
Also, Berlin would be an option since one of the crew members will be traveling between the two cities, but the closer and faster the process, the better. (I’m also a bit concerned about airport X-ray scanners.)
One more thing: I will only be getting my Beaulieu R16 next week and haven’t had the chance to test it yet. Since the shoot is approaching quickly, I would also like to ask whether you know of any maintenance or repair services for this camera model in case any issues arise. (I’m definitely going to buy a new battery pack from Ausgeknipst before the shoot.)
Thank you so much for your help!!
First roll of 16mm on my obscure kinor 16R
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First roll in paris, really really Happy of m'y camera, works really well, the footage is not shaky at all.
On paper the tolerence of this caméra made it better than an eclair ACL or NPR, and just under and arriflex SR, if somebody have an idea of how to test that.
The color grade is preaty mid i am sadly not an expert in this
Steenbeck
Hi all,
I have discovered an couple of old bits of equipment. Photos attached.
I would be very grateful to anyone who can provide me with further information on them and what they do and if anyone is still interested in these items in current times.
All I have done/checked is plug them in and turn them on, both work but what looks to be a monitor on one (Steenbeck) does not turn on.
Thank you all.
first 16mm shoot results!
hey y’all! posting on here because i just got back my first 3 rolls of 16mm film! i’m very happy with how the footage turned out. i was originally shooting on a K-3 i bought off FB marketplace that i tuned up but on our first shoot it gave me film spaghetti..my producer ended up having an old Bolex H16 laying around and we shot on that for the re-shoot. trying out 16mm has been a huge challenge but has definitely pushed me to be a better cinematographer/filmmaker. we are shooting the rest of the film this month and im super excited to continue to pursue this medium :)
here’s a shot from the film we are making titled Miss Kentucky’s Best.
[HELP] Bolex (Rex 1) keeps jamming
Took a video of it happening (finally after about the 5th occurrence of this) and wanted to know if I could get any help/advice on how to fix this? Noticing the bottom spool is slowing down for whatever reason but it seems as though everything else is moving fine.
I would say every 1 in 3 tries my Bolex jams. So this isn't happening every single time.
Again any help is soooooooo appreciated thank you!
What camera/system would be the best (cheapest, easiest) 16mm camera for small cinema-type productions?
Right now, the cheapest option is an Arriflex 16S kit for $2,500 CAD
But I essentially don't know the first thing about shooting film. I have been a digital filmmaker and cam op for about 16 years. And I have shot 8mm home movies. I want to start doing indie stuff with 16mm next.
So I am looking for a general "maybe look for x model" suggestion, if possible
Rolling dark spot in 16mm transfer?
So I have been trying to transfer my 16mm film since you all helped me get the projector working. I have been just using an iPhone camera because I have no better method of transferring it. I have it the camera and projector set at 24fps and I used some leader I have to test my camera and noticed the rolling dark spot that happens every few second. Any idea what it is?
Urgent! Such a stretch!
I’m currently in the south of France, absolutely struggling to find 16mm film. I’m in Toulouse, working a wedding on Friday, need film! Didn’t know how incredibly difficult it would be here. Does anyone have anyone or know anyone here who has it? Thank you! Willing to pay extra?
I will also drive to Bordeaux or Montpellier.
K3: Tiras Photo or Maksim?
Hey guys, which seller would you recommend?
Tiras Photo or Maksim Karpenko?
I’m looking for a PL K3, and Maksim’s prices are higher than Tiras’.
That said, a lot of people seem to have bought from Maksim.
Does anyone have experience with either of them?