I wanted to try making a dialogue-driven short film using the limited credits I had on Google Flow, without having the entire story planned beforehand.
I just gave it a shot and wanted to see how it would turn out.
Watch it and let me know your honest thoughts and feedback!
Ellen Bracy survived combat overseas only to find herself facing a supernatural threat at home.
This isn't necessarily a finished version, it is currently my final draft and i'm mainly looking for feedback on it before I make it public.
Over the last few weeks I've been taking time off work to move my channel in a new direction, to horror and mystery with smart protagonists.
Currently set to Unlisted because I want feedback first to see what's what And if anything needs changing or can be cut I really want to know as it’s important to me to get this right. If your going to downvote or upvote at least tell me why.
She's smart, she's capable and she's ready to fight back.
A gritty realistic take on facing the supernatural, with a protagonist that makes smart, tactical decisions when the veil drops.
Discarded on the home front. Medically discharged, wrestling with trauma, and facing eviction, she is forced into the cold realities of life on the streets. To stay afloat, she takes on desperate, under-the-table private detective work—until a routine gig spirals into a brutal, blood-soaked encounter with something that defies the laws of nature.
Ellen’s first instinct is clinical: combat psychosis, brain tumor….anything to explain what she saw.
But as she methodically retraces the evidence, cross-referencing obscure forensic oddities with grim folklore, logic points to a terrifying truth. She isn’t losing her mind. The monsters are real, they are predatory, and nobody else is coming to stop them.
Instead of running, Ellen falls back on the oath she swore to defend her country.
With her last few dollars and a soldier’s tactical mindset, she treats the supernatural not as a curse, but as an enemy combatant to be analysed, prepared for, and eliminated. Blending urban scrap, bespoke ballistic modifications, and occult research, she builds an arsenal.
In the gritty tradition of classic creature-feature hunts, Ellen isn't waiting to become prey. She is adapting, loading out, and taking the fight into the dark.
The movie is a homage to TV shows like Supernatural, buffy the vampire slayer and video games such as Phasmophobia.
And also to smart Protagonists.
Created with Ai using Seedance and Omni Flash for scenes that dont requite much input.
Music created using Google Gemini and google labs music Lyria 3.5 and is free to use.
EXIT 84
This short serves as a proof of concept for a full length feature film and was created to introduce audiences to the world, mystery, and horror of Gallotin.
A ROSSANOTRA TV ORIGINAL
Some roads were never meant to be found.
For generations, the small town of Gallotin, Texas has carried a secret buried beneath its quiet streets.
It began more than a century ago when a desperate mayor made a deal with a mysterious stranger known only as The Traveler.
The deal saved Gallotin.
But the Devil always collects.
When unsuspecting travelers begin finding an exit that shouldn't exist, they discover a town that feels almost too welcoming and a terrifying truth waiting beneath the surface.
EXIT 84 is an original supernatural horror short film from Rossanotra TV, written and directed by Michael Ross.
This short serves as a proof of concept for a full length feature film and was created to introduce audiences to the world, mystery, and horror of Gallotin.
If you want to see EXIT 84 become a full length feature, support the film by watching, liking, commenting, sharing, and subscribing to Rossanotra TV.
Every view helps show that there is an audience ready to see what lies beyond Exit 84.
Created by Michael Ross
Written and Directed by Michael Ross
A Rossanotra TV Production
For film festivals, producers, production companies, distribution, investment, licensing, and collaboration inquiries:
Rossanotra TV
Subscribe to Rossanotra TV for original films, stories, and upcoming projects.
The road has chosen you.
Welcome to Gallotin.
Someone at Burrow & Associates has been taking food out of the break room fridge.Jerry has decided to handle it personally. He has interviewed his colleagues. He is taking notes. He is not going to let this go.
Hey everyone — I've been working on a short documentary about
Machu Picchu for my channel focused on ancient civilizations and
world wonders. This one covers how the Incas engineered a city on
a mountain ridge without wheels or iron tools, why it was
abandoned, and how it was rediscovered in 1911.
Full transparency: the visuals are AI-generated (Google Flow) and
the narration is AI voice (Gemini TTS) — I wrote the script,
directed every shot, and did all the editing myself. Wanted to
be upfront about that since it's obviously not traditional
documentary footage.
Genuinely curious what this community thinks — both on the
history/content side and on whether the AI visuals work for this
kind of subject or feel off. Appreciate any feedback, good or
critical.
For more than 100 years, cinema has been fundamentally one-directional:
Someone creates the story → we watch it → it ends.
Generative AI makes me wonder if that model is about to change.
I’m exploring an idea called Cineverse: an AI-powered interactive cinema engine where a movie can become a branching, persistent world rather than a fixed sequence of scenes.
Imagine reaching a major decision in a movie and being able to say:
>
Instead of generating a random clip, the system would understand the existing characters, relationships, story state and world—and generate a coherent alternative timeline.
The core architecture I’m thinking about is:
Movie → Narrative Graph → Interactive World
Potential capabilities include:
The interesting part, IMO, isn't simply video generation.
Video models will continue to improve and become increasingly accessible.
The harder problem is building the narrative intelligence layer that understands what happened, who the characters are, what they remember, how the world has changed, and what should logically happen next.
That could become the real infrastructure behind interactive cinema.
I've started experimenting with the foundation through ReelCut, an open-source project exploring community-powered cinematic content and multilingual subtitle infrastructure.
GitHub: https://github.com/modarresi1913/reelcut
ReelCut isn't Cineverse, and I'm not presenting it as a finished product.
It's the first step toward a much larger experiment.
The question I'm interested in is:
What happens when a movie stops being a fixed story and becomes a world you can enter, alter, and continue?
I'd love to hear how people here think about this.
Would you actually want to rewrite a movie you love—or would changing the original destroy what makes it special?
When Burrow & Associates are forced into a mandatory sensitivity training session, things go from awkward to offensive in record time. From "Hot or Not" apps to the most uncomfortable office hug in history, this is corporate culture at its absolute worst.
The era of independent artists trading their sweat and computation costs for empty social media metrics and microscopic ad-pennies is officially over. When you value your own work and gate it behind a professional membership wall like your $2.99 YouTube tier or $5 Patreon, you force the audience to treat your film like an actual cinematic event rather than disposable brain-rot content...
When you start valuing your talent , start drawing the line in the sand that other people can at least start valuing it for the price of a cup of coffee is the day the peope not the corporations take back what is rightfully theirs
Made with Seedance and Kling.
We only need skilled editors if you are new or if you are trying please do no apply.
You must be experienced in creating videos lile this -
https://drive.google.com/file/d/12mqcAv-p\_5VUcOCtxGCYTfoVClos6\_lJ/view?usp=drivesdk
Please do no apply if you dont have prior experience.
Its long term work infact ver long term.
How many videos you wanna create will totally depend on you but we need quality.
Indian only.
Again please only apply if you have prior ezperience.
MADE A FAKE TV SHOW AS A MUSIC VIDEO AND I’D WATCH THIS!!!
What do y’all think??? Have you ever thought about your song being featured in TV or film.
https://youtube.com/watch?v=MeqSAGBVNGs&pp=0gcJCcQLAYcqIYzv&ra=m
I made a fake TV show for my song…
If Tubi calls I’m taking the meeting!!!😂
I’ve had a song called “THE OTHERSIDE” for a while, and I started thinking about what it would look like if the song were the theme for an actual TV show.
So I made one.
Well… sort of.
THE OTHERSIDE is a proof of concept trailer for a fictional series about vampires working as covert CIA operatives.
Basically: spies, vampires, secret government programs, conspiracies, lots of nighttime shooting, etc.
The trailer uses my song “THE OTHERSIDE” as the theme music. I wanted to see if I could take the feeling of the song and build an entire world around it.
Tubi, if you’re reading this, I have a pitch.
This is just a creative proof of concept, but I had a lot of fun putting it together.
Thanks for watching please subscribe.
Create a high-end, intensely cinematic 30-second 3D motion-graphics sequence in an original steampunk-inspired miniature world. Use entirely original mechanical designs, environments, creatures, vehicles, and architecture. Do not reference or imitate any existing movie, game, book, franchise, character, or copyrighted visual style.
[0-10s] Begin with an extreme macro close-up of an antique brass clock face. The clock mysteriously unfolds layer by layer into intricate interlocking gear rings, pistons, springs, rotating mechanisms, and volumetric mist. The camera smoothly dives through the center of the mechanism into a miniature canyon constructed from stacked, weathered antique books. From the canyon, an original small mechanical flying vehicle with brass wings and rotating components rises dramatically through the mist.
[10-20s] The camera continuously follows the flying vehicle as it glides forward through the miniature world. It seamlessly passes through a large ornate spinning brass optical machine containing rapidly moving silhouettes of completely original mechanical animals. Reflected light bursts outward from the machine and transforms the environment into a floating brass cable carriage traveling along glowing copper rails through an enormous forest of interconnected gears. Warm cinematic golden-hour illumination, realistic reflections, atmospheric haze, and detailed mechanical surfaces.
[20-26s] The camera gracefully moves downward beneath the floating carriage. A completely original clockwork wooden sailing vessel emerges below, traveling across rolling waves made from translucent deep-blue glass. The glass waves gradually transform into a gigantic luminous moon on the horizon. A group of tiny anonymous silhouetted explorers carrying glowing lanterns walks along a crystalline ridge beneath a star-filled sky. [26-30s] The camera smoothly spirals outward through ethereal clouds and returns to the original grand brass clock face. The clock settles into a beautiful premium cinematic end-card composition. Display ONLY this exact text: SEEDANCE 2.5 IS LIVE The exact wording must remain unchanged. Make the two lines large, centered, elegant, highly legible, and clearly visible for the entire final 4 seconds.
Use refined metallic typography with a premium brass-and-gold appearance, subtle illumination, realistic reflections, and cinematic depth. Keep the text unobstructed and stable until the video ends. Technical direction: hyper-detailed original mechanical designs, realistic brass, bronze, wood, glass, and copper materials, cinematic shallow depth of field, volumetric atmosphere, dramatic but elegant lighting, smooth continuous camera motion, seamless transitions, miniature-world scale, premium commercial quality, strong visual continuity, and an epic fantastical adventure atmosphere.
Do not include recognizable copyrighted characters, franchise-specific objects, famous fictional vehicles, celebrity likenesses, existing logos, or references to any existing intellectual property. The only visible brand/model text at the end must be: SEEDANCE 2.5 IS LIVE
Hey everyone,
Here is the second episode of Sloppy Tales, my animated series where I try to completely subvert classic fairy tale narratives. This one is a pretty unhinged showdown featuring weaponized lactose intolerance.
I want to give a huge thank you to this community—I took a lot of the feedback and critiques I received on the first video into consideration for this one, especially when it came to really leaning into that chaotic 1930s Fleischer Studios and Tex Avery vibe.
I’d love to hear what you guys think of this new episode. Any and all feedback is welcome!
Also, I'm currently brainstorming for the next few videos. What classic fairy tales, legends, or childhood stories would you like to see me completely ruin next? Drop your plot ideas and suggestions below!