Prompt for GPT

A strikingly beautiful young woman, early 20s, Southeast Asian or ambiguously ethnic,

natural glowing skin with a faint dewy sheen, sharp jaw, full lips with a subtle pout,

almond-shaped eyes with a heavy-lidded confidence — not overdone, just real. Hair

loosely pulled back, a few strands falling across her face. No heavy makeup. She is

wearing an oversized anime-graphic T-shirt — the graphic is a bold, high-contrast

Japanese anime illustration of a fierce female warrior printed across the chest and

back, faded slightly for a worn-in premium feel. The shirt is cropped-oversized,

falling mid-thigh. She pairs it with low-waist micro denim shorts barely visible

beneath. White Nike low socks. Fresh clean sneakers. Effortlessly underdone.

She is leaning back against a bare concrete pillar, one leg slightly bent, looking

directly into the lens — not smiling, not cold. A gaze that says she doesn't need

your approval but doesn't mind your attention. Mood: unbothered, magnetic, gen-Z cool.

SETTING: Minimalist Tokyo-inspired urban rooftop at blue hour. Hazy purple-blue sky

behind her. Concrete ledge. A faint neon glow from below, out of frame, casting a

soft upward magenta edge light on her right side.

COMPOSITION: Medium-full shot, subject placed rule-of-thirds left. Negative space

to the right. Slightly low angle — shot from about chest height, looking up 10 degrees.

LIGHTING: Blue-hour ambient as base. Subtle practical neon glow (magenta/rose) from

below-right as rim light. Single softbox equivalent from front-left for face clarity.

No harsh shadows. Skin looks real, pores visible, not AI-smoothed.

TYPOGRAPHY (overlay): Top-left corner — brand name in clean, razor-thin Japanese

Gothic typeface, all caps, in off-white: "VOID TOKYO" with a very small registered

trademark symbol. Bottom-right — a smaller line in the same font, lighter opacity:

"ANIME OVERSIZED COLLECTION — SS25"

COLOR PALETTE: Deep muted navy, charcoal concrete grey, warm caramel skin tones.

Accent: electric rose/magenta neon. Minimal. No oversaturation.

STYLE: High-end fashion editorial. Shot on Hasselblad medium-format, 80mm lens,

f/2.2. Film-like tonal depth. Subtle grain. Not Instagram-filtered — editorial-grade.

Think i-D Magazine meets Hypebeast cover. Hyperrealistic, cinematic, 8K resolution.

COLOR GRADE: Cool base with lifted shadows. Slightly desaturated except for the skin

tones and neon which are allowed to pop. Deep blacks. Cinematic contrast.

Aspect ratio: 9:16 (portrait) — optimized for Instagram Story, billboard, and

out-of-home advertising.

Prompt for SEEDANCE

SCENE: "VOID TOKYO — Anime Tee Drop / Fast Cut"

TONE: Frenetic, baddie, kinetic, confident, zero patience

DURATION TARGET: 15 seconds HARD

CHARACTER:

- The Model: Young woman, early 20s, natural skin, effortlessly cool.

Anime-graphic oversized tee, micro shorts, clean sneakers. She moves

constantly — this is NOT a posing ad. She's in motion in every single shot.

SETTING: Multiple fast-cutting locations — all urban, all minimal.

Rooftop / street corner / white flash zone. Location identity doesn't

matter. MOVEMENT matters. The shirt is the product. Every shot sells it.

EDIT RHYTHM: 7–8 cuts in 15 seconds. Average cut = 1.5–2s.

The edit breathes on the beat — every cut lands ON a beat hit or hat.

No transitions except hard cuts and ONE whip-pan. Nothing soft. Nothing cinematic.

AUDIO CONCEPT:

Music — Hard-hitting Gen-Z hyperpop/pluggnb hybrid.

Think: KSG × Ken Carson × Destroy Lonely energy.

Punchy 808, rapid hi-hat rolls, bright synth stab on the hook.

Beat drop at 00:02 — everything before is the tease.

VO — None until the very end. Let the visuals hit.

SHOT SEQUENCE

[00:00–00:01.5] EXTREME CLOSE-UP — Shirt back graphic, hands pulling hem ★ OPENER

Camera: Static macro, dead center. No camera movement.

Action: Two hands (her own, reaching behind) grab the bottom hem of the

oversized tee and SNAP it taut — the fabric pulls tight for one beat,

then releases. The anime graphic on the back stretches and relaxes.

Satisfying fabric tension.

Subject: Back of shirt, graphic fill-frame. Hands visible at bottom.

Context: Bright, clean — white or concrete. Background irrelevant. Shirt IS the frame.

Audio: Music intro — single 808 sub pulse. No beat yet.

SFX: Sharp fabric snap sound (practical, real).

[00:01.5–00:03] MEDIUM SHOT — Front graphic reveal, she spins INTO frame

Camera: Static medium shot. She enters from off-frame spinning 180 degrees

to face camera — the spin reveals the front graphic mid-rotation.

Action: She completes the spin and lands facing the lens. Oversized tee

catches air during spin — lifts and settles. She doesn't smile.

Looks dead-on. Arms loose at sides.

Subject: Full shirt front visible. Graphic clear and centered.

Context: Rooftop, blue-hour, magenta edge light — quick flash of recognizable

location from the Bible image.

Audio: BEAT DROPS AT 00:02. Hi-hats kick. 808 locks.

SFX: Air whoosh from fabric spin.

[00:03–00:04.5] LOW-ANGLE CLOSE-UP — Walk toward camera, shirt hem flapping ★ SHIRT MOTION SHOT

Camera: Camera on ground level, model walks directly toward and OVER it.

Shot is looking straight up as she passes.

Action: She walks in a direct straight line, full stride. The oversized

hem of the shirt swings and flaps with each step — fabric movement is

the whole point. Sneakers visible at entry, then the underbelly of the

shirt fills the frame as she passes over.

Subject: Shirt hem, underbelly of tee, bottom of shorts, sneakers.

Context: Concrete floor. No location needed. Pure product motion.

Audio: Music: Beat driving. Hi-hat rapid roll.

SFX: Sneaker slap on concrete x2 (in beat).

[00:04.5–00:06] CLOSE-UP — Graphic detail, finger traces the print

Camera: Tight static close-up on shirt chest. Rack focus from soft to sharp.

Action: Her finger (manicured, minimal nail) slowly drags horizontally across

the anime graphic on the chest — the fabric bunches slightly under the touch

then smooths. She's showing you the print like she's showing you something rare.

Subject: Shirt graphic, one finger. No face.

Context: Neutral. Doesn't matter. Pure product.

Audio: Music: Hook synth stab hits HERE — bright and punchy over the beat.

SFX: Faint fabric compression under fingertip.

[00:06–00:07.5] WHIP PAN — Location change / energy reset

Camera: Whip pan RIGHT — blurs to white for 3 frames, resolves into

a completely different location (street level, white studio, wherever).

This is the ONE transition in the entire ad.

Action: The whip pan is HER head turning — she whips her head right and

the camera follows into the blur. Coming out of the blur she's already

in the new position.

Subject: Motion blur → her, new position.

Audio: Music: Continuous.

SFX: Whoosh on the whip pan — sharp, quick.

[00:07.5–00:09] BEHIND-THE-SHOULDER MEDIUM — She pulls shirt off shoulder, teases the crop ★ HERO PRODUCT SHOT

Camera: Medium shot from just behind her right shoulder — slightly low angle.

Action: She reaches up and pulls the oversized collar off one shoulder —

the shirt drops to one side, showing the exaggerated oversized fit.

She looks back over the exposed shoulder directly into lens.

One beat. Then drops it back. It's nonchalant, not sexy — just showing the fit.

Subject: Shirt collar, shoulder, the fit proportion. Her face in 3/4 over shoulder.

Context: Street edge / rooftop. Magenta edge light hits the exposed shoulder.

Audio: Music: Melodic vocal chop loops here — the "ahhh" sample.

This is the emotional peak of the track under the visual peak.

[00:09–00:10.5] OVERHEAD FLAT-LAY STYLE — She drops into frame from above

Camera: Dead overhead (bird's eye), static. Camera is looking straight down

at the floor/surface.

Action: She drops/sits quickly into frame from above, cross-legged, shirt

spreading around her. Lands and immediately looks up directly into the

overhead camera — one second of direct eye contact. Then she reaches up

and pulls the shirt graphic toward the lens, stretching it up to camera.

Subject: The shirt from above — full graphic readable from bird's eye. Her face.

Context: White floor / concrete rooftop. Minimal. The overhead removes all location.

Audio: Music: Beat continues, hard.

SFX: Thud of landing (soft, body on floor).

[00:10.5–00:12] RAPID MONTAGE — 3 x 0.5s flash cuts of shirt details

Camera: Three hard cuts, each a different detail macro. Each shot: static, dead sharp.

Cut A (0.5s): Tight on the back collar label — fabric tag, brand name.

Cut B (0.5s): Tight on the side hem stitch — close enough to see thread texture.

Cut C (0.5s): Tight on the sleeve end, slightly rolled — the cotton weight visible.

Action: Static. No movement. Just the garment. Quality signals.

Subject: Garment details only. No body, no face.

Context: Irrelevant — just crisp lit detail shots. White or grey surface.

Audio: Music: Three synth stabs synced to the three cuts. Each cut = a stab hit.

Beat: Punchy, locked to edit.

[00:12–00:15] STATIC MEDIUM — She faces camera, shirt in full, VO hits, title locks

Camera: Clean medium shot, eye level, centered. Static. Held for 3 seconds.

Action: She stands facing camera. Both hands grip the front of the shirt

and stretch it wide toward the lens for one beat — showing the full graphic

flat and readable — then lets it drop naturally. She looks at camera.

Doesn't break eye contact until cut.

Subject: Full shirt, front graphic, her face above it.

Context: Rooftop. Bible image color world returns for the closer.

Audio: Music: Drops to just the 808 tail and vocal sample.

VO (flat, fast, natural voice — her): "New drop. Grab yours."

— 2 words, 2 words. No filler. No pause.

Music OUT: hard cut to silence on the final word.

→ 0.5s of silence before cut to black, then:

TITLE CARD (00:14.5–00:15):

Hard cut to black.

"VOID TOKYO" in thin white caps. Appears as one instant stamp.

No animation. Just there.

SFX: One digital click.

AUDIO MAP

AUDIO MAP

[00:00–00:01.5] Sub pulse only. SFX: fabric snap.

[00:01.5–00:02] Beat builds — single bar anticipation

[00:02] BEAT DROP → hi-hats + 808 lock

[00:02–00:04.5] Main beat. SFX: fabric whoosh (spin), sneaker slaps on beat.

[00:04.5–00:06] Synth stab hook hits on top of beat.

[00:06–00:07.5] Beat continuous. SFX: whip whoosh.

[00:07.5–00:09] Vocal chop sample loops — emotional peak of track.

[00:09–00:10.5] Beat hard, driving. SFX: landing thud.

[00:10.5–00:12] Three synth stabs sync to flash cuts (each one a hit).

[00:12–00:14.5] 808 tail only + vocal sample under.

VO: "New drop. Grab yours."

[00:14.5] Music CUTS (hard stop, not fade).

[00:14.5–00:15] 0.5s silence + title card click.

VOICE DIRECTION (ElevenLabs or real talent):

- Line: "New drop. Grab yours."

- Delivery: Fast, flat, like a voice note. No breath between the two phrases.

She's not announcing — she's telling a friend.

- ElevenLabs: Aria, Turbo v2.5. Stability: 0.35. Similarity: 0.80. Style: 0.1.

ZERO style exaggeration. Record twice, use the flatter take.

DIRECTOR'S NOTES

DIRECTOR'S NOTES

THE CORE RULE OF THIS AD:

Every shot must show the T-shirt doing something — moving, being touched,

being worn in motion. If the shirt is just hanging static in the background,

cut or reshoot. The shirt is the star. She is the delivery mechanism.

GENERATION ORDER:

1. Shot 2 (spin reveal) — Generate this first using Bible image as character

   reference. This is your character anchor for Seedance.

2. Shot 3 (low-angle walk-over) — Generate as separate clip. Feed same

   character reference. The sky/ceiling visible = your continuity check.

3. Shot 7 (hero shoulder pull) — High priority. Use Bible image as first frame.

4. Shot 9 (overhead drop) — Unique angle, no face consistency needed,

   generate freely. Just match the shirt.

5. Shots 1, 4 (macro/detail) — Easy, no character needed, generate last.

6. Shot 10 (rapid montage) — Do in post: shoot/generate 3 garment detail

   stills and cut-flash them to the beat. Easier than video generation.

7. Shot 11 (final medium close) — Use Bible image as first frame.

   She stretches the shirt toward camera — this is a Seedance "last frame"

   anchor for the outro.

EDIT INSTRUCTIONS (CapCut / Premiere):

→ Cut every clip on the beat. Open the track in CapCut, drop beat markers

at every kick/snare hit. Every cut must land within 1–2 frames of a marker.

→ Shot 10 (3x flash cuts): each clip is 12–15 frames (0.5s at 25fps).

These feel like the beat is slicing, not you.

→ The whip pan (Shot 6): If Seedance doesn't generate a clean whip, fake it

in post — blur filter on the transition frames, speed ramp the cut.

→ Overall color grade: Match Bible image. Cool base, deep blacks, magenta rim

in outdoor shots, clean neutral in detail shots. Add light grain over all.

→ Aspect ratio: Generate in 9:16 for Reels/TikTok. Crop a 1:1 version for feed.

SPEED SETTINGS (all clips play at 100% — no slow-mo in this version):

→ Shot 3 (walk-over) can be slightly sped up (+10–15%) if it drags.

→ Shot 9 (overhead drop) — real-time. The natural speed of sitting down IS fast.

WHAT MAKES THIS GEN-Z vs. FASHION FILM:

→ Gen-Z: Cuts on the beat. Fast. Shows the product from weird angles.

She moves, the shirt moves. Done in 15s.

→ Fashion film: Slow-mo, breathing room, vibe > product. NOT THIS.

→ Every second should make someone pause their scroll.

What you will be pick?

So I want to share my full process because when I was starting out I could not find anyone actually breaking this down properly.

A skincare brand called Lumya reached out needing product content and UGC style videos.

No big budget, no production team. Just me. And honestly at first I had no idea if AI tools could pull off something that looked genuinely premium for a beauty brand.

I started with the creative direction first, which I think most people skip.

I wrote out the mood, the color palette, the emotion I wanted the viewer to feel. Warm tones, soft light, that elevated skincare aesthetic.

Without this step the AI generations just feel random and disconnected.

Then I moved into video generation using Seedance 2.0. The key for me was writing very specific cinematic prompts rather than generic ones. Instead of "woman applying skincare" I was writing things like slow motion close up, golden hour light, product in focus, emotional and intimate mood. That level of specificity is everything.

I ran multiple iterations, kept what worked, and locked in the seeds for visual consistency across clips so the whole thing felt like one cohesive video and not a random mix of generations.

The final output genuinely looks like something a production team would charge dollars for.

I delivered it solo in a fraction of the time.

If you are trying to break into AI UGC for beauty or lifestyle brands, the creative brief you write before touching any tool is your actual product. The AI just executes it.

Happy to answer any questions.

Just finished this quick shaver project to see how the software handles metallic reflections and water simulation. I am trying to see how close we can get to a traditional studio look using the right tool and prompt setup. The details on the blades came out pretty clean, but I had love to get some constructive feedback from people who do product design or advertising. How does the quality look to you guys, and where do you think this kind of workflow fits into the current e-commerce market?

Just made this luxury product shot to see how it handles reflections and the perfume spray. No weird glitches, and the text on the bottle is super sharp. The right tool and prompt combo make a huge difference. Is this ready for real commercials? Where does it stand in the market?

This is a spec campaign I built for VELOUR which is a mock streetwear brand I created to develop my portfolio.
No brief from a client yet. Just a creative direction I set myself: rooftop, night, tonal dressing, zero noise. The goal was to see how close I could get to a real fashion film using only AI tools.
Stack used: Seedance 2.0 for the video, cinematic prompt engineering for the shot structure and grade direction.
This is the lane I'm building in, a cinematic AI creative direction for fashion and beauty brands. Not UGC, not talking heads. Editorial-grade output that a brand could actually run.
Portfolio: nandyvisuals.com/mediakit
Open to feedback from anyone who works with brands on the creative side on what reads as premium to a buyer and what doesn't?

Testing some new video tech with a beauty product setup. The transition from the pouch to the mask application came out super clean. If you get the tool and prompt right, the output looks completely premium. Where do you think this tech sits in the ad industry right now?

Have tested over 100+ videos across categories like:

1. Get Ready With Me (GRWM),
2. OOTD,
3. Lookbook videos

Still fails in 10-20% cases. Looking for early users to share feedback!

This video is just one personal test, but I think the broader implication is important:
AI may change ad production not by making one perfect ad — but by making iteration dramatically cheaper.

Would love to hear how others in marketing and creative are evaluating this tradeoff.

Just tested a try on video with fast outfit swaps and honestly the quality surprised me. The clothes stayed clean, faces didn’t glitch much, and the transitions looked pretty smooth even in a raw render. Feels like the tool and prompt quality makes a huge difference here. Do you think this is ready for real ads already, or still more of an experimental AI workflow?