
Why does nobody talk about how insane Rise and Shine is? So underrated.
underrated

underrated
I’ve had this project in heavy rotation over the last few months and just…..JESUS CHRIST!!!!! I already knew when it came out but then of course switched to listening to The Fall Off repetitively and forgot about it for a bit. And it’s like, Cole just be making and dropping life changing, mind altering music and fire bars in his sleep and he’s like….yeah that’s nothing to me, on to the next. Like WHAT 🤯🤯🤯🤯🤯
*my personal favorite is "premeditated murder"*
Sorry I posted so late, it’s my Birthday, also, 2 weeks in!
Some photos from the show in Berlin. A big thank you to my wife for taking these beautiful pictures. The show was awesome!
I’ll start:
There comes a time in every man's journey where he will finally be confronted with perhaps the harshest truth in life. Nothing is forever. His youth, his innocence, his body, his glory, his success, his bonds, his possessions. Everything in this physical existence that he has come to cherish will one day be stripped from him.
The sooner he accepts this fact, the sooner he will find PEACE...
- Jermaine Cole
I’ve been going back through Cole World: The Sideline Story lately and I’m honestly surprised by how well this album has aged. In 2026, it’s still such an easy project to just put on and listen to front to back.
What really stands out to me is how relatable Cole was during this era. Obviously he was already a great rapper, but it wasn’t always about proving how technically good he was. He could make songs about relationships, family, ambition, insecurity, growing up, trying to make it, etc. and somehow make everything feel personal without forcing it.
Songs like Daddy’s Little Girl, Lost Ones, Breakdown, Sideline Story, Nobody’s Perfect, Rise and Shine, even something like Lights Please still hit because there’s an actual human experience at the center of them.
And that’s probably why I have such a hard time saying The Fall Off is his best album, even though I can recognize how much better Cole has gotten as a rapper over the years.
Technical ability isn’t the only thing that makes me love an album.
I can be impressed by the bars, flows and rapping on newer Cole while still feeling way more connected to projects like The Sideline Story, Born Sinner and 2014 Forest Hills Drive. There was something about that era where it felt like Cole was talking to you rather than just showing you how good he was.
Maybe nostalgia plays a part, but listening to Sideline Story again, I really don’t think it’s just nostalgia. The music itself has held up.
I miss this version of Cole sometimes.
I’m quite young, haven’t been a fan for long. The realisation people have actually lived through Jcoles career is so surreal to me because he’s undergone such transformation. I can only see his for what he is now kind of the established Fayetteville rapper he is. The fact people actually heard no role modelz on release oh gosh man.
Obviously is amazing. It's the type of song I'd play at my wedding as a Cole fan.
It's not a clean song, there's a "fuck" in a line in the second verse.
>If this ain't love, then what the fuck you call that?
But in the first verse, there is a line with "dick" that is censored.
>But I heard she wants the d— I give her all that
I think Cole wanted the song to be sweet to his girl, and I guess saying that his girl wants dick is kind of trashy, but it's funny because censoring it doesn't really help; we still know what he's actually saying. I don't even agree with the part about it being trashy either. I'm not sure why else it would be censored though.