I had a dream Hooky was walking with me to my car and it literally had the tires chopped and was on bricks.
Worried about whats gonna happen to me at the Peter Hook show this fall now. Lol.
Worried about whats gonna happen to me at the Peter Hook show this fall now. Lol.
Alternating layers of aircraft ply and acrylic, based on the cover of Joy Division's Unknown Pleasures.
Took the XY coordinates of each of the 80 layers, plotted them out in CAD, turned them into splines, extruded into bodies, laser cut all of them. Numbering the layers was key to making sure I didn't mix them up.
Laid out the whole deal as a mirrored patterned sconce - I realized that a single side would just be a wedge sticking out of the wall.
Made a 3d print to make sure proportions were correct to what I had in my head.
Took the aircraft ply and dyed them brown, because aniline was tons cheaper than buying walnut ply.
Side design is some Deco inspired work that looked neat (we both love Deco designs).
Built an acrylic inner structure, mirrored acrylic on the back to reflect the lights.
Used some TP-link programmable LEDs to illuminate the layers. Alternatively, a mirrored light bulb is in the center.
On the unseen side is another Unknown Pleasure, the lyrics to our first song, and an engraving of our separate (yet matched) photo booth strips.
All in, approximately 240 pieces. It's not perfect, but it's a solid representation of where my skills are.
Edit!
• For those asking, I grabbed the raw dataset of Pulsar PSR B1919+21 and put that in Excel. Transformed the data so that each column represented a different layer. I exported all 80 columns as individual CSV file in .txt format, with the Z-column being the individual layer heights. I work in metric, because I'm not an animal, so each layer was spaced by 1mm.
• Each file was then brought into SolidWorks as its own sketch. The data points were created as pointclouds. SolidWorks has a neat tool to create a spline out of points, so I used that, 80 times.
• Once I determined some general things, like height, how to best apply the Golden Ratio, etc. I made a general boxy shape that I could modify easily with some basic parametric modeling (CAD crew nodding their heads here), and extruded to the thickness of my stock (this changed many times, as stock thickness had a direct correlation on overall size to maintain my desired ratio)
• From there, I was able to offset the layers, create some more bodies, etc.
• Once I was happy with the entire assembly, I generated a new, flat model for layout. I used this to figure out how much material was needed.
• DXF's were then exported from Solidworks, and imported into Lightburn.
• All plastic parts were cleaned with a degreaser (some offgassing occurred during laser-cutting. Bad settings on my part).
• All wooden pieces were lasercut, cleaned, sanded, dyed, sanded, shellac'd, then assembled.
Also, for further reference, please check out the amazing project from u/_DomovoiD_
Including bootleg picture discs from Brazil… because of course 🤷♂️ 😆
a day late but here are some pictures i took of Ians grave 🖤➗
Hooky looks so cool 😎
Couple of pics that I found from the Factory exhibition held in Manchester 2022. Ian's guitar and a letter I think.
From Hooky's Substance: Inside New Order
> ...we channelled a love of Kraftwerk and Giorgio Moroder. Ian Curtis had first introduced us to the icy Germans, and that was quickly followed by an even greater admiration for Moroder, particularly his work with Donna Summer on ‘I Feel Love’ and his production of the wonderful Sparks track ‘Number One Song in Heaven’. His solo record E=MC2 became a big inspiration and definitely led us into ‘Temptation’.
From an interview with Stephen Morris:
> When we were doing "Love Will Tear Us Apart" there were two records we were into: Frank Sinatra's Greatest Hits and "Number One Song in Heaven" by Sparks. That was the beginning of getting interested in Giorgio Moroder.
Bernard apparently also mentioned Moroder in regard to Ian at one point, although I can't find a verbatim quote offhand.
I think there's no secret Ian was a big fan of Kraftwerk and they would open every Joy Division show with Kraftwerk, but TIL Ian was actually a big fan of Moroder and his work with Sparks and that influenced LWTUA. I can't tell if the last sentence of Hooky's quote is inclusive of Ian or not but it would definitely be cool if he was able to listen to it.
The depiction of this iconic image in wood art is my personal homage to the band itself, Ian as a frontman and his tragic fate, and all the impact they still carry into this world.
Design concept: 3D wood art of the Unknown Pleasures album cover art including the text.
Poplar was the choice of wood for the main focal point for its variety of color gradients ranging from greenish tones to dark purples. Each one of the 80 pulsar signals was hand traced & then scroll sawed to shape. This was the most time-consuming part of the process.
Each mountain was then finished with tung oil, which brought out even more natural beauty of poplar wood with added glistening sheen.
The Perspective was my main challenge. It just keeps changing depending on the angle of view and distance away from the piece. I didn’t know what space it would end up at, how tall would it be hanging. I saw so much potential in this concept that I just couldn’t leave the pulsar signals stack as static. It took a lot of brain cells, but eventually I figured out the dynamic element by engineering an adjustable frame. The most challenging part of the process.
It breaks my heart that he died so young he would’ve been 69 if he were still alive
Walk in silence. Rest in peace, Ian.
And now I know Depeche Mode used to do great Goth music
Thee guy did work for the Guitar Hero of Rock Band thing so he has the stems, but then had to delete. Before doing so he gave us this wonderful video of mixing Disorder. (I posted this before on a deleted account)
Stephen Morris interview. Joy Division coming together, rehearsing, recording and then a heartbreaking end. Newly uploaded from my archive - an extended interview from 2007.
https://www.youtube.com/watch?v=ivWOjkyFg8w I will probably use AI magic and some filtering/EQ to help clear up this super rare recording.