
I’m The Slime is the new #1 song on Spotify and #6
Anyone know why? Lol

Anyone know why? Lol
I've been thinking a lot about one question lately.
If this reality is, in some way, designed to keep consciousness trapped... what would a sound feel like if it came from a place that existed before all of these systems?
Not in a mystical sense. More like a memory.
My grandmother was a curandera from the mountains between Puebla and Veracruz (Mexico), and one of the few things that survived through my family was an old pre-Hispanic ceramic jaguar whistle she used during healing rituals.
I built an immersive soundscape around it.
The first part is just that raw breath through the jaguar whistle, deep drums and fire. No processing intended to make it "beautiful"... I wanted it to feel ancient and almost uncomfortable.
The second part is made from field recordings I captured in those same mountains, wind through the trees, goat bells, and a short Náhuatl prayer that my grandmother used to recite. I wasn't trying to recreate history, only preserve an acoustic landscape that is disappearing.
The final section shifts completely. The natural environment slowly dissolves into a minimalist sound architecture built around slow isochronic pulses, subtle bilateral movement and a sustained 396 Hz foundation. Whether frequencies actually influence consciousness or not is something everyone has to decide for themselves. I simply found the combination surprisingly grounding after many iterations.
What interested me wasn't making "meditation music"... It was exploring whether ancestral acoustic traditions and modern sound design could create a different quality of awareness, something quieter than the constant stream of thought we usually identify with.
If this world is constantly competing for our attention, maybe silence isn't the only doorway.
Maybe carefully constructed sound can become one too. I'm genuinely curious what people here experience with it!
Hi everyone, I'm writing to announce the Public Beta release of 'UncleStreamus', a piece of software that I have orchestrated the creation of (using Claude Code, more on that below) over the last few months, previously titled ZappaStream.
As the title suggests, it's a native macOS and iOS app for streaming the 24/7 Zappateers internet radio hosted by norbert.de
TestFlight link to join the beta: https://testflight.apple.com/join/KdhXVGyY
The latest version is available here for both iOS 16.5+ and macOS 14+. If you've never joined an Apple beta before, just follow the instructions in that link to download TestFlight and UncleStreamus should automatically show up in that afterwards.
I haven't yet submitted for approval to the main App Store, and so I can't say for sure that full approval will be granted, but we'll cross that bridge when we come to it.
Here's a link to the public repo on Github: https://github.com/UncleStreamus/UncleStreamus
The macOS version is also available here on Github as pre-built and notarised .app compiled for both Intel and Apple Silicon Macs (macOS 14 minimum), and the project is available for anyone to download and look at themselves. If there's enough interest in it from the Zappa community, I'd also love to also make Android and Windows/Linux versions.
Before I go any further I'd like to address this question: Is this AI slop?
I am in no way an advocate of what is currently known as 'AI' — and I'm very conscious that these sorts of 'vibe-coded' apps have infected a lot of online communities over the last year or so. But while this technology is currently available and affordable for a non-developer like myself, I've taken the opportunity to produce something that first and foremost is for me, and secondly might have some genuine value for other people to utilise if they like it. If you'd prefer to boycott the app on principle I completely understand and support that action.
As I say, I'm not a software dev but a very tech-savvy audio-video person by trade. I know enough to have managed the development, testing and debugging, and generally overseen Claude's writing of the app. Although I'm very sure that there's nothing nefarious within the codebase, since the source code is publicly available on Github anyone with dev skills can make their own assessment. Also, if you're currently playing a part of the anti-AI or big-tech movement I fully respect that and please feel free to not engage with the app at all, or make your positions known in the comments etc. — There will be absolutely no stifling of that sentiment from me I assure you and I welcome the discussion.
Why I've made this app:
Most people here are likely aware of what the Zappateers archive is. However, I'm not too sure how many younger or newer FZ fans are familiar with Norbert's live streams unless they've taken part in the scheduled listening sessions. For me, these streams have been the source of countless discovery moments and in my early Zappa days were what helped direct me to find some of the better live shows from the various Zappa periods. I've been listening to the streams on and off for about 15 years and used various internet radio streaming apps to do so, but the experience is rarely great. It's generally hard to find apps that support all 4 stream codecs and rarely is the metadata (title and track info) properly dealt with. So after years of putting up with a substandard experience I decided to make my own and fill it with extra features that enrich the experience. See the Github for descriptions and screenshots of the feature set so far.
The app will always be available for free, but I have added a donation link to the Github page for anyone that would like to contribute to the project that way, which I in turn can put towards the Apple Dev fee and any further time and money costs of more development, maintenance and generally continued support. A lot of the core functionality is in place already, but I do have some other ideas for new features down the line. I'd love to chat through with anyone about this, and of course please feel free to join the Beta if you have an Apple device.
Also: currently it does not have an official icon or logo. So I'd be looking to the community for help with that again, if there's interest.
Thanks everyone for your time!
Hey!! So I've very recently started listening to Zappa, I've always known he existed but never bothered to check him out. My mistake, completely.
I've only heard what I imagine to be his more popular comedic songs? Slime, Dirty Love, Bobby Brown Goes Down, Catholic Girls, Dont Eat the Yellow Snow, ect.. and only just started what I THOUGHT was his first album, Over-Nite Sensation. Then I found out buddy's been pumping out music since the 60s.
Where does one begin to listen? His music cataloge on spotify is insane, I don't know what albums to start with? I usually try to listen to bands chronologically, but I'm extremely overwhelmed. Do you have any suggestions for albums or songs?
Weird but legitimate question, I can't find any images on Pinterest other than this one of Frank Zappa growing his iconic moustache...Can you help me?
Baked Potato in LA, sounds like an epic lineup!
So as a background… I’m a massive Geordie Greep fan, and a kind person recommended that I listen to Studio Tan if I wanted music similar to The New Sound and Hellfire. I had already listened to Hot Rats because of the Zappa-Greep comparisons, and I feel like it’s a reluctant 10 as in something that is great, I can appreciate, will probably get better with more listens, but I’m not dying to hear again.
But STUDIO TAN… I want to listen to it every single day for the rest of my life. There’s a certain genre of albums that feel like they are made specifically for me, in the sense that they tap into all of my favorite things about music all at once… Studio Tan is exactly that, and after a few listens I think it might be one of my favorite albums of all time. I’m so in love with it. It sounds beautiful, every single second of Greggery Peccary is amazing, Gentle Giant and XTC are my favorite bands and I feel like this is somewhere in that mood especially with its use of tuned percussion and synthesizers and its eccentricity.
I have noticed it’s not among the most famous or most recommended Zappa albums, but if there’s even ANYTHING he’s made that sounds like this, it would be SO appreciated if anyone helped lead me in that direction!!
Edit: So many albums!! This is going to be an insane rabbit hole of a discography!
His 1987 hot rats is great and better then the 69 for me but that money stinks shit. It sounds just hollow and disjointed and the zappa vocals sound like you ran them thru an empty plastic bottle. Money is my favourite album of all time and ts lwk not tuff
What else do people here listen to apart from Zappa?
Some of my current favourites:
Beefheart (especially Doc at the Radar Station)
Led Zeppelin
Kamasi Washington
Fela Kuti
Robyn Hitchcock
Hiroshi Yoshimura
Peter Green's Fleetwood Mac
Steely Dan
Black Sabbath
Baby Grandmothers
Memphis Minnie
No Smoking Orchestra
No intention of being judgmental. Of course anyone who plays music live (especially when the music is as complex as his!) makes plenty of flubs.
I’m just genuinely curious. For such a polished musician and speaker, he must have made some big mistakes here and there, right? Anyone have some in mind?
I remember listening to the lyrics to Fembot in a Wet T-Shirt and Catholic Girls off the Joe's Garage album and my jaw was on the floor. Just HOW were these lyrics allowed in every record store in America? if I was a kid in the 70s I'd be all over it.
And to say 200 Motels is an "uncomfortable watch" by modern and sensitive audiences is an understatement. There's a LOT of scenes and jokes in the movie that hit different knowing what we know now, especially the scene with Keith Moon of the Who when he is complaining to the groupies of chest pain after he took too many pills.
Truth be told I still find the film hilarious and love the band's performances, but I have a weird sense of humor which is partially why I'm here. Would it pass the smell test today? When Zappa was alive there was always pushback and flac against his lyrics and his brash persona. But did anybody specifically try to cancel him as they do today? I think the rules were a little different during his peak to say the least, so I'd be interested to know if there was any specific movement like Me Too which tried to stop him at the time?
If Frank were still here he'd be getting all kinds of shit with modern sensitivity. But as Dweezil has experienced, his fans and his community will always find a way and give us a place to appreciate this art.
I have a theory that Eat that Question is inspired by Supernaut by Black Sabbath. Frank was quoted as saying Supernaut is his favorite song, and I believe he's also said Eat the Question is his favorite of his own. They both are centered on a main meandering riff rhythmically focused on the downbeat, and which repeats throughout the track but separated by jammy sections. Normally that wouldn't be enough to say it was inspired, but because Frank loved Supernaut so much, it seems likely to me.