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[Dark Rainforest Ambient] Hispaniola by Vangelis - Need help recreating this atmosphere in Suno

Hey everyone,

I’ve been creating songs for my characters with Suno for a while now, and currently I’m trying to create a dark rainforest ambient track for an amazonian shaman / warrior character.

My main reference track is “Hispaniola” by Vangelis.

The problem is:

Suno constantly ignores some very important things I’m trying to achieve and maybe some experienced users here know how to structure prompts better for this kind of atmosphere-heavy music.

What I’m trying to create:

- dark, living rainforest ambience

- minimal vocals

- subtle spiritual tension

- constantly evolving jungle atmosphere

- many different small sound events like in the reference track

- no dominant lead instruments

- no cinematic trailer feeling

- no modern song structure

Main problems:

  1. The vocals start immediately in the intro even though I want a long instrumental jungle intro first.
  2. Whisper vocals are mostly ignored and become loud normal singing.
  3. The rainforest itself does not feel “alive” enough like in the Vangelis reference.
  4. Suno often repeats the same ambience instead of constantly introducing new small sounds and textures.
  5. Instruments sometimes become too dominant instead of blending naturally into the atmosphere.

I already tested many variations for hours and I feel like I’m fighting against Suno more than actually building the song 😄

Maybe someone here has experience with:

- ambient prompt structure

- controlling vocals better

- delayed vocal intros

- rainforest / tribal ambience

- or Vangelis-like atmospheric layering

Vocal Prompt:

[Intro: Instrumental, No Vocals][Dark Jungle Atmosphere] [Bridge, Distant Female intimate Breath] A sombra da onça caminha sem som Olhos dourados dentro da chuva [Long Jungle Interlude] [No Vocals] [Bridge, Distant Female intimate Breath] A floresta respira na escuridão O velho espírito observa em silêncio [Extended Ambient Section] [Animal Sounds] [Flute Echoes] [No Vocals] [Outro] [Dark Rainforest Ambient] [No Vocals]

Style Prompt:

[Instrumental] Deep Rainforest ambience evolving jungle sound layers and unsettling spiritual tension. Inspired by ancient unexplored rainforest ambience, eerie ritual presence and psychological jungle horror. Haunting primitive soft jungle flute calls must be clearly audible and recurring throughout the music, mixed with scattered percussion fragments, distant animal cries, monkey sounds, rattling wooden textures, deep atmospheric strings and occasional slow tribal drum hits. The music should constantly introduce small new sound events instead of repeating one ambient drone. No loud lead vocals, no dominant singing and no modern song structure. Very sparse distant female whisper fragments in portuguese appearing rarely like ghostly voices hidden inside the rainforest ambience. The jungle itself should feel alive, dangerous and moving in darkness. No heroic adventure feeling, no hollywood trailer music, no uplifting fantasy atmosphere and no heavy electronic drone hum.

Thx for everyone´s help

Chris

reddit.com
u/ChrisBrillo — 6 days ago
▲ 31 r/ambientcommunity+12 crossposts

Harp-Sigil-Magic: The Platonic Forms of Harp Melodies (experimental art-music)

Harp-Sigil-Magic: the Platonic Forms of Harp Melodies is an experimental art-animation-music magical event. All art, animations, and music were created entirely 100% by me. The intention underlying this work is to coagulate musical and artistic disciplines in an alchemical experiment, creating art that is also music, art-music as a form of magic. I take Novalis’s concept of the musical hieroglyphic language and unity of disciplines as a creative impetus and guiding star in this endeavor—I should mention that I am a PhD student and Novalis/esotericism scholar, so I am a practicing musician-artist-academic-magus. I also have a lot of other experimental esoteric and philosophical music, so feel free to check out my repertoire!

Harp-Sigil-Magic awakens new horizons for my compositional work, entering a new threshold of musical experimentation. For the first time, I expand beyond basic harmonies into 6^(th) and 7^(th) chord structures and beyond, further into more expanded harmonic tiers, delving into more complex and unstable harmonies, harmonies that play with tension. This piece is structured around a D–G quartal relation in C minor; this harmonic interval is more dissonant in the sense that it is less harmonically resolving, with fewer harmonic possibilities with or adjacent to it, its capacity to create harmonies more limited compared to other quartal intervals. I took this limitation as a compositional challenge and starting point, structuring the piece around it.

This piece is a fantasia, which combines both structured melodies and improvisation. I came up with a set of primary melodies that I explored and developed over months through improvisation. The final recording was crystallized over two improvisational sessions. With the exception of The Cosmic Symphony of Melusine, all of my piano/harp instrumental pieces were essentially composed in this manner, endeavoring to capture both structured harmony and the lightning-in-a-bottle quality that arises through inspired improvisation.

Absolutely no AI was used in the making/creation/composition of this song and video, and I have taken a firm and unequivocal stance against AI in my own artistic/musical/compositional/philosophical practice. Despite a social climate where AI is polluting artistic and musical landscapes with automated sludge, a time when it feels almost pointless to create real art and music, some of us musicians and artists, such as myself, are undeterred by the artistic/musical apocalypse that is upon us, continuing to making art/music that pushes boundaries, striving for the philosopher’s stone through art and music.

https://www.youtube.com/watch?v=b_mNJD1aN2E

u/starryspaces — 9 days ago