r/analogphotography

Some shots from Málaga, Seville, Cordoba and Granada (Spain)

Taken on my Olympus Pen EE-2 and processed/scanned by Analogue Wonderland

Really quite pleased with how they've come out as it was only delivered from a China ebayer the day we were leaving

I'm analog photography amature hobbist since forever and I never seen something like this.
Film technician blames quality of film but I'm not sure if this is the case. Isn't this just a lot of micro dust?

Taken in the studio on HP5+

Hello Reddit, I come to you in a time of need.

I shot some fresh E100 35mm two rolls from the same batch with an F5 and 58mm 1.4, and send them to a guy that develops E6. Haven't had an issue before, but this time 1/3 of both rolls have these weird curved squiggly lines that in a weird way follow specific patterns of some tones of the film. To the naked eye they look almost like a matte surface of small specs. I've also attached a frame with light reflecting on the emulsion side and next to it the actual photo to demonstrate how it follows the shapes and patterns. I've never seen something like that, and it kind of seems like a really weird issue to be an emulsion defect. Has anyone heard or witnessed something like this before, is it possible that it's bad chemistry or user error in developing and if so how? I have an event I am shooting next weekend, and Ektachrome is my favorite and main film I use, but now I don't know what to do, because these two are unusable. Guy said that he used the same chemistry a few days ago on some 120's and they were fine, but didn't bathe any other with the two I gave him, so we don't have another random person's film as reference.

I got a Yashica C off of eBay that still had a roll of film. After a bit of research it seemed unlikely I could get C-22 film processed. I developed it instead with D-76 developer and ended up with several B&W exposures. No idea who these people are but seems to be early 70s. The building in one was suggested to be the California Capitol. Thought this sub would find some interest that it did develop.

Many different stocks used- many cinestill400D, Portra 160, cinestill 800 and Portra 800. All scanned and developed by me.

I hope everything works out for me.

My first time shooting on film on anything other than a disposable camera. Using the Fujica AX-3 on Kodak Gold film. This was a test role to check for light leak. Just ordered a repair kit to patch it.

If you own this camera, please tell us why you chose this camera. Tell us what you like and dislike about this camera. Would you recommend this camera to someone getting into medium film format, why or why not.

I often find myself walking around and seeing a frame or a scene that I like but when I take the picture, it doesn’t live up to expectation. I see an image I want to take but it ends up looking like a “snap” or any old photo you may have on your phone.

I will often lift my camera to my face then change my mind and not take the picture, especially as I don’t want to waste a frame on something that isn’t worth it.

The attached picture for example (Full disclosure, it’s from a digital camera but that’s not the basis of the question) looks great in my head but I couldn’t transfer that into a photo. Maybe someone will say it’s amazing, maybe someone would want to frame it? I doubt it and maybe that’s what stops me taking the picture

How do I lift myself out of this? Is it skill, experience, editing or is it a mindset?

If the answer is Cartier-Bresson’s 10,000 photos then I’ll shut up and keep going!

Photo taken on Lomochrome ‘92 110 film using a Pentax Auto 110 SLR and 24mm f/2.8 lens.

Loving this camera! Wish me luck, im still waiting for low light photos that i took with ilford 3200 and candido 800.

I’m wondering if anyone using nee tools in object. Following C1 advices I anyway frequently see tinted vignetting. So I just invert through rgb curve after neutralise wb on negative border using after linear response curve. First picture is with C1 new negative tools, second using “old way”. With Nikon D850 a 60mm 2.8D macro and Valoi 120 with cinestill CS Lite +l