The Async Research Institute sends expedition teams to map a seemingly infinite labyrinth hidden beyond reality the direction of the enigmatic Ivan Beck. As the project progresses, they discover that this liminal plane is far more dangerous than they ever imagined, filled with impossible architecture, unexplained phenomena, and hostile entities that threaten both the researchers and anyone unfortunate enough to fall into the Backrooms…

After several revisions, I'm happy to finally release the definitive version of Backrooms: Async

With the release of Everything Must Go on Kane Parsons' YouTube channel and the digital release of the A24 film, this edit now includes the highest-quality versions of every scene used in the project. I've also made a handful of small refinements to transitions, audio, and pacing to polish the overall experience.

About the Edit

Backrooms: Async is a feature length fan edit that reimagines Kane Parsons' YouTube Backrooms series as a single cinematic narrative designed to serve as a prequel to the A24 film.
The story is presented mostly in chronological order, with the three Found Footage entries edited and intercut alongside the main Async storyline. Since these episodes were originally self contained, restructuring them allowed me to improve the pacing, reduce repetition, and better integrate them into the overarching narrative.
A small number of scenes and lines of dialogue from the A24 film have also been incorporated where they help strengthen continuity with the film without revealing its major story beats. The edit is intended to enhance the experience of the movie rather than replace it, making it an ideal companion piece to watch either before or after the film. (though for people new to this franchise i do suggest watching the A24 film first!)

Music has been added to most scenes using tracks from both Kane's YouTube series and the A24 soundtrack. The only exception is "Warmth" by C418

Included Videos in order:

Overflow
Prototype
The Third Test
First Contact
Fault Line
Light and Tile Survey
Missing Persons
9780415263573
Autopsy Report
Informational Video
Motion Detected
Pitfalls
Found Footage #1
Report
Presentation
Reunion
Simpsons
Found Footage #3
Damage Control
Static Dead End
Everything Must Go
Backrooms (Naren pov)
Home_27647
I remember

Alongside these, the edit features a select number of shots from the A24 film, carefully chosen to connect the two stories while keeping the focus on the Async narrative.

Runtime: 2hrs19min

This version represents the completed vision I originally had for Backrooms: Async, and unless future official Backrooms content significantly expands this era of the story, I consider this project complete.
Thank you to everyone who watched earlier versions and shared feedback throughout development. I hope you enjoy this final release.

DM me for a link to the movie!

(if you already asked for a link from me in the past, its the same one to access my newest edit!!)

For a download link, email wakeupkeo+Bride@gmail.com

Original Movie/Show Title: The Bride!
Original Running Time: 126 minutes
Fanedit Running Time: 106 minutes

Synopsis:
A lonely Frankenstein asks a groundbreaking scientist to create a companion for him. What ensues is beyond what anyone imagined. 

Main Goals:
To remove the Mary Shelley character all together. The Bride is just wildly eccentric because she was brought back from the dead. That's it. She is just unapologetically herself. We never really find out what she was like before besides the quick intro, and while she learns who she was before, this resurrected version is the new person she is now. And she is awesome. Dialing back the cops' heavy-handed storyline and over-exposition a bit. Malloy is the real detective, and James is gay, not crooked - just was a bad detective that got girls killed by using them as informants. Also removing the "media sequence" of the Brain Attack movement.

Intention:
OK - wow, where to begin? What a mess of a theatrical release - another movie I really wanted to love, but it seemed to take that as a challenge. The trailers were minimal and let me imagine a crazy wild movie that i had no idea what to expect - and I guess that's what we got? But this movie had layers on layers on preachy preachy layers. HOLY CRAP.​​ Nothing what what I expected. The first trailer made me think it was gangster Frankenstein that had his henchmen get a live girl and killed, then reanimated her. I had no idea... Mary fucking Shelley. I feel like I could rant for days, but in summary - the addition of this overarching angle, of Mary Shelley possessing this woman in her own effort to write a sequel, completely derailed whatever wild journey that this story went on. I mean, a reference to the Mel Brooks movie Young Frankenstein seemed completely out of place with Mary Shelley running things. At least in my opinion.​​

SO. I could not resist at least seeing what what left is Mary Shelly was removed... and holy crap there is a diamond here. Personally, I love characters that completely defy what is expected of them, to glowing success. The ones that break all the rules. And without Mary, this becomes a strong willed woman who, upon her second chance at life even without her memory, she refuses to act within the oppressive system she finds herself. And Frank, OMG Frank! This guy, I love this guy!!! This movie deserves an edit just to let Frank shine, but Penny and Frank have an absolute classic star-crossed lover in this bonkers Romeo and Juliet and Bonnie and Clyde mashup. I was blown away at how awesome what's left actually is!

Cuts and Additions:

• Removed Mary Shelly intro.
• Removed Ida's intro and death.
• Added intro credits to Frank's walk in Chicago and removed Frank's first interaction with a scared pedestrian.
• Removed Frank introducing his "Frankenstein" name to Dr. Euphronious, she figures it out herself.
• Adjusted a moment of Dr. Euphronious examining Frank to better draw attention to where he pulled out his traditional Frankenstein neck bolts.
• Removed Frank asking for "An intercourse" specifically at first.
• Removed a couple shots of the Bride during the reinvigoration process to better keep the process from the POV of Dr. Euphronious and Frank until the Bride wakes up.
• Added title to The Bride waking up.
• Removed first Mary/Ida vision with a tightened cut of the gang member James forcing oysters on Ida and adjusted to her saying "I'd Prefer Not To", and changed to B&W to better transition from Frank's dance vision. This is the only flashback she gets, and its added to better explain her death and her enjoyment of the line "I'd Prefer Not To" which she will go on using. Its also added to try and in her personal taste on oysters, hopefully not in an obvious way.
• Removed Dr. Euphronious pointing out the broken bulb spot on the ceiling, so the broken glass is implied to be Frank's fault.
• Removed Dr. Euphronious remarking how well read she is.
• The back alley dance floor assault is recut so Frank's interaction with the server is removed, as well as her big speech.
• Removed one of Franks curb stomp kicks.
• Removed third Mary/Ida vision with Ida's head in a jar.
• Tightened the first appearance of the cops at the alley murder scene.
• Tightened up the cops arrival at the railroad tracks murder scene, and the dialogue in the diner a little.
• Tightened cop dialogue when they see the mob chasing Frank and Ida.
• Fixed out of position shot at the beginning of Frank's dance in front of Ronnie Reed.
• Removed media coverage of the Brain Attack movement beyond Dr. Euphronious seeing the newspaper headline.
• Removed Lupino implying that Ida was Gangster Clyde's side piece.
• Tightened scene of Malloy questioning Wiles about the Bride looking right at him.
• Slightly tightened cops discussion on the car ride about Malloy getting recognition for her work.
• Dialed back some of the patrolman's assault on Ida before getting shot, and removed the oyster joke she heard from Gangster James when she was alive.
• Removed Ida telling Frank she wants Mary out of her head.
• Tightened Wiles confrontation with Ida to remove the implications of Wiles and Ida having sex.
• Adjusted dialogue of Cop Wiles telling Cop Malloy how he knows Ida - that he put her and other girls in extreme danger to try to get info on Lupino. Also adjusted dialogue so that he is retiring from shame and making Malloy his replacement, his choice.
• Removed Ida talking to Mary in the car while Frank is in the back.
• Removed Ida asking for Mary's help, and Mary's last lines.
• Removed Greta and the Doctor's discussion about sleeping, and preferring not to.

Please leave reviews in the comments, thanks for reading!

Hey everyone,

Sharing some side-by-side comparison frames from my latest full-length restoration project: the 1986 aerial action classic Iron Eagle.

With no official 4K physical release in existence, the goal was to take the dated 1080p digital streaming release and build a true modern 4K presentation. The entire video remaster, color grade, and final composite were assembled and produced in DaVinci Resolve Studio, paired with a dedicated 5.1 surround sound audio pass remastered in Cubase. The project focused on resolving fine high-frequency details, eliminating compression artifacts and noise from the streaming source, balancing highlight roll-off, and mastering a full HDR10 (BT.2020 / PQ) wide gamut grade with uncompressed multichannel audio.

🖼️ Full 4K Resolution Comparison Gallery:

https://imgur.com/gallery/iron-eagle-1986-4k-hdr10-restoration-before-after-frame-comparisons-NTJHfb3

(Full uncompressed 4K frame-by-frame side-by-side restorations)

Technical Specifications:

• Source: Official 1080p Digital Online Stream
• Mastering & Video Suite: DaVinci Resolve Studio
• Audio Remastering Suite: Steinberg Cubase
• Container / Format: Matroska (.mkv)
• Video Codec: HEVC / H.265 (Main 10@L5@Main)
• Resolution: 4K UHD (3840 x 2160)
• Color Space / Dynamic Range: 10-bit YUV 4:2:0 | BT.2020 Wide Color Gamut | PQ (HDR10)
• Frame Rate: 23.976 fps
• Video Bitrate: 19.4 Mb/s (~26.9 Mb/s overall)
• Audio: 5.1 Surround Sound – Lossless 24-bit / 48 kHz Linear PCM (6,912 kb/s)
• Total File Size / Runtime: 21.9 GiB | 1h 56m

Project Workflow Highlights:

• Cleaned up generational digital streaming noise, macroblocking, and compression artifacts while preserving authentic 35mm film grain.
• Resolved clarity across cockpit avionics, aerial combat dogfights, desert textures, and close-up facial details.
• Rebuilt dynamic range in DaVinci Resolve with balanced contrast, natural daylight skies, and rich shadow detail during low-light sequences.
• Mastered audio in Cubase with clean uncompressed 24-bit 5.1 surround sound.

⚠️ ATTENTION TO INBOX LURKERS / IMPORTANT NOTE:

>This post is strictly a visual showcase and technical workflow retrospective. Per community guidelines and copyright policies, direct download links are not hosted or distributed here. Direct link requests or download begging in my inbox/DMs will be completely ignored.

Support & Follow the Projects:

If you dig these archival restoration breakdowns, check out my channels for future projects, restorations, and audio work:

• Facebook:Restore Digital Video
• YouTube:Dawn Of Dreams (@Dawn-Of-Dreams07)

If you don’t know already, Project Mina is an upcoming video editor that was inspired off my current distain for how greedy video editing softwares has gotten. Some may be free but charge for very simple and essential tools. As well as how simple and powerful phone editors like Videoleap can be. Which reminded me of how cluttered and confusing desktop editors can be to the point of scaring off beginners. Why can’t desktop editors be straightforward too? Why do phones get one click rotoscope, easy chroma keys, and perfect easy to use effects, but desktop can’t? My goal with Mina is to have something powerful as desktop, but easy to use like phone editors, declutter and have beautiful UI. Oh and it will be 100% free forever, no in app purchases or sign ups. 100% offline.

Still work in progress, but I got some things done, so here ya go!

Feel free to ask me anything btw!

Backrooms: Async will be getting an update today as soon as I get out of work! :)

Anyone who already has a link to the project will automatically have access to the updated version once it's ready. If you haven't seen the project yet and would like to check it out, feel free to DM me for the link!

I've made quite a few changes and improvements since the original release, so if it's been a while since you've watched it, I'd definitely recommend giving it another look.

I should have the update uploaded sometime after 6 PM EST today. :)

Thank you all so much for the continued love and support for this project! It really means a lot. ❤️

Ever since this video, I really wanted to do an edit following it. What if the extra villains and plotlines from the licensed games actually happened in the Sam Raimi Spider-Man timeline?

I don’t have the space to do a full series, but I put together a “pilot episode” to see what this would look like. I started with the “second episode” after Peter loses Uncle Ben because that would be the ideal place to showcase what this project would entail. Tl;dr, After Peter fully becomes Spider-Man, he has to deal with Vulture and Shocker while trying to get a job. The timeline's been messed around with.

Probably the biggest obstacle and reason why I might not try a full series is the use of gameplay. Unlike Insomniac or the Arkham series, you can't cleanly make the gameplay look like a real movie. There isn't even a mod, to my knowledge, to remove the HUD or otherwise I would have tried capturing the footage myself. I tried to cut down on parts like the sewer level to make it feel less gamey, but this type of edit will have to ask you to accept the artifice a bit.

Footage from: 

• Spider-Man 1.1 Extended Cut by GrapefruitEqual4637
• The Twin Towers Promo HD
• Longplay of Spider-Man: The Movie from LongplayArchive

If you already have my google doc, it's there. If you don't, DM me for link!

Additional Note: I nabbed GrapefruitEqual4637's edit from a public link in FanEditedMovies. I tried to contact, but hasn't responded. Given they haven't posted for five months and the link was public, I felt like it wouldn't be harmful if I released this now. If they come to me and ask to take it down, I'll do it and find an alternative source.

Hello There!

After my Batman edits, some users asked if I would do the same for the 1989 film. At the time, I replied that I wasn't very interested in editing it, as I didn't see the need; however, after watching the movie with my girlfriend, I realized there were certain things that really didn't need to be part of the story, such as him sleeping upside down like a bat.
So, I decided to focus on these minor issues that, in my opinion, take me out of the story a bit. This isn't a drastic edit that alters the storyline, but I believe it will appeal to those who want to see a version of the story that focuses more on Batman and the Joker.

🔧 Changes Made

• Added a new DC logo intro.
• Removed the opening credit scenes.
• Reworked the dialogue between Eckhardt and Jack Napier in the alley.
• Removed Knox's "Hello, legs" line from when he meets Vicki Vale.
• Removed the scene where Vicki Vale wakes up in the middle of the night and sees Bruce Wayne sleeping upside down.
• Removed the scene where the Joker reads the newspaper after killing Grissom.
• Removed the scene where the Joker tells Bob he's his right-hand man.
• Removed some POV shots of the Joker's henchmen trying to catch Batman and Vicki during their escape from the museum.
• Redid the sound effects for the fight with Joker's henchmen following the car chase with Vicki.
• Removed the Batmobile scene before the Joker goes to the city in the final act.
• Redid the sound effects for the fight with Joker's henchmen at church.
• Reworked various lines of dialogue throughout the film, but none that warrant special mention.
• Added the text "In Memory of Bill Finger".
• Replaced the pop song with the theme of Joker's theme from Batman The Animated Series.

🎞 Based on: Batman (1989)
🎬 Fan Edit Title: Batman Caped Crusader
📁 Format: MP4 – 1920x1080p – Stereo Audio
💬 Subtitles: Included
⏱ Original Runtime: 2h 06min
⏱ Fan Edit Runtime: 1h 53min
📉 Difference: -13 min

My other edits from Batman universe:

• Batman Caped Crusader
• Batman The Long Christmas
• Batman Continues
• Gotham Knights
• Catwoman
• The Dark Knight Extended
• World's Finest

PLEASE DON'T ASK VIA THE COMMENTS FOR A LINK. Follow my profile — the link will be in the social media section under the name "ALL EDIT'S". If there’s any you want and it’s not available through the link provided just let me know too.

⚠️DISCLAIMER. Respect the studios and intellectual properties by purchasing the original Blu-ray or the official digital version. You must own an officially released copy of a film to legally watch a fanedit.

I officially announce that I am going to make a Justice League 2 fan edit using footage from multiple movies! And a bit of AI, just not AI generated footage.

Here is some leaks for the edit! Now I know these images are from The Flash movie, but that’s because there will be a scene where the Justice League save Gotham. There will also be a scene where the Justice League are in the Batcave, watching the news about the world fearing them.

Stay tuned, my fellow Snyder fans! (And watch out for more leaks!)

Hey everybody, I just wrapped a fairly extensive project making "marathon cuts" out of the X-Men The Animated Series seasons, plus the two X-Men '97 seasons recently released. I was inspired by the old, poorly made Dragon Ball Z orange box sets that included a marathon mode that removed all of the credit sequences besides the very first opening credit and very final closing credit for each disc.

So, I took the same approach to the animated X-Men and now Spider-Man animated series from the 90s. I had so many tapes and dvds from Spider-Man that approached the show in the same way, threading episodes along without credits. Ultimately, cutting the mid-credits saved an hour of time, since the uncut runtime of the series is 21 hours, 49 minutes versus the 19 hours, 55 minutes of the final fan edit runtime.

I have one video edit made per season. I also have a combo edit of The Incredible Hulk series from the 90s if you're so inclined to check that out. All have an added VHS filter applied to help the shows look more like we remembered them.

Send me a message if you'd like to watch!

Hello everyone, it’s been awhile since my last contribution. I’m always playing with ideas in my head for a unique fanedit and the majority of them are just not feasible.
But sometimes, sometimes you find just the right film/s to help bring a special idea to life.

My idea was relatively simple. A backrooms movie that takes place in the protagonists dreams. Affecting their waking life along the way.

Most movies I could think to fit this mold fell apart narratively as the movie goes on. What’s the point of the dreams? How do they correlate to waking life in a film that has nothing to do with the backrooms? Well, that part was tricky and I knew I’d need to pull something good off to make it work at all. Just as I was about to give up, my research led me to a film I had never even heard about. And it was Perfect. Just what I was looking for.

The movie is called “Come True” and it deals with dreams. That’s all I’ll say!
The footage I worked into this movie is mostly from one YouTube video titled Backrooms - Recurring Dream (Found Footage)” by S Animations
Though I also used a small portion of clips from Kane Pixels Backrooms YouTube videos. So a big shout out to these videos and artists!

Some context on story - A young woman’s troubling dreams lead her to a group eager to understand them.

I had a lot of fun working on this one. Very happy with how well this turned out, I hope you all give it a shot and enjoy!

Edit notes: I cut some scenes out to help expedite the story. Cut out the original ending and an unnecessary sex scene.

Original runtime: 1 hour 45 minutes
Backdreams runtime: 1 hour 28 minutes

Fanedit Type: FanFix
Original Release Date: 1962
Original Running Time: 110 minutes
Fanedit Release Date: August 2026
Fanedit Running Time: 89 minutes
Time Cut: 22 minutes
Time Added: 1 minutes

Join the Forum Discussion

IFDb Page: Dr. No (Double-O Cut) - Fanedit.org

Trailer: https://vimeo.com/1216026220?fl=pl&fe=sh

Synopsis:

James Bond is sent to investigate the mysterious murder of Doctor Strangways and uncover the truth surrounding Dr. No.

Intention:

Originally, I planned to turn the Sean Connery films into another season of the 007 Unofficial series. This edit focuses on the same concept of creating a straightforward spy action storyline but preserving the movie presentation. This is the movie without the “side quests” Bond so often goes off on.

Cuts and Additions:

+ Added custom intro logos
– Cut into when dancing silhouettes start, it’s just recycled visuals and drags on, cuts to the operatives being taken out
– Masked missing credits over intro backgrounds
– Adjusted end of credits and added a bun barrel zoom in on the operatives' playing cards at the table
– Removed jump cut when Strangways secretary is killed
– Cut Bond wooing Money Penny
– Cut the Baretta vs Walther PPK scene, Bond now gets his assignment, and we transition to the plane.
– Cut Bond hooking up with Sylvia Trench
– Slowed the shots of Bond fighting the driver as the scene is sped up
-/+ Removed jump cut when Bond holds the picture of Strangways and Quarrel by inserting a shot of him holding the picture
– Cut Professor Dent talking about Strangways’ secretary
– Cut Miss Taro subplot
+ Added shot of Bond holding and reading the telephone note that tells him someone has information on the Strangways murder and to meet them at the Magenta Drive house
– Sped car going over the hill as the scene is slowed down
– Removed Professor Dent grabbing his gun and realizing it is empty and Bond’s response of “That’s a Smith and Wesson professor and you’ve had your six.” I did a little research, and the gun is actually a 7 shot which makes the line irrelevant and Bond less aware and lethal. Now Professor Dent reaches for his gun and Bond takes him out.
– Trimmed up boat scene. Boat shows up, cruises by but doesn’t see them. No megaphone, no machine gun, no music (click to see scene)
– Cut Honey’s initial response to Bond knifing the patrol soldier in the water
– Removed music from scene as they enter the Danger Zone
– Removed hideout scene
– Trimmed Bond walking away from the guards after he is handcuffed in the swamp
– Cut drugged coffee scene as it only is used to introduce Dr. No’s mechanical hands. The maid now shows them their room, shows Honey the closet with new clothes, then she walks out. Bond and Honey drink coffee, Honey says the place is like a prison, added an external hallway shot, then we see Honey looking through the clothes, the maid returns and announces it’s time for dinner, Bond and Honey walk into scene and go with the maid to the elevator
– Zoom cropped out Bond's hands during the table scene when he is holding the fork as it keeps disappearing in far shots
– Trimmed scenes in the airduct to remove the water and James falling down the pipe where it is obviously a stunt double
– Cut Bond and Honey on the boat scenes. The movie now ends with the explosion of Crab Key Island
+ Added "THE END" and "James Bond will return in From Russia Without Love" (this is the next James Bond edit that I will be completing in the near future.

Thanks to everyone who has shown interest. Happy Viewing!

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