For me, S3 Finale being the end would be a perfect run. We still get Ackles as Soldier Boy and all the best plots, the show would bow out with a perfect run. I so want this for a rewatch without, imo, the ending being no where near worth the investment.

I just don't know how hard it would be to incorporate S5 finale >!with Homelanders death scene!< into the end fight in S3? You'd have to change the entire background somehow. Anyone have any ideas?

So I know you're all thinking, "Why hasn't Scissors Cuts Entertainment posted anything new lately?" Well I've been hard at work on several fan edits, first I was hoping to post The Flavors Cornetto Trilogy, but due to the fact I was unable to find deleted scenes to The World's End, and a lack of cooperation from the community, I've only made fan edits of Hot Fuzz and Shaun of the Dead. Next I've made a perfect fan edit just in time for the end of school and the start of Summer, the cult classic comedy, "Dazed & Confused". And for anybody who liked my fan edit of the H. P. Lovecraft story, "Color Out of Space" starring Nicolas Cage, I've got another Nick Cage film for you all... Mandy. And I'm also working on The Punisher (1989) starring Dolph Lundgren (Rocky IV and Masters of the Universe). So be patient and wait for these fan edits, because Scissors Cuts Entertainment isn't done yet.

Like the Rocky V edit, this is an HD recreation of an already existing edit, one by Uncanny Antman. Just like Rocky V, I will make the distinction between what Uncanny Antman did and what BaileyEdits added.

Just the opening alone was enough to hook me in. The camera moving from the water, to the skyship and the Terminators dropping down, cutting to John Connor's face as he wakes up is such an effective tone-setter. It does its job MUCH better than the actual intro to the movie, which might as well have John go up to the camera and go "yeah, all that stuff about fate being what we make for ourselves was total horseshit". In general, toning down the Judgement Day/fate is inevitable stuff was for the better, as there is actual tension now when the heroes try to stop Skynet from happening, while John and Kate's relationship isn't hamstrung by the suggestion them getting together is destiny's doing. Besides those, there was quite a lot that Uncanny Antman removed, most of which I can't say I miss. Both Terminators have had their lines trimmed to make them colder, which I like. The TX is more threatening, while Arnold's more subdued demeanor works for this movie since this version of him had successfully killed John in the future so even before the reveal there's something "off" about him. In some cases, the edit manages to be funnier than the original scene. When Arnold is locking up Kate in the car, the fact he just shuts the door after getting the information he wanted is infinitely funnier than him spelling out "I lied" for the audience's benefit. Between those and some good scene rearrangements, T3 is made better. BaileyEdits kept some lines in that Uncanny Antman cut, which I like and agree don't harm the movie.

I'm mixed about downplaying John's attachment to Arnold. While I agree that John should know the difference between his Arnold and the one here, I can't say I miss those scenes, something does feel lost when T3!Arnold reveals he was the one that killed Future!John. It's the conclusion of a story arc that never started in this version, seemingly a pointless detail now. At least two instances, Bailey (and maybe Antman) employed slow-motion to get around specific scenes. The TX shooting Barrera could be forgiven, but at 19:38-19:43, it's odd that John's footage is slow while Arnold is walking normally... maybe if both were in slow motion it would look better? While the video and audio quality is good, there are times where a scene is cut/trimmed where you can hear the music cut off for the next part (10:10 and 39:16 come to mind). Strictly in terms of adapting Antman's work, there's mention of vfx work done in the original that Bailey was unable to replicate. I don't think it's a problem to the recreation but felt like pointing it out.

While I have quibbles, The Coming Storm is honestly a solid movie. Not on the level of 1 and 2, but the work done by Antman and Bailey elevate it being at least a stronger follow up that closes the loop more effectively than the original. In addition, the ending is a whole lot better without the voice-over, the music and visuals conveying the horrifically bittersweet sentiment of Skynet having succeeded, but John Connor is ready to lead the charge against them. Good stuff.

Is StraightCutsNoChaser great or the greatest? No Time to Die is another banger, going hand in hand with their edit of Spectre. It's now a (near) perfect duology.

Just the slight increase in brightness/saturation is so pleasing on the eyes in addition to being consistent with its predecessor. It is so bizarre watching this and remembering that no, the scene in Italy was NOT the actual opening of this movie. It efficiently sets up the story and is a perfect lead in from Spectre, the real opening flashback now comes off useless even without the change to Safin's character. The opening song was remixed with parts from several different versions. It sounds freaking amazing with that drumbeat, comparing it to the original it feels missing without it. The edits make No Time to Die way more straightforward thanks to removing the bloat- trimming lingering shots like with Spectre, no more repeating the same exposition of Heracles so that it can actually be built up over the runtime, not even the non-mystery with Madeline's child. The result is a well-oiled machine, twenty minutes shorter has the parts move story with efficiency. Extra points for simplifying the climax so we can pay more attention to the action.

For a first, there is one thing in this edit I didn't like. Namely, the flashback at the 1:04:44 mark. There's a rather awkward fade-in to the scene, with bits from Spectre to make it clear this was the story Madeline was telling Bond. While having the narration makes sense, the Spectre clips feel clumsy in the scene. Perhaps a better way to enter might be to let Madeline open the box, see her reaction, then hardcut to the flashback of Safin breaking into her house. I do at least like it cuts away after Young Madeline shoots Safin, he comes off creepier since we don't see him save Madeline or without his mask off.

Aside from that, this is still a great effort from StraightCutsNoChaser, who seems to specialize in "wait, this isn't the theatrical version?" type edits. Check it and their cut of Spectre when you can.

Additional Notes:

• Because of Bond's looser attitude in this film, he and Waltz had a more enjoyable chemistry compared to Spectre. It got to a point I actually hated the fact Blofeld got killed off in his one scene. My thoughts on the family connection? Meh. I vibe with it better in Chaser's edits because the presentation wasn't nearly so dour and pretentious as to be unfitting, but it still feels underdeveloped with one movie and an extra scene in the next.
• Not about the edit, but the movie itself. Lashana Lynch is awesome and I hope she gets an action movie all to herself.

Hi everyone,
After finishing the series finale of The Boys last night, I couldn’t help but think how much better Season 5 would be as a movie. Since there was arguably a lot of filler and inconsequential moments (including scenes that purely exist to set up Vought Rising, and the whole V1 subplot seemingly going nowhere as the final events could have still happened without it), I’m wondering if others feel the same way? I could honestly imagine a tighter/condensed version of Season 5 presented with the length of a feature length film. Please let me know if anyone is willing to execute this or had similar thoughts/ideas.
Thanks!

Spence said in a comment his edit of TPM was a version of the movie he was happy with. Okay, challenge accepted. I finished watching it just now.

The prequel trilogy infamously have a slow, stilted feeling that makes watching them a chore to sit through. Spence's idea for this and the trilogy as a whole is to edit the moment-to-moment action. Obvious stuff like Jar Jar antics and Midichlorians are cut down, but every scene is touched up or trimmed in some way to improve the pacing. Palpatine ordering to attack the Jedi, and it immediately cutting to the ship being destroyed seems like such a no brainer in retrospect. The scene where Qui Gon and Obi Wan meet Boss Nass, it's frightening how just two small changes– removing Nass' tics and the explanation of the planet's core– just make that scene morre tolerable and interesting to sit through. Nute Gunray and his lackey are never going to be anything resembling good villains, but they feel just a tiny bit more dignified in the edit since they're not complaining about the two Sith Lords this time. Let me lay this out: in the theatrical cut, the heroes arrive on Coruscant by the 1:22:36 mark. By that same time in Spence's edit, they're taking off to Naboo to beat the Trade Federation. This is even with the addition of (admittedly minor but still good) deleted scenes in the mix. I could list every change made, all of them for the better, but for the sake of the review I'll just say that it's a bit easier to see why Spence says TPM has "the best shape" in its theatrical form.

My gripes with the edit itself are fairly minor. Qui Gon's line about Jar Jar nearly getting them both killed doesn't make as much sense since Qui Gon saved his life rather than Jar Jar jumping on him. 28:58 has an odd cut made to remove an unfunny Jar Jar joke, which hey I'm not complaining about but it's worth noting. I question if Spence could cut the scene in 1:03:49 to have Maul just reappear to attack Qui Gon and Anakin during their escape attempt. While Coruscant is better in this version, the podracing and final battle feel interminally long though I'm not going to knock points from there. Spence didn't rock the boat too much with this one, so i think even people who like TPM as it is will like what he did with the edit.

Do I like the film better thanks to Spence? Not really, most of my other problems with TPM are still here and I'd like to not see this movie again if I can. But Spence did a decent job and I was (at least initially) happier watching this than the original. The quality is as good as usual and faster pacing did make a significant difference in this case.

Additional Note: I wish the other Prequels kept using film instead of switching to digital.

So season 5s ending completely sucked. I think the closest thing to a good finale is season 2, so i'm going to chanhe my rewrite so season 2 is the ending.

Season 1 will stay the same.

Season 2 will basically be season 3 and end with Soldier Boy dying.

Season 3 will be season 2. Obviously I will edit it to flow better. Soldier Boy will die and Butcher will live.

The season 5 ending scene will be used.

Frenchie will die somehow. I will use some parts from season 4 & 5 of the Boys like A-trains redemption, the assassination run, etc.

Basically becuase you can't just stop watching after season 2, my edits purpose is to not miss out aby good moments like Soldier Boy and to make the season 2 finale seem definitive and a proper conusion. I also think it will be stronger if we see more happen before.

The editor is krausfadr, who is no longer active. Would love a PM if possible!

For those that know Naruto, it’s the Gaara retrieval arc.
Naruto Shippuden Season 1.
32 episodes.
Current runtime: 4.5 hrs

If you don’t know Naruto, and want to check it out -
Feel free to check out my cuts! It’s a great story!

RN MOVIES PRODUCTIONS Presents:

Star Wars Episode III: Revenge of the Sith The Anniversary Cut

PART I
As the CLONE WARS reach their end, Obi-Wan and Anakin lead a final push to defeat the Separatists, while an old friend uncovers a deeper threat...

PART II
With victory at hand, the Republic begins to change. As the Jedi face a growing darkness. The galaxy will thrust into a NEW ERA that will change the future forever...

DISCLAIMER!!!:
Created as a tribute for the 21st Anniversary of
Revenge of the Sith.
This is a non-commercial fan edit AND
is NOT intended to promote piracy.
All rights belong to Lucasfilm Ltd. and Disney.
Please support the official releases.

OFFICIAL RELEASE:
TODAY!!!

INCLUDES:
Revenge of the Sith
5 Deleted Revenge of the Sith Scenes
The Clone Wars Season 7 Episodes 9-12
Clone Wars 2003’s Battle on Coruscant
The Bad Batch Season 1 Episode 1
A scene from Tales of the Jedi Season 1 Episode 5
A scene from Tales of the Jedi Season 1 Episode 6
A scene from Tales of the Empire Season 1 Episode 4
Obi-Wan’s Message from Rebels Season 3 Episode 19

With Order 66 scenes from:
Obi-Wan Kenobi Season 1 Episode 1&5
The Mandalorian Season 3 Episode 4
Flashback from Jedi: Fallen Order

hello, I am looking for a completed edit of The Hobbit films but in a two film structure. it has the Gandalf stuff but removes the eagles. I know the name of the editor but I do not know if it’s allowed that I poost that. I can’t find him under a user name. any way does anyone have this edit?

Hello fan editors. I'm preparing my first fan edit (upscaled and rescored) for release. In the absence of my experience I have some questions:

1. Which file sharing service is allowed if the file is larger than 40 GB?

2. I am also preparing teaser (verical) and trailer (horizontal) for release. Can I post teaser here without the project name? (easter egg name will be used)

3. Is it allowed if parts of that release will be also on YT for demostration?

I know that all the links to that project will be shared in DMs only.

If I have violated the rules of this subreddit with these questions, please forgive me for my inexperience.

Thank you in advance for your help.

PRESENTING THE COMPLETE TWIN PEAKS TV-TO-MOVIE FAN FILM COLLECTION

All the episodes of the TV series TWIN PEAKS and TWIN PEAKS: THE RETURN carefully, lovingly edited together as 7 feature-length fan films, with additional music by Angelo Badalamenti.

TWIN PEAKS: WHO KILLED LAURA PALMER (Part One - 2hr 26min)
Made from the first 8 episodes of the original series' first season.

TWIN PEAKS: WHO KILLED LAURA PALMER (Part Two - 2hr 22min)
Made from the first 10 episodes of the original series' second season.

TWIN PEAKS: WINDOM'S GAME (1hr 41min) NEW!!
Made from episodes 2, 11-19 of the original series' second season.

TWIN PEAKS: BEWARE THE BLACK LODGE (1hr 38min) NEW!!
Made from episodes 20-22 of the original series' second season, and one scene from Fire Walk with Me: The Missing Pieces (iykyk).

MR. C (2hr 38min)
Made from the first 10 episodes of The Return.

DOUGIE (2hr 38min)
Made from all the scenes where Dougie appeared in The Return.

TWIN PEAKS: THE RETURN OF AGENT COOPER (2hr 35min)
A finale 25 years in the making, made from scenes with the Twin Peaks Sheriff's Department and the final episodes of The Return.

Please DM me for links! Cheers!

I combined Jon Snow’s scenes with minor edits to make it into a movie. It covers Seasons 1 and 2. I also added music during Jon’s arrival at the Wall.

Subtitles in english and spanish.

Runtime: 171 min.

https://preview.redd.it/qd9i3hhl412h1.png?width=1774&format=png&auto=webp&s=64191b41e0a31ca325ccb64bea43697a9eaadc81

https://preview.redd.it/fbz4w9r9qp1h1.png?width=512&format=png&auto=webp&s=816d715c53c52aefb1893da716bf38cff1081e1a

Hello r/Fanedit community,

I'm thrilled to announce the release of the sixth installment in my ongoing fan edit series: The Way of Mandalore - Book 6: Yaim'ol.

This ambitious project integrates Din Djarin's crucial chapters from The Book of Boba Fett with a radically restructured The Mandalorian Season 3. The result is a cinematic experience for The Mandalorian unlike an other fan edits out there.

VFX/Feature Trailer

Story Trailer

The Way of Mandalore Book 6: Yaim’ol

The Way of Mandalore Book 6: Yaim’ol aims to deliver the definitive conclusion to my Mandalorian saga by radically reshaping the final stretch of the story into a larger, more mythic, and emotionally satisfying feature film experience.

Where Book 5: The Apostate isolated Din Djarin and focused on his exile, atonement, and lonely return to the Creed by removing Grogu's reunion in BoBF, Book 6: Yaim’ol brings the scattered threads of Mandalore back together. This film restores weight to Din and Grogu’s relationship through an entirely reimagined reunion on Yavin, brings Boba Fett back into the heart of the storyline as an active ally in the liberation of Mandalore, and reshapes the final conflict into a broader, more EU-inspired Mandalorian war story.

This is not simply a trimmed version of The Mandalorian Season 3. It is a full narrative reconstruction with thousands of individual edits, extensive restructuring, new audio design, new music, alien language replacement, Mando’a integration, extended Din Djarin flashbacks, visual refinements, deep Legends and Canon references, and countless details designed to make the film feel like a true continuation of The Way of Mandalore saga.

Synopsis

After walking the lonely path of the Apostate, Din Djarin has been redeemed in the Living Waters, but redemption is not the end of his journey. With Mandalore stirring from the ashes, scattered clans begin to gather around a fragile hope: the restoration of their ancient homeworld.

But the shadow over Mandalore is far greater than any one tribe can face alone.

As Bo-Katan Kryze attempts to unite a fractured people, old wounds and rival visions of Mandalorian identity threaten to divide them before the battle is even won. Din, still haunted by the loss of Grogu and by the childhood trauma that shaped his life beneath the helmet, must confront what it truly means to be Mandalorian.

Meanwhile, on Yavin, Grogu’s path intersects once again with Din’s in a newly constructed, emotionally earned reunion that restores the heart of their bond without undoing the weight of their separation. Their return to each other becomes the emotional center of the film and a turning point in Din’s final arc.

And as Mandalore prepares for war, an old legend re-enters the fight.

Boba Fett returns to the storyline in a major new role, aiding the Mandalorians on Mandalore and standing with them in their fight for survival.

Inspired by the Expanded Universe and reshaped through a heavily revised plot structure, Yaim’ol transforms the final battle for Mandalore into a sweeping story of return, inheritance, brotherhood, and identity.

Intentions

The Way of Mandalore Book 6: Yaim’ol aims to provide a distinct and immersive viewing experience by:

Restoring Boba Fett to the Mandalorian Story

Reintroducing Boba Fett as a meaningful presence in the Mandalore storyline, giving him a major role as he aids the Mandalorians in their fight to reclaim their homeworld.

Rather than leaving Boba disconnected from the fate of Mandalore, this edit brings him back into the larger mythos and uses his legacy, history, and relationship to Mandalorian identity to enrich the final chapter.

Creating a New Din and Grogu Reunion on Yavin

Constructing an entirely new Din and Grogu reunion sequence set on Yavin, designed to feel emotionally earned after the long separation established in Book 5: The Apostate.

This reunion reframes their bond as the emotional heart of the final film and gives their return to each other the dramatic weight missing from the original structure.

Building a Brand-New Plot Structure

Radically restructuring the source material into a new feature-length narrative with a stronger dramatic spine, clearer escalation, and a more satisfying payoff for Din, Grogu, Bo-Katan, Boba Fett, and the Mandalorian people.

Expanding Din Djarin’s Inner Journey

Adding extended Din Djarin flashbacks. These flashbacks are used to reinforce Din’s emotional arc and give greater meaning to his choices in the final conflict.

Drawing from the Expanded Universe

Infusing the film with Legends and Expanded Universe inspiration through thematic choices, lore references, visual details, dialogue, worldbuilding, and easter eggs.

The goal is to make Mandalore feel older, stranger, more mythic, and more connected to the broader Star Wars history that longtime fans recognize.

Applying Signature “acbagel” Editing Techniques

Using the familiar Way of Mandalore editing approach: aggressive restructuring, invisible continuity work, new scene context, reframed character motivations, altered pacing, new audio transitions, visual polish, deep continuity stitching, frame-by-frame action choreography fixes, and thousands of edits.

Enhancing Alien Authenticity

Replacing select English alien dialogue with new alien languages and vocalizations, with subtitles where needed, to increase immersion and restore a more authentic Star Wars atmosphere.

Alien species speak like alien species, not simply humans in costume.

Integrating Mando’a

Adding authentic Mando’a dialogue throughout the film, supported by stylized integrated subtitles, to strengthen Mandalorian culture and make the clans feel more distinct, ancient, and lived-in.

Overhauling Music and Sound Design

Reworking the soundtrack with new musical cues, adjusted score placement, enhanced transitions, and a more cinematic audio identity.

Sound design has also been extensively rebuilt with upgraded blasters, ships, weapons, ambiences, creature sounds, battle layers, helmet processing, and environmental detail.

Reimagining Plazir

Transforming Plazir into a more visually distinct location through the “purple Plazir” color treatment, giving the world a richer and more stylized identity while better matching the tone of this restructured film.

Deepening the Battle for Mandalore

Reframing the Mandalore conflict as the culmination of the saga rather than simply the endpoint of a season.

The final act is designed to feel larger, more dangerous, and more emotionally connected to the Mandalorian people, with Boba Fett, Din, Grogu, Bo-Katan, and the clans all feeding into the same restored narrative purpose. You DON'T want to miss Paz's last stand.

Offering a Unique Final Vision

Providing fellow fans with a transformative, emotionally driven, lore-rich conclusion to The Way of Mandalore that honors Din and Grogu, restores Boba Fett to relevance, leans into Mandalorian culture, and gives the retaking of Mandalore the mythic weight it deserves.

Fanedit Details

Fanedit Name: The Way of Mandalore Book 6: Yaim’ol
Original Work: The Mandalorian Season 3, The Book of Boba Fett, and additional Star Wars source material as needed
Type of Fanedit: Major Overhaul / Restructure, Character-Focused Movie Edit, Narrative Reimagining, VFX Enhancement, Audio Enhancement, EU-Inspired Mandalorian Saga Edit

Technical Specifications:

• Format: MP4
• Resolution: 4K
• Video Codec: H.264
• Audio: Stereo AAC
• File Size: Approx. 31 GB
• Subtitles: Includes integrated subtitles for Mando'a and non-English alien dialogue.

How to Obtain

Please send me a Private Message or comment here for information on how to obtain the fan edit.

I sincerely hope fellow fans enjoy this drastically different take on the final battle for Mandalore, and I welcome constructive feedback.

This is the Way.

Disclaimer

This is a non-profit fan edit created for transformative and educational purposes only. It is not intended for commercial use. All source material is the property of Lucasfilm Ltd. and The Walt Disney Company. Please support the official release.

Hi all. I watched the original Birth of a Nation recently, and was fascinated by it, but also turned off by the absolute racist sentiments. So I decided to do a less - racist cut, but am unsure how to approach it. How would you do this?