r/mixing

Hi all, I would really appreciate if someone could give me some advice on how to mix this track. Or if anyone is willing to mix for a low price, that would be very much appreciated!

It’s a hyperpop track in the style of Jane Remover, ericdoa and underscores. I’m finding it very hard to balance all the sounds and keep it punchy.
Thank you in advance!

https://drive.google.com/file/d/18o8nqIo1lJLO38lkuJdwT13qTUawWbpH/view?usp=drivesdk

I have tried everything but I’m not able to fix this mix. It sounds harsh, there’s sibilance that the de esser is not able to control. Vocals are recorded on RODE NT1a. There are lower mids that don’t sound good in some parts. Please help.

https://voca.ro/11XCLB4QTsVE

I’ve spent a good amount of money in the past few days with a guy who was mixing by music in a studio. He charges by the hour. I recorded a 2 1/2 minute song, knowing all the lyrics and the cadence perfectly.

He said he wanted me to go line for line so he could “clean up the vocals”

After each line, it sounded like he was putting it in reverse, while it made sort of a washing sound

Felt like he was wasting time but idk anything about mixing.

Does anyone know if he was wasting time or is there an actual thing he was doing?

Hay algo que me tiene pensando mucho últimamente...

Hace años que mi pareja intenta vivir de lo que estudió y ama que es la mezcla y el mastering

Probamos de todo: publicidad, redes, web, contenido... y aun así no logramos que despegue

Hoy estamos bastante angustiados, pero no queremos rendirnos

Así que vengo a preguntarles algo: si ustedes estuvieran en nuestra situación, qué harían para conseguir los primeros clientes como profesional de mezcla/mastering?

Me interesa especialmente escuchar la opinión de personas que trabajen en la industria o que hayan conseguido vivir de esto. Cualquier consejo, experiencia o idea nos puede ayudar muchísimo.

Gracias!

I know this isn't fully mixing related, but I only have one Friday Night Funkin' song I mastered for my friend (don't judge), and I found out I really enjoyed mastering music. Though it is the first mastered song I've done, I want and try to master more songs for other people, but I have no idea where to get songs if I do not have mastered songs. Is there any tips on how I can master songs for free to build a resume, and then hopefully begin to sell mastering services to others? I may be jumping the gun as I don't know what's fully the extent of mastering, even though I have 2 years of messing with actual mixing. IF, I'm overestimating my abilities, I will look though and collect as much data as i can to further my abilities and apply them before actually seeing to master songs. Thank you for reading, and if this is the wrong subreddit for this, please direct me to the right one ❤️

EDIT: Extra info is that I've produced songs, but not any of to par of what should be studio quality. I've messed with compressors, limiters, saturation, almost any type of effect plugin. I use FL Studio, and have been doing so for 4 years. I do actively listen to music (this is important) so I have an eye on what sounds studio quality and what doesn't. I have tons of mixing plugins, and I actively push myself to learn each and every one of them.

I'm trying to make a mashup of two songs but I'm new to using stuff like Reaper and I don't know how to match the tempos. I apologize if this is easy but I can't figure out how to make them work.

https://vocaroo.com/1nYsWD7qqji4

I tried everything from cutting out the lows of the cymbals or give them more reverb to by more atmospheric. It always feels like the aren't in the mix and only to high end of the transients came through the mix.

I'm using programmed drums with a sample kit from chango studios called FOP kit. Its pretty old but I like it. Could be the sample a problem?

Hello,

My client sent me 16‑bit / 44.1kHz stems. I mixed the track in Ableton with the project set to 88.2kHz / 32‑bit float (I use these settings for all projects I work with in Ableton). The mix is done, and now I’m wondering what the ideal export settings are.

I know that exporting at a higher sample rate won’t magically improve the original 44.1kHz audio, but:

• Should I still export at 32‑bit float, since that’s what the session is running?
• Does exporting at 88.2kHz help the reverbs, delays, and other time‑based FX that were processed at the higher rate?
• Or is it best practice to just export at 44.1kHz / 24‑bit for delivery?

https://drive.google.com/file/d/1VddOVLLrb3EL9I5sULdbMZctW5ZjEuKH/view?usp=drive_link

I'm a beginner at mixing but I've taken courses on sound design, music theory, and music physics so I'm no stranger to how it all works. I've also viewed tutorials on mixing music just like this and gleaned some helpful tips and information.

Setup: Audio interface is Audient ID24. I'm using FL, recording guitar direct line in then through guitar rig 7, and drums with EZdrummer 3. Vocals on a Shure SM58.

My issue is I seem to always end up with tracks that feel distant, and lack clarity, punch, and loudness. The example attached shows this. The track sounds great, but it also kind of sounds like there's a wall in front of the music. I need help pulling everything forward and making it pop.

My mixing tendencies usually leave me feeling like I'm going in circles and not really making anything sound better. Usually, I listen to my old mixes and feel like I've downgraded. They are louder, and clearer. My mixes now are more balanced and cleaner, but like I said, feel distanced and spacey compared to the old ones which were awesomely in your face.

Some notes:

- I always feel like my recordings and dry tracks are quiet, and I always boost them with compressors. I use compression on literally every track. I don't apply it on my busses or else the tracks compete for loudness and drown each other out. I kind of understand compression but am probably using it wrong. However, it works well to get the loudness I need.

- I feel I could be overprocessing, but I try and keep things very simple. Usually just add effects if needed, boost with compression, eq, done. Sometimes I eq first as well before running through effects to pre-stage the sound.

- Unfortunately, I never end up being happy with my EQ, and I keep tweaking them feeling like I can't draw out the frequencies I feel I'm missing, no matter how much I boost them in EQ. In the attached track, the high end and low end feel empty, and my ears long for those frequencies.

- I add compression on my master send, sometimes two to boost the sound more. Adds a bit of the loudness and clarity I need but it feels like a bandage on a wound that needs much deeper repair.

TLDR: track feels distant and muddy. I am potentially overprocessing but can't seem to get the loudness I need without uber compression boosting. Mainly this is a loudness/distance issue.

If anyone is willing, I will send the stems without processing to analyze them further and will add you as a contributor on the track :)

Hi! I've been making some stuff on and off in FL studio for a while. Mainly inspired by sountracks of games I like. And I listening back to some old stuff I am not used to hearing anymore, I realize that I've been practicaly ignoring sound selection and mixing.

So, are there any resources to get some basics down? I looked a bit and everything I found so far only really explains what the various plugins do, but not how actually to use them, what to look for etc. I know what an EQ does, what I don't know is how to figure out which frequencies I should boost/tone down during a mix.

Thanks in advance!

https://voca.ro/19sRXyokuEaT

thats the song im working on its just an intro and verse but i need to know how im doing loudess wise and how do i make the drums pop better wit the guitar.

I started recording and mixing songs about a year and a half ago. No singer yet, but all instruments are real perfomances except for the drums which are midis I wrote.

I think my mix are getting there, but there is still room for improvement and I’m not sure where to get it.

That’s why I try here.

Have a good listen!

Also that’s a pic of Guinness, my cat.

Hey all,

Thinking of purchasing the UAD Apollo Twin X Quad Gen 2, as I want to upgrade my sound and be able to record through the unison preamps. I currently use a Focusrite Scarlett solo 4th gen and the Shure SM7db, running it into my M1 MacBook Air and using Logic Pro as my DAW of choice.

I make a variety of music including emo rap, melodic rap, boom bap, rage rap, pop, R&B, emotional singing, and more. I use beats from YouTube or BeatStars, and I mainly record vocals, and occasionally electric guitar or acoustic guitar.

What would the sound quality difference be when comparing these two setups? I’m in an untreated bedroom, car or kitchen most of the time, and the SM7db is really good at rejecting the acoustics of my room and some of the background noise, especially when paired with the Waves NS1 noise suppressor. Will there be any noticeable difference? Do I also gain anything that I don’t have with my current setup?

Thanks in advance 🙏

Hey guys, had a query I was hoping someone can help with. I’ve been producing music professionally for about a decade now. Mostly background scores, tracks for artistes, etc. I have always premixed my own tracks, but the final mix and master for release usually goes to someone more attuned to it.
That being said, it’s always bugged me that despite working with frequencies all the time, I can’t seem to get a mix to sound record ready- and by that I mean sound overall correctly balanced enough that every other flaw could be construed as a creative decision more so than an actual issue. I have a treated room, good set of monitors, but mixing is still this dark cloud where it takes about a month, along with a copious amount of self doubt and frustration before something starts to even sound remotely release ready.
So here’s my question- I’ve been wanting to train my mixing muscle 💪. Is there any resource or recommendation anyone has for me to use so my ears can get used to what the largely correct balance should be? I’m at a stage where I’m moving around faders by 0.5db up or down for hours, using reference tracks, visual meters, and the works, but it comes down to me not trusting my ears for that final polish. Eventually when I throw on a mastering assistant from Logic, it makes broad EQ corrections and the mix starts sounding much better, but I struggle to figure out which individual elements were the problem areas in those spectrums to begin with.

I recently subscribed to Syntorial which has a very interesting way of training the ear through small incremental additions. Are there any such resources for mixing? Any help at all will be greatly appreciated. While my production is at an 8/10 currently my mixing is at a solid 5 at best.

PS: I have tried the Cambridge music library but find their finished mixes to be quite suspect, and don’t want to train my ears to the wrong outcomes.

PPS: I want to be at a point where the reason I send my tracks to a professional mix engineer is for taste, not for necessity.

Thank you guys!

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So I'm running a Fallout tabletop campaign based on Cincinnati and I was wondering if anyone out there could create an intro for me. I'm willing to pay for the service. If interested DM for more information and we can discuss prices as well.

Buenos días people, espero que estén súper bien y que dios les bendiga. Tengo una duda, soy de costa rica y acá se ve muy poco esto sobre ingeniería en sonido. Quisiera aprender a mezclar u masterizar. Se mezclar pero masterizar me falta a lo que creo. Se usar compresor, eq, limitador y muchas cosas de esto. Lo único que se me dificulta es la dirección. No se para donde voy cuando estoy mezclando ya. Quisiera encontrar un buen sonido y siento que eso es lo que me hace falta, un buen curso o feedback con personas que sepan. Quieres sonar alto y eso es lo único que me hace falta para estar arriba jajaa. Quisiera saber si alguien recomienda algún curso que te enseñe de verdad esto y con fundamentos y precio también jaja. Gracias a todos los que comenten 👌🏻👌🏻🫶🏻